Amongst all the works within the genre, the novel _Aethiopica_ stands out for its composition techniques. In fact, the author Heliodorus shows the ability of both innovate and astonish readers, by creating scenes and characters, as well as distinguished and completely original situations. Taking the verb μιαίνω as a red string, since it is recurrently used in Heliodorus’ work and also summarizes the idea of miscegenation, some pieces of the romance in which the idea of hybridity, opposition of contraries (...) or, still, the overlapping of elements are highlighted and used in the present study. The results show that miscegenation, besides being a sign of Helidorus’ style, is a technique that gives rise to questioning about social, geographical and cultural conventions of that time. (shrink)

In 'The duty to miscegenate', I harness John Stuart Mill's 19th century theory of social freedom to explain and to dismantle contemporary racialised and gendered injustice. In the first chapter—Social stigmatisation: 'a social tyranny'—I argue that persons racialised-and-gendered-as-black-women were, in the past, unjustly stigmatised by legal penalties against 'miscegenation' and are still, today, unjustly stigmatised by white male avoidance of cross-racial marriage and companionship. In the second chapter—Encounters that count: 'a foundation for solid friendship'—I argue that we can dismantle (...) this stigmatisation, by engaging in regular and frequent cross-racial commensality with persons racialised-and-gendered-as-black-women. In the third chapter—White right: 'a right to avoid'—I argue that, although we have a right to avoid commensal encounters with others, we do not have a right to avoid persons we racialise as black. On the contrary, we have a duty to encounter them, on terms of equality and intimacy. (shrink)

From the earliest days of its history, Brazil has been a favoured ‘laboratory’ for ethnic, cultural and religious hybridization. The absence or scarcity of white women and the temptations of sexual exoticism drove the Portuguese discoverers, and with them sailors from Normandy, Brittany and Poitou, to have relations with Indian women they chanced to meet, thus creating a race of coloured people, oddly called mamelucos, later cabocles (of mixed white and Indian ethnicity). Afterwards, the very substantial recourse to the Negro (...) slave trade and to manpower of African slave origin because of the requirements of the sugarcane economy (which remained predominant for a long time, especially in the Nordeste region of Bahia and Pernambuco), as well as the numerical imbalance of the sexes, characterized by a great predominance of men, popularized concubinage - all the more so because the Catholic Church was extremely reluctant to sanction interethnic unions with the sacrament of marriage. The Jesuits even recommended the despatch of white prostitutes or women condemned by common law (degredadas), for whom Brazil would furnish the opportunity for redemption, in order to avoid or reduce the number of unions of this kind. Thus, concubinage was the most common vehicle of miscegenation in Brazil. (shrink)

In this paper, I suggest that the important philosophy of the future will increasingly be found neither in the “continental” nor in the “analytic” traditions but, instead, in the transcending sublation of (all) traditions I call “synthetic philosophy.” I mean “synthetic” both in a sense that encourages the bold combinatorial mélange of existing styles, traditions, and issues, and also in the Hegelian sense of sublating dichotomous oppositions, appropriating the distinctive insights of both sides while eliminating their errors and exaggerations, and (...) thereby creating new syntheses in which the old oppositions are transcended. (shrink)

Abstract The phenomenological approach to racialization needs to be supplemented by a hermeneutics that examines the history of the various categories in terms of which people see and have seen race. An investigation of this kind suggests that instead of the rigid essentialism that is normally associated with the history of racism, race predominantly operates as a border concept, that is to say, a dynamic fluid concept whose core lies not at the center but at its edges. I illustrate this (...) by an examination of the history of the distinctions between the races as it is revealed in legal, scientific, and philosophical sources. I focus especially on racial distinctions in the United States and on the way that the impact of miscegenation was negotiated leading to the so-called one-drop rule. (shrink)

The article examines the theories of decolonization that have originated in the north of the Americas and Oceania and Latin America. It compares settler colonial theories developed by Australian historians Patrick Wolfe and Lorenzo Veracini with the theory of the coloniality of power of the Peruvian sociologist Aníbal Quijano. The author argues that Wolfe’s and Veracini’s theory of settler colonialism creates a conceptual distancing from what they call exploitation colonialism that is not only theoretically unsound, but also historically inaccurate. The (...) land/labor binary that they build in their theory of settler colonialism holds up only if it excludes Latin America from the analysis. This becomes evident in their analyses of the state, race, and miscegenation. Both theories, however, largely ignore gender in the description of colonization, a gap that Latin American decolonial theorists and feminist indigenous theorists of the north must fill. The differences between the theories determines also the ways they imagine decolonization. (shrink)

Amongst all the works within the genre, the novel _Aethiopica_ stands out for its composition techniques. In fact, the author Heliodorus shows the ability of both innovate and astonish readers, by creating scenes and characters, as well as distinguished and completely original situations. Taking the verb μιαίνω as a red string, since it is recurrently used in Heliodorus’ work and also summarizes the idea of miscegenation, some pieces of the romance in which the idea of hybridity, opposition of contraries (...) or, still, the overlapping of elements are highlighted and used in the present study. The results show that miscegenation, besides being a sign of Helidorus’ style, is a technique that gives rise to questioning about social, geographical and cultural conventions of that time. (shrink)

This article aims to contribute with a reflection about religious pluralism and religious freedom into Lusophony. Reviving pieces of history since the 15th century to the current post-colonial Portuguese society, Lusophony is analyzed in two complementary perspectives: That of the colonizing people and that of the colonized nations. Evangelization, colonization and Lusophony are, and always will be, inseparable. In addition to linguistic uniformity, Lusophony gave its distinctiveness in acculturation, miscegenation, plasticity, and Christianization policy. Using the census data in the (...) 90’s, 2000’s, and 2010’s, with a documentary approach, it is established a general overview of religious affiliation in Lusophony. Moving from a faith of obligation to a faith of conviction, Lusophony is nowadays characterized by a pluralist position in religious matters. The current situation of religious freedom is analyzed from the AIS report and the GRI and SHI indexes. From multiculturalism to acculturation, the plasticity, eclecticism, and religious syncretism acted as moderators towards the imposition of a new belief. The article ends by appealing to the inclusion of religious freedom in the political agenda, in order to defend human rights and peace in the world. (shrink)

Brazil, land of miscegenation (métisse). An indisputable fact and an unending process. But how should we understand its genesis and how should we, while respecting the requirements of a historiography worth the name, interpret it in terms of our hopes for the future? This is the horizon binding these reflections, which is to be put in perspective in the studies published in this issue of Diogenes.Foregrounding miscegenation, and understanding its origins, has been one of the constant themes among (...) the most distinguished practitioners of Brazilian thought since the 1930s, and has been accepted, indeed demanded, since the 1920s by the artistic and literary movement known as ‘modernism’, of which one of the major figures was the São Paulo writer, Mário de Andrade. Gilberto Freyre (1900–1987), who would now have been a hundred years old, comes particularly to mind, as does Sergio Buarque de Holanda (1902–1982). Freyre made history with the publication of his two first works, Casa Grande & senzala [Masters and Slaves] of 1933 and Sobrados e mucambos of 1936. The same year Buarque de Holanda published his Raízes de Brasil [Roots of Brasil]. Motivated by the desire to understand their country, its shaping and – with some kind of concern as to identity – their own origins, both had been led to pave the way for what might be called an ‘open’ sociology, which immediately acquired a strongly anthropological character with Freyre and quickly incorporated increasingly historical aspects with Buarque de Holanda. (shrink)

