Results for ' Clothing and dress in art'

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  1.  17
    Dressed: a philosophy of clothes.Shahidha K. Bari - 2020 - New York: Basic Books.
    For readers of Women in Clothes, a philosophical guide to fashion. We all get dressed. But how often do we pause to think about the place of our clothes in our world? What unconscious thoughts do we express when we dress every day? Can a philosophy of living be wrapped up in a winter coat? Can we see clothes not as objects, but as ideas? Dressed is the thinking person's book about clothes, exploring these questions by ranging freely from (...)
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  2.  20
    Dressing in Imaginary Communities: Clothing, Gender and the Body in Utopian Texts from Thomas More to Feminist Science Fiction.Peter Corrigan - 1996 - Body and Society 2 (3):89-106.
  3.  19
    Dressing as a Sage: Clothing and Self-cultivation in Early Confucian Thought.Naiyi Hsu - 2021 - Dao: A Journal of Comparative Philosophy 20 (4):567-588.
    This article examines the reasons early Confucians offer to support the belief that clothing is formative of its wearer’s character, as well as the arguments other early Chinese texts raise to object to it. It focuses on early Confucian discourses about three representative items of clothing, including the cap used in the coming-of-age ceremony, the accessories made by jade, and a style of clothing named shenyi 深衣. These cases demonstrate that, in early Confucian thought, clothing is (...)
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  4.  7
    The plastic of clothing and the construction of visual communication and interaction: a semiotic examination of the eighteenth-century French dress.Marilia Jardim - 2021 - Semiotica 2021 (242):17-37.
    The article presents an account of the visual relations created by garments through their plastic formants, examining the role played by form, material, and composition in creating body hierarchies that produce prescribed behaviors between different subjects. The work dissects the concept of thematic role from Greimasian theory, investigating the manners in which an eighteenth-century wedding dress presents the chaining of programs governing materials, garments, and the body in the production of narrative interactions between subjects. The work utilizes a combination (...)
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  5.  25
    Sex differences: still being dressed in the emperor's new clothes.Hugh Fairweather - 1980 - Behavioral and Brain Sciences 3 (2):234-235.
  6.  46
    Perseus in Art and Legend Jocelyn M. Woodward: Perseus. A Study in Greek Art and Legend. Pp. xiii + 98; 33 plates, 2 text figures. Cambridge: University Press, 1937. Cloth, 10s. 6d. [REVIEW]C. M. Robertson - 1938 - The Classical Review 52 (06):222-.
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  7.  35
    Disgust, Race and Ideology in Carl Franklin’s Devil in a Blue Dress.Dan Flory - 2022 - Film-Philosophy 26 (2):103-129.
    This article uses Carl Plantinga’s and Noël Carroll’s theorizations regarding cinematic disgust to analyze Carl Franklin’s 1995 film noir, Devil in a Blue Dress. Plantinga argues for a link between disgust and ideology that helps to reveal deeper cultural significance in film, which Carroll’s work likewise supports. Plantinga further argues that disgust in art may be strangely attractive as well as repulsive, thereby eliciting reflection. I argue that combining these elements with philosopher Kwame Anthony Appiah’s explanation of how moral (...)
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  8.  31
    Distance geometry and geometric algebra.Andreas W. M. Dress & Timothy F. Havel - 1993 - Foundations of Physics 23 (10):1357-1374.
    As part of his program to unify linear algebra and geometry using the language of Clifford algebra, David Hestenes has constructed a (well-known) isomorphism between the conformal group and the orthogonal group of a space two dimensions higher, thus obtaining homogeneous coordinates for conformal geometry.(1) In this paper we show that this construction is the Clifford algebra analogue of a hyperbolic model of Euclidean geometry that has actually been known since Bolyai, Lobachevsky, and Gauss, and we explore its wider invariant (...)
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  9.  22
    Comparing Patient, Clinician, and Caregiver Perceptions of Care for Early Psychosis: A Free Listing Study.Erich M. Dress, Rosemary Frasso, Monica E. Calkins, Allison E. Curry, Christian G. Kohler, Lyndsay R. Schmidt & Dominic A. Sisti - 2018 - Narrative Inquiry in Bioethics 8 (2):157-178.
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  10.  22
    Anne van Buren, Illuminating Fashion, Dress in the Art of Medieval France and the Netherlands, 1325-1515.Sophie Cassagnes-Brouquet - 2013 - Clio 38:259-260.
