The paper proposes to integrate literary studies in consciousness research to develop a strong ethical and existential dimension in the field. More specifically, it considers the value of fictional narrative for developing concepts of selfhood and personal identity that cohere with the reductionist explanations of human consciousness and self in modern empirical consciousness research. My central claim is that looking to the literary representations of human consciousness and existence that reject or are free from conventional essentialist ideas of self, agency, (...) and anthropocentrism can help 'normalize' the reductionist scientific descriptions of humans and reduce their psychologically and socio-culturally disruptive impact. The paper uses Virginia Woolf's The Waves as an example, showing how the novel's non-anthropocentric and non-essentialist conceptions of self and consciousness overlap with materialist theories in neuroscience and -philosophy but present these in a distinctive narrative framework and poetic terms that bring out the inherent emancipatory potential of the materialist explanation of human existence and offer the reader the possibility of relating to these experientially and emotionally. (shrink)

In his autobiography, Mr Leonard Woolf very forcibly protests Lord Keynes's familiar account of the kind of influence G. E. Moore had exerted over those who were later to become members of the Bloomsbury Group. You will remember that Keynes, writing in 1938 about his early beliefs as an undergraduate at Cambridge, maintained of himself and his companions: ‘We accepted Moore's religion … and discarded his morals … meaning by “religion” one's attitude towards oneself and the ultimate and (...) by “morals” one's attitude towards the outside world and the intermediate. (shrink)

In his autobiography, Mr Leonard Woolf very forcibly protests Lord Keynes's familiar account of the kind of influence G. E. Moore had exerted over those who were later to become members of the Bloomsbury Group. You will remember that Keynes, writing in 1938 about his early beliefs as an undergraduate at Cambridge, maintained of himself and his companions: ‘We accepted Moore's religion … and discarded his morals … meaning by “religion” one's attitude towards oneself and the ultimate and (...) by “morals” one's attitude towards the outside world and the intermediate. (shrink)

This article contends that no understanding of Virginia Woolf’s fiction is complete without an examination of the political environment in which Woolf operated, particularly with regard to the perennially vexing but urgent question of international relations. Leonard Woolf’s involvement with the creation of the League of Nations and his lifelong commitment to internationalist politics bear direct relevance to Woolf’s novels, which further that same project by enlarging the political imagination and by demonstrating the profound, if (...) often overlooked, interconnectedness of human activity. It is through this mixing of registers–the politics of the abstractly large and the mundanely small–that Virginia Woolf’s fiction resonates most powerfully and carries its strongest anti-nationalistic charge. (shrink)

It must be admitted that there are some of us who “teach” Virginia Woolf and yet seem unable to learn from her. The secret of Virginia’s eminently readable prose style remains hidden from us. It is for this reason that I find it impossibly hard to read everything that Professor Marcus and some of her colleagues produce in such astounding abundance, and that, she may retort, is why she has found it impossible to read my biography of Virginia (...) class='Hi'>Woolf. In a sense, she does not need to; she can imagine it and, thus, credit me with the statement that I considered my aunt “a minor British novelist, ranked somewhere below E. M. Forster as a writer of fiction” . Seeing that I made it clear from the outset of that biography that I would not attempt to assess the work of Virginia Woolf, seeing that I have been blamed for this abstention , and seeing that I have said absolutely nothing at any time that could possibly be construed in this sense, I think that we may well call this a master-stroke of the imagination.Also it is irrelevant. I accuse her of inaccuracy; she “replies” by asserting that I have bad taste. It seems a rather unconvincing form of defence. In fact, in her “reply,” which must be about as long as the article by which it was engendered, Professor Marcus can find so little in the way of evidence or argument with which to support those contentions which I have criticized that the reader must wade through page after page of completely otiose matter before coming to anything which seems to bear on the matter at hand. At last Professor Marcus tells us that she has written “two long essays in which I did at length and in detail exactly what he does here”; here, then, we come to her answer . The reader, who may be somewhat bewildered by so long a preface, may wish to be reminded what there is that needs to be answered. I maintain that Professor Marcus has neglected to notice that Margaret Llewelyn Davis was primarily Leonard Woolf’s friend rather than Virginia’s, that her relationship with Virginia was at times very uneasy, that Virginia was out of sympathy with politically minded women, and that Professor Marcus neglects to notice any of this because she fails to use the evidence of the diaries and the letters. When she does quote from a letter, she completely misunderstands it, just as she fails to understand Virginia’s use of the term “the woman’s republic” . Quentin Bell is the author of, among other works, Ruskin , Bloomsbury , Virginia Woolf: A Biography , and On Human Finery . His previous contributions to Critical Inquiry include “Art and the Elite” , “Bloomsbury and ‘the Vulgar Passions’” , and “A ‘Radiant’ Friendship”. (shrink)