What happens to twentieth-century race science when we relocate it to the Global South? North Atlantic debates have dominated the conceptual history of race. Yet there is suggestive evidence of a “southern” or antipodean racial distinctiveness. We can find across the Southern Hemisphere greater interest in racial plasticity, environmental adaptation, mixing or miscegenation, and blurring of racial boundaries; endorsement of biological absorption of indigenous populations; and consent to the formation of new or blended races. Once we recognize the Global (...) South as a site of knowledge making, and not just data extraction, the picture of race science in the twentieth century changes. Once situated, or displaced, the conventional North Atlantic history of race science in the twentieth century comes to seem exceptional—and no longer normative. (shrink)

In 1970, President Richard Nixon expressed his unambiguous support for interracial marriage; as for same-sex marriage, he exclaimed, "I can't go that far—that's the year 2000" . Nixon's prescient remark, made shortly after the Supreme Court's 1967 decision in Loving v. Virginia to overturn anti-miscegenation laws, expresses at once hesitancy for, yet resigned acceptance of, the inevitable expansion of civil marriage to include more and more kinds of loving partnerships. Nearly forty years later, Nixon's uncanny prediction appears close to (...) being realized. At the very least, many have gone where he claimed to be unable to go, adding their voices to a growing movement seeking state recognition of same-sex unions as a matter of equality, rights, and justice. And, indeed, a strong case might be made on such grounds, were the state justified in sponsoring an institution of civil marriage in the first place. (shrink)

Proponer la existencia de filosofía en América Latina se convierte para muchos en un problema. Más dificultades se generarán ahora al proponer la existencia de una estética latinoamericana, teniendo como representante a un pensador colombiano: Nicolás Gómez Dávila. En medio de la obra de este pensador logramos entresacar una serie de códigos estéticos que, si bien están heredados de las concepciones europeas de la estética, podrían darnos atisbos de una mirada distinta otorgada por la observación de objetos y hechos generados (...) por el mestizaje sucedido en medio de tierras fértiles, agrestes y exuberantes como las de nuestra geografía. Realizar esta presentación implica repasar un legado existente, pero olvidado, por lo que actualizar una experiencia filosófica rica que, aunque presente, no se ha manifestado en nuestro medio de manera suficiente. Como objetivos principales de este ejercicio investigativo están: argumentar a favor del ejercicio filosófico realizado en Latinoamérica;proponer el ejercicio aforístico de Gómez Dávila como una aportación colombiana en torno a la estética filosófica; y repasar algunos tópicos estéticos que queremos entresacar en la obra de este autor para realizar un ejercicio hermenéutico de los mismos. Con este trabajo se espera alcanzar no solamente ecos en nuestro medio sino en las distintas latitudes donde ya el autor es reconocido, pero ahora desde la estética. La metodología empleada en esta investigación es realizada desde un ejercicio hermenéutico, en la perspectiva gadameriana. Esperamos proponer, como resultado principal, argumentos que corroboren las aportaciones de Gómez Dávila a la estética desde una perspectiva latinoamericana. Finalmente, concluimos que la estética de Gómez Dávila es de estilo clásicocon vínculos metafísicos, asociada a un canon griego y con una clara perspectiva cristiana, pero que ha sido elaborada por una mente perteneciente a un contexto latinoamericano, del cual no debemos extraer de ningún modo.AbstractTo suggest the existence of philosophy in Latin America becomes a problem for many. Even more difficulties are generated by proposing the existence of a Latin American Aesthetics, having as its representative a Colombian thinker: Nicolás Gómez Dávila. In the midst of this thinker’s work, we were able to identify a series of aesthetic codes which, although inherited from the European concepts of aesthetics, could give us glimpses of a different perspective given by the observation of objects and events generated by the miscegenation that took place in the midst of lush, rugged and fertile lands as those of our geography. To attempt his presentation involves reviewing an existing but forgotten legacy, and updating a rich philosophical experience that, although present, does not manifest in our environment sufficiently. The objectives of this research are: arguing for the philosophy made in Latin America; propose the aphoristic exercise of Gómez Dávila as a Colombian contribution to the field of aesthetics; and review some aesthetic issues that we want to conclude in the work of this author to conduct a hermeneutic exercise thereof. With this paper I expect to reach not only echoes in our philosophical community but in also in other latitudes where Gomez-Davila is already recognized, but now fromthe point of view of aesthetics. The methodology used in this research entailed a hermeneutic exercise, in the perspective of Gadamer. We propose some arguments supporting the contributions of Gómez-Dávila aesthetics from a Latin American perspective. Finally, we conclude that the aesthetics of Gómez-Dávila is of a classic style with metaphysical links, associated with a Greek canon and with a clear Christian perspective, but that it has been developed by a mind that belongs to a Latin American context, from which we cannot intend to separate it in any way. (shrink)

This is an study of phrases and topics by which was known the Cuba island during the XIX century. Analysis of the origins of phrases such as "la Albión ofAn-ierica". "La Siempre Fiel Isla de Cuba", "La perla de las Antillas", "La llave del Golfo": of systems as slavery, plantations, miscegenation, the idea of death, and the myth of mulatto. It is concluded that travelers, and well-read, even the own inhabitants, generated upon this extremely complex society, a series of (...) ideas, coined images. and spred expressions from subjective and particular forms of envisaging reality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Max Nordau, Madison Grant, and Racialized Theories of IdeologyJohannes Hendrikus BurgersRecently, Jonathan Spiro has undertaken the Herculean task of recovering the ghost of the conservationist and anti-immigrant racist Madison Grant from a very limited archival record. Spiro’s biography is an invaluable resource that covers, in as much detail as possible, Grant’s life and thought. Although largely forgotten now, in the first half of the twentieth century Grant was a (...) leading figure in the eugenics movement that sterilized thousands of people deemed unfit to reproduce. He was also a prominent advocate of immigration restriction, and he helped southern racists ban miscegenation.1 Like other scholars before him, Spiro argues that Grant arrived at many of his views through the work of such racial scientists as Arthur de Gobineau, Francis Galton, and Houston Stewart Chamberlain.2 While he and other scholars are certainly correct in drawing such a lineage, one unlikely and hitherto unexplored parallel to Grant’s thought specifically, and American eugenics in general, was that of Hungarian cultural critic and later Zionist leader, Max Nordau. By elucidating their intellectual kinship, this paper seeks to reveal the extent to which early twentieth-century transatlantic racial discourse involved widely different actors who were at times unknowingly espousing quite similar racial views for entirely different ends. [End Page 119]The reasons why Nordau’s name has not appeared in relation to Grant are several. First, there is a lack of biographical material on Madison Grant: much of his personal correspondence was purloined or destroyed.3 Consequently, evidence that Grant had been influenced by or even read Nordau is largely circumstantial and inferential, and cannot be verified through archival documentation. Secondly, despite a recent Nordau renaissance,4 and notwithstanding certain key publications, he still remains a somewhat marginal figure in the narrative of late nineteenth century history, especially in the American context.5 Thirdly, and more importantly, after the death of Theodore Herzl, Nordau became the most prominent leader of the Zionist movement at the beginning of the twentieth century. Certainly, someone as committed to Jewish advancement and Jewish emigration to America as Nordau, was hardly likely to share similar racial views with a white supremacist, anti-immigration propagandist, and vicious anti-Semite like Grant. In fact, the only indirect textual connection between the two thinkers is the verbatim use of one of Nordau’s articles by Grant’s racist disciple Lothrop Stoddard; a connection that has only been explored very briefly in a footnote by Nordau biographer Meir Ben-Horin.6 Otherwise, there has been no attempt to see these two thinkers in the same context. Hence, contrary to current scholarly opinion about both writers, this paper will show that they both operated within the same racial framework. While making no claim here of a direct causal relationship between Nordau and Grant, I do contend that during this period there is enough intellectual crosspollination of racial theories to create a significant, not merely coincidental, overlap of ideas. Simplifying early twentieth-century racial thinking into two distinct camps of non-racists and racists is conceptually flawed, even if, as in this case, the ostensible disparities could not be greater.The idea Nordau helped introduce to America, and the idea Grant used later, was that there was a hereditary link between race and ideology. Both believed a person’s racial makeup directly influenced their political ideology. Grant and other anti-immigration nativists used this logic to justify the [End Page 120] exclusion of non-Anglo-Saxon foreigners. Unhealthy, degenerate, foreign bodies presented a danger to the body politic, not just because they were not as productive as the white “Nordics” and therefore caused a drain on the system, but, more significantly, because their inferior type made them susceptible to radical anti-American ideologies like socialism and anarchism. Accordingly, their degeneracy was both an economic strain and a political danger to post-World War I America. The tragic irony is that Nordau’s contribution to the late nineteenth-century racial science was intended to combat increasingly virulent European anti-Semitism. Instead, it ended up in the hands of anti-Semitic propagandists. In fact, at the time that Nordau was urging Jews... (shrink)