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  11.  9
    Anne van Buren, Illuminating Fashion, Dress in the Art of Medieval France and the Netherlands, 1325-1515.Sophie Cassagnes-Brouquet - 2012 - Clio 36:259-260.
    Grâce à ce splendide ouvrage de 431 pages, richement illustré, Anne van Buren a composé une véritable encyclopédie du costume en France et aux Pays-Bas à la fin du Moyen Âge. Sa connaissance approfondie de l’enluminure médiévale lui a permis de cerner année après année les évolutions de la mode aristocratique des cours de France et de Bourgogne, sans omettre d’évoquer les costumes paysans ou bourgeois. Comme elle le souligne dans son introduction, le costume médiéval correspond à un statut :...
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  12.  43
    Art and Literature in Fourthcentury Athens - T. B. L. Webster: Art and Literature in Fourth Century Athens. Pp. xvi + 159: 16 plates. London: Athlone Press, 1956. Cloth, 25 s. net. [REVIEW]J. S. Morrison - 1958 - The Classical Review 8 (2):124-126.
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  13.  16
    Europeanized sari. Dress and militancy in colonial India.Arundhati Virmani - 2012 - Clio 36:129-152.
    Dans le cadre des luttes pour l’indépendance en Inde (1890-1940) et du renouvellement des normes de la mode féminine en Europe, des Anglaises telles Annie Besant, Margaret Noble, Madeleine Slade quittent à leur arrivée en Inde leurs robes traditionnelles pour des habits qui réélaborent des éléments empruntés à la culture indienne. Les pratiques vestimentaires témoignent, particulièrement dans le contexte anticolonial, d’un enjeu crucial tant pour les autorités britanniques que pour les Indiens. Tandis qu’Indiens et Indiennes modifient leurs habits en réponse (...)
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  14.  78
    The semiotic character of clothing and its role in shaping the community.Dimitrios Dacrotsis - 2023 - Days of Art in Greece 14:24-31.
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  15.  8
    Manuel Mertens. Magic and Memory in Giordano Bruno: The Art of a Heroic Spirit. (Brill’s Studies in Intellectual History, 283.) xix + 243 pp., bibl., index. Leiden/Boston: Brill, 2018. €85 (cloth). ISBN 9789004358928. [REVIEW]Pietro Daniel Omodeo & Omar Del Nonno - 2020 - Isis 111 (2):388-390.
  16.  8
    The Victorians and the Visual Imagination.Kate Flint & Reader in Victorian and Modern English Literature and Fellow Kate Flint - 2000 - Cambridge University Press.
    Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.
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  17.  31
    Early Christian Art Charles Rufus Morey: Early Christian Art. An outline of the evolution of style and iconography in sculpture and painting from antiquity to the eighth century. Pp. 282; plates. Princeton: University Press (London: Milford), 1942. Cloth, 50s. net. [REVIEW]H. Buchthal - 1943 - The Classical Review 57 (03):121-124.
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  18.  31
    Dress, Ideology, and Control: The Regulation of Clothing in Early Modern English Utopian Texts, 1516–1656.Jane MacRae Campbell - 2017 - Utopian Studies 28 (3):398-427.
    Clothing is central to the worlds described in early modern utopian texts: of twenty-three utopian texts written and published in England between 1516 and 1656, 91 percent mention dress, and 82 percent contain more extensive description or comment upon clothing. Written by elite authors for elite readers, these texts assign clothing a leading role in the establishment and maintenance of social order in a range of areas, including governance, social and religious control, personal expression, and ideological (...)
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  19.  19
    GOVER, K. E. Art and Authority: Moral Rights and Meaning in Contemporary Visual Art. Oxford University Press, 2018, vi + 188 pp., 4 b&w illus., $55.00 cloth. [REVIEW]Jeremy Page - 2019 - Journal of Aesthetics and Art Criticism 77 (1):92-96.
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  20.  29
    Kathryn A. Smith, Art, Identity and Devotion in Fourteenth-Century England: Three Women and Their Books of Hours. (The British Library Studies in Medieval Culture.) London: British Library; Toronto and Buffalo, N.Y.: University of Toronto Press, 2003. Pp. xix, 364 plus 8 color plates; 145 black-and-white figures, 2 genealogical tables, and 5 maps. $75 (cloth); $29.95 (paper). [REVIEW]Margaret Manion - 2006 - Speculum 81 (1):274-276.
