One of this century's leading works on Zen, this book is a valuable source for those wishing to understand its concepts in the context of Japanese life and art.

Zen Buddhism as it has been discovered by the West in our time emerges as one of the great challenges to Western philosophy, psychology, and religion. The present volume, composed of the work of D. T. Suzuki, Zen's chief exponent in English, and presented to Western readers by William Barrett, is intended to introduce the general reader to the history and spirit of Zen.

Zen and Japanese Culture is one of the twentieth century's leading works on Zen, and a valuable source for those wishing to understand its concepts in the context of Japanese life and art. In simple, often poetic, language, Daisetz Suzuki describes his conception of Zen and its historical evolution. He connects Zen to the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki's contemplative work (...) is enhanced by anecdotes, poetry, and illustrations showing silk screens, calligraphy, and examples of architecture. Since its original publication in 1938, this important work has played a major role in shaping conceptions of Zen's influence on Japanese traditional arts. Richard Jaffe's introduction acquaints a new generation of readers with Suzuki's life and career in both Japan and America. Jaffe discusses how Zen and Japanese Culture was received upon its first publication and analyzes the book in light of contemporary criticism, especially by scholars of Japanese Buddhism. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Bkaḥ-Ḥgyur: ka-ya [volume 1-25], Text number 1-729. Rgyud -- ra-a, kṣa, ki-tsi [volume 26-49], Text number 730-759. Śer-phyin -- tshi-ʼi [volume 50-55], Text number 760. Dkon-brtsegs -- yi-ri [volume 56-61], Text number 761. Phal-chn -- ai, ku-ke [volume 62-93], Text number 762-1029. Mdo-sna-tshogs -- khe-phe [volume 94-106], Text number 1030-1055. Ḥdul-ba.

Reflections on Science, technology and nature - the pain of animals - genetics and society - our fragile democracy - dancing on racism's grave; The lesson of Japan - the prostitution of Academia - how educators have failed - the ecosystem as capital - the rape of the Amazon; The future; borrowing from the children - showdown in Brazil - Aboriginal people and the land; Acid rain - rain forests - deforestation - population.

30th Nov. and 1st Dec. 2013 at Kyoto University. Organizer: Takeshi Sakon.

The best seller and perennial classic by one of the great Zen Buddhist masters--now available in Spanish. En los más de cuarenta años que han transcurrido desde su publicación original, Mente Zen, mente de principiante se ha convertido en uno de los grandes clásicos de la espiritualidad moderna, muy querido, continuamente releído y profusamente recomendado como el mejor libro que se puede leer sobre el Zen. Suzuki Roshi presenta las bases —desde los detalles de la postura y la respiración (...) en zazen hasta la percepción de la no dualidad— de un modo que, además de ser notablemente claro, resuena con la alegría de la comprensión desde la primera hasta la última página. (shrink)