This article contends that no understanding of Virginia Woolf’s fiction is complete without an examination of the political environment in which Woolf operated, particularly with regard to the perennially vexing but urgent question of international relations. Leonard Woolf’s involvement with the creation of the League of Nations and his lifelong commitment to internationalist politics bear direct relevance to Woolf’s novels, which further that same project by enlarging the political imagination and by demonstrating the profound, if (...) often overlooked, interconnectedness of human activity. It is through this mixing of registers–the politics of the abstractly large and the mundanely small–that Virginia Woolf’s fiction resonates most powerfully and carries its strongest anti-nationalistic charge. (shrink)

This essay uses the global impact of the Coronavirus as a heuristic semiotic for exploring the future of the church. Unlike the pandemic of 1918, which left few dents on the world's economic, social, and cultural systems, almost all the nations of the world have passed laws and implemented procedures that are only comparable to world wars in their impact on entire populations. Nations are acting in unison, but not in unity. This post-COVID, post-Corona world is the 'time that is (...) given' to the church. But it will not be a post-pandemic world. We may become COVID-proof, but we will never be pandemic-proof. There is no pre-COVID reset. There is only risk assessment from natural extinction risks to existential dangers of our own creation that are catching up to us. Disruption is the new status that is never quo; stability is the new abnormality; global cataclysm is the ever-present peril. The only way to prepare for a future of constant 'the end of the world as we know it?' moments is by developing a high Contextual Quotient, and deepening our Contextual Intelligence so we can choose 'the next right thing' in a world of volcanic volatility. CONTRIBUTION: This essay frames the semiotics of a missional ecclesiology in the COVIDian wake from the hermeneutics of blessings not curses. What virtues might we expect to come out of a virus that is fast-forwarding the future, virtues that will shape the contours of Christianity. What if the pandemic is a shock treatment that is putting the world, and the church, back in a new and better equilibrium? What if there are goldmines on the other side of the landmines and minefields? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Noël Carroll THE PARADOX OFJUNK FICTION Perhaps on your way to some academic conference, if you had no papers to grade, you stopped in die airport gift shop for something to read on the plane. You saw racks of novels authored by die likes of Mary Higgins Clark, Michael Crichton, John Grisham, Danielle Steele, Sidney Sheldon, Stephen King, Sue Grafton, Elmore Leonard, Sara Paretsky, Tom Clancy, and so (...) on. These are the kinds of novels that, when you lend them to friends, you don't care, unless you live in Bowling Green, Ohio, whether you ever get them back. They are mass, popular fictions. In another era, they would have been called pulp fictions. Following Thomas Roberts,1 I will call diem junk fictions, under which rubric I will also include things like Harlequin romances; sci-fi, horror, and mystery magazines; comic books; and broadcast narratives on either the radio or TV, as well as commercial movies. There are a number of interesting philosophical questions diat we may ask aboutjunk fiction. We could, for example, attempt to characterize its essential features. However, for the present, I will assume that the preceding examples are enough to provide you with a rough-andready notion of what I am calling junk fiction, and I will attempt to explore anotiier feature of the phenomenon, viz., what I call the paradox ofjunk fiction. Thejunk fictions that I have in mind are all narratives. Indeed, dieir story dimension is die most important thing about diem. Stephen King, for instance, makes diis point by saying that he is primarily a story teller rather than a writer. Junk fictions aspire to be page-turners—the blurb on the cover of Stillwatch by Mary Higgins Clark says that it is "designed to be read at breatiitaking speed"—and what motivates turning die page so quickly is our interest in what happens next. We do not dawdle Philosophy and Literature, © 1994, 18: 225-241 226Philosophy and Literature over Clark's diction as we might over Updike's nor do we savor die complexity of her sentence structure, as we do widi Virginia Woolfs. Radier, we read for story. Moreover, junk fictions are die sort of narratives that commentators are wont to call formulaic. That is, junk fictions generally belong to well-entrenched genres, which diemselves are typified by tiieir possession of an extremely limited repertoire of story-types. For example, as John Cawelti has pointed out, one such recurring Western narrative is diat of the recendy pacifist gunfighter, like Shane, who is forced by circumstances to take up his pistols again, widi altogedier devastating effect.2 Junk fictions tell diese generic stories again and again with minor variations. Sometimes diese variations may be quite clever and unexpected. Agatiia Christie was the master of this; she was able to use the conventions of the mystery genre in order to "hide" her murderers. In TheMurderofRogerAckroyd, she "secrets" the murderer in the personage of the narrator; in Ten Little Indians, die murderer is a "dead man"; while in Murder on the Orient Express, all the suspects did it. In each of these cases, Christie's brilliance hinges upon her playing (and preying) upon conventional expectations. Neverdieless, even diese surprising variations require a well-established background of narrative forms. That is, in order to appreciate diese variations, die reader must in some sense know die standard story already. And with junk fiction, it is generally fair to say that in some sense, the reader—or, at least, the reader who has read around in die genre before—knows in rough oudine how die story is likely to go. Readers and/or viewers of Jurassic Park surmised, once die dinosaur enclosures were described, diat in fairly short order die dinosaurs would trample them down and go on the rampage—after all we had already seen or read The Lost World, King Kong, and their progeny. So, junk fictions are formulaic. They rehearse certain narrative formats again and again. And, furthermore, in some very general sense, the audience already knows die story in question. But this knowledge on die part of die audience provokes a question, specifically, why if the reader, viewer or listener already... (shrink)