It has become commonplace within feminist theory to claim that women’s lives are constructed by multiple, intersecting systems of oppression. In this thesis, I challenge the consensus that oppression is aptly captured by the theoretical model of “intersectionality.” While intersectionality originates in Black feminist thought as a purposive intervention into US antidiscrimination law, it has been detached from that context and harnessed to different representational aims. For instance, it is often asserted that intersectionality enables a representational politics that overcomes legacies (...) of exclusion within hegemonic Anglo-American feminism. I argue that intersectionality reinscribes the political exclusion of racialized women as a feature of their embodied identities. That is, it locates the failure of political representation in the “complex” identities of “intersectional” subjects, who are constructed as unrepresentable in terms of “race” or “gender” alone. Further, I argue that intersectionality fails to supplant race- and class-privileged women as the normative subjects of feminist theory and politics. In Chapter One, I demonstrate that intersectionality illicitly imports unitary concepts of “race,” “gender,” and “class.” In Chapter Two, I argue that intersectionality lacks a theory of hierarchy: it is a “flat geography” which cannot capture vertical and horizontal lines of power. In Chapter Three, I explore the role of analogical reasoning in rendering racialized women invisible both as gendered and as racialized subjects in twentieth-century social movements. To concretize this argument, I turn to Simone de Beauvoir’s use of race-sex analogies to describe (white, bourgeois) “women’s” situation in The Second Sex. In Chapter Four, I advance a programmatic unified account of oppression. I suggest that the possibility of a unified theory (as opposed to an intersectional one) is intimated in the concrete articulation of race, class, and gender. My point of departure is a phenomenology of capitalism, which reveals that these are all fundamentally modes of exploitation and appropriation. In Chapter Five, I theorize how they are made visible (and invisible) on the body. I extend Frantz Fanon’s account of “epidermalization,” drawing upon the marxian concepts of “fetishism” and “mode of appearance” to elaborate four structures of gendered racialized perception: first, the “miscegenation taboo” structures perceptions of the “purity” of whiteness and the “polluting” effects of blackness. Whiteness, theorised as a “possessive investment” and as “property” is defined by the right to exclude. Second, the “episteme of tellable differences” produces the conviction that we can automatically “tell the difference” between a body placed in one “racial” or gender category, and another—while bodies that temporarily confound classification cause fear and consternation. Third, the “race/reproduction bind” names the axiomatic assumption that “race” is reproduced through (heterosexual) procreation and that “race” is, therefore, biologically inheritable. Finally, the “fear/criminalisation reflex” refers to the bidirectional equation of particular racialised-gendered bodies with crime, and of crime with those bodies; this a function of the discursive use of ‘crime’ as an alibi for “race’” the systemic racialisation of punitive carceral institutions, and the historical origins of “race” in transatlantic chattel slavery, which shaped perceptual-cognitive associations of freedom with whiteness and captivity with blackness. (shrink)

Portuguese enclaves in Brazil and Angola maintained bilateral trade and cultural exchanges from the sixteenth to the middle of the nineteenth century. While in Brazil the growth of the mulatto population appears as a key feature of Luso-Brazilian colonialism, and Afro-Brazilians have come to constitute the majority of the current Brazilian population, mulattos never exceeded 2 per cent of the Angolan population prior to the 1970s. And yet Luso-Brazilian miscegenation eventually became the bedrock of ‘lusotropicalism’, an essential component of (...) Portugal's colonial ideology in the second half of the twentieth century. To understand these paradoxes, beyond the demographic figures, this chapter examines the historical processes concerning mulattos as a group on both sides of the South Atlantic. Among its conclusions is that miscegenation is a necessary but insufficient condition for the growth of a mulatto population. (shrink)

ABSTRACT The choreographer George Balanchine famously declared that “I don't create or invent anything, I assemble.” I take the import of this pronouncement to be that he conceived his artistic mission to be that of articulating those liberatory tendencies that, without his work, might very well have remained inchoate for his audience, and I illustrate this reading through an examination of his 1957 masterpiece Agon, a ballet whose central pas de deux is a symbolic violation of the laws against (...) class='Hi'>miscegenation. (shrink)

ABSTRACT Refugees, as forced migrants, have suffered displacement under conditions not of their own choosing. In 2000 there were thought to be 22 million refugees of whom 6 million were HIV positive. While the New Zealand government has accepted a number of HIV positive refugees from sub‐Saharan Africa, this hospitality is under threat due to negative public and political opinion. Epidemic conditions raise the social stakes attached to sexual exchanges, contagion becomes a major figure in social relationships and social production, (...) and the fears of the contagious nature of those ‘just off the plane’ connect refugees to an equally deep‐seated fear of racial miscegenation. Jacques Derrida’s notion of unconditional hospitality is a dream of a democracy which would have a cosmopolitan form. This means that one cannot decide in advance which refugees one might choose to resettle. This paper will use Derrida’s notion of unconditional hospitality to emphasise the fragility of HIV positive refugees’ position, caught between becoming newly made New Zealand subjects while at the same time having that subjecthood threatened. For Derrida, both ethics and politics demand both an action and a need for a thoughtful response (a questioning without limit). (shrink)

Drawing insights from queer theory, this essay argues for making sex a more central category in political theorists’ interpretations of Diderot’s Supplement, and also of his contributions to History of the Two Indies. The Supplement has sometimes been considered a “libertine” text for depicting Tahiti as a society where sex is open, and indeed where foreign guests are treated to sexual hospitality. This essay reconstructs how and why Diderot’s Tahitians make promiscuity public policy and why Diderot makes miscegenation central (...) to his views on how to improve colonialism morally and politically. In the end, though, the Supplement is beset by asymmetric sexual logics that erode its apparent affirmation of egalitarianism, consent, hospitality, and non-egocentric interest. Although the presentation of sexual hospitality serves to critique French imperialism, its heterosexuality is compulsory and patriarchal. Nevertheless the text unwittingly offers a glimpse of a more radical, queer model of sociability. (shrink)