  21.  36
    Greek Art - J. D. Beazley: Campana Fragments in Florence. Pp. 35; 3 plates, 17 transparencies. London: Milford (Oxford University Press), 1933. Paper, 15s. - E. A. Gardner: Poet and Artist in Greece. Pp. 132; 30 text illustrations. London: Duckworth, 1933. Cloth, 5s. - C. T. Seltman: Attic Vase-painting. (Martin Classical Lectures, Vol. III.) Pp. xviii + 97, 17 text illustrations, 37 plates. Cambridge, Mass.: Harvard University Press (London: Milford), 1933. Cloth, 6s. 6d. net. [REVIEW]T. B. L. Webster - 1934 - The Classical Review 48 (02):69-71.
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  22.  23
    Mcmahon, Jennifer A. Art and Ethics in a Material World: Kant's Pragmatist Legacy. New York: Routledge, 2014, xv + 234 pp., 18 b&w illus., $125.00 cloth. [REVIEW]Daniel Wilson - 2015 - Journal of Aesthetics and Art Criticism 73 (3):360-362.
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  23.  7
    David Cateforis; Steven Duval; Shepherd Steiner (Editors). Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s. x + 275 pp., bibl., illus., index. Oakland: University of California Press, 2019. $65 (cloth); ISBN 9780520296596. [REVIEW]Matthew Wisnioski - 2020 - Isis 111 (4):907-908.
  24.  14
    Ecologies: Mark Dion, Peter Fend, Dan Peterman.Mark Dion, Peter Fend, Dan Peterman, Stephanie Smith & David and Alfred Smart Museum of Art - 2001 - University of Chicago David & Alfred.
    Since the 1960s, many artists have incorporated ecological concerns into their work, an endeavor that has required new strategies in art-making. To explore recent American manifestations of these interests, the David and Alfred Smart Museum commissioned new projects from artists Mark Dion, Peter Fend, and Dan Peterman, each focusing on interrelationships between particular organisms—human beings-and a specific group of sites—a museum building, a river landscape, and a university campus. The results, exhibited at the Smart Museum during the summer of 2000, (...)
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  25.  8
    Developing the Clarity and Openness in Reporting: E3-based (CORE) Reference user manual for creation of clinical study reports in the era of clinical trial transparency.Art Gertel, Anna Shannon, Walther Seiler, Debbie Jordan, Tracy Farrow, Vivien Fagan, Graham Blakey, Aaron B. Bernstein & Samina Hamilton - 2016 - Research Integrity and Peer Review 1 (1).
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  26.  34
    H. P. L'Orange: Likeness and Icon: Selected Studies in Classical and Early Mediaeval Art. Pp. xxiii + 344. Odense: University Press, 1973. Cloth. [REVIEW]D. E. Strong - 1976 - The Classical Review 26 (1):153-153.
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  27.  48
    The Muses at Work Carl Roebuck (ed.): The Muses at Work: Arts, Crafts and Professions in Ancient Greece and Rome. Pp. 294; many illus. London: M.I.T. Press, 1970. Cloth, £5·85. [REVIEW]D. E. Strong - 1972 - The Classical Review 22 (02):261-262.
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  28.  42
    (Re)Fashioning Masculinity: Social Identity and Context in Men’s Hybrid Masculinities through Dress.Ben Barry - 2018 - Gender and Society 32 (5):638-662.
    Modern Western society has framed fashion in opposition to hegemonic masculinity. However, fashion functions as a principal means by which men’s visible gender identities are established as not only different from women but also from other men. This article draws on the concept of hybrid masculinities and on wardrobe interviews with Canadian men across social identities to explore how men enact masculinities through dress. I illustrate three ways men do hybrid masculinities by selecting, styling, and wearing clothing in (...)
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  29.  39
    J. J. Pollitt: Art and Experience in Classical Greece. Pp. xv+205; 87 figs. Cambridge: University Press, 1972. Cloth, £4·60. [REVIEW]R. M. Cook - 1974 - The Classical Review 24 (1):148-149.
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  30.  50
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  31.  23
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  32.  46
    Roman Dress Lillian M. Wilson: The Clothing of the Ancient Romans. (The Johns Hopkins Studies in Archaeology, No. 24.) Pp. xiii + 178; 95 plates (one in colour), and 2 drawings in text. Baltimore: Johns Hopkins Press (London: Milford), 1938. Cloth, 22s. 6d. [REVIEW]F. H. Marshall - 1939 - The Classical Review 53 (01):31-32.
