In this collection of essays, Camillo “Mac” Bica, Ph.D., a former Marine Corps Officer, Vietnam Veteran, and philosopher, provides a cogent analysis of why a veteran may not want to be thanked for his “service” in war. Mac’s experiential and theoretical perspective is both gut wrenching and concise. “The Philosopher speaks from the mind,” Mac writes, “the warrior from where it hurts.” With simplicity, poignancy, and power, this book, together with future installments of the War Legacy Series, works to dispel (...) the mythology of nobility and heroism by providing a window into the reality of war and its devastating effects upon all who experience its horrors. (shrink)

. . . and I spread it out broader and clearer, and at last it gets almost finished in my head, even when it is a long piece, so that I can see the whole of it at a single glance in my mind, as if it were a beautiful painting of a handsome human being; in which way I do not hear it in my imagination at all as a succession - the way it must come later - but (...) all at once, as it were. (shrink)

This article deals with quotatives–overt marks that indicate quotations–consisting in iti/ti or containing vuttaṃ which are used in Pāli commentarial literature to signal the occurrence of a quotation. We distinguish two types, namely, “general quotatives” and “individual quotatives”. The former are universally valid. They are widely acknowledged and used in various text corpora over several centuries. The latter are defined by an author solely for usage in his commentary. In the first part of our contribution we describe the implications connected (...) with the usage of quotatives, and depict the specific problems which may arise when a text including “individual quotatives” is tacitly borrowed. In the second part we present some of the most common “general quotatives” formed with the words iti/ti and vuttaṃ. We aim at pointing out in which text layers a quotative is applied, for which text layers it is used, when it was in and when out of fashion. (shrink)

responsible for any mistakes. Also note that this work is not complete. It will be some time before I find and extract all the desired book quotes. Enjoy!

I explain a mechanism I call “incorporation,” that I think is at work in a wide range of cases often put under the heading of “scare-quoting.” Incorporation is flagging some words in one’s own utterance to indicate that they are to be interpreted as if uttered by some other speaker in some other context, while supplying evidence to one’s interpreter enabling them to identify that other speaker and context. This mechanism gives us a way to use others’ vocabularies and contexts, (...) thereby extending our expressive capacities on the fly. -/- Explaining incorporation involves explaining intra-sentential shifts in lexicon and in context. Shifts of the former sort are familiar to linguists under the heading of “code-switching.” Shifts of the latter sort have been less explored; accordingly I explain how to modify Kaplan’s logic of demonstratives to allow for such shifts. -/- I compare the incorporation account of scare-quoting with accounts offered by Brandom, Recanati, Geurts and Maier, Benbaji, Predelli, and Shan. Finally I note a possible implication concerning the speech act of assertion: that you can properly assert a content you do not believe, let alone know, because part of it is expressed with words you do not understand. (shrink)

The main aim of this paper is that of providing a unified analysis for some interesting uses of quotation marks, including so-called scare quotes. The phenomena exemplified by the cases I discuss have remained relatively unexplored, notwithstanding a growing interest in the behavior of quotation marks. They are, however, of no lesser interest than other, more widely studied effectsachieved with the help of quotationmarks. In particular, as I argue in whatfollows, scare quotes and other similar instances bear interesting (...) relations with someimportant themes in the study of natural languages, such as questions regarding alleged devicesof conventional implicature, cases of so-called metalinguistic negation, and, moregenerally, problems pertaining to the distinction between semantic and pragmatic fieldsof inquiry.In Section 1, I begin with a description of some examples involvingthe uses of quotation marks I intend to discuss, and I hint at some desiderata fortheir analysis. In Section 2, I temporarily abandon quotation marks, and, inspired by therecent work of Stephen Neale and Kent Bach on alleged devices of conventional implicature,I present what I call the theory of message and attachment. In Sections 3 and 4,I return to my initial examples, I employ the theory of message and attachment in theiranalysis, and I discuss certain features regarding the behavior of negation in some related cases. (shrink)

