My essay positions Heidegger’s Black Notebooks (Schwarze Hefte) in the light of the later transformation of his thought after die Kehre, which introduces a new motif: “the withdrawal of Being.” And while the Jewish question disappears from his official discourse, the essay poses it nonetheless, despite and against Heidegger’s silence: Does the diagnosis from the Black Notebooks, which perceives the Jew as the agent of metaphysical destruction, still stand? In my analysis, the figurative Jew emerges in a role which Heidegger (...) refuses to recognize: as a positive agent of letting-be, acting in accordance with Being’s rhythm of self-withdrawal. (shrink)

My essay will take as its point of departure the paragraph from Gershom Scholem’s “Reflections on Jewish Theology,” in which he depicts the modern religious experience as the one of the "void of God" or as "pious atheism". I will first argue that the "void of God" cannot be reduced to atheistic non-belief in the presence of God. Then, I will demonstrate the further development of the Scholemian notion of the ‘pious atheism’ in Derrida, especially in his Lurianic treatment of (...) Angelus Silesius, whose modern mysticism emerges in Derrida’s reading as the ‘almost-atheism’. The interesting feature of this development is that, while for Scholem, the ‘void of God’ is a predominantly negative experience, for Derrida, it becomes an affirmative model of modern – not just Jewish, but more generally, Abrahamic – religiosity which, on the one hand, touches upon atheistic non-belief in the divine presence here and now, yet, on the other, still insists on commemorating the ‘withdrawn God’ through his ‘traces.’ What, therefore, for Scholem, constitutes the ultimate cry of despair, best embodied in Kafka’s work – for Derrida, reveals the more positive face of the modern predicament in which God has absented himself in order to make room for the creaturely reality. And while Scholem envisages redemption as the full restoration of the divine presence – Derrida redefines redemption as the ‘pious’ work of deconstruction to be undertaken in the ‘almost-atheistic’ condition of irreversible separation between God and the world. (shrink)

In my essay, I analyze Schelling’s and Rosenzweig’s commitment to the narrative philosophy as a unique method of telling a philosophical story. I want to understand what such “philosophical story” means and how it differs from the conceptual approach, here represented by Hegel. I also want to see how it connects with Schelling’s another project continued by Rosenzweig, of doing “positive philosophy”: in what way does positivity imply narrativity? Is this a necessary implication? And, last but not least, I want (...) to explore the theological dimension of the narrative project. I perceive Schelling’s, and then Rosenzweig’s goal as an attempt to oppose Hegel’s double manoeuvre of sublation – of temporal contingency and religion – by returning to the narrative which recovers the actuality of both elements and sees the necessary connection between them. The living experience of history is strictly linked to the religious stories telling the life of the “living God,” who is emphatically not the “God of the system.” Theosophy and its narrative way of creating a suspense and then inscribing it into a metaphysical drama which plays itself out on the arena of history reveals the deep connection between living historical temporality and religious imagery. (shrink)

ExcerptThis essay analyzes the following constellation of concepts from a theologico-philosophical perspective: “state of exception,” “bare life,” and “the remnant.” Recently employed in the work of Giorgio Agamben, none of these concepts is his own coinage. Agamben borrowed “state of exception” from Carl Schmitt's Political Theology, “bare life” from Walter Benjamin's “Critique of Violence,” and “the remnant” from biblical sources, which include Isaiah and the letters of Saint Paul. Nevertheless, the reappearance of these concepts within Agamben's constellation provides each with (...) an altered meaning, which emerges only through interplay with the others. In the prologue to his work on German…. (shrink)

This essay focuses on political implications of Derrida’s messianicité as a form of Marrano messianism: a universal vision of community “out of joints” which, despite its disjointedness and inner separation, nonetheless addresses itself as “we”. By referring to the generalized “Marrano experience” – the fate of those Sephardic Jews who were forced to convert to Christianity and, in consequence, became neither Jewish nor Christian – Derrida takes the Marrano as his paradigmatic political figure of a “rogue” who escapes every identity (...) politics. In Derrida’s project of “living together”, the Marrano stands for the non-participatory remnant of otherness which is not just the other of this or that particular tradition, but becomes a bearer of a new universalism, based not on the abstract notion of human nature but on the non-identity, a distance-from-identity or what Yirmijahu Yovel calls the “non-integral identity.”. (shrink)

The subject of this essay is the modern theology of work. Contrary to neoplatonism that condemned matter as unworthy of spiritual investment, theology of work states that matter is an ontological material that deserves further processing. Therefore, if modernity is to be understood as the beginning of the materialistic philosophy of immanence, early modern theological transformations have deeply contributed to this. Namely, the appreciation of matter as a realistically existing material to work through, the not yet ready and not fully (...) shaped element of creation justifying the creatio continua in the human version, has certainly inaugurated a turn towards temporality, far less random than Max Weber thought. In Weber’s classic approach, Puritan theology played the role of a catalyst for modernity, creating the concept of “intra-world asceticism”. It stood for work conceived as Beruf which, in line with the Lutheran concept, means “profession and vocation”. However, the author points to another – no more ascetic – theological genealogy of the modern idea of work, whose sources lie in the vision of the delayed apocalypse or, in other words, creative destruction. This extraordinary theology of work has its roots in the nominalism of Duns Scotus, the Kabbalah of Isaac Luria, then transformed into the Christian Kabbalah, Goethe’s Faust and particularly in Hegel’s dialectical concept of work performed by the destructive and yet suppressed negativity. (shrink)