One current line of argument against the legalization of same-sex marriage, advocated primarily by the New Natural Lawyers, is that marriage is a pre-political institution that has, as an essential element, a bodily union requirement. They argue that same-sex couples cannot realize bodily union in their sexual activities and thus cannot meet the structural requirements of marriage. Accordingly, they argue that the same-sex marriage debate must be framed as a debate about what marriage is, and not, as it was in (...) the anti-miscegenation precedents, about who can get married. I argue that their position, which promulgates a set of pernicious stereotypes about same-sex couples, is, first of all, internally inconsistent. According to their own metaphysical principles about bodily union, they provide no rational basis for the claim that same-sex couples cannot realize bodily union and thus that same-sex couples cannot be married. Second, I argue for a deflationary account of the significance of bodily union. While same-sex couples, like heterosexual couples, can realize bodily union, this sort of union has no moral significance and thus cannot be the factor that distinguishes marriages from other sorts of relationships. Finally, I suggest that they have no basis for their claims about the inferiority of same-sex relationships. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 23 (2003) 101-116 [Access article in PDF] Persons and Awareness Tyson Anderson Saint Leo University The aim of this essay is to relate Christianity and Buddhism through a consideration of two key terms, "persons" and "awareness," the first being central for Christianity and the second being central for Buddhism.The first thing that needs to be noticed is the relatively indefinable character of these words. I of course (...) intend to give as clear an indication as is possible concerning their meaning, but as I considered some of the important concepts that are involved in the topic—language, world, love, understanding—I began to realize that we are surely in the realm of mystery here. By "mystery" I mean something that we can understand somewhat but cannot comprehend, much as Saint Thomas Aquinas thought of God. 1 As is well known, LudwigWittgenstein believed that there is something mysterious even about language itself, that basically what it is can be "shown" but not "said." 2 A certain tentativeness here in regard to propositional adequacy, I might add, is perfectly compatible with strong confidence in one's relation to what Wittgenstein called "the higher." 3 In regard to the truth to be found in the beliefs of others, even a megapandit such as Ken Wilber—not noted for his modesty and circumspection—observes that "the human mind is incapable of producing 100% error." 4 Perhaps some misunderstandings among those engaging in dialogue can be avoided if we remain mindful of the mysterious character of the subject matter and are less confident about the sufficiency of our own articulation of the truth.As to dialogue itself, it is perhaps well to remember when the issues of "fruit salad" and syncretism arise, 5 that thinking itself has typically a dialogical structure, with the result that "fruit salad" is actually the normal condition of persons as they develop in understanding themselves and their world. 6 In conversation with Laurence Freeman, O.S.B., the Dalai Lama appears to disapprove of mixing traditions—"Do not try to put a yak's head on a sheep's body" 7 —but it would be difficult to conceive of a more syncretistic religion than Tibetan Buddhism or Catholicism. Indeed, if we compare the early Jesus movement to the medieval church, the development of Catholicism might well be described by Luther or Calvin, had they thought of it, as an operation that put a yak's head on a sheep's body. The dialogical and finite structure of thinking is in fact one of the reasons why it is possible to conceive of a "universal religion," contrary to what the Dalai Lama thinks. 8 This is so because, since human understanding is never absolute and completed, there is always the possibility that future [End Page 101] understanding will yield a vision that embraces a multiplicity and diversity of religious insights in a way that is impossible for us to foresee at this time. Moreover, part of the point of American culture, I would think, is the benefits of mongrelization, and so perhaps Americans ought to be less suspicious than some at the thought of having "strange bedfellows." Looking for historical examples of conscious syncretism, one thinks of Mani and Jesuit syncretism exemplified in Matteo Ricci (outfitted first as a Buddhist monk and then later as a Confucian scholar) and the evangelization of New Spain, 9 and more recently, Hazrat Inayat Khan and his son, Pir Vilayat Khan. Also, there is Jesaiah Ben-Aharon, a Jewish thinker who interprets the Holocaust in terms of the Christ. 10 I find such efforts to be commendable, and so although doctrinal and cultural immaculacy has its charms, I believe it to be the call of maya. I will proceed, then, in constructing a mysterious and miscegenational fruit salad, my only justification being that this seems to reflect accurately the truth of the matter and that we really have no other peaceable choice. 11 Persons "Person" is often used in the same sense as "human being." By "person" I mean a being who can love and who, as a human being, is the... (shrink)

This paper describes how the film “Guess Who’s Coming to Dinner” can be used in the classroom. Drawing on Gilligan’s theory of moral psychology, the paper begins by putting forward a new interpretation of the film. While the central theme of the film is that of miscegenation, another salient topic in the film concerns how to maintain patriarchal privilege in a society that has racial equality. The paper then proceeds to illustrate different ways the film can be used in (...) the classroom, most importantly to illustrate the justice/care distinction. Finally, the pedagogical practice of showing films that support certain ideologies is critically examined. (shrink)

Historically critical reflection on whiteness in the United States has been a long-standing practice in slave folklore and in Mexican resistance to colonialism, Asian American struggles against exploitation and containment, and Native American stories of contact with European colonizers. Drawing from this legacy and from the disturbing silence on “whiteness” in postsecondary institutions, critical whiteness scholarship has emerged in the past two decades in U.S. academies in a variety of disciplines. A small number of philosophers, critical race theorists, postcolonial theorists, (...) social historians, and cultural studies scholars have revisited and reexamined questions of race and identity with an analysis that now focuses on historical studies of racial formation and the deconstruction of whiteness as an unmarked privilege-granting category and system of dominance. Collectively, these writings identify whiteness as a cultural disposition and ideology held in place by specific political, social, moral, aesthetic, epistemic, metaphysical, economic, legal, and historical conditions, crafted to preserve white identity and relations of white supremacy (Mills 2003). In this way, whiteness studies is a conscious attempt to think critically about how white supremacy continues to operate systemically, and sometimes unconsciously, as a global colonizing force. -/- We extended the notion of ‘reproduction’ to include practices of reading and cultural forms of reiteration, but shied away from making the special issue into a philosophically driven cultural studies volume. Our volume is interdisciplinary by necessity: it offers theoretical and philosophical perspectives grounded in a variety of disciplinary starting points, all of which illustrate how whiteness remains at the center of reproduction and social regulation. Our hope is that this volume will further open philosophical conversations on the ways white supremacy regulates gender by providing new ways of thinking through those histories and reproductive materialities that make whiteness simultaneously a centrally defining signifier of bodies, values, and meanings and a signifier coding the “normal,”“the pure” and “the real” in white supremacist thinking. -/- We have categorized the contributions to this collection into three major areas: Resistance, Genealogies, and Miscegenation and Purity. These serve as both a guide for the reader's pathway through the volume and as a way of interconnecting the essays, although the intertextuality of all these writings also provides a rich field of rhizomic offshoots and a deeper connectivity. (shrink)

La place croissante prise par les approches qui croisent race, classe et genre en Amérique latine et dans les Caraïbes, aurait dû donner lieu à une bibliographie foisonnante en ajoutant les entrées miscegenation, creolization, hybridization en anglais ; criollo, mestizaje, mestiçagem et métissage en espagnol, portugais et français. Ce n’est pas le cas. Peu d’articles traitent de front et uniquement les deux items métissage/genre, dans leurs titres, leurs mots clés ou leurs résumés. Pourtant,...