The quotes in the sacro-profane florilegia have so far been neglected as documents for the 9th-century readership of the Greek novels. This article uses the quotes as intertextual links to the originals and reconstructs the excerption: mapped back onto the novels, the quotes highlight the excerptors’ points of interest and the patterns that connect them. Excerption is thus fully understood as reading practice. The quotes were collected not only because they could provide wisdom when decontextualised, but (...) also because they played a relevant role in the excerptors’ analysis and interpretation of the novels. The florilegia are therefore unique texts in revealing the experience of reading the novels in the 9thcentury. (shrink)

These are but just some of the stories covered in this entertaining book that deals with the history of physics from the end of the 19th-century to about 1930.Quips, Quotes and Quanta (2nd Edition) is unique in that it contains anecdotes on ...

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Wilhelm Griesinger”Aaron L. Mishara (bio)Arens situates Wilhelm Griesinger in a historical context with which we are no longer familiar. In doing so, she has performed an important task for contemporary clinicians, philosophers, and historians. We find ourselves working and thinking (both in everyday clinical practice and in the construction of our models of mental disorder) with the same categories that Griesinger struggled to sort out and redefine; (...) we often do so, however, without awareness of their history or lack of permanence. Ackerknecht writes that all the dominant trends in modern psychiatry can be traced back to Griesinger; he states that Griesinger is the “founder of neuropsychiatry,” a “merging of the two disciplines” neurology and psychiatry. Griesinger presents us with a “systematic synthesis of the anatomical, physiological, psychological and clinical points of view” (Ackerknecht 1959, 63). Somewhat contrarily, Karl Jaspers, in his General Psychopathology, groups Griesinger with the great observers and describers of clinical experience rather than among the systematic analyzers (Jaspers 1963, 849–50). Although Griesinger is best known for his identification of mental disorders as a subset of brain diseases, Karl Bonhoeffer, a successor to Griesinger as director of the Charité Clinic in Berlin, cautions that Griesinger “continued to see in psychological causes the most frequent and abundant source of mental disorders” (Bonhoeffer 1911, 53). Kales, Kales, and Vela-Bueno, however, write, “Griesinger was representative of a clinical movement that minimized the value of psychological concepts in the understanding of mental diseases” (Kales, Kales, and Vela-Bueno 1990, 15). Precisely because of his importance, contention surrounds his legacy.If Griesinger is the pioneer of empirical approaches in biological neuropsychiatry (as Ackerknecht and others claim), he is also precursor to philosophical criticisms of their limits. It is not so easy to lump Griesinger to one side of the oppositions with which we think today: Griesinger’s scientific psychiatry (formed on the basis of the newly emergent empirical physiology) was meant to steer between the Scylla of the previously reigning overspeculative romantic medicine and the Charybdis of the antitheoretical and “positivistic” materialism of Magendie. As Arens suggests, even during the same generation of university psychiatry which Griesinger was critical in forming, he was posthumously denounced as belonging to the Hegelian idealists; later, he was proclaimed to be an empiricist. Griesinger’s work contained both idealism and empiricism in a fragile synthesis that soon broke asunder.Hermeneutic theory points out that we inevitably interpret an author, in this case, Griesinger, in terms of the prejudices of our own present context of understanding and our current problems of application to clinical practice (Gadamer 1993). On the one hand, we benefit from the advantage of seeing all that follows Griesinger’s work and are able to “understand the author [End Page 165] better than he understood himself.” We are able to see what he only anticipates but is still not able to explicitly articulate as the unpredicted effects of his work. On the other hand, our interpretations are encumbered by the sedimentations of the views of his successors: his work lies buried under the subsequent interpretations and vicissitudes of a reception with its own agendas, contexts of interpretation, and realms of application. It would be easier if we could simply assign him to one side of our current debates concerning mind/body, individual/culture, and explanation/understanding rather than seeing that our present quandaries in understanding, classifying, and treating mental disorder result precisely from a reading of Griesinger that is not careful enough. It is here that Arens can help us develop our present views further by reviewing their past.Although Griesinger is heralded as the pioneer of an empirical physiological approach which employs a natural scientific concept of mechanism (Ackerknecht, O. Marx, Verwey), Arens situates him in the tradition of Kant and German idealism. It is perhaps this solution of being both philosophical and empirical which seems hard for us, today, to understand. We have come to view these directions as contradictory, to be necessarily in a mutually exclusive relationship. (But that is rather the expression of the present impasse and not the way that Griesinger originally approached these problems.) Arens ambitiously retraces the genealogy of Griesinger’s model... (shrink)

