Meditation is an umbrella term for a number of mental training practices designed to improve the monitoring and regulation of attention and emotion. Some forms of meditation are now being used for clinical intervention. To accompany the increased clinical interest in meditation, research investigating the neural basis of these practices is needed. A central hypothesis of contemplative neuroscience is that meditative states, which are unique on a phenomenological level, differ on a neurophysiological level. To identify the electrophysiological correlates of meditation (...) practice, the electrical brain activity of highly skilled meditators engaging in one of six meditation styles was recorded. A mind-wandering task served as a control. Lempel–Ziv complexity showed differences in nonlinear brain dynamics during meditation compared with mind wandering, suggesting that meditation, regardless of practice, affects neural complexity. In contrast, there were no differences in power spectra at six different frequency bands, likely due to the fact that participants engaged in different meditation practices. Finally, exploratory analyses suggest neurological differences among meditation practices. These findings highlight the importance of studying the electroencephalography correlates of different meditative practices. (shrink)

_Jean-Luc Godard Interviews_ David Sterritt, Editor Jackson: University Press of Mississippi, 1998 ISBN 1-57806-080-X Hb ISBN 1-57806-081-8 Pb 203 pp.

New York Film Festival 2000 offered a selected group of internationally and aesthetically diverse films. No trend emerged in the heterogeneous collection of offerings. The spectrum of offerings included both commercially viable and art house genres: the musical, the slice of life, the bio-pic, the meditation on history, the melodrama, the historical/political film, and the classics-on-film tour de force. Herewith a report on eight highlights of NYFF's program: seven beauties and a funeral, though not in that order.

The New York Film Festival 2001 took place against a background of the horror and beauty, fear and hope, anger and love released into the air along with noxious columns of smoking dust and ash by the attack on the World Trade Center on September 11 by a group of terrorists. It was an inauspicious time to ask people to travel anywhere by air, and certainly to New York City. But, oddly, the festival was not marked by a sense of (...) absence, but rather a consolidated presence. Many who were stranded at the Toronto Film Festival, in progress while the attack took place, did not let that experience stop them from attending the screenings in New York. The same was true of a large number of the directors represented. The organizers of the festival told us that, contrary to expectations, the directors asserted their absolute determination to attend *because* of the attack. They were moreover unusually eloquent and forthcoming in their responses to questions about their films at their Press Conferences. Sentimental it is not to assert that the onslaught of the preceding weeks brought out a counter response, a need to assert in the face of a horrible chasm of human remains, wrecked steel, and sharded glass the integrity of the human bond. In the words addressed to the terrorists by of one of the survivors of the agonizing flight down tens of flights of stairs in the World Trade Center: if you want to kill us, leave us alone; we will do that for ourselves. But if you want to make us stronger, attack us and we will band together. (shrink)

The 40th annual New York Film Festival was framed by the refusal of the United States government to grant Iranian filmmaker Abbas Kiarostami a visa to attend the screening of his film, _Ten_. In protest Finnish director Aki Kaurismaki, whose apolitical film _The Man Without a Past_ was also on the Festival program, decided not to attend. A week or so into the Festival, Bertrand Tavernier found himself unable to attend his press conference after the screening of his highly political (...) film, _Safe Conduct_, because he was in the hospital. He sent a letter to the Festival apologizing for his absence which made it clear that he had wanted, in addition to discussing his film, to make his own statement about the insult to Kiarostami. Tavernier saluted Kaurismaki for his gesture, but said that his way was to be present at the Festival to raise his voice. Tavernier specifically called attention to the bitter irony of lumping Kiarostami with the Arab terrorists and with Saddam Hussein, only because of his national origin, when the Iranian director had devoted his life to affirming the values of freedom and condemning dictatorship. (shrink)

This year there was a noticeable presence at the New York Film Festival, whether intentionally or not, of films reflecting back on the past, both real and imagined. A second wave of millennial summing up, more profound than that forced by the media in the year 2000, these films, at their best, seek with courage and compassion to understand the larger forces at work in the troubled 20th century. At their worst, they stand as work riddled by self-deluding cliches in (...) collusion with our own worst impulses. Among the number of 'films of remembrance' shown, those that demand to be discussed because they best exemplify the ongoing struggle to make cinema responsive to the needs of filmgoing audiences to know reality 'again for the first time' (pace T. S. Eliot) are, in a rough order of importance: _S21: The Khmer Rouge Killing Machine_ (Dir. Rithy Pan); _The Fog of War_ (Dir. Errol Morris); _Dogville_ (Dir. Lars von Trier); _Mayor of the Sunset Strip_ (Dir. George Hickenlooper); _Bright Leaves_ (Dir. Ross McElwee); and _The Best of Youth_ (Dir. Marco Tullio Giordana). Alas, among the NYFF 2003 films of memory and summation, it is also necessary to discuss _Mystic River_ (Dir. Clint Eastwood), but only because of its inexplicable media notoriety, a sad testimony to a Dubya phenomenon in things cinematic. This is one hanging chad. Among the festival films not informed by this core trend, but eminently worthy of mention, are: _PTU_ (Dir. Johnnie To); _Free Radicals_ (Dir. Barbara Albert); _Crimson Gold_ (Dir. Jafar Panahi); and _Raja_ (Dir. Jacques Doillon), though, unhappily, it would strain this portmanteau overview to talk in detail about more than the first two. (shrink)

