This investigation draws from research on negative polarity item (NPI) illusions in order to explore a new and interesting instance of misalignment observed for grammatical sentences containing two negative markers. Previous research has shown that unlicensed NPIs can be perceived as acceptable when occurring soon after a structurally inaccessible negation (e.g. ever in *The bills that no senators voted for have ever become law). Here we examine the opposite configuration: grammatical sentences created by substituting the NPI ever with the negative (...) adverb never (e.g. The bills that no senators voted for have never become law). The processing and acceptability of these sentences was studied using three tasks: a speeded acceptability judgment (experiment 1), a self-paced reading task (experiment 2), and an offline acceptability rating (experiment 3). The results are consistent across measures in showing that the integration of the adverb never is disrupted by the linearly preceding but structurally inaccessible negative quantifier no in the relative clause. In our view, this pattern of results is in line with Parker and Phillips’ (2016) proposal that NPI illusions arise when the context containing the inaccessible negation has not been fully encoded by the time the NPI ever is encountered, making the embedded negative quantifier transparently available as a licensor. In a similar vein, the disruption effects observed for grammatical sentences containing two negative elements could arise if the negative quantifier is still being integrated when never is encountered, forcing the parser to deal with two negative elements simultaneously. This interpretation suggests that the same incomplete encodings that could be ameliorating the online perception of unlicensed NPIs could also be responsible for deteriorating the perception of the sentences under investigation here. This would represent an illusion of ungrammaticality. Furthermore, these results provide evidence against the speculation that NPI illusions are the consequence of misrepresenting ever as its near neighbor never, given that continuations with never are judged as unacceptable in spite of their grammaticality. Together, these findings inform the landscape of hypotheses on NPI illusions and offer valuable insights on the complexity of multiple negation and the relation between processing difficulty and acceptability. (shrink)

Abstract. This essay theorizes madness as a chthonic emplacement to dishevel existentially insufficient and detached interpretations of disorder. Reflecting on Nietzsche’s emphasis on poetry over systematic thought, I take up Lorca and Baudelaire’s visceral language on death and the earthly to revisit chthonic myths as expressing an underworld uncontrollable sphere beyond systematicity. Written from the phenomenologically precarious position of my own mental illness, this essay develops a sincere rhetoric to approach the chthonic from within rather than at sterilized distance. This (...) positioning retains the indexicality of the intense and disorganized as a critical facet, in turn exploring the nuances of the experience without discursive reductions or romantic musings, from the ground down. (shrink)

“Perspective is much more than a secret technique for imitating a reality… It is the invention of a world dominated and possessed through and through.” These inimical words by Maurice Merleau-Ponty encapsulate a customary philosophical position, as explicit and implicit references to early modern culture by critical theorists and continental philosophers lead to an uninviting and even sinister picture. Because of its emphasis on the human eye, quantitative spatial relations, and the virtual incising of pictorial space via linear perspective, the (...) Renaissance was cast as a formidable villain in order to uphold modern artistic production. It is an accusatory characterization.. (shrink)

Exposición de algunas teorías de la auto-organización en el paradigma de la orden a través del desorden. Se analizan las crisis y las catastrofes por su valor auto-organizador en la formación de comportamientos colectivos.

Exposición de algunas teorías de la auto-organización en el paradigma de la orden a través del desorden. Se analizan las crisis y las catastrofes por su valor auto-organizador en la formación de comportamientos colectivos.