Abstract“Force dynamics” refers to a previously neglected semantic category—how entities interact with respect to force. This category includes such concepts as: the exertion of force, resistance to such exertion and the overcoming of such resistance, blockage of a force and the removal of such blockage, and so forth. Force dynamics is a generalization over the traditional linguistic notion of “causative”: it analyzes “causing” into finer primitives and sets it naturally within a framework that also includes “letting,”“hindering,”“helping,” and still further notions. (...) Force dynamics, moreover, appears to be the semantic category that uniquely characterizes the grammatical category of modals, in both their basic and epistemic usages. In addition, on the basis of force dynamic parameters, numerous lexical items fall into systematic semantic patterns, and there exhibit parallelisms between physical and psychosocial reference. Further, from research on the relation of semantic structure to general cognitive structure, it appears that the concepts of force interaction that are encoded within language closely parallel concepts that appear both in early science and in naive physics and psychology. Overall, force dynamics thus emerges as a fundamental notional system that structures conceptual material pertaining to force interaction in a common way across a linguistic range: the physical, psychological, social, inferential, discourse, and mental-model domains of reference and conception. (shrink)

El autor se pregunta por el sentido de la religión en nuestro mundo, en la Modernidad. Nuestro mundo —el moderno— se caracteriza por la libertad en el núcleo del ser humano, la razón crítica como el árbitro de lo que hay que afirmar o no, y la historia, el proceso, el dinamismo visto en el corazón de la vida humana y la sociedad. Pero, más que nada, la Modernidad mundializada siente una creciente necesidad de estar en diálogo con quienes piensan (...) de modo diferente a nosotros. Esta necesidad de diálogo nos interpela agudamente cuando, como en el caso de la religión, el diálogo debe versar sobre cuestiones cruciales en la comprensión que el ser humano tiene de sí mismo y de su entorno. (shrink)