The New York Film Festival at Lincoln Center this year sported a particularly felicitous array of films. While the NYFF is always helpful in breaking down the barriers erected against international imports that are not considered commercial, the 2004 festival did more than permit contact with a wealth of international film cultures. The aggregate of a wide variety of films posed with particular force the primary question addressed by all film festivals: what can cinema do.

Five International Cinematic Perspectives on the 'Nature' of Love and Childhood: New York Film Festival 2005 Report (Part Two).

In this year’s offerings, anxiety runs high and affirmation is a wan beam of sunlight in a stormylandscape. At times, indeed, affirmation is more chilling than reassuring. In a range running fromgrey to still more grey, the New York Film Festival 2007 collection of films portrays dysfunctionalsocieties and profoundly confused and confusing protagonists. At the same time, the films reveala strong trend away from conventional cinematic narrative and aesthetics. Opinions were radicallydivided at the press screenings about the success of the (...) risk taking on display. Boldly speaking outon topics such as Iraq and consumerism; shining their beams into the secret places of the humanheart, this years films did not yield anything like a critical consensus, and I shall report below,where appropriate, responses that differed radically from mine. The 2007 offerings suggest thatinternational cinema may be on the cusp of an energizing breakout, or it may be imploding underthe pressure an increasing dehumanization of the political and social climate. In this part of myreport from the festival, “Anxiety,” I will comment on the outright expressions of morbiddisquietude in six of the festival films. In the second part, I will address, under the title“Affirmation?”, the generally questionable optimism of seven additional films, a few of whichsported “cheerful” messages that made my blood run cold. (shrink)

The most “cheer” spread by this year’s offerings, if we stretch the point, was to be found in anumber of uncertain nods to the persistence and endurance of the human capacity for–beinghuman. Considering No Country For Old Men, Redacted and their anxious ilk, this might havebeen of some consolation if it were not for the way even the more affirmative entriessimultaneously evoked crushing environmental and personal obstacles between us and our finerideals and impulses. The films discussed below whistle in the (...) dark of war, murder, fanaticism,adultery, and/or abandonment. Though they generally made their way with the aid of gorgeouscinematography, editing, sound design, and frame compositions, to achieve their modicum of reassurance, they each get stuck in or play with the implications of painful or questionable philosophical perspectives. (shrink)

John Bleasdale 'Letting Go of David Lynch' _Film-Philosophy_, vol. 3 no. 42, October 1999.

Mike Chopra-Gant 'Theorizing the Couple: On Nochimson's _Screen Couple Chemistry_' _Film-Philosophy_, vol. 8 no. 44, December 200.

Feminism was born in controversy and it continues to flourish in controversy. The distinguished contributors to this volume provide an array of perspectives on issues including: universal values, justice and care, a feminist philosophy of science, and the relationship of biology to social theory.

In this paper, we challenge one of the criticisms against the idea of a universal basic income, namely, that people will waste the support on high-end consumption. We rely on the literature from various disciplines from which we developed high- and low-UBI scenarios for respondents to decide what they would do if the state were to provide an unconditional stipend. We analyzed the multiple-choice responses, using an ordered probit, and the written explanations of the respondents’ choices, using content analysis. The (...) results suggest that while a higher UBI would increase consumption, it would likely be done responsibly. People with low incomes showed restraint in all categories. The qualitative analysis captures some of the complexities of people’s socioeconomic circumstances that support the notion of responsible consumption. The policy implication is that a UBI could be introduced at a low level and gradually increased to a level that maximizes societal benefits. (shrink)

The informed consent process for genetic testing does not commonly address preferences regarding disclosure of results in the event of the patient's death. Adults being tested for familial colorectal cancer were asked whether they want their exome sequencing results disclosed to another person in the event of their death prior to receiving the results. Of 78 participants, 92% designated an individual and 8% declined to. Further research will help refine practices for informed consent.