¿Cómo es posible encontrar una constante en una obra que tiene en la ruptura su principal argumento? Una primera línea se puede percibir en el trabajo de Žižek sobre una política del goce cuya trayectoria circula desde el deseo a la pulsión. Desde una investigación muy orientada en el problema del sujeto, en el carácter sintomático del mismo, Žižek se ha desplazado hacia un análisis de la relación entre el objeto a y la pulsión en el marco del capitalismo actual. (...) En conexión con esta problemática se encuentra una segunda línea que tiene como punto central el trabajo crítico sobre las relaciones entre economía y política; frente al desafío que supone hoy en día la circulación espontánea del capital y el abandono del ámbito económico por parte de la teoría política. Por un lado nos encontramos con los dos sentidos del término escatología, el económico y el teológico-político, que convergen en la noción de exceso, sea de la pulsión o sea del objeto a. Al mismo tiempo, Žižek considera que no es posible traducir la atención sobre el exceso capitalista y su propia revolución inmanente en términos de dominación política.Ambas secuencias se encuentran, en definitiva, íntimamente vinculadas en la crítica de la economía política del discurso que Žižek lleva a cabo. La introducción del término paralaje puede servir como alternativa para entender la oscilación permanente que se produce en su obra entre síntoma y escatología. Una opción para leer a Žižek en función de sus incesantes desplazamientos, comenzando por el más fundamental: la paralaje entre lectura y escritura. (shrink)

This essay sets forth a nuanced interpretation of Baldassare Peruzzi’s stage design for La Calandria (1514) that addresses the spatial disassociations found in the drawing in relation to active modes of visual engagement.

Velázquez’s Democritus (ca. 1630) presents a unique encounter: not only are there few depictions in which the Greek philosopher appears with a sphere that shows an actual map, but Velázquez used a court jester as a model for Democritus, thus placing the philosopher within a courtly space. When we study the painting in relation to the literary interests of the Spanish Golden Age and its socio-political circumstances, we can see the figure of Democritus as far from just another instantiation of (...) a conventional trope. The philosopher’s smile and his crepuscular globe entrap the viewer in a semiotic game with pedagogical and ethical goals. While the scholarship on the painting has dwelt extensively on the identification of the figure, this essay moves beyond the superficial aspects of subject identity in order to explore how the painting articulates and requests a profoundly philosophical engagement. I thus examine Democritus in relation to contemporary literary and philosophical themes, many of which were present in Velázquez’s own personal library: the period’s understanding of the philosopher, cartographic spheres, and treatises on laughter. Considered in this manner, Velázquez’s figure is not responding to the folly of humanity in general, as is commonly the case in representations of the philosopher, but is rather presented through a courtly prism in which conquest, geography, and politics are inescapably interrelated. Velázquez’s Democritus emphasizes the philosophical and moral qualities of a learned and decorous laughter, which performs a critical and ethical role framed by Spain’s political difficulties. (shrink)

Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, (...) the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers. (shrink)

This is a critical assessment of today presentations of Jesus of Nazareth’ Kingdom of God in so-called historical-exegetical books. Three of them are selected for a minute criticism. It follows a brief exegesis of all then important Gospel texts about the Kingdom of God as a «future event» or as «present» and «already come» in Jesus ministry. After a close scrutiny, only one Gospel passage (Luke 17:20-21) can be used with some doubts for sustaining that Jesus has proclaimed a Kingdom (...) of God already present. The article concludes with a brief exposition of the conceptions of the historical Jesus view about the Kingdom, and some consequences for the modern transpositions of his view. (shrink)

La resiliencia como vivencia del Reino de Dios es el título del libro escrito por María Stella Rodríguez Arenas, publicado en el 2015 por la editorial de la Pontificia Universidad Javeriana en Colombia. De cierta manera novedosa, la autora vincula la lógica que subyace a las parábolas del Reino de Dios, a los relatos de sanación y a las actitudes de Jesús, con la lógica de los procesos resilientes, presentando a Jesús como tutor de resiliencia.

This paper deals with the ontological genesis of the series point-line-plane-solid in Plato’s philosophy. The texts of the Dialogues concerning this subject are presented, and passages of the Unwritten Doctrines that we know from Aristotle and other sources are specially considered. Certain problems within this context, such as the postulation of indivisible Iines, or the relation between each of the dimensions and the figures that can be placed in them, are considered in detail.