Four principal papers and a total of 43 peer commentaries on the evolutionary origins of morality. To what extent is human morality the outcome of a continuous development from motives, emotions and social behaviour found in nonhuman animals? Jerome Kagan, Hans Kummer, Peter Railton and others discuss the first principal paper by primatologists Jessica Flack and Frans de Waal. The second paper, by cultural anthropologist Christopher Boehm, synthesizes social science and biological evidence to support his theory of how our hominid (...) ancestors became moral. In the third paper philosopher Elliott Sober and evolutionary biologist David Sloan Wilson argue that an evolutionary understanding of human nature allows sacrifice for others and ultimate desires for another's good. Finally Brian Skyrms argues that game theory based on adaptive dynamics must join the social scientist's use of rational choice and classical game theory to explain cooperation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd russell: the Journal of Bertrand Russell Studies n.s. 32 (summer 2012): 83–6 The Bertrand Russell Research Centre, McMaster U. issn 0036-01631; online 1913-8032 ibliographies, rchival nventories, ndexes A BIBLIOGRAPHY OF PATRICIA RUSSELL Kenneth Blackwell Russell Archives/Russell Research Centre / McMaster U. Hamilton, on, Canada l8s 4l6 [email protected] B ertrand Russell took his own advice not to marry a woman novelist, (...) but he did marry women who wrote for publication. His third wife, Patricia Russell (née Marjorie Spence, then Patricia Helen Spence, and, after divorcing Russell, Mrs. P.yH. Spence) was no exception. Having studied history at Oxford, she did a great deal of research for Russell and some actual writing. She did some public speaking during the ccny case in 1940, and in 1946 she organized a major meeting in Cambridge for the Save Europe Now organization. Later in the 1940s she began employment in town planning, and brief mentions of that topic show up in Authority and the Individualz (1949). The Bodleian Library, Oxford, has a box of her papers, placed, at her instructions, under a very lengthy embargo. On one occasion while they were in America there was an employment opportunity for her. It involved her writing skills, and her husband drafted the following testimonial. With its strikeouts, it is unWnished in the form in which it survives, and we cannot be sure it was sent. It is dated December 6, 1941. My wife, Patricia Helen Russell, has, throughout the last ten years acted both as my collaborator and as my secretary. In the latter capacity she has drafted and written, on my behalf, letters on a great variety of subjects, and has shown great skill in doing so, both as regards literary style and grasp of the matter concerned. As regards collaboration: In “Freedom and Organization, 1814–1914”, she did a very large part of the research and a considerable part of the actual writing. In “The Amberley Papers”, which was published under our joint names, she did considerably more than half the work, not only as regards detail, but also as regards the general plan. In addition to this work on books, she has written magazine articles on my behalf, sometimes in part, sometimes wholly. Her purely secretarial work has been very extensive and always admirable. (ra1 142.079883) books By “the last ten years” Russell is dating the start of their collaboration to 1932. This is consistent with the acknowledgements he makes to her in several books on which she collaborated with him in various ways, in addition to her title-page June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd 84 kenneth blackwell 1 See Brett Lintott, “Russell’s Aborted Book on Fascism”, Russellz 28 (2008): 39–64. credit in The Amberley Papers. They even planned a joint work, on the rise of Nazism and Fascism,1 but after some years it was discontinued. She contributed much to the unpublished book manuscript, “The Problems of Democracy”, written in 1941–42. Freedom and Organization, 1814–1914. London: George Allen & Unwin; New York: W.xW. Norton, 1934. Preface, p. viii: “Throughout the writing of this book, the work has been shared by my collaborator, Peter Spence, who has done half the research, a large part of the planning, and small portions of the actual writing, besides making innumerable valuable suggestions.” (The Wrst edition omitted “valuable” and an erratum slip was inserted.) In Praise of Idleness and Other Essays. London : George Allen & Unwin; New York: W.xW. Norton, 1935. Preface, p. 6: “I have also to acknowledge the assistance of Peter Spence in suggesting and discussing many of the subjects.” The Amberley Papers: the Letters and Diaries of Lord and Lady Amberley. Edited by Bertrand and Patricia Russell. 2 vols. London: Leonard & Virginia Woolf at the Hogarth Press; New York: W.yW. Norton & Company, 1937. The preface is signed “B.R.” above “P.R.” From Russell’s letter to The Times Literary Supplement, 20 March 1937: “Your reviewer treats the work as more mine and less my wife’s... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd russell: the Journal of Bertrand Russell Studies n.s. 32 (summer 2012): 83–6 The Bertrand Russell Research Centre, McMaster U. issn 0036-01631; online 1913-8032 ibliographies, rchival nventories, ndexes A BIBLIOGRAPHY OF PATRICIA RUSSELL Kenneth Blackwell Russell Archives/Russell Research Centre / McMaster U. Hamilton, on, Canada l8s 4l6 [email protected] B ertrand Russell took his own advice not to marry a woman novelist, (...) but he did marry women who wrote for publication. His third wife, Patricia Russell (née Marjorie Spence, then Patricia Helen Spence, and, after divorcing Russell, Mrs. P.yH. Spence) was no exception. Having studied history at Oxford, she did a great deal of research for Russell and some actual writing. She did some public speaking during the ccny case in 1940, and in 1946 she organized a major meeting in Cambridge for the Save Europe Now organization. Later in the 1940s she began employment in town planning, and brief mentions of that topic show up in Authority and the Individualz (1949). The Bodleian Library, Oxford, has a box of her papers, placed, at her instructions, under a very lengthy embargo. On one occasion while they were in America there was an employment opportunity for her. It involved her writing skills, and her husband drafted the following testimonial. With its strikeouts, it is unWnished in the form in which it survives, and we cannot be sure it was sent. It is dated December 6, 1941. My wife, Patricia Helen Russell, has, throughout the last ten years acted both as