Qu’est-ce qui fait qu’un discours atteint son effet? Comment évaluer celui-ci? Au premier siècle, Pseudo-Longin compose le traité Du Sublime et y étudie ce qui mène l’expression linguistique à son plus haut degré d’efficacité. Pour l’atteindre, un rôle fondamental est attribué à la phantasia, assimilée par la plupart des auteurs anciens à ce qui, dans le discours, produit des « images ». Le texte qui suit s’arrête à démontrer, d’une part, la place occupée par Pseudo-Longin dans le long (...) débat philosophique et rhétorique sur la phantasia et, d’autre part, sa contribution à la compréhension de celle-ci. Associée par métonymie à la vision, la phantasia s’adresse à l’ensemble des sensations et correspond à l’art de faire sentir le discours en chair propre. Réussie, elle permet la communication des sensations entre le discours, l’orateur et le public. (shrink)

The article is a result of the thorough historical, philosophical and philological study on the treatise “On the Sublime”. The treatise, whose date of origin is supposed to be the first century a.d. and created by an unknown author, together with the writings by Aristotle and Horace has laid the foundations for modern aesthetics and criticism. The known parts of the treatise concern the feeling of sublimity in literature, in art, and in political life.

The following article is an addendum to Reinhardt Brandt’s article included above, written for the needs of Polish readers. Brandt discusses the famous Longinus’ treatise while including its entire historic context. The substantial threads including the specifics Longinus’ piece as a treatise on the field of aesthetics that were contained in Brandt’s work have been, on the other hand, reminded in this article.

A complete translation of Aristotle's classic that is both faithful and readable, along with an introduction that provides the modern reader with a means of understanding this seminal work and its impact on our culture. In this volume, Joe Sachs (translator of Aristotle's _Physics, Metaphysics,_ and the _Nicomachean Ethics _)also supplements his excellent translation with well-chosen notes and glossary of important terms. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a (...) glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Aristotle’s immediate audience. (shrink)

THE SUBLIME IN THE 17TH-CENTURY FRENCH REFLECTION ON ART—N. BOILEAU-DESPREAUX’S RECEPTION OF LONGINUS’ PERI HYPSOUS There are three basic texts on the sublime: Longinus’ Peri hypsous, Edmund Burke’s Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful and Immanuel Kant’s Critique of Judgment. The work of the ancient author is the most essential on this subject; it elaborates the theoretical rules of rhetoric. Because of qualitative similarity of the beautiful and the sublime, the latter (...) was for a very long time considered a sort of beauty. Both modern texts discuss the beautiful and the sublime as opposite categories; that is new and announces romanticism with some changes in the aesthetic paradigm. The work of the seventeenth-century art theoretician, Nicolas Boileau-Despreaux, was a turning point in understanding the old category of the sublime. His French translation of the ancient treatise and his study of the seventeenth-century sublime are landmarks in modern recognition of the importance of this aesthetic idea. Boileau worked on a general theory that could be applied to various arts. That indicates a special concern for the sublime as a category that can cope with the challenge of modern art without losing the value of ancient art. Keywords: NICOLAS BOILEAU-DESPREAUX, LONGINUS, PERI HYPSOUS, THE SUBLIME. (shrink)

The history of the opposition of the Dionysian and Apollonian principles is longer than is usually assumed. Similarly to the many of the other contrarian figures ascribed to Nietzsche, the Apollonian–Dionysian was not of his making; its history is much older and buried under a number of different layers of interpretation. In the following work I will discuss the formal aspects and content of their development, which took place under the direct authorial influence of Pseudo-Longinus, Jacob Bernays, Friedrich (...) Schiller, Fr. W. J. Schelling and Johan Jacob Bachofen. Still, although the discovery of a principle labelled das Dionysische doesn’t represent anything exceptional, the “Birth of Tragedy” treatise was a breakthrough: it began the development of a specific form of cultural critique, of which Nietzsche was the prime representative. (shrink)

This study examines the sources that could inspire Joseph Addison’s influential ‘aesthetic’ triad of ‘great’, ‘uncommon’, and ‘beautiful’, as elaborated in his essay-series The Pleasures of the Imagination in 1712. After identifying a philological problem in the interpretative tradition which gives rise to Addison’s triad from a section of Ps Longinus’ Peri Hypsous, further three seventeenth-century texts – Thomas Burnet’s Telluris theoria sacra, Dominique Bouhours’ Les entretiens d’Ariste et d’Eugène, and Baltasar Gracián’s El Criticón – are presented in order (...) to reconstruct a ‘reading glass’ through which Addison could peruse and understand the Longinian section, and then could create his ‘aesthetic’ triad. As a result of this reconstruction, the possible connection between Gracián’s allegorical novel and Addison’s essay can cast more light on the complex and insufficiently discussed relationship between theology or devotional literature and the emerging modern aesthetic discourse. From this angle, Addison’s ‘man of polite imagination’, that is, the homo aestheticus in the modern sense of the adjective, seems to be the heir of Gracián’s ‘first man’ who has the privilege of regarding the created world in a new light, and, as Addison’s aesthete, of discovering its greatness, novelty and beauty in ‘innocent pleasures’. (shrink)