This article is meant to assay in an open or non-conclusive way, a confrontation between John Caputo’s theology of the event and his idea of anarchic hospitality, and Vattimo’s weak theology and his notion of antimetaphysical hospitality, as I’ve decided to call it. The core of the discussion is a criticism to the formalism inherent to the anarchic and unconditional hospitality, since in this indefinite opening, what Caputo calls absolute alterity derives in a formal conception of alterity, therefore denying precisely (...) what it is meant to defend, i. e., the welcome to the different. Whereas Vattimo’s antimetaphysical hospitality, on the other hand, seems to be more prone to redefine the outlines of the church, but on the basis of what he calls mediocre Christianity. In this way, he avoids the total dissolution of Christianity, which conceptually identifies itself with an inheritance to which we belong and with which we have to settle accounts, regulating its dissolution by the principle of charity. Keywords: Hospitality. Anarchy. Deconstruction. Difference. Kénosis. (shrink)

El saber de Aristóteles -- Cogito ergo sum -- Heidegger y la filosofía -- Filosofía y teoría del amor.

El presente estudio se propone iluminar la recepción de la exhortación apostólica Amoris laetitia. Para ello se toma como hilo conductor los tres verbos que aparecen en el capítulo VIII de la misma: acompañar, integrar y discernir, teniendo presente el conjunto de la exhortación. Siguiendo de cerca el vademécum escrito por tres profesores de la sede central del Instituto Teológico Juan Pablo II, consideramos sucesivamente el significado del acompañamiento, la integración y el discernimiento para la pastoral familiar. En el acompañar (...) nos detenemos en el acompañamiento de novios en su preparación próxima, en el acompañamiento de los primeros años de matrimonio, y en el acompañamiento de situaciones difíciles, como tres aspectos singularmente importantes hoy. El retorno a la comunión plena en la Iglesia es el objetivo del camino de la integración que tiene como sujeto a la entera comunidad cristiana. Finalmente, discernir no quiere decir discernir sobre el estado de gracia de una persona, cosa que únicamente le corresponde a Dios, sino que el objeto del discernimiento es triple: el deseo, el vínculo matrimonial y los pasos concretos. (shrink)

Resumen: Este trabajo investiga las traducciones realizadas por Aphra Behn a partir de la clasificación tripartita que estableció John Dryden entre metáfrasis, paráfrasis e imitación. Behn cultiva la metáfrasis principalmente en sus traducciones de La Rochefoucauld, la paráfrasis en las versiones de Cowley o Tallemant, entre otros; mientras que aplica la imitación a las Fábulas de Esopo. Se constata que Behn rompe con la tradición de traducir principalmente a los autores clásicos, ensanchando los cauces de entrada de literatura moderna en (...) Inglaterra y ampliando las posibilidades de la traducción literaria. Analizando unas muestras, se infiere la manipulación del texto original que la autora realiza en ocasiones, en consonancia con su ideario creativo, generando un texto meta provisto de nuevas resonancias de género y políticas contextualizadas en su época. Asimismo, se deduce que la escritora profesional de la Restauración cultiva la traducción movida, entre otros motivos, por los gustos del naciente mercado literario en cuanto a las novedades del país galo y, por tanto, motivada por un afán comercial.: This paper examines the translations by Aphra Behn based on the tripartite classification that John Dryden established between metaphrase, paraphrase and imitation. Behn employs mainly metaphrase in her translations of La Rochefoucault; paraphrase in her versions of Cowley and Tallemant, among others; while applying the imitation to Aesop's Fables. It is found that Behn breaks with the tradition of translating principally classical authors, broadening channels for the entrance of modern literature into England and expanding the possibilities of literary translation. Analyzing the samples, the author's occasional manipulation of the original text is identified, consonant with her creative ideas and generating a metatext featuring new political and gender resonances contextualized in her era. It is also concluded that the professional writer of the Restoration employs translation spurred by the tastes of the burgeoning literary market, among other factors, shaped by recent developments in France and, as such, motivated by commercial interests. (shrink)

El presente artículo pasa revista a las dimensiones hermenéuticas presentes en la filosofía aristotélica, y se detiene en la filosofía moral. El concepto φρόνησις llamó la atención de Heidegger, que acabó aproximándolo al de conciencia (Gewissen), y de Gadamer, que encuentra en él un modelo de los problemas de la aplicación (Anwendung) en la tarea hermenéutica. El propio Gadamer acabará defendiendo el carácter dialogal y hermenéutico de la retórica, que no es más que una forma de la φρόνησις.