Theoretical approaches on the relationship between ‘high’ and ‘popular’ culture appear side by side with case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and hypertext literature.

This paper brings together two positions that for the most part have been developed and defended independently of one another: contextualism about knowledge attributions and the knowledge account of assertion.

Quotatives have been studied extensively in the language of teenagers in recent years as they present distinctive features of their own that make them different in part from those used by adults in mainstream English and Spanish. However, zero quoting has not received all the attention it certainly deserves as it has not been fully probed in terms of its discourse and pragmatic functions. This corpus-based study is focused on the strategies used by British and Spanish teenagers to introduce constructed (...) dialogue without the use of a particular marked and an explicit quotative form. The results indicate that the absence of quotatives is not casual; there are some linguistic contexts that favor the existence of this type of quotatives, namely non-lexicalized and sound words, and the dramatic recreation of situations where the speaker perform new voices. The lack of quotatives also serves to involve the interlocutor more directly and in a higher degree in what is being told, and gives more self-assurance to the narrator. These tendencies apply equally to English and Spanish. The study of null/zero quotatives should go then beyond the simple reporting of an absence of a verbal mark, and should address pragmatic and interpersonal factors closely associated with the context where they occur and with the speaker’s attitude and communicative intention and purpose. (shrink)

Quotes re the situation of the 10,000 embedded male-biased names in language about our species making people believe the basis of mind is male.

Scare Quotes from Shakespeare argues that moments of allusion to the supernatural in Shakespeare are occasions where Karl Marx and John Maynard Keynes register the perseverance of haunted structures in modern culture. This 'reenchantment', at the heart of modernity and of literary and political works central to our understanding of modernity, is the focus of this book. The author shows that allusion to supernatural moments in Shakespeare ('scare quotes') allows writers to both acknowledge and distance themselves from the (...) supernatural phenomena that challenge their disenchanted understanding of the social world. He also uses these modern appropriations of Shakespeare as provocations to re-read some of his works, notably Hamlet and Macbeth. (shrink)

Paul Saka, in a recent paper, declares that we can use, mention, or quote an expression. Whether a speaker is using or mentioning an expression, on a given occasion, depends on his intentions. An exhibited expression is used, if the exhibiter intends to direct his audience’s attention to the expression’s extension. It is mentioned, if he intends to draw his audience’s attention to something associated with the exhibited token other than its extension. This includes, but is not limited to, an (...) orthographic form, a phonic form, a lexical entry, and an intension. (shrink)

This book is about a twenty- to forty- year life journey. It recounts ten randomly selected personal quotes, saved in a cookie jar, and creates a life-learning narrative using the origin of the quote. Each story evolves by looking back at the signposts and hints of wisdom sprinkled along the author's life path. Many of these evens whispered subtle quotes of wisdom to his conscience. It was up to the author to make sense of them or proceed on (...) life's path, having missed an opportunity to obtain wisdom. All of us are on a similar journey cluttered with obstacles of the human condition. It is the author's desire that this little book of hope and inspiration will serve as a torchlight to illuminate the way on the reader's journey toward a more joyful life -- one filled with knowledge, truth, and wisdom. (shrink)

Roy Sorensen has argued that a certain technical use of quotation marks to name the empty string supports a revised version of Davidson’s theory of quotation. I point out that Sorensen’s considerations provide no support for Davidson’s original theory, and I show that at best they support the revised Davidsonian theory only to the same extent that they support a simpler revised version of a Tarskian theory.