Cet article propose une relecture du traité du Pseudo-Longin, le Peri Hupsous (Du Sublime), pour mettre en évidence l’un de ses enjeux philosophiques dont l’intérêt apparaît particulièrement actuel. Au cours de sa conceptualisation du sublime, l’auteur antique produit certes une définition du grand-dire mais il questionne surtout la puissance des œuvres, et ce de façon immanente, avant toute réception subjective. Or cette pensée de la puissance esthétique est solidaire d’une conception de l’art qui récuse tout dualisme de la forme (...) pour saisir l’œuvre en tant qu’unité paradoxale et intimement cohérente. Notre hypothèse tient en l’idée qu’à travers cette adéquation de la puissance à la logique même de la poièsis, le Pseudo-Longin ne nous donne à lire rien de moins qu’une première formulation de ce que nous appellerions dans un vocabulaire contemporain la performativité de l’art. Ce sont les conditions d’une telle performativité, étendue du discours à l’esthétique en général, que cet article tente de repérer tout au long du traité. (shrink)

Art, Beauty and Imitation in Plato's Philosophy -- Art and Imitation in Aristotle -- Horace, Pseudo-Longinus and the Aesthetics of Literature in Hellenism -- Plotinus, Neo-Platonic and Christian Conception of Beauty -- The Middle Ages and Dante Alighieri -- The Heritage of Kantian Philosophy in Romanticism -- Moritz: Beyond the Concept of Imitation -- Theory of Poetry of Early German Romanticism -- Hegel: Art as a Form of the Absolute Spirit -- Schopenhauer: Art as Disinterestedness and Knowledge of (...) Reality -- Nietzsche: Knowledge and Art -- Symbolism and Aestheticism -- Benedetto Croce: Art and intuition -- Linguistics and Criticism -- Antonio Gramsci: The Role of Intellectuals in Culture -- Structuralism -- Martin Heidegger: The Work of Art and Truth -- Hans-Georg Gadamer: Poetry and Interpretation -- Critical Theory: A New Attitude towards Art and Society -- Perspectives of Post-Structuralism -- The Practice of Deconstruction -- Contemporary Schools and Traditions in Literary and Critical Theory -- Postmodern and the New Character of the Literary Work. (shrink)

We develop and test a model of pseudo-transformational leadership. Pseudo-transformational leadership is manifested by a particular combination of transformational leadership behaviors, and is differentiated from both transformational leadership and laissez-faire -leadership. Survey data from senior managers show differential outcomes of transformational, pseudo-transformational, and laissez-faire leadership. Possible extensions of the theoretical model and directions for future research are offered.

Pseudo‐mechanistic explanations in psychology and cognitive neuroscienceThis paper focuses on the level of systems/cognitive neuroscience. It argues that the great majority of explanations in psychology and cognitive neuroscience is “pseudo‐mechanistic.” On the basis of various case studies, Hommel argues that cognitive neuroscience should move beyond what he calls an “Aristotelian phase” to become a mature “Galilean” science seeking to discover actual mechanisms of cognitive phenomena.

This article explores the allusive strategy of the late second-century cento-tragedy Medea attributed to Hosidius Geta, which recounts Medea's revenge against Jason using verses from the works of Virgil. It argues that the text's author recognized a consistent strand of characterization in earlier treatments of the Medea myth, whereby the heroine's filicide is presented as a corrupted sacrifice. Geta selectively uses verses from thematically significant episodes in the Aeneid—the lying tale of Sinon and the death of Laocoön; the murder of (...) Priam; the suicide of Dido—at key points to foreground the theme of pseudo-sacrificial violence. Geta's use of Virgil evinces a keen appreciation both of the symbolism of the broader mythic tradition in which his text is situated and of the original narrative contexts of the verses he recycles. The article's findings contribute to a growing recognition of the creative potential afforded by the cento technique. (shrink)

We present a game mechanic called pseudo-visibility for games inhabited by non-player characters (NPCs) driven by reinforcement learning (RL). NPCs are incentivized to pretend they cannot see pseudo-visible players: the training environment simulates an NPC to determine how the NPC would act if the pseudo-visible player were invisible, and penalizes the NPC for acting differently. NPCs are thereby trained to selectively ignore pseudo-visible players, except when they judge that the reaction penalty is an acceptable tradeoff (e.g., (...) a guard might accept the penalty in order to protect a treasure because losing the treasure would hurt even more). We describe an RL agent transformation which allows RL agents that would not otherwise do so to perform some limited self-reflection to learn the training environments in question. (shrink)

According to some cosmologists, the big bang cosmogony and even the (now largely defunct) steady-state theory pose a scientifically insoluble problem of matter-energy creation. But I argue that the genuine problem of the origin of matter-energy or of the universe has been fallaciously transmuted into the pseudo-problem of creation by an external cause. A fortiori, it emerges that the initial "true" and "false" vacuum states of quantum cosmology do not vindicate biblical divine creation ex nihilo at all.