my collaborator and as my secretary. In the latter capacity she has drafted and written, on my behalf, letters on a great variety of subjects, and has shown great skill in doing so, both as regards literary style and grasp of the matter concerned. As regards collaboration: In “Freedom and Organization, 1814–1914”, she did a very large part of the research and a considerable part of the actual writing. In “The Amberley Papers”, which was published under our joint names, she did considerably more than half the work, not only as regards detail, but also as regards the general plan. In addition to this work on books, she has written magazine articles on my behalf, sometimes in part, sometimes wholly. Her purely secretarial work has been very extensive and always admirable. (ra1 142.079883) books By “the last ten years” Russell is dating the start of their collaboration to 1932. This is consistent with the acknowledgements he makes to her in several books on which she collaborated with him in various ways, in addition to her title-page June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd 84 kenneth blackwell 1 See Brett Lintott, “Russell’s Aborted Book on Fascism”, Russellz 28 (2008): 39–64. credit in The Amberley Papers. They even planned a joint work, on the rise of Nazism and Fascism,1 but after some years it was discontinued. She contributed much to the unpublished book manuscript, “The Problems of Democracy”, written in 1941–42. Freedom and Organization, 1814–1914. London: George Allen & Unwin; New York: W.xW. Norton, 1934. Preface, p. viii: “Throughout the writing of this book, the work has been shared by my collaborator, Peter Spence, who has done half the research, a large part of the planning, and small portions of the actual writing, besides making innumerable valuable suggestions.” (The Wrst edition omitted “valuable” and an erratum slip was inserted.) In Praise of Idleness and Other Essays. London : George Allen & Unwin; New York: W.xW. Norton, 1935. Preface, p. 6: “I have also to acknowledge the assistance of Peter Spence in suggesting and discussing many of the subjects.” The Amberley Papers: the Letters and Diaries of Lord and Lady Amberley. Edited by Bertrand and Patricia Russell. 2 vols. London: Leonard & Virginia Woolf at the Hogarth Press; New York: W.yW. Norton & Company, 1937. The preface is signed “B.R.” above “P.R.” From Russell’s letter to The Times Literary Supplement, 20 March 1937: “Your reviewer treats the work as more mine and less my wife’s... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd russell: the Journal of Bertrand Russell Studies n.s. 32 (summer 2012): 83–6 The Bertrand Russell Research Centre, McMaster U. issn 0036-01631; online 1913-8032 ibliographies, rchival nventories, ndexes A BIBLIOGRAPHY OF PATRICIA RUSSELL Kenneth Blackwell Russell Archives/Russell Research Centre / McMaster U. Hamilton, on, Canada l8s 4l6 [email protected] B ertrand Russell took his own advice not to marry a woman novelist, (...) but he did marry women who wrote for publication. His third wife, Patricia Russell (née Marjorie Spence, then Patricia Helen Spence, and, after divorcing Russell, Mrs. P.yH. Spence) was no exception. Having studied history at Oxford, she did a great deal of research for Russell and some actual writing. She did some public speaking during the ccny case in 1940, and in 1946 she organized a major meeting in Cambridge for the Save Europe Now organization. Later in the 1940s she began employment in town planning, and brief mentions of that topic show up in Authority and the Individualz (1949). The Bodleian Library, Oxford, has a box of her papers, placed, at her instructions, under a very lengthy embargo. On one occasion while they were in America there was an employment opportunity for her. It involved her writing skills, and her husband drafted the following testimonial. With its strikeouts, it is unWnished in the form in which it survives, and we cannot be sure it was sent. It is dated December 6, 1941. My wife, Patricia Helen Russell, has, throughout the last ten years acted both as my collaborator and as my secretary. In the latter capacity she has drafted and written, on my behalf, letters on a great variety of subjects, and has shown great skill in doing so, both as regards literary style and grasp of the matter concerned. As regards collaboration: In “Freedom and Organization, 1814–1914”, she did a very large part of the research and a considerable part of the actual writing. In “The Amberley Papers”, which was published under our joint names, she did considerably more than half the work, not only as regards detail, but also as regards the general plan. In addition to this work on books, she has written magazine articles on my behalf, sometimes in part, sometimes wholly. Her purely secretarial work has been very extensive and always admirable. (ra1 142.079883) books By “the last ten years” Russell is dating the start of their collaboration to 1932. This is consistent with the acknowledgements he makes to her in several books on which she collaborated with him in various ways, in addition to her title-page June 25, 2012 (9:21 pm) E:\CPBR\RUSSJOUR\TYPE3201\russell 32,1 060 red.wpd 84 kenneth blackwell 1 See Brett Lintott, “Russell’s Aborted Book on Fascism”, Russellz 28 (2008): 39–64. credit in The Amberley Papers. They even planned a joint work, on the rise of Nazism and Fascism,1 but after some years it was discontinued. She contributed much to the unpublished book manuscript, “The Problems of Democracy”, written in 1941–42. Freedom and Organization, 1814–1914. London: George Allen & Unwin; New York: W.xW. Norton, 1934. Preface, p. viii: “Throughout the writing of this book, the work has been shared by my collaborator, Peter Spence, who has done half the research, a large part of the planning, and small portions of the actual writing, besides making innumerable valuable suggestions.” (The Wrst edition omitted “valuable” and an erratum slip was inserted.) In Praise of Idleness and Other Essays. London : George Allen & Unwin; New York: W.xW. Norton, 1935. Preface, p. 6: “I have also to acknowledge the assistance of Peter Spence in suggesting and discussing many of the subjects.” The Amberley Papers: the Letters and Diaries of Lord and Lady Amberley. Edited by Bertrand and Patricia Russell. 2 vols. London: Leonard & Virginia Woolf at the Hogarth Press; New York: W.yW. Norton & Company, 1937. The preface is signed “B.R.” above “P.R.” From Russell’s letter to The Times Literary Supplement, 20 March 1937: “Your reviewer treats the work as more mine and less my wife’s... (shrink)

