This article considers the theme of discernment in the tradition of Ignatian spirituality emanating from the Spiritual Exercises of St Ignatius of Loyola, the founder of the Society of Jesus. After a brief introduction which addresses the central problematic of bad influences that manifest themselves as good, the article turns to the life and work of two Jesuits, the 16th C English missionary to India, Thomas Stephens and the 20th C French historian and cultural critic, Michel de Certeau. Both kept (...) up a constant dialogue with local culture in which they sought authenticity in their response to ‘events’, whether a hideous massacre which shaped the pastoral commitment and writing of Stephens in the south of the Portuguese enclave of Goa or the 1968 student-led protests in Paris that so much affected the thinking of de Certeau. Very different in terms of personal background and contemporary experience, they both share in a tradition of discernment as a virtuous response to what both would understand as the ‘wisdom of the Spirit’ revealed in their personal interactions with ‘the other’. (shrink)

The issue of violent extremism has given rise to new policy debates in Norway. A key limitation of these debates, often grounded in naïve assumptions about the peacebuilding effect of education, is the downplay of emotions and dissent in democratic engagement. This article analyses how selected educators in Norway describe encountering and engaging with extremist students for educational interventional purposes. Previous research suggests that educational efforts to counter violent extremism can be exclusionary from the perspective of target audiences. In contrast, (...) this study draws on agonistic pluralism to provide an alternative to understand educational approaches that may help students disengage from violent extremism. The findings show that the selected educators argue the importance of trust, support and tolerance when engaging with extremist students. For these professionals, education should not downplay radical or extreme emotions but rather place them at the centre of educational engagement. Furthermore, it is suggested that educators’ empathic engagement may open the path for young people to disengage from violent extremism. (shrink)

Different opinions about the simplicity of God may be connected with different understandings of how abstract terms are used to name the properties which are affirmed of a being. If these terms are taken to signify parts of that being, this being is not a simple one. Thomas Aquinas, who attributes essence, existence and perfections to God, nevertheless thinks that these are not different parts of God. When essence, existence and perfections are attributed to God, they all denominate the same, (...) the Being of the first cause. For Aquinas, this is a consequence of his way of introducing the language about God by basing it upon the philosophical ways leading to God as first cause. Awareness of this connection between Divine attributes and the arguments for God’s existence is crucial for an adequate understanding of Aquinas’ position. (shrink)

O artigo trata da primeira da fase, bem mais breve, do pensamento filosófico de Lima Vaz, reconhecido como um dos principais filósofos de sua geração no Brasil. Depois de fornecer algumas indicações sobre sua formação intelectual, detém-se na sua reflexão sobre as condições de reconciliação entre a mensagem cristã e o pensamento moderno através de seus artigos sobre “consciência histórica”, visando resgatar o verdadeiro sentido da modernidade. Analisa também a aplicação feita por ele dessas ideias à solução dos graves problemas (...) da sociedade brasileira então em debate, bem como a repercussão pública de sua proposta num momento decisivo da história nacional. Discute em seguida se ele com isso se mostra então favorável a um pensamento cristão alternativo à metafísica tradicional, concluindo por uma provável negativa. (shrink)

La presente contribución indaga una dimensión de la intensa y compleja relación intelectual entre Henri de Lubac y Michel de Certeau, graficada en el paso del Corpus Mysticum a La fábula mística. En particular nos detenemos en una arista del proyecto intelectual de Lubac que busca desempolvar las potencialidades de la simbólica medieval para contrarrestar las nefastas derivas de la racionalidad moderna. Dicho proyecto se inspira en una ontología sacramental y en la centralidad de la allegoria in factis, heredada del (...) pensamiento de los Padres de la Iglesia. La reflexión que realiza Certeau en La fábula mística muestra ser no solo la continuación del Corpus Mysticum de Lubac, sino que de manera tangencial evidencia los límites del proyecto de su maestro, a través de su atención lúcida a la ruptura nominalista. Certeau muestra así que la emergencia de la mística moderna de los siglos xvi-xvii nace como respuesta al desaplazamiento de la allegoria in factis a la allegoria in verbis, que estaría a la raíz de la desontologización del lenguaje y del cisma entre la experiencia espiritual y la teología. (shrink)

La caricatura de Garzón, que aparece en el periódico El Espectador con el título de Cartones, es una caricatura filosófica, un dibujo del alma humana, en contraste con la de su contemporáneo Osuna que es la clásica caricatura política. Garzón prescinde, en general, de las palabras y critica con humor seco la insensatez. Adopta en sus dibujos del alma una posición ética que repudia el espíritu mercantil de nuestra época. El hombrecillo protagonista de sus dibujos recuerda los hombres grises, creados (...) por Michael Ende, en su novela Momo. En el maletín los hombrecillos de Garzón llevan el tiempo, pero también, como en una caja de Pandora, portan muchos otros de los pseudovalores que los humanos empleamos para autodestruirnos. Sin embargo, en ese mismo maletín muchos hombres llevan la esperanza. La obra de Garzón nos plantea tres desafíos: (I) el problema de la percepción, con la cual vemos y oímos solamente lo que podemos y queremos ver y oir, poniendo en jaque la objetividad; (II) el problema del lenguaje, que resuelve dejando el texto implícito, como Nicolás Gómez Dávila, invitándonos a escribir nuestros propios escolios; (III) el problema del instante y de nuestra inevitable relación con el tiempo, cuyo planteamiento nos deja entrever jirones de Heidegger y de Ende, cuando él dice, al comentar su propia obra que “conocemos desde donde estamos”. Garzón, de muchos de sus Cartones, ha hecho grabados, duplicando en esta forma la energía creadora de su obra periodística, dándose y dándonos un placer estético redoblado con genial generosidad. (shrink)