As Douglas Adams points out, if there is no final answer to question, 'What is the meaning of life?', '42' is as good or bad an answer as any other. Indeed, 42 quotes might be even better! Gary Cox guides us through 42 of the most misunderstood, misquoted, provocative and significant quotes in the history of philosophy providing a witty and compelling commentary along the way. This entertaining and illuminating collection of quotes doesn't merely list who said (...) what and when. Gary Cox claims that each quote is a philosophical thesis in itself. By exploring who a particular philosopher is and what he or she really meant when they said what they said, this book looks for the philosophy within the quote. Using the writings of everyone from Douglas Adams to A.J. Ayer and Thomas Aquinas to Karl Marx, Gary Cox takes us on a philosophical journey through history, culture and writing to bring us to a deeper understanding of why we think the way we do. (shrink)

I show how, contrary to recent claims, so-called embedded imperatives are better analyzed in terms of mixed quotation. To this end I extend the presuppositional analysis of mixed quotation to include quotations of constructions.

Evidentials in Pastaza Quichua, an Amazonian dialect of Ecuadorian Quechua, are examined and their uses in narratives compared. The novel contribution of this paper is to show, by comparing data from personal experience narratives, that evidentials are used to convey speaker subjectivity, rather than source of information, and that switches between different speaker subjectivities, which may be encoded as ‘selves’ or ‘others’, are particularly evident in passages where momentous, life-changing statuses or interpersonal upheavals are being articulated.

Practical deliberation often involves conditional judgements about what will happen if certain alternatives are pursued. It is widely assumed that the conditionals useful in deliberation are counterfactual or subjunctive conditionals. Against this, I argue that the conditionals of deliberation are indicatives. Key to the argument is an account of the relation between ‘straightforward’ future-directed conditionals like ‘If the house is not painted, it will soon look quite shabby’ and ‘ “were”ed-up’ FDCs like ‘If the house were not to be painted, (...) it would soon look quite shabby’: an account on which both of these types of FDCs are grouped with the indicatives for semantic treatment and on which, while conditionals of both types are properly used in means/ends deliberations, those of the ‘were’ed-up variety are especially well suited for that purpose. (shrink)

A tension between content and form can even be said to be essential to the effect of a great deal of rhymed poetry in English. William Wimsatt’s wonderful essay on “One Relation of Rhyme to Reason” argues precisely that rhymes in English poetry work when differences of meaning and of part of speech tend to counterpoint similarities of sound.3 Rhyming nouns together, for example, ought to be avoided, since the salutory tension will arise from the fact that a difference in (...) grammatical function will coexist with sameness of sound. This means that prosodical structure does not mirror content, and that even in rhymed poetry the sense may be variously drawn out. Empson makes the complementary remark that English is blessed with the fact that subjects and verbs cannot in general rhyme:The crucial thing about English, as a language for poetry, is that you cannot rhyme the subject with the verb, because either ‘the cat distracts’ and ‘the nerves swerve’ or ‘the cats distract’ and ‘the nerve swerves’; this bit of grammar has been enormously helpful to English poetry by forcing it away from platitude.4This means that the grammar of rhymed poems will not simply be determined by the rhyme scheme but will tend to be a kind of counterpoint to that scheme, since the predicate is kept from rhyming with the subject. 3. William Wimsatt, “On Relation of Rhyme to Reason,” The Verbal Icon: Studies in the Meaning of Poetry , pp. 152-66. In this essay, anticipating some of the deconstructive claims he came to find too extreme at the end of his life, Wimsatt writes that “verse in general, and more particularly rhyme, make their special contribution to poetic structure … [by imposing] upon the logical pattern of expressed argument a kind of fixative counterpattern of alogical implication” . See also Wimsatt, “Verbal Style: Logical and Counterlogical,” The Verbal Icon, pp. 200-217.4. Empson, “Rhyme,” Argufying, p. 136. William Flesch teaches English at Brandeis University and is the author of The Heart of Generosity: Largess and Loss in Herbert, Shakespeare, and Milton. (shrink)