Pseudo-Concrete Ideals of a Good Life What has happened in the late and concluding stages of postmodern culture is that concrete ideas of a good life have been reduced to pseudo-concrete ideals. With the aid of simulacra, the experience of everyday life is turning into a show, into narcissistic emptiness and single bodily pleasures.

Longinus' On the Sublime presents itself as a response to the work of the Augustan critic Caecilius of Caleacte. Recent attempts to reconstruct Longinus' intellectual context have largely ignored the works of Dionysius of Halicarnassus, Caecilius' contemporary colleague . This article investigates the concept of hupsos and its religious aspects in Longinus and Dionysius, and reveals a remarkable continuity between the discourse of both authors. Dionysius' works inform us about an Augustan debate on Plato and the sublime, (...) and thereby provide us with an important context for Longinus' treatise. (shrink)

This paper argues that Hindi incorporation is, in fact, pseudoincorporation, involving noun phrases rather than nouns. Furthermore, it shows that there is no requirement that the incorporated nominal form a morphological or even a syntactic unit with the verb. Such loosely aligned nominals can nevertheless be identified as incorporation on the basis of semantic intuitions having to do with number interpretation, anaphora, and certain properties typically associated with lexical processes. Contrary to standard assumptions, it is argued that the targets of (...) pseduo-incorporation are specified for number. Singular incorporated nominals in Hindi are shown to be semantically singular, with number neutrality arising as a consequence of interaction with aspectual specification. Taking aspectual information into account is also shown to have interesting implications for current approaches to the semantics of incorporation, one in which the incorporated nominal introduces a discourse referent, and one in which it functions as a predicate modifier. A closer look at the effect of aspect on anaphora, for example, does not unequivocally support the predicate modification view of pseudoincorporation. The paper also explores the cross-linguistic applicability of the claims made on the basis of Hindi. Most notably, a distinction between Hungarian verbs with respect to incorporation of bare singulars provides striking confirmation of the claims that number morphology is semantically visible in pseudo-incorporation. It also discusses the restrictions on the productivity of pseudo-incorporation in light of the findings for Hindi and Hungarian. (shrink)

This paper explores the influence of the fifth-century Christian Neoplatonist Pseudo-Dionysius the Areopagite (Denys) on the twentieth-century philosopher of science Paul Feyerabend. I argue that the later Feyerabend took from Denys a metaphysical claim—the ‘doctrine of ineffability’—intended to support epistemic pluralism. The paper has five parts. Part one introduces Denys and Feyerabend’s common epistemological concern to deny the possibility of human knowledge of ultimate reality. Part two examines Denys’ arguments for the ‘ineffability’ of God as presented in On the (...) Divine Names . Part three then explores how Feyerabend imported Denys’ account of divine ineffability into his own metaphysics to provide a novel argument for epistemic pluralism. Part four explains the significance of an appreciation of Dionyius’ influence for our understanding of Feyerabend. I conclude that Denys was a significant and neglected influence upon the later Feyerabend. (shrink)

Este artículo se concentra en la discusión crítica que Pseudo Justino dirigió hacia ciertos principios básicos de la filosofía de la naturaleza de Aristóteles. Pseudo Justino dirige su crítica a la doctrina aristotélica de la eternidad del movimiento, del tiempo y del mundo. También argumenta contra Aristóteles para mostrar la no-eternidad del éter, implicando una unificación de los reinos terrestre y celestial.

Quantum information processing is at the crossroads of physics, mathematics and computer science. It is concerned with what we can and cannot do with quantum information that goes beyond the abilities of classical information processing devices. Communication complexity is an area of classical computer science that aims at quantifying the amount of communication necessary to solve distributed computational problems. Quantum communication complexity uses quantum mechanics to reduce the amount of communication that would be classically required.Pseudo-telepathy is a surprising application (...) of quantum information processing to communication complexity. Thanks to entanglement, perhaps the most nonclassical manifestation of quantum mechanics, two or more quantum players can accomplish a distributed task with no need for communication whatsoever, which would be an impossible feat for classical players. After a detailed overview of the principle and purpose of pseudo-telepathy, we present a survey of recent and not-so-recent work on the subject. In particular, we describe and analyse all the pseudo-telepathy games currently known to the authors. (shrink)