Abstract:In this paper, I offer my reading of John Dewey's Art as Experience and propose implications for music education based on Dewey's ideas. Three principal questions guide my task: What are some key ideas in Dewey's theory of art? How does Dewey's theory of art fit within his larger theory of experience? What are the implications of Dewey's ideas for music education? As I shall show, art for Dewey is rooted in nature, civilizes humans, serves as social glue, and has (...) an important role in society throughout most of human history. Modern life, however, separates art and life; there is a need to restore the continuity between art and the ordinary processes of living, a task that Dewey undertakes by positing the notion of art as experience. Dewey's ideas support an expanded curriculum in music education, one in which popular music may be included alongside Western classical music and music from diverse cultures. However, artistic and educational discernment are needed, which necessitates the need for music educators to be sufficiently steeped in varied musical traditions and styles. (shrink)

Les parlers poitevins nord-occidentaux (Noirmoutier, Marais nord vendéen) présentent une variation allophonique complexe du vocalisme. On peut distinguer plusieurs niveaux de diphtongaison qui rendent ces variétés particulièrement intéressantes pour l’analyse phonologique. L’étonnante diversité des formes phonétiques en surface peut cependant se réduire à deux grandes catégories de noyaux vocaliques, simples (monophtongues) et complexes (monophtongues longues et diphtongues sous-jacentes). Les premières sont sujettes à des contraintes d’expression liées à l’atérité, ou laxité, tandis que les deuxièmes alternent des voyelles tendues avec des (...) diphtongues décroissantes ou fermantes dans l’oral spontané. Cette contribution traite principalement de comment une enquête sur la structure phonologique d’une variété dialectale peut durer vingt ans, en faisant alterner diverses approches et divers angles de vue sur les données : transcription phonétique, spectrographie acoustique, analyse phonologique tendant à devenir une enquête phonologique amenée à remettre en cause ses prémisses et ses instruments d’observation des faits de parole pour aboutir à une description de la langue. (shrink)