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  33.  26
    Truth in Myth and Science.Art Stawinski - 2005 - Dialogue and Universalism 15 (1-2):71-78.
    We humans are a curious species. Of all the life forms that inhabit the earth, we alone strive to make sense of the world in which we find ourselves. For thousands of years we understood the world through stories. Our ancestors told stories of how the world began, how our people originated and came to be at this place, and how those people across the river or beyond the mountains came to be where they are. Some stories were of animals (...)
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  34. Cognitive Dynamics: Conceptual change in humans and machines.Eric Dietrich Art Markman (ed.) - 2000 - Lawrence Erlbaum.
     
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  35.  34
    Art and Politics in Roger Scruton’s Conservative Philosophy by Ferenc HÖRCHER (review). [REVIEW]D. N. Byrne - 2023 - Review of Metaphysics 77 (1):149-151.
    In lieu of an abstract, here is a brief excerpt of the content: Reviewed by:Art and Politics in Roger Scruton’s Conservative Philosophy by Ferenc HÖRCHERD. N. ByrneHÖRCHER, Ferenc. Art and Politics in Roger Scruton’s Conservative Philosophy. Palgrave Macmillan, 2022. vii + 404 pp. Cloth, $129.99The intellectual legacy of Sir Roger Scruton defies the conventional wisdom that conservatism is a mood or sensibility rather than a systematic body of ideas. Then, as Hörcher indicates, Scruton was never a particularly conventional thinker. Against (...)
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  36.  84
    Stain removal: On race and ethics.Art Massara - 2007 - Philosophy and Social Criticism 33 (4):498-528.
    What role does race play in the moral judgment of character? None, ideally, philosophers insist, contending that the proper assessment of an action requires that we disregard any social values associated with the body performing it. What rightly comes under evaluation, they assert, is the neutral, abstract deed irrespective of the race of the agent. Only under these conditions, presumably, can we gauge true moral worth. Reading together Immanuel Kant and Frantz Fanon on ethics and race, I propose instead that (...)
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  37. Interpretation in Science and in the Arts.Art as Representation - 1993 - In George Levine (ed.), Realism and Representation. University of Wisconsin Press.
     
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  38.  22
    Levinson, Jerrold. Suffering Art Gladly: The Paradox of Negative Emotions in Art. Palgrave Macmillan, 2014, xvi + 271 pp., 3 b&w illus., $110.00 cloth. [REVIEW]Sheryl Tuttle Ross - 2016 - Journal of Aesthetics and Art Criticism 74 (1):97-99.
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  39.  9
    Throw your stuff off the plane: achieving accountability in business and life.Art Horn - 2017 - Toronto, Ontario: Dundurn.
    Helps individual readers to overcome procrastination and build self-esteem Reveals how to create a culture of accountability, and how to hold someone accountable Gives leaders a step-by-step process for helping team members become more self-responsible Explains commitment reluctance and how to encourage self-responsibility among team members Uncovers why we blame others and shows how to defeat a blame culture Provides an easy read with no consultant-speak In recent years, HORN Training and Consulting was awarded the distinguished Gold Medal by the (...)
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  40.  24
    Puolakka, Kalle. Relativism and Intentionalism in Interpretation: Davidson, Hermeneutics, and Pragmatism. Lanham, MD: Lexington Books, 2011, 191 pp., $60.00 cloth. [REVIEW]William Irwin - 2013 - Journal of Aesthetics and Art Criticism 71 (3):298-299.
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  41.  32
    Going Far by Going Together: James M. Buchanan’s Economics of Shared Ethics.Art Carden, Gregory W. Caskey & Zachary B. Kessler - 2022 - Business Ethics Quarterly 32 (3):359-373.
    We explore themes in Nobel Prize–winning economist James M. Buchanan’s work and apply his Ethics and Economic Progress to problems facing individuals and firms. We focus on Buchanan’s analysis of the individual work ethic, his exhortations to “pay the preacher” of the “institutions of moral-ethical communication,” and his notion of law as “public capital.” We highlight several ways people with other-regarding preferences can contribute to social flourishing and some of the ways those who have “affected to trade for the public (...)