The aim of this essay is to give a general and accessible overview of the so called “post-secular” turn in the contemporary humanities. The main idea behind it is that it constitutes an answer to the crisis of the secular grand narratives of modernity: the Hegelian narrative of the immanent progress of the Spirit, as well as the enlightenmental narrative of universal emancipation. The post-secularist thinkers come in three variations which this essay names as Enlightenmental, Traditional, and Revolutionary. The first (...) camp wishes to reconceptualize the place of religion in the seemingly secularized modern paradigm and see if revelation can cooperate with enlightenment, that is, if it can support the modern emancipatory values in the dangerous moment of their “crisis of legitimation.” The second one emphasizes the need to recover the institutional aspect of Christian theology which must be reinstated once again as the “queen of the sciences,” or as the true “invisible hand” operating behind social theories. And the third party, which simultaneously opposes both, enlightenment and tradition, revolves mostly around the “revolutionary figure” of Saint Paul and constitutes a radically leftist answer to the crisis of Marxism with its scientific insight into the objective laws of history. (shrink)

The purpose of this essay is to put Ernst Bloch’s philosophy to a test suggested by Hans Blumenberg in The Legitimacy of the Modern Age. According to Blumenberg, modernity constitutes the second, successful, attempt at overcoming Gnosticism, after the first attempt, undertaken by Christianity, had failed. However – Blumenberg argues – it was not modern philosophy, but only science which had managed to escape Gnosticism’s ontological trap of viewing the world as an illusion bordering on nothing.

This essay is an attempt to analyze an important decision Brzozowski took at the end of his life, i.e. his late turn towards Catholicism, which, despite his own objections, we should nonetheless call a religious conversion. The main reason why Brzozowski resisted the traditional rhetoric of conversion lies in his often repeated conviction that faith cannot invalidate life, because “what is not biographical, does not exist at all.” Brzozowski, therefore, rejects conversion understood as a radical and abrupt revolution of the (...) soul, which annuls everything that happened before, and turns to a model of religiosity (“Catholicism, undoubtedly”) which preserves his entire biographical past. In this manner, Brzozowski seeks his own formula of faith, more adequate to the “situation” of the modern man who lives in and through History. I argue that the model of “conversion without conversion” Brzozowski chose as representative of modern man is typically, though avant la lettre , post-secular: closer to the Jewish sources of past-oriented tschuva than to the mystical timelessness of traditionally Christian metanoia . The idea that redemption consists not in a liberation of a pure spirit but in a patient working-through of the universal history of creation is an implicit credo of the whole modern age, first fully articulated by Brzozowski and only later in the writings of Hermann Cohen, Franz Rosenzweig, and Walter Benjamin. Brzozowski emerges as a relatively early precursor of the future post-secular option whose advocates, like the author of The Diary , will not allow themselves to “lose a single moment,” either of their lives or the world’s history. (shrink)

Esej ten kreśli nową strategię uniwersalizacji historii, która wyłania się z analizy żydowskiejpraktyki filozofowania w erze nowożytnej. Nazywam ją „strategią marańską”, budując analogięmiędzy sytuacją conversos, którzy zostali zmuszeni do przyjęcia chrześcijaństwa, przechowującprzy tym judaizm „utajony”, a filozoficzną interwencją nowoczesnych myślicieli żydowskich,którzy wkroczyli w idiom zachodniej filozofii, jednocześnie nasycając go motywami wywiedzionymiz ich „partykularnego” kontekstu: nie po to jednak, by podważyć perspektywęuniwersalistyczną, lecz po to, by ją przekształcić. Dla Waltera Benjamina i Jacques’a Derridywłaściwy uniwersalizm okazuje się równoznaczny z „zadaniem tłumacza”: projektem (...) sklejaniarozbitej całości od środka, horyzontalnie, przez wysiłek wielojęzyczności, czyli bez przyjmowaniawyniosłej pozycji ogólnego metajęzyka, który mógłby uzurpować pozycję hegemona. (shrink)

The first [age] is in the servitude of slavery, the second in the servitude of sons, the third in freedom. The first in fear, the second in faith, the third in love. The first is the status of bondsmen, the second of freemen, the third of friends.What a violent, all-consuming, impetuous love! It thinks only of itself, lacks interest in anything else, despises all, is satisfied with itself! It confuses stations, disregards manners, knows no bounds. Proprieties, reason, decency, prudence, judgment (...) are defeated and reduced to slavery.It may seem strange for someone who delivered the keynote at a conference of the Utopian Studies Society to critique utopia. Yet this is precisely what I am going to do: I will criticize... (shrink)