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 41, no. 2. © 2015 by Feminist Studies, Inc. 409 Ariane Cruz Beyond Black and Blue: BDSM, Internet Pornography, and Black Female Sexuality I have been the meaning of rape I have been the problem everyone seeks to eliminate by forced penetration with or without the evidence of slime and/ but let this be unmistakable in this poem is not consent I do not consent —June Jordan, (...) Poem about My Rights Introduction: The Evidence of Slime Slavery, itself a kind of “slime,” remains an active marketplace for the production of Black female sexuality and its representations.1 The impact of chattel slavery and the pervasive rape of Black female slaves on modern 1. In using the term “Black women,” I am referring to African American women for whom the history of chattel slavery in the Americas has produced the socio-historical conditions that uniquely inform Black female subjectivity and sexual politics. My use of this term is not to essentialize Black American womanhood; rather, like Black feminist scholar Patricia Hill Collins, I use the term to gesture to a Black women’s standpoint influenced by the condition and experience of gendered and racialized abjection, a “common experience of being Black women in a society that denigrates women of African descent.” Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment (London: Routledge, 1990), 22. In this essay, I focus on Black women who practice BDSM, a small but nonetheless heterogeneous group of women in the already-marginalized larger kink community. 410 Ariane Cruz constructions and representations of Black women has been well theorized, in particular by a number of Black feminist scholars who have worked to rupture what Darlene Clark Hine terms the “culture of dissemblance,” the politics of silence shrouding expressions of Black female sexuality.2 While the antebellum legacy of sexual violence on Black women is substantive, what has not been effectively considered is how Black women deliberately employ the shadows of slavery in the deliverance and/or receiving of sexual pleasure. That is, how the “slime”—a staining sludge of pain and violence—becomes a type of lubricant to stimulate sexual fantasies, access sexual pleasure, and heighten sexual desire. In this paper, I explore how Black women facilitate a complex and contradictory negotiation of pain, pleasure, and power in their performances in the fetish realm of BDSM.3 Situating my analysis in the context of hardcore BDSM Internet pornography and the controversial praxis of race play, I argue that BDSM is a critical site from which to reimagine the formative links between Black female sexuality and violence. Race play is a BDSM practice that explicitly uses race to script power exchange and the dynamics of domination and submission. Most commonly an interracial erotic play, race play employs racism, often involving the exchange of racist language, role-playing, and the construction of racist scenes. Eroticizing not just racism, but the miscegenation taboo, racial difference, and (hyper) 2. See Darlene Clark Hine, “Rape and the Inner Lives of Black Women in the Middle West,” Signs 14, no. 4 (1989): 912–920. For more on Black female slave sexual assault and its aftermath, see Hazel V. Carby, Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist (Oxford: Oxford University Press, 1987); Ann duCille, “‘Othered’ Matters: Reconceptualizing Dominance and Difference in the History of Sexuality in America,” Journal of the History of Sexuality 1, no. 1 (1990): 102–27; Elsa Barkley Brown, “Imaging Lynching: African American Women, Communities of Struggle, and Collective Memory,” in African American Women Speak Out on Anita Hill-Clarence Thomas, ed. Geneva Smitherman (Detroit, MI: Wayne State University Press, 1995), 100–24; and Cheryl Harris, “Whiteness As Property,” Harvard Law Review 106, no. 8 (June 1993): 1707–91. 3. BDSM is an umbrella term that stands in for bondage/discipline (B/D), domination /submission (D/S), and sadism/masochism or sadomasochism (S/M). For the purposes of this paper I exchange S/M, S&M, and/or SM with the more contemporary label BDSM. For more about the terminology of BDSM, see Margot Weiss, Techniques of Pleasure: BDSM and the Circuits of Sexuality (Durham, NC: Duke University Press, 2011). Ariane Cruz 411 racialization itself... (shrink)

O artigo defende que, desde a segunda metade do século XX, o processo de evolução de nossas sociedades é marcado pela acelerada fusão e pela cada vez mais intensa miscigenação de culturas, que apontam para o enfraquecimento das culturas e das instituições tradicionais por causa da constituição de uma nova cultura, fundida e miscigenada, afirmadora do pluralismo e do individualismo, bases para o universalismo moral. Além disso, nesse mesmo período, a crítica ao modelo de modernização ocidental, que estaria destruindo formas (...) alternativas de sociabilidade, de relação com o mundo e de produção da vida material, passou a dar a tônica da atuação de novos movimentos sociais, grupos culturais e iniciativas cidadãs. Com isso, é possível perceber-se um aspecto político-cultural altamente emancipatório em nossas sociedades, isto é, a desconstrução das culturas e da autoridade das instituições tradicionais, bem como a necessidade de repensar-se o modelo de progresso e de desenvolvimento ocidentais, em favor da democracia, dos direitos humanos e de formas alternativas de vida, o que aponta para uma reavaliação positiva, em termos de Ocidente e mesmo do Brasil, das culturas indígenas e negras para a formação das nossas sociedades e para a superação de seus problemas.: the paper argues that, since second half of twentieth century, the process of evolution of our societies is characterized by rapid fusion and very intense miscegenation of cultures, what points to impairment of traditional cultures and institutions, because the constitution of a new culture, fused and mixed, affirming pluralism and individualism that are the basis for moral universalism. Moreover, in this same period, the critic to the western model of modernization, that would be destroying alternative forms of sociability, relation with de world and production of material life, become current with new social movements, cultural groups and citizen initiatives. So, it is possible to perceive a highly emancipatory political-cultural aspect in our societies, namely the deconstruction of traditional cultures and authority of institutions, in favor of the democracy, human rights and alternative forms of life that conducts to a positive revaluation, in terms of Western and even Brazil, of indigenous and black cultures to the constitution of our societies and the overcoming of their social problems. Keywords: Democracy; Fusion of Cultures; Tradition; Modernization; Revaluation. (shrink)

For a long while the dilemma between ‘not being’ and ‘being other’ has haunted the history of Brazil. The country's mixed-race condition lay at the heart of the dilemma which reached its apogee in the second half of the nineteenth and the beginning of the twentieth centuries. At that point in its history, that is, its emergence as a nation-state, the construction of a national identity became an imperative for the political and intellectual elites of Brazil. In this context, a (...) European, the German naturalist, Carl von Martius, made himself particularly notable for having been one of the first, after Independence, to point out the significance of miscegenation in the composition of Brazilian identity. (shrink)

This article presents and reflects upon artistic artworks at the intersection of virtual and physical computer systems with wet (biological) systems, in reference to Roy Ascott’s ‘moist theory’. It is divided into two sections. The first section offers contextualization by pointing to Darcy Ribeiro’s considerations of differentiations among Brazilians, thus leading to an expectation of miscegenation that assimilates and incorporates races and beliefs in a syncretic way. To this background is added a theoretical framework based on semiotics entwined with (...) mathematics and physics from a set of authors. Both aspects are intertwined with visceral sensations and feelings which emerged from immersible field researches. Glimpses of the 1997 Xingu expedition are introduced as an example of such immersible field research to unveil aspects related with moist theory. The second section presents four case studies that illustrate all of the concepts previously mentioned. Here, syncretism is understood as a field for events that engender the artworks. These artworks are created as metaphorical journeys aimed at expressing potential shamantic experiences and configured as a set of symbiotic systems. Two of these artworks explore neural connections; their research involves computer devices that allow human interferences in the behaviours of autonomous agents in virtual reality simulations. The resultant systems are artificially alive organisms in flux with the rhythms of the autonomous programmed processes; these change each time they run within the computer, allowing the user to symbiotically interfere in the algorithmic nature of artificial ‘seeds’. These poetic realms are metaphors of the flow of life itself. Summing up, they are technoetic artworks that could only arise from the Brazilian melting pot of cultural, racial and theoretical mixtures. (shrink)

As a still quite young professor of classical philology at the University of Basel, Nietzsche taught a rather traditional, almost antiquarian, course on ancient rhetoric. The title of his 1872–73 lecture notes—"Presentation of Ancient Rhetoric" —clearly indicates that this time Nietzsche did not spoil for a fight or set out to uncover the hidden hybridity of origins as he did in his controversial book of the same year in which the origin of Greek tragedy is revealed as miscegenation between (...) the Dionysian and Apollonian principles. Rather his lecture notes exhibit an apparent commitment to following the traditional rhetorical... (shrink)