L'esprit des Lumières du xvii-xviiie siècle, celui de la raison, de la science, de l'humanisme et du progrès - par opposition à l'obscurantisme, a conduit à l'émergence de connaissances scientifiques disruptives - même en ce qui concerne les fondements de la Société - et indiscutables pour quiconque fait appel à sa raison. Il a ainsi induit de nombreuses transformations dans tous les secteurs de la Société.Aujourd'hui, les technologies numériques, par l'observation de phénomènes invisibles - qui seraient impossibles sans elles - (...) ont déjà induit une multitude de pratiques perturbatrices. Comme cet effet et ses inévitables implications continuent de s'accélérer dans le futur, leur intégration dans la progression de la Société et de l'entreprise est maintenant absolument impérative.Ce livre a pour objet de faire ressortir l'intelligence de la progression de la Société ou de l'entreprise en permettant à l'intelligence du vivre ensemble (Sciences humaines), à l'intelligence des solutions (Sciences exactes) et à l'intelligence de l'artificiel (Sciences de l'ingénieur, y compris le numérique), de se relier entre elles par l'intelligence informationnelle des services. Une telle connexion est établie grâce à la science des services. Elle constitue la base des Lumières informationnelles. (shrink)

Comparisons of Japan with Western countries have long been used to explore the relationship between technology and culture. In the 1950s and 1960s such work sought to determine if technological imperatives were diminishing cultural differences. In the 1970s, 1980s and early 1990s many sought to identify aspects of Japanese culture that might lie at the root of Japan’s technological successes. This article argues that we should now undertake more micro and more systematic comparative studies that are more directly grounded in (...) theory. Studies concentrating on engineers and the practice of engineering would seem to be an especially promising starting point. (shrink)