This book provides practical and research-based chapters that offer greater clarity about the particular kinds of teacher reflection that matter and avoids talking about teacher reflection generically, which implies that all kinds of reflection are of equal value.

Introduction Financial conflicts of interest (fCOI) present well documented risks to the integrity of biomedical research. However, few studies differentiate among fCOI types in their analyses, and those that do tend to use preexisting taxonomies for fCOI identification. Research on fCOI would benefit from an empirically-derived taxonomy of self-reported fCOI and data on fCOI type and payor prevalence.Methods We conducted a content analysis of 6,165 individual self-reported relationships from COI statements distributed across 378 articles indexed with PubMed. Two coders used (...) an iterative coding process to identify and classify individual fCOI types and payors. Inter-rater reliability was κ = 0.935 for fCOI type and κ = 0.884 for payor identification.Results Our analysis identified 21 fCOI types, 9 of which occurred at prevalences greater than 1%. These included research funding (24.8%), speaking fees (20.8%), consulting fees (18.8%), advisory relationships (11%), industry employment (7.6%), unspecified fees (4.8%), travel fees (3.2%), stock holdings (3.1%), and patent ownership (1%). Reported fCOI were held with 1,077 unique payors, 22 of which were present in more than 1% of financial relationships. The ten most common payors included Pfizer (4%), Novartis (3.9%), MSD (3.8%), Bristol Myers Squibb (3.2%), AstraZeneca (3.1%), GSK (3%), Boehringer Ingelheim (2.9%), Roche (2.8%), Eli LIlly (2.5%), and AbbVie (2.4%).Conclusions These results provide novel multi-domain prevalence data on self-reported fCOI and payors in biomedical research. As such, they have the potential to catalyze future research that can assess the differential effects of various types of fCOI. Specifically, the data suggest that comparative analyses of the effects of different fCOI types are needed and that special attention should be paid to the diversity of payor types for research relationships. (shrink)

Dienes & Perner (D&P) argue that nondeclarative knowledge can take multiple forms. We provide empirical support for this from two related lines of research about the development of mathematical reasoning. We then describe how different forms of procedural and declarative knowledge can be effectively modeled in Anderson's ACT-R theory, contrasting this computational approach with D&P's logical approach. The computational approach suggests that the commonly observed developmental progression from more implicit to more explicit knowledge can be viewed as a consequence of (...) accumulating and strengthening mental representations. (shrink)

This book casts new light on the traditional disagreement between those who hold that we cannot be morally responsible for our actions if they are causally determined, and those who deny this. Klein suggests that reflection on the relation between justice and deprivation offers a way out of this perplexity.

Como respuesta a las inquietudes que deja el debate sobre el pluralismo cultural en el marco del Forum de las culturas 2004, celebrado en Barcelona, el artículo presenta la tesis de que la pluralidad cultural responde más a la lógica del mercado que a un esfuerzo denodado por comprender la dinámica de la diversidad cultural. En este sentido, los esfuerzos por pensar el pluralismo cultural en el marco del evento, por argumentar en contra de tesis como las del choque de (...) civilizaciones de Samuel P. Huntington, intentan aclarar los difundidos temores de una uniformidad cultural fruto de un proceso de globalización económica potenciado por el avance tecnológico aplicado a las comunicaciones. El problema está en que el temor difundido puede servir al mismo propósito que lo convoca. En este orden de ideas, la estructura del análisis se divide en tres partes. Primero, una precisión conceptual de globalización a partir del trabajo de Manuel Castells en su trilogía titulada La era de la información; segundo, presentación de las líneas del debate sobre globalización y cultura en el marco del Forum; y tercero presenta la circularidad del argumento que afirma al pluralismo cultural en contra de la globalización. (shrink)