. . . I should like to ask some questions about a particular obviousness: that lie in English means both to say something false while knowing it to be so, and to rest or to be in a prostrate or recumbent position. A pun, after all, is likely to be a compacting or constellating of language and literature, of social and cultural circumstance. There is potency in the pun or the suggestive homophone. "Miscegenation" must be a bad thing. Does (...) it not confess that it is a mis-something? Similarly, "What's good for General Motors is good for America" presses us to concede the claim made by general ; a quite other route would have to be taken if the language were to press us to concede that "What's good for A.B. Dick is good for America." Again, the political energy of a strike profits from the crisp energy of the word, a word—strike—which accords to an enterprise which is one of withdrawal, passivity, and attrition the associations of something which is on the offensive, active, and speedy. Christopher Ricks, professor of English literature at the University of Cambridge, is the author of Milton's Grand Style, Tennyson, Poems and Critics, and Keats and Embarrassment. He is also editor of the journal Essays in Criticism. (shrink)

One of the most common threads in the Caribbean tapestry races which have populated the region over the last five centuries largely through forced or voluntary migration, is that there have emerged mixtures of the different racial groups. A large proportion of Caribbean women and men are referred to euphemistically as ‘mixed race’. The terms used to describe people of mixed race vary by territory and have been incrementally added to or changed over time. The original nomenclatures such as sambo, (...) musteephino, mulatto, creole, etc. have been replaced at present to include terms like brown skin, mulatto, clear skin, light skin, red-nigger, dougla and browning. The title of the article comes from a contemporary dancehall song in Jamaica in which the black singer, Buju Banton, unwittingly echoes an unspoken yet shared notion of female desirability in the Caribbean: a preference for ‘brown’ as opposed to black women or unmixed women. In the ongoing constructions of femininity in the region, class and skin colour have intersected with race to produce hierarchies and stereotypes of femininity based on racial mixing. Drawing on some of the historical data available, particularly that of the pioneering research in this area produced by Lucille Mathurin in 1974, this article interrogates some aspects of miscegenation in the Jamaican past, to configure these with gender, race and class relations in the present. The article does not attempt to arrive at conclusive findings but to contribute to the ongoing process in the region, and elsewhere, of differentiating the category ‘woman’ in historiography and sociology. (shrink)

8. Eckhart's why and Heidegger's what: beyond subjectivistic thought to groundless ground -- I -- II -- III -- Notes -- 9. Meister Eckhart's speculative grammar: a foreshadowing of Heidegger's Der Satz vom Grund? -- A problem of expression -- Language in modism -- Spiral-vortex metaphor -- Concluding remarks -- Notes -- 10. Pay attention!: exploring contemplative pedagogies between Eckhart and Heidegger -- Paying attention -- The paradox of intention -- Intended attention -- Conclusion -- Notes -- PART IV: Re-readings (...) and new boundaries -- 11. Mysterium secretum et silentiosum: praying the apophatic self -- The secret prayer of apophasis -- Breaching the silent sanctuary in Fear and Trembling -- Exteriority and interiority: the scandal of self and other -- Praying the apophatic self -- Notes -- 12. Becoming mystic, becoming monster: the logic of the infinite in Kierkegaard, Cusa and Deleuze -- Kierkegaard: thinking the unthinkable -- Cusa: the repetition of unity -- Conclusion -- Notes -- 13. Non-philosophical immanence, or immanence without secularization -- I Immanence and philosophy -- II Eckhart's unrestrained immanence -- III Non-philosophical immanence -- Notes -- 14. 'Not peace but a sword': Žižek, Dionysius and the question of ancestry in theology and philosophy -- The sins of the fathers: the congenital disorders of Christian-Neoplatonism -- Unto the third and fourth generation: Žižek and the mutation of Christian inheritance -- Conclusion: miscegenous liaisons -- Notes -- Index. (shrink)

ResumoO objetivo deste artigo é produzir uma reflexão crítica sobre a produção de Gilberto Freyre, mais verticalizada em dois aspectos. Em primeiro lugar, buscar-se-á entender a seleção feita por esse antropólogo de uma certa mestiçagem e adaptação cultural, símbolos da singularidade brasileira. Em segundo lugar, procura-se entender de que maneira esse tipo de interpretação desloca a análise de fenômenos mais sociais e econômicos, investindo profundamente na esfera privada. Como se costuma dizer, Freyre teria descrito a escravidão brasileira, tendo como foco (...) apenas os cativos domésticos. Para tanto, começar-se-á com a análise do clássico Casa Grande & Senzala, mas a insistência se dará na interpretação do livro Novo mundo nos trópicos, obra em que o estudioso procura sintetizar suas conclusões para um público estrangeiro. Aí estariam condensadas as suas máximas e grandes linhas de interpretação.Palavras-chave: Adaptação. Mestiçagem. Novo mundo nos trópicos. Gilberto Freyre. AbstractThe aim of this paper is to produce a critical reflection on Gilberto Freyre’s work, which is more vertical in two respects. First, I will seek to understand the selection made by the anthropologist of a certain cultural miscegenation and adaptation, symbols of Brazilian singularity. Second, I’ll try to understand how such an interpretation shifts the analysis of rather social and economic phenomena, deeply invested in the private. As it is said, Freyre would have described Brazilian slavery focusing only on the domestic slaves. Thus, the analysis begins with the classic Casa Grande & Senzala, but the emphasis will be in the interpretation of the book in the New world in the tropics [Novo mundo nos Trópicos], a work in which the scholar seeks to synthesize his findings to a foreign audience. There it would be condensed his maxima and broad lines of interpretation.Key words: Adaptation. Miscegenation. New world in the tropics. Gilberto Freyre. (shrink)

Studies on Jean Rhys have been fragmentary concentrating on one or two aspects of Rhys’s thematic concern with the alienation of the white creole without laying emphasis on Rhys’s exploration of the Creole’s identity. There has been no attempt to examine if the creole has to struggle harder and more than whites and blacks to come to terms with her personal identity until now. The answer is affirmative because the creole is a composite human being. Indeed, the white creole is (...) the ‘fruit’ of a mixed union. Born into miscegenation, hybridity and creolization, the creole is physically, linguistically, socially and religiously a diverse human being. Within the scope of this paper, the term identity is used in a broad sense. The creole’s personal identity refers to the different identities the Creole can have at different times and in different circumstances. Correspondingly, she must negotiate the white and black elements of her identity. The Creole must deal with the complexity of her identity through a web of tangled relationships with both whites and blacks. Read from this light, the personal identity of the creole is not “either/ or,” but reluctantly “both/ and.” In various ways, the creole is an ‘Everyman.’ The Creole undergoes an awareness, and is eventually, redefined through the image of the ‘other.’ Indeed, her jump toward her black friend Tia reflects Rhys’s basic concern for a Caribbean society in which assimilation and personal identity must blend in a single humane goal, that is, to co-exist beyond the lines of race, gender, class and sex in order to avoid annihilation. (shrink)