If the doors of perception were cleansed, everything would appear to man as it is, infinite. - William Blake, Marriage of Heaven & Hell, Plate 14.

"it is the revised understanding of the nature of human beings, and of the causal role of human consciousness in the unfolding of reality, that is, I believe, the most exciting thing about the new physics, and probably, in the final analysis, also the most important contribution of science to the well-being of our species." [p. 6, bottom].

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.2 (2003) 71-79 [Access article in PDF] "Explosion" Greta Gaard I. In the beginning there was only water, and you were a part of it. Never mind what else you have heard. This was your first relationship, your connection to water. And the quality of this relationship, the character of your beliefs about water, shapes all relationships in your life. The way you do one (...) thing is the way you do everything. You cannot separate one relationship from another, treat this water with reverence, this water with waste. Because water returns. Water knows there are no separations. You too should know this, for water has been teaching you, from the beginning.Imagine a creek flowing through the length of your life, from your birth to your death. Yes, your death. Water precedes you, water survives you. Consider the silence of blue-ice glaciers, ancient in their solitude, melting. Each winter the snowfall thick and wet, fluffy, or crisp and dry. Each spring the snows melting, glaciers growing and melting. Water flows down pine needles and cedar bark, flows down rocks and fallen logs, flows through moss and soil and sand.The lake gathers rainfall, gathers snowmelt and the plenitude of creeks. The lake overflows, spills, falls, exuberance of fullness, joy in motion, streaming downhill now, swelling the creek bed where it has made this journey so many times before.You have never seen this creek, the hidden water that flows through your days and nights, from one season to the next. Without it you would not live. You rely on this unseen water to flow forever. It has flowed here [End Page 71] before you were born, before you stepped into its flow, and you imagine it will outlast you, outlast whatever you might do to this water. You believe it is limitless, unending. You know its persistent force has carved rocks because you can see them, see the way water flows through stone, leaving its imprint in kettles, in the basins of water where rocks circulate, in the interlaced fingers of water and stone embracing at the falls.Water becomes you. But Narcissus-like, you look at water and see only your self. You believe you are alone. You are afraid. You need to con-trol this fear, this aloneness, this terrifying separation. You see the power of water and you want power. Power will give you control. You build dams and concrete channels and ditches, believing that by doing this you will control the power of water, the fertility of water, the fear of your separation. But water is patient. There are laws that govern the way of water, the ways of energy and power, the ways of land. There are consequences. Water bears no grudge, extracts no retribution. Your own actions, skillful or unskillful, determine the outcome. Your own relationship to water will poison you or save you. You decide.You believe blocking the flow of water gives you power.You believe blocking the flow of feeling gives you power.You believe harnessing the animals, fencing off the land gives you power. And for awhile, these strategies work.But there are consequences. That which is diverted, divided, suppressed, always returns with greater force, and when it returns, no one can control it. No one. II. Imagine a family. Picture the elders first. How many do you see? Where are the children? The sisters and brothers, aunts and uncles, cousins and nephews and grandchildren? How many people are needed to form a family? Can you be a family of one?Look at it another way: is there a limit to the relations of family? Is there a certain number of people allowed in a family until a limit is reached? Do you say, "Families may only have ten people"? "The eleventh person will not be included." Or do you point to the basis of inclusion, the things that bind you, one to another, and say, "Yes, this person too"?How do you recognize a family?Do family members have to pulse with the same blood, or will love create a family where the blood... (shrink)