Current treatments for chronic pain have limited benefit. We describe a resilience intervention for individuals with chronic pain which is based on a model of viewing chronic pain as dysregulated homeostasis and which seeks to restore homeostatic self-regulation using strategies exemplified by survivors of extreme environments. The intervention is expected to have broad effects on well-being and positive emotional health, to improve cognitive functions, and to reduce pain symptoms thus helping to transform the suffering of pain into self-growth. A total (...) of 88 Veterans completed the pre-assessment and were randomly assigned to either the treatment intervention or control. Fifty-eight Veterans completed pre- and post-testing. The intervention covered resilience strengths organized into four modules: engagement, social relatedness, transformation of pain and building a good life. A broad set of standardized, well validated measures were used to assess three domains of functioning: health and well-being, symptoms, and cognitive functions. Two-way Analysis of Variance was used to detect group and time differences. Broadly, results indicated significant intervention and time effects across multiple domains: Pain decreased in present severity [F = 5.02, p < 0.05, η2p = 0.08], total pain over six domains [F = 14.52, p < 0.01, η2p = 0.21], and pain interference [F = 6.82, p < 0.05, η2p = 0.11]; Affect improved in pain-related negative affect [F = 7.44, p < 0.01, η2p = 0.12], fear [F = 7.70, p < 0.01, η2p = 0.12], and distress [F = 10.87, p < 0.01, η2p = 0.16]; Well-being increased in pain mobility [F = 5.45, p < 0.05, η2p = 0.09], vitality [F = 4.54, p < 0.05, η2p = 0.07], and emotional well-being [F = 5.53, p < 0.05, η2p = 0.09] Mental health symptoms and the cognitive functioning domain did not reveal significant effects. This resilience intervention based on homeostatic self-regulation and survival strategies of survivors of extreme external environments may provide additional sociopsychobiological tools for treating individuals with chronic pain that may extend beyond treating pain symptoms to improving emotional well-being and self-growth.Clinical Trial Registration: Registered with ClinicalTrials.gov. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 33.3 (2000) 294-298 [Access article in PDF] Book Review Reclaiming Rhetorica: Women in the Rhetorical Tradition Listening to Their Voices: The Rhetorical Activities of Historical Women The Changing Tradition: Women in the History of Rhetoric Reclaiming Rhetorica: Women in the Rhetorical Tradition. Ed. Andrea A. Lunsford. Pittsburgh Series in Composition, Literacy, and Culture. Pittsburgh: U of Pittsburgh P, 1995. Pp. xiv + 354. $22.95 paperback; $59.95 (...) cloth. Listening to Their Voices: The Rhetorical Activities of Historical Women. Ed. Molly Meijer Wertheimer. University of South Carolina Series in Rhetoric/Communication. Columbia, SC: U of South Carolina P, 1997. Pp. xii + 408. NP. The Changing Tradition: Women in the History of Rhetoric. Ed. Christine Mason Sutherland and Rebecca Sutcliffe. Calgary, Alberta: U of Calgary P, 1999. Pp. 279. NP. These three books, all published within the last five years, are both reflections of and important contributions to the growing scholarship on women's roles in rhetorical history as theorists and as practitioners. Indeed, the titles listed in chronological order--Reclaiming Rhetorica, Listening to Their Voices, and The Changing Tradition--suggest the process of transformation that the study of rhetorical history has undergone in recent years. Both individually and together, these works are a healthful antidote to the rhetorical history most of us learned at our (male) professors' knees.The books share certain features. As edited volumes, they span rhetorical history, from its classical roots to modern feminist theories. Although some figures appear more than once in different volumes (e.g., Aspasia and Mary Astell), the constraints of brief chapters permit us only tantalizing glimpses of each woman and her activities. Like all edited collections, these books include a variety of viewpoints and voices. Despite the disparity that is inevitable in a collection of essays, the quality of the work in these volumes is uniformly high. The editors of all three collections have done a nice job of assuring that the contributors stay to the point and write well without sacrificing scholarly precision. For those seeking a simple history or detailed analysis of any particular figure or time, these books will not suffice. But for most readers who are unfamiliar with the full range [End Page 294] of women in rhetorical history, this reader among them, these volumes provide a delightful introduction to the resilience, creativity, and significance of women in our formerly unacknowledged rhetorical past.In her introduction to Reclaiming Rhetorica, Andrea Lunsford shares the intriguing history of the volume, which explains its eclecticism and its goals. Approached by students who wanted to explore the role of women in rhetorical history, Annette Kolodny offered a two-semester graduate seminar titled "Women Rhetoricians." For the class, the students did extensive archival recovery research, much of which is included in the published volume. Interestingly, the students were the ones who persisted in trying to bring their works, plus the other contributors' efforts, to publication. The resultant book is, then, as James J. Murphy says in his foreword, "not a history of women rhetoricians, or women orators, or women writers. It is, instead, a glimmer of possibilities, an array of glances,--an enthymeme."The essays range widely in time covered and in focus. For example, the first chapter is a consideration of Aspasia, who left no written record of her own. Her accomplishments and influence must, then, be constructed from references to her in the works of others. The authors, Susan Jarratt and Rory Ong, contend that both her gender and her non-Athenian roots played a role in the suppression of her memory. Returning to the theme of "dangerous femininity," the concluding chapter explores the work of a modern theorist, Julia Kristeva. In that chapter, Suzanne Clark demonstrates how Kristeva has challenged traditional notions of rhetoric and provides dialogism as an antidote to the constraints of earlier approaches to human interaction. The chapters between these two take a variety of directions. Mary Wollstonecraft's feminist dialogics stands alongside of the autobiographical The... (shrink)