El presente artículo busca establecer paralelos entre las propuestas de Edmund Husserl y de San Agustín en torno a la constitución del tiempo por parte de la conciencia. En ese marco, proponemos que ambos autores basan la constitución del tiempo en estructuras trinitarias de la conciencia. Dichas estructuras, a pesar de sus diferencias, coinciden en constar de tres elementos: uno retencional, uno protencional y uno impresional. Además, coinciden ambas propuestas en que lo fundamental de la estructura trinitaria de la conciencia (...) es la relación entre los términos mencionados. Esto último conlleva un cierto modelo de autoconciencia que no supone una identidad simple de la conciencia consigo misma, sino una identidad compleja y “desplazada” que sirve de fundamento último al tiempo y su constitución. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:TellingAlvan A. IkokuMost everything had gone as I had imagined it. The plan was to eventually do international health work in Africa. So it was important to add another year to my medical studies, to leave Boston and gain some level of comfort working in French. The year was to be divided between France and Gabon. I was more than halfway there, having spent enough time in Paris to (...) feel proficient in the language, and having also completed several months of clinical rotation at the Hôpital Necker. There was one disruption: my father passing, perhaps of cardiac arrest, the attack occurring in the village—over an hour away from the nearest emergency room. The event required a month back home in Nigeria, to carry out funeral ceremonies and attend to my mother. But on my return to Paris the plans remained unchanged. I completed my rotation and soon after I was in Lambaréné. Ready for another three months of clinical work in a Francophone setting. Ready for a rural version of my rotation. Ready too for a second return home. Gabon was close to Nigeria, and I could visit once I was done.Medical school was my first attempt to fulfill deeply felt duties to two homes, Nigeria and the United States. Practicing international health in Africa was a way to resolve any tension between these duties. At the time, this meant training in the States and working to improve health south of the Sahara. There was little room for thinking the reverse might be more appropriate. I wanted to bring a standard of care from one home to another, or as I often said, to learn how to practice with limitations, to be as good a physician as one could in any setting. But one limitation I couldn't accept was a language barrier between myself and my patients. Learning a new language made the most technical text come alive and it made patients people. So I made my case for an additional year of medical school abroad, and it was granted.Once in Lambaréné, my limitations became apparent and troubling. It wasn't simply a matter of still being, in every sense of the word, a medical student, nor was it simply due to the waiting halls— not waiting rooms—of patients at the Polyclinique, almost as full in the evening as they were in the morning. As expected, there were several advanced cases of illness, even deaths, that I felt would have been prevented if we had seen the same patients in Boston. But what made my limitations so keenly felt was confronting them as a provider for people who were surprisingly and intimately not others, people who were suddenly so closely like myself. Gabon was not Nigeria. The fellowship was still meant to occur abroad; it was still a project of global health. Yet the patients themselves resisted that enterprise. They gestured to parts of their body as I had seen aunts, uncles and cousins do. They did to the French language what I had heard many in my family do to English, bending Europe in ways that were too familiar. Again, Gabon was not Nigeria. So this familiarity was neither expected nor prepared for. These encounters left me disarmed, porous and eventually aware that my education [End Page E1] to become a physician had relied on a process of de-familiarization.The inability to alleviate pain, decrease morbidity and prevent mortality felt strangely intimate and demanded reflection. The distance that seemed necessary for clinical practice was not possible, and I needed to learn to care while feeling the discomfort of being familiar. I found one way through language. I let my French become imperfect: bent, stilted, with gaps. The patients filled those gaps with words, or with more questions about their own illness. They seemed less intimidated, more willing to go over what I had encapsulated in a single concise, practiced sentence. They wanted any elegant sentence broken down. I obliged and the goal of each visit became to have the patient form sentences with me. I began to feel that what we produced together should be part of good... (shrink)

The tradition of poets presenting eulogy to the sultan, being common in Turkish-Islamic societies, has strong religious backgrounds. According to the people, the sultanate is of divine origin and obedience to the sultan is obedience to Allah and his Messenger. The people respected the sultans because the Ottoman sultans were seen as the last guardians of the order with their justice. There are many examples of this in literary works such as odes, masnavis, and historical, religious-mystical works. Therefore it is (...) a very shortsighted approach to think that every poet presenting an ode to the sultan only expects rank and material gain. Sultan Bayezid II is an artist and an art-loving sultan who generously patronized scholars, artists and especially poets from all over the world during his princedom of in Amasya and his thirty-one-year reign (1481-1512). Being as an important calligrapher, composer and poet, Sultan Bayezid II is popularly known as "saint" in public. An inâmât book including registers of the gifts given to the poets during the reign of Sultan Bayezid II are an indication of the importance that the sultan gave to the poets. However most of the poets patronized by Sultan Bayezid II are unknown. Jauhari who is one of these poets, also his life and works are unknown. In this article, the newly found poems of Jauhari and the findings about his life are introduced. (shrink)

Kaum ein anderes semantisches Feld durchzieht Platons Werk von den ersten Dialogen an bis zum Spätwerk so prägend und zugleich so spannungsreich wie das der Mimesis. Von der Sprachphilosophie über die Ästhetik und Moralpsychologie bis hin zur Metaphysik, Kosmologie und Theologie: in erstaunlich vielen Themenbereichen gewinnt die Semantik der Mimesis bei Platon hohe Relevanz. Der Tagungsband „Platonic Mimesis Revisited“ bietet eine umfassende und kontextsensible Neubetrachtung der Mimesis in allen einschlägigen Dialogen. Anders als frühere monographische Behandlungen des Themas vereint er eine (...) bedeutende Auswahl wissenschaftlicher Perspektiven aus Philosophie und Philologie und gibt so einen breiten Einblick in moderne Forschungsansätze.Mit Beiträgen vonMichele Abbate, Alexandra V. Alván Leon, Laura Candiotto, Andrea Capra, Elenio Cicchini, Michael Erler, Francesco Fronterotta, José Antonio Giménez Salinas, Stephen Halliwell, Irmgard Männlein-Robert, Lidia Palumbo, Anna Pavani, Julia Pfefferkorn, Antonino Spinelli, Benedikt Strobel und Justin Vlasits. (shrink)