Cavell elaborates the view, traceable from Wittgenstein to Davidson, that there is no thought, and thus no meaning, without language, and shows how this concurs ...

This fact about the grammar of selfhypenreference doesn't answer the ontological question, however, of what sort of entity I am in so far as I am a speaker. Thinking about what is presumed in my understanding the concepts ‘one’ and ‘one who is speaking’ tells us this much, that I must be able to differentiate myself from other speakers at the same time as I must be like them. If I cannot differentiate myself from you then of course I cannot (...) refer to myself to begin with. But I must be like you enough to be intelligible to you, and I must know that I am. Otherwise I could not know myself as ‘the one who is speaking’, speaking in the first person to others who also speak in the first person. (shrink)

This valuable and interesting book attempts to discern the essential Freudian theses about the mind and to give them a cogent philosophical defense. Like many philosophers Gardner sees psychoanalytic explanation as continuous with folk psychology, though he holds that the latter needs considerable expansion in order to accommodate irrationality of the “Freudian” sorts.

Marcia Cavell draws on philosophy, psychoanalysis, and the sciences of the mind in a fascinating and original investigation of human subjectivity. A "subject" is a creature, we may say, who recognizes herself as an "I," taking in the world from a subjective perspective; an agent, doing things for reasons, sometimes self-reflective, and able to assume responsibility for herself and some of her actions. If this is an ideal, how does a person become a subject, and what might stand (...) in the way? One of Marcia Cavell's guiding premises is that philosophical investigation into the specifically human way of being in the world cannot separate itself from investigations of a more empirical sort. Cavell brings together for the first time reflections in philosophy, findings in neuroscience, studies in infant development, psychoanalytic theory, and clinical vignettes from her own psychoanalytic practice. (shrink)

Recent philosophical work attempts to understand irrational acts on the model of practical reasoning. Such acts are regarded as intelligible in the light of ordinary propositional attitudes which are nevertheless conjoined in a way that explains the irrationality. It is here argued that some irrational acts cannot be so understood; that they are not actions, per se; and that Freud’s notion of “primary process”, particularly in its emphasis on hallucinatory wish-fulfillment and on what he calls “omnipotence of thought”, provides a (...) useful description of such acts. Where hallucinatory wish-fulfillment (or phantasy) is operative, an anxiety or need causes an agent to see the world as one in which the anxiety-provoking state does not exist or has- somehow been dealt with satisfactorily. The need or lack is not acknowledged, as it is when one can properly speak of desire and of a reasoning that attempts to implement it. (shrink)

Marcia Cavell’s recent book is the continuation of a ‘conversation between philosophy and psychoanalysis’ in which she has been engaged for some time. Her previous monograph, The Psychoanalytic Mind (Cambridge, MA: Harvard University Press, 1993), was a powerful and sustained argument in favour of an interpretation of psychoanalysis and children’s mental development informed by a broadly Davidsonian perspective on mind and meaning. Her theme in Becoming a Subject is the nature of self, which she understands as the self-conscious, (...) reflective, judging, reason-giving self – ‘someone who recognizes herself as an ‘I’, as having her own peculiar perspective’ (1). (shrink)

This handsome new edition of Stanley Cavell's landmark text, first published 20 years ago, provides a new preface that discusses the reception and influence of his work, which occupies a unique niche between philosophy and literary studies.

What is film? Why are movies important? Why do we care about them in the way we do? How do we think of the connections between the projected image and what it is actually an image of? Most movie-goers assume that they are entitled to make jugments and come to conclusions about the movies they see--to evaluate how "good" they are, or what they "mean." But what do they base, or what should they base, their judgments on? In this thought-provoking (...) new book, Stanley Cavell, a professor of philosophy and aesthetics at Harvard who has long taken a lively interest in movies, looks closely at these and other questions concerning America's most popular art and the perceptions we make of, by, and through it. His answers are surprising and important--not only to our understanding of film and of ourselves, but to our expectations of life and art. Mr. Cavell's explorations of some of Hollywood's stars, directors, and most famous films--as well as his fresh look at Godard, Bergman, and other great European directors--will be of lasting interest to movie-viewers and intelligent people of all ages. (shrink)

During the past decade ethical theory has been in a lively state of development, and three basic approaches to ethics - Kantian ethics, consequentialism, and virtue ethics - have assumed positions of particular prominence.