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  42. Schools and the "hidden curriculum".Art Kleiner - 2006 - In Francis Martin Duffy (ed.), Power, Politics, and Ethics in School Districts: Dynamic Leadership for Systemic Change. Rowman & Littlefield Education.
     
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  43.  12
    The Pursuit of Magnetic Shadows: The Formal-Empirical Dipole Field of Early-Modern Geomagnetism.Art R. T. Jonkers - 2008 - Centaurus 50 (3):254-289.
    Abstract…observations of skylfull pylotts is the onlye waye to bring it in rule; for it passeth the reach of naturall philosophy. – Michael Gabriel, 1576 (Collinson, 1867, p. 30)Abstract The tension between empirical data and formal theory pervades the entire history of geomagnetism, from the Middle Ages up to the present day. This paper explores its early-modern history (1500–1800), using a hybrid approach: it applies a methodological framework used in modern geophysics to interpret early-modern developments, exploring to what extent formal (...)
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  44.  4
    Critical review of the TransCelerate Template for clinical study reports (CSRs) and publication of Version 2 of the CORE Reference (Clarity and Openness in Reporting: E3-based) Terminology Table. [REVIEW]Art Gertel, Walther Seiler, Debbie Jordan, Tracy Farrow, Vivien Fagan, Graham Blakey, Aaron B. Bernstein & Samina Hamilton - 2019 - Research Integrity and Peer Review 4 (1).
    BackgroundCORE (Clarity and Openness in Reporting: E3-based) Reference (released May 2016 by the European Medical Writers Association [EMWA] and the American Medical Writers Association [AMWA]) is a complete and authoritative open-access user’s guide to support the authoring of clinical study reports (CSRs) for current industry-standard-design interventional studies. CORE Reference is a content guidance resource and is not a CSR Template.TransCelerate Biopharma Inc., an alliance of biopharmaceutical companies, released a CSR Template in November 2018 and recognised CORE Reference as one of (...)
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  45.  24
    Greek and Roman Art Hansjörg Bloesch: Antike Kunst in der Schweiz. Pp. 228, 79 plates, 17 figs. Erlenbach-Zürich: Rentsch, 1943. Cloth, 28 Sw. fr. [REVIEW]A. J. B. Wace - 1948 - The Classical Review 62 (01):37-38.
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  46.  30
    Aluminum toxicity and behavior in the weanling Long-Evans rat.B. Michael Thorne, Art Cook, Tim Donohoe, Steve Lyon, Denis M. Medeiros & Chris Moutzoukis - 1987 - Bulletin of the Psychonomic Society 25 (2):129-132.
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  47.  12
    Swirski, Peter. From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. McGill‐Queen's University Press, 2013, 235 pp., 43 b&w illus., $26.96 cloth. [REVIEW]Iris Vidmar - 2014 - Journal of Aesthetics and Art Criticism 72 (4):461-463.
  48.  3
    Understanding Texts.Art Graesser & Pam Tipping - 2017 - In William Bechtel & George Graham (eds.), A Companion to Cognitive Science. Oxford, UK: Blackwell. pp. 324–330.
    Adults spend most of their conscious life speaking, comprehending, writing, and reading discourse. It is entirely appropriate for cognitive science to investigate discourse especially as transmitted texts or printed media, such as books, newspapers, magazines, and computers. However, there is another reason why text understanding has been one of the prototypical areas of study in cognitive science: Interdisciplinary work is absolutely essential. As cognitive scientists have unraveled the puzzles of text comprehension, they have embraced the insights and methodologies from several (...)
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  49.  9
    Uniformity in Dress: A Worldwide Cross-Cultural Comparison.Carol R. Ember, Abbe McCarter & Erik Ringen - 2023 - Human Nature 34 (3):359-380.
    Focusing on clothing and adornment (dress), this worldwide cross-cultural comparison asks why people in some societies appear to dress in uniform or standardized ways, whereas in other societies individuals display considerable variability in dress. The broader research question is why some societies have more within-group variation than others. Hypotheses are tested on 80 societies drawn from the Standard Cross-Cultural Sample (SCCS). The central hypotheses consider the impact of general societal tightness or looseness, degree of egalitarianism as (...)
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  50.  24
    The Art of Language W. A. Russell: The development of the art of language as exhibited in Latin and in English. Pp. 174. London: Williams and Norgate, 1933. Cloth, 7s. 6d. [REVIEW]L. R. Palmer - 1935 - The Classical Review 49 (01):34-35.
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