A new era has emerged in research on entheogens largely due to clinical trials conducted at Johns Hopkins University and similar studies sponsored by the Council for Spiritual Practices. In these notes and queries, I reflect on implications of these developments for psychological studies of religion and on what this research may mean for Christian churches in the United States. I conclude that the aims and methods of this research fit well within Jamesian efforts of contemporary psychology of religion to (...) assess religious practices by their fruits for life. Furthermore, some communitarian religious concerns that religious experiences occasioned by entheogens pose risks to the integrity of religious community are shown to be largely unfounded. However, it is suggested that certain risks for religious life posed by all investigations/interventions by knowledge experts—in particular, the colonization of the religious life world and the commodification of its practices—also attend these developments for Christian churches. Additionally, risks of individual harm in the use of entheogens appear to be significant and, therefore, warrant earnest ethical study. (shrink)

I knew I was in for trouble, that the going would be rough, when I removed the wrapper from the “Race,” Writing, and Difference issue of Critical Inquiry and observed the word “race” in quotation marks. Something deep was clearly brewing. And any doubts were quickly removed when I turned to the opening remarks of Henry Louis Gates, Jr. “Who,” he asked me, “has seen a black or a red person, a white yellow, or brown?” . There was a question (...) that spelled trouble, a glove in the face if I ever saw one. Here I was, crude, unregenerate, lacking the hypersensitivity that prevents someone like Gates from making such infra dig distinctions; here I was, daring to use words without quotation marks, actually believing that I referred to something identifiable when I spoke of black people, Americans, musicians, and whatnot, and being told that it was all just my own narcissistic and preemptive fantasy. Here I was, faced with the impossible choice of keeping permanently quiet or of perpetuating ruthless violence—of denying the individuality of all of God’s creation—not only by referring to knives, cats, my brother, or Indians, but simply by referring at all. But why, I wondered, was only the word “race” in quotation marks? Why not every single word in the entire issue of Critical Inquiry? For to refer, it seems, is to colonize, to take things over for one’s own brutal use, to turn everything else into a mere Other. There was Gates engaging in the academic’s favorite pastime, épater les bourgeois, and here was I, a hopeless bourgeois, just asking for a put-down. Harold Fromm is an independent scholar who has taught for many years in university English departments. He has published articles on Leonard and Virginia Woolf as well as on literary theory, politics, and professionalism. His most recent work concerns the Brontës. (shrink)

At present, instrumental music education, defined in this paper as the teaching and learning of music through wind bands and symphony orchestras of Western origin, appears embattled. Among the many criticisms made against instrumental music education, critics claim that bands and orchestras exemplify an authoritarian model of teaching that does not foster democracy. In this paper, I propose a theoretical framework by which instrumental music education may be conceived democratically. Since educational bands and orchestras have achieved global ubiquity, I theorize (...) broadly for both the East and the West and draw on ancient Chinese philosophy and American pragmatism as sources of inspiration to construct the theory. This theory comprises a quintet of themes that emerge from a comparative analysis of key philosophical texts by Confucian and pragmatist philosophers, namely, the people, participation, equality, cooperation, and conflict. This paper aims to address critical issues in instrumental music education with respect to democracy, complement extant music education philosophies, and serve as a first step towards a transcultural philosophy of music education relevant to the interconnected world in which we live. (shrink)

THE MORAL SCEPTIC IS ONE WHO BELIEVES MORALITY CANNOT BE\nJUSTIFIED AND THEREFORE THERE ARE GOOD REASONS FOR BEING\nSUSPICIOUS OF IT, AND FURTHER, THAT ONE WHO CONTINUES TO\nMAINTAIN A MORAL POSITION IS BEING UNREASONABLE. THE AUTHOR\nMAINTAINS THAT EVEN THOUGH THE CONCEPT OF JUSTIFICATION\nDOES NOT APPLY, THE SCEPTIC IS MISTAKEN IN DRAWING THE\nCONCLUSIONS HE DOES. THE SCEPTIC CONTENDS THAT IN THE\nABSENCE OF REASONS, IT IS UNREASONABLE TO BELIEVE. IT IS\nCONCLUDED THAT IT IS IMPOSSIBLE TO REASON US FROM MORALITY\nINTO SCEPTICISM. (STAFF).