Demografisches Wissen und ‘Nation‐Building’: Der peruanische Zensus von 1940. Die Demografen, die 1940 die peruanische Volkszählung organisierten, stellten die zunehmende ethnische Heterogenität Perus als Zeichen aufbrechender kultureller Grenzen und als Symbol einer tragfähigen peruanischen Identität dar. Diese besondere demografische Dynamik war ihrer Ansicht nach ein Motor der nationalen Entwicklung. Dieser Aufsatz analysiert die verschiedenen Formen, in denen Demografen kulturelle Heterogenität als einen potentiellen Vorteil des Landes konstruierten. Hierdurch wird deutlich, wie akademisches Wissen über ethnische Hybridität mit den nationalistischen Projekten der (...) zweiten Hälfte des 20. Jahrhunderts verbunden war. Er analysiert weiterhin den Einfluss, den die ideologischen Sympathien der peruanischen Demografen für den Sozialismus auf ihre wissenschaftliche Arbeit hatte.Demographic Knowledge and Nation‐Building: The Peruvian Census of 1940. The demographers who organized the 1940 census of Peru portrayed the increasingly mixed‐race Peruvian population as indicative of the breaking down of cultural barriers to the emergence of a robust Peruvian identity, a process that, they claimed, would lead to greater national development. This paper analyzes the ways in which demographers constructed cultural heterogeneity as a potential national asset. This reveals how scientific knowledge of miscegenation affected the formation of a nationalist project in the second half of the twentieth century, and also how demographers' ideological commitments to socialism shaped scientific practice. (shrink)

In this paper I make two arguments: first, that the Western Cape has always functioned as the epistemological heading of the 'coloured' category. This is because it is in the Western Cape where the category first emerged as a descriptor for the 'mixing of blood', and where knowledge around the category was first produced through the appointment of commissions of inquiry. In addition, intellectuals in the Western Cape based primarily at Stellenbosch University also produced knowledge by drawing on the concept (...) of heredity, and attaching inherited racial traits or characteristics to the 'coloured' category. The second argument is that by the late 1930s, a new epistemological heading emerged in the Transvaal, where intellectuals from the University of Pretoria would engage with the category through the emerging discourse on bloedvermening or miscegenation. To these Pretoria-based intellectuals, 'coloured' was no longer just a marker for the 'mixing' of blood that originated in the Western Cape, but represented a threat to the heredity of the Afrikaner volk in the Union as a whole. Intellectuals in the Transvaal were less concerned with ascribing hereditary traits to the 'coloured' category, and more preoccupied with how those characteristics would affect the white racial imprint through miscegenation. By arguing that the Transvaal emerged as a new heading on the 'coloured' category, I am suggesting that another epistemological direction is on offer one that departs from the form, the sign, or the logic of the heading of the Western Cape. (shrink)

Les questions soulevées par la mondialisation aujourd'hui - migrations, multiculturalisme, différence culturelle, dialogues ou conflits interculturels - peuvent être analysées à la lumière de précédentes mondialisations. Dans cet article, Françoise Vergès évoque les relations Sud-Sud telles qu'elles se sont développées dans la longue durée du monde indiano-océanique pour parler des processus et des pratiques de « créolisation ». La longue histoire des migrations forcées ou provoquées par des bouleversements géopolitiques dans cette partie du monde offre un cadre d'analyse qui interroge (...) les présupposées des cartes mentales forgées par une histoire eurocentrée. Les routes Sud-Nord peuvent alors être comparées aux routes Sud-Sud ou Est-Sud, et les zones de contact qui émergent à celles qui se créent en Europe. Les phénomènes d'hybridité, de métissage, d'interculturalité, de créolisation sont à analyser dans leur évolution, transformation et reconfiguration.The issues raised by globalization today - migration, multiculturalism, cultural difference, intercultural conflicts or dialogues - can be analyzed in the light of previous globalizations. In this article, Françoise Vergès evokes the South-South relations as developed in the long-oceanic world indiano to discuss the processes and practices of "creolization". The long history of forced migration caused by geopolitical upheavals in this part of the world offers an analytical framework that interrogates the presupposed mental maps shaped by Eurocentric history. North-South routes can then be compared to roads South-South or East-South and emerging areas of contact to those created in Europe. Phenomena of hybridity, miscegenation, interculturality, creolization are analyzed in terms of evolution, transformation and reconfiguration. (shrink)

For a long while the dilemma between ‘not being’ and ‘being other’ has haunted the history of Brazil. The country's mixed-race condition lay at the heart of the dilemma which reached its apogee in the second half of the nineteenth and the beginning of the twentieth centuries. At that point in its history, that is, its emergence as a nation-state, the construction of a national identity became an imperative for the political and intellectual elites of Brazil. In this context, a (...) European, the German naturalist, Carl von Martius, made himself particularly notable for having been one of the first, after Independence, to point out the significance of miscegenation in the composition of Brazilian identity. (shrink)

Reprise d’un article initialement paru dans La création sociale, no 6 de 2001, p. 121-139. Aucune « culture humaine » n’est « pure » ni « définitive » ; toute culture est métissée et sans « fin » déterminée. Pour analyser les diverses formes du métissage culturel dans plusieurs civilisations, sept concepts différents sont ici présentés avec des exemples de leur application aussi bien en Orient qu’en Occident et du Moyen Âge qu’à nos jours. Reprint of an article originally published (...) in La création sociale, no. 6 of 2001, pp. 121–39. No “human culture” is “pure” or “final”. Any culture is mixed with another. To analyze the various forms of cultural miscegenation in many civilizations, seven different concepts are here presented with examples of their application both in the Eastern and the Western countries and from the middle ages to our days. (shrink)

For a long while the dilemma between ‘not being’ and ‘being other’ has haunted the history of Brazil. The country's mixed-race condition lay at the heart of the dilemma which reached its apogee in the second half of the nineteenth and the beginning of the twentieth centuries. At that point in its history, that is, its emergence as a nation-state, the construction of a national identity became an imperative for the political and intellectual elites of Brazil. In this context, a (...) European, the German naturalist, Carl von Martius, made himself particularly notable for having been one of the first, after Independence, to point out the significance of miscegenation in the composition of Brazilian identity. (shrink)