Interrogating Modernity returns to Hans Blumenberg's epochal The Legitimacy of the Modern Age as a springboard to interrogate questions of modernity, secularisation, technology and political legitimacy in the fields of political theology, history of ideas, political theory, art theory, history of philosophy, theology and sociology. That is, the twelve essays in this volume return to Blumenberg's work to think once more about how and why we should value the modern. Written by a group of leading international and interdisciplinary researchers, this (...) series of responses to the question of the modern put Blumenberg into dialogue with other twentieth, and twenty-first century theorists, such as Arendt, Bloch, Derrida, Husserl, Jonas, Latour, Voegelin, Weber and many more. The result is a repositioning of his work at the heart of contemporary attempts to make sense of who we are and how we’ve got here. (shrink)

This volume is the first-ever collection of essays devoted to the Lurianic concept of tsimtsum. It contains eighteen studies in philosophy, theology, and intellectual history, which demonstrate the historical development of this notion and its evolving meaning: from the Hebrew Bible and the classical midrashic collections, through Kabbalah, Isaac Luria himself and his disciples, up to modernity (ranging from Spinoza, Böhme, Leibniz, Newton, Schelling, and Hegel to Scholem, Rosenzweig, Heidegger, Benjamin, Adorno, Horkheimer, Levinas, Jonas, Moltmann, and Derrida).

The first book devoted to Derrida's Marranism - his paradoxical 'non-Jewish Jewishness' - connecting it to the Derridean themes of exile, survival, betrayal and autobiography.

This article proposes an exposition and analysis of perceptions intrinsic to rituals carried out with the use of the jurema plant, especially when mixed with Syrian rue (juremahuasca) in contexts of contemporary esoteric re-actualizations in Brazil. These rituals are conducted by people who look at jurema as a spiritual path, once acquainted with its psychedelic properties. We highlight the mystical attributes and the cultural bricolage elaborated by these individuals, who conduct ceremonies in ritual spaces in which participants experience altered states (...) of perception and consciousness. Considered as an entheogen, jurema leads to states of mystical transformation in people. Such personal changes are often considered by users as the rhetoric of healing. Life stories and ethnographic contexts form the background of the article, which seeks to advance understandings about jurema based on speculations around the intertwining of the themes of consciousness, mysticism, and healing. (shrink)

Jacob (history, New School for Social Research) proposes that the science of the 17th and 18th centuries was eventually accepted because it was made compatible with larger political and economic interests. A celebration of the recently concluded 33 volume edition of the Collected works of John Stuart Mill, produced over a period of nearly 30 years, the last 20 under the guiding genius (and hand) of general editor Robson. Following a tributary history of the project itself, essays cover Mill's (...) career as a thinker and as a bureaucrat and public servant, exploring the effects of the various milieu--domestic, political, administrative, religious, and cultural--in which he moved. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

The different interpretations of quark mixing involved in weak interaction processes in the Standard Model and the Generation Model are discussed with a view to obtaining a physical understanding of the Cabibbo angle and related quantities. It is proposed that hadrons are composed of mixed-quark states, with the quark mixing parameters being determined by the Cabibbo-Kobayashi-Maskawa matrix elements. In this model, protons and neutrons contain a contribution of about 5% and 10%, respectively, of strange valency quarks.

The aim of this paper is to analyze the relation between conservatism and the doctrine of economic liberalism from the perspective of Roger Scruton’s critique to Friedrich A. Hayek. We carry out this attempt through three means: first, Hayek’s concepts of negative freedom, spontaneous order, and catallaxy are analyzed; second, the English philosopher’s critique of Hayek is explained; and finally, Scruton’s social and economic theory is presented as a response of the inconsistencies of economic liberalism.

This article explores the nature and theoretical import of a hitherto neglected class of fictions which we term ‘self-involving interactive fictions’. SIIFs are interactive fictions, but they differ from standard examples of interactive fictions by being, in some important sense, about those who consume them. In order to better understand the nature of SIIFs, and the ways in which they differ from other fictions, we focus primarily on the most prominent example of the category: video-game fictions. We argue that appreciating (...) the self-involving nature of video-game fictions is key to understanding various otherwise puzzling phenomena concerning the ways in which consumers respond to them. Video-game fictions are, however, far from being the only extant example of this class; and we suggest that the recent philosophical interest in video games would be better focused on the wider class of self-involving interactive fictions. (shrink)

Este trabalho visa mostrar a forma em que o filósofo Kant percebe o conceito de ciência e interage com ele na escrita da Crítica da Razão Pura, por essa razão, é necessário recorrermos a textos do período pré-crítico onde poderemos perceber como foi construído o conceito de ciência em Kant a partir daquilo que ele vivia no século XVIII. Assim, esse texto possui seis alíneas descritivas, quais sejam: a primeira norteia o leitor a entender o ponto de onde partimos e (...) o caminho a ser percorrido, seguido pela descrição do problema que envolve a ciência em suas nuances. A terceira alínea descreve a formação Kantiana, em sua historicidade, desde o que se estudava na Alemanha, seguido pela forma em que Kant apresenta o conceito de ciência como condição de possibilidade e a última aponta uma possibilidade de reflexão à luz daquilo que Kant entende sobre ciência. (shrink)