In this issue we include contributions from the individuals presiding at the panel All in a Jurnal's Work: A BABEL Wayzgoose, convened at the second Biennial Meeting of the BABEL Working Group. Sadly, the contributions of Daniel Remein, chief rogue at the Organism for Poetic Research as well as editor at Whiskey & Fox , were not able to appear in this version of the proceedings. From the program : 2ND BIENNUAL MEETING OF THE BABEL WORKING GROUP CONFERENCE “CRUISING IN (...) THE RUINS: THE QUESTION OF DISCIPLINARITY IN THE POST/MEDIEVAL UNIVERSITY” SEPTEMBER 21ST, 2012: SESSION 13 MCLEOD C.322, CURRY STUDENT CENTER NORTHEASTERN UNIVERSITY, BOSTON, MA. Traditionally, a wayzgoose was a celebration at the end of a printer’s year, a night off in the late fall before the work began of printing by candlelight. According to the OED, the Master Printer would make for the journeymen “a good Feast, and not only entertains them at his own House, but besides, gives them Money to spend at the Ale-house or Tavern at Night.” Following in this line, continent. proposes in its publication(s) a night out and a good Feast, away from the noxious fumes of the Academy and into a night of revelry which begins, but does not end, at the alehouse or Tavern. continent. proposes that the thinking of the Academy be freed to be thought elsewhere, in the alleys and doorways of the village and cities, encountered not in the strictly defined spaces of the classroom and blackboard (now white) but anticipated and found where thinking occurs. Historically, academic journals have served a different purpose than the Academy itself. Journals (from the Anglo-Fr. jurnal , "a day," from O.Fr. jornel , "day, time; day's work," hence the journalist as writer of the news of the day ) have served as privileged sites for the articulation and concretization of specific modes of knowledge and control (insemination of those ideas has been formalized in the classroom, in seminar). In contrast, the academic journal is post-partum and has been an old-boys club, an insider trading network in which truths are (re)circulated against themselves, forming a Maginot Line against whatever is new, or the distinctly challenging. All in a Jurnal’s Work will discuss (in part) the ramifications of cheap start-up publications that are challenging the traditional ensconced-in-ivory academic journals and their supporting infrastructures. The panel will be seeking a questioning (as a challenging) towards the discipline of knowledge production/fabrication (of truth[s]) and the event of the Academy (and its publications) as it has evolved and continues to (d)evolve. Issues to be discussed will revolve around the power of academic publishing and its origins, hierarchical versus horizontal academic modules (is there a place for the General Assembly in academia?) and the evolving idea of the Multiversity as a site(s) of a (BABELing) multivocality in the wake of the University of Disaster. STAGE NOTES AND/AS/OR TRACK CHANGES: INTRODUCTORY REMARKS AND MAGICAL THINKING ON PRINTING: AN ELECTION AND A PROVOCATION Isaac Linder “Of course most people don’t think of editing/publishing as theatre but as something boring or parasitical (vis-à-vis a ‘source’ text), a textual backwater populated by people with glasses. But I think publishing a book today is theatre, socially networked theatre…. Facebook and Flickr are our era’s administered and generic version of sixties happenings!” — Tan Lin 1 ELECTING A MASCOT: THE BARNACLE GOOSE After pitching the idea for this panel with the editorial help of my continental cohorts I became fascinated with the image of the goose—dead and roasted as it may be—and its relationship to the space of the printing press. For a long while after proposing this gathering I was seriously under the sway of delusions of grandeur, imagining that we might roast a goose (or goosefu) and, preparing a meal as one prepares a text for publication, feast in something approaching a warm and well-nourished revelry. I should note, by way of introduction, that a substantial part of my undergraduate experience involved learning to typeset and work as a devil, as typesetters mischievously call it, in a letterpress studio. This accounts in part for my fascination and helps to explain the fact that, when I began to leaf around in medieval beastiaries in lieu of being able to procure a goose, I was almost immediately struck by a fantastic monster that I hereby elect to be the mascot for our so-called para-academic practice(s) the relatively famed, but no less fabulous for it, barnacle goose. The barnacle goose is a creature that first makes its way into 12th century manuscripts with Giraldus Cambrensis in 1186. Phenomenologically speaking the monster is a tree, a tree which, when approached closer is seen to be birthing geese budding from the buds that hang like ripe fruit from its branches. As the story goes these trees were found over water; the fledgling geese, once wrested from their pods would take off in flight or fall to their watery death, where they would be transformed into driftwood. In retrospect we presume the barnacle goose was posited as a consequence of the fact that geese born in more northern regions, migrating to Ireland and western Europe at large, were never seen to give birth. And I should note that this is far from the only other animal posited to be born from trees at around this time, my other favorite being medieval accounts of Moroccan tree-climbing goats. 2 In particular I’ve thrown up the mascot of the barnacle goose and singled it out from the quires of its beatiaries because its thoroughly hybrid origins lead us to name two very real creatures we can find point to in abundance; discrete materialities of the world cobbled together in textual fancy: on the one hand, the modern day barnacle goose , a common species of goose and, on the other, goose barnacles , a particular type of crustacean with incredible feathery tendrils and—I can't help but mention—one of the largest body mass to penis size ratios of all of the animals in the kingdom. Why is this bit of genital trivia relevant? Because they’re all hermaphroditic and in rare cases have been found to reproduce just with themselves—to inseminate themselves and give birth to their kin. So I think it must be stressed, as a symbol for what we’re really here to talk about, it's not a boy’s club thing so much as a very queer thing and, I contend, para - in every perfect sense of the word... Alongside the natural world, a monstrous imaginary concatenation; Alongside the hulls of so many institutional structures, funding sources and resources, Serresian parasites in all manner of mutualist, symbiotic, or properly parasitic positions; migratory and adrift; The tree, center stage in the 21st century adaptation of Waiting for Godot that is unraveling in ateliers across the world, is a barnacle goose birthing a flurry of miscegenous texts beyond medium and genre. PROVOCATION 1: CHAOSMOSIS “Genre is obsolete.” — Ray Brassier 3 And so, here I was getting carried away in daydreams about this generative and genealogical symbol under which to think all of the diverse projects we are all involved in as architects of the dressed word, (well dressed, bespoke, mansy, butch, careless, or roguishly punk attired as those words may be), when it also dawned on me, mid-flight here from Denver, that we are, even in lieu of being able to roast geese together, very much so literalizing what was never just the metaphor of the wayzgoose—a tradition, as you know, celebrated to mark the crepuscular turn into fall—as we are poised here, tomorrow being the first official day of fall on our calendars in the US marking the seasonal change from at which point it will no longer be possible to print without the aid of candlelight. A beautiful thought, that tipped into magical thinking on account of a little quick math I was able to do to come to the conclusion that we can all be delighted to know that as we proceed into the autumn with our printing projects always ahead of us and still to be set, we will tonight be bathed not only by the artificial candlelight of our screens, but also in part by photons raining down on us at 186,282 miles per second—photons from an aspect of 9 cyg, a stereoscopic binary deep within Cygnus, the swan but not-so-distant-relative of the goose, with a distance of 572 Light years away; photons that are raining down on us, will rain down on us all winter, have been raining down on us all year, and which had their origin in the combustion cores at a center of 9 cyg 572 years ago, in 1440, the year which we point to today as the common year in which, as we all know, Gutenberg is said to have brought the movable type to the western world, inaugurating an era that stretches farther into the past and future than McLuhan could justify; the proliferation of so much ambient text; insurrectionary coups on (and re-crystallizations of) genre—perceived amidst so much ambient light—enveloping this campus, just now. So, with that thought, and perhaps a new mascot, Nico Jenkins... NOTES “ Writing as Metadata Container, An Interview with Tan Lin ,” Chris Alexander, Kristen Gallagher, Danny Snelson, Gordon Tapper, Tan Lin, Jacket 2. January 20, 2012. To explore Lin’s notion of ambient textuality, plagiarism, and parallel, cross­platform publication in the 21st century, also see Lin’s sampled novel, “ The Patio and the Index ,” Triple Canopy 14, October 24, 2011, as well as the Edit event, organized at the Kelly Writers House at the University of Pennsylvania, April, 2010 . For a fascinating and fecund exploration of medieval plant­animal hybrids in relation to media ecology, see Whitney Trettien, “ Becoming Plant: Magnifying a Microhistory of Media Circuits in Nehemiah Grew’s Anatomy of Plants (1682) .” postmedieval 3.1 (2012):97. See also the crowd­review version of the essay. “ Genre Is Obsolete .” Compléments de Multitudes . 28 (2007). (shrink)

Le point de départ de cet article est la thèse développée en 1991 par Isabelle Combès et Thierry Saignes sur la naissance de l’ethnie et l’identité chiriguano, « essentiellement » métisses. Le rapport au métissage des Chiriguano et Chané semble paradoxal. Bien qu’ils soient considérés comme un exemple paradigmatique de métissage amérindien, certains points de vue contemporains condamnent l’ethnie à la disparition en raison, précisément, du métissage avec les Blancs. Les Chiriguano et Chané, quant à eux, rejettent aujourd’hui toute idée (...) de mélange, se proclamant seulement « Guaraní ». À partir d’une double étude de cas (l’Isoso bolivien et le nord-ouest argentin), on relativise d’abord le postulat de la complète absorption des Chané dans l’ensemble chiriguano ; on analyse ensuite les différents types de métissage existants, et leur relation dans un schéma asymétrique que crée une véritable échelle de valeurs entre différentes ethnies. On suggère finalement que l’ambivalence idéologique qui entoure le métissage découle précisément du fait qu’il s’agit d’une construction elle-même métisse, produit de la fusion entre les idéologies chané et guaraní. (shrink)