Stephen Nickell: Practical Issues in UK Monetary Policy, 2000-2005 Alan C Dessen: Staging Matters: Shakespeare, the Director, and the Theatre Historian Lord Bingham of Cornhill: The Judges: Active or Passive? Marilyn Strathern: Useful Knowledge Jane Stabler: Byron, Conversation and Discord Keith Wrightson: Mutualities and Obligations: Changing Social Relationships in Early Modern England Carlo Ginzburg: Dante's Epistle to Cangrande and its Two Authors Colin Renfrew: Becoming Human: the Archaeological Challenge Lothar von Falkenhausen: The Inscribed Bronzes from Yangjiacun: New Evidence on (...) Social Structure and Historical Consciousness in Late Western Zhou China Joseph Koerner: Everyman in Motion: from Bosch to Bruegels and Notes on Lectures. (shrink)

The major theoretical framework relative to the perception of illusory figures is reviewed and discussed in the attempt to provide a unifying explanatory account for these phenomena.

Following the pioneering studies of the receptive field (RF), the concept gained further significance for visual perception by the discovery of input effects from beyond the classical RF. These studies demonstrated that neuronal responses could be modulated by stimuli outside their RFs, consistent with the perception of induced brightness, color, orientation, and motion. Lesion scotomata are similarly modulated perceptually from the surround by RFs that have migrated from the interior to the outer edge of the scotoma and in this way (...) provide filling-in of the void. Large RFs are advantageous to this task. In higher visual areas, such as the middle temporal and inferotemporal lobe, RFs increase in size and lose most of their retinotopic organization while encoding increasingly complex features. Whereas lowerlevel RFs mediate perceptual filling-in, contour integration, and figure–ground segregation, RFs at higher levels serve the perception of grouping by common fate, biological motion, and other biologically relevant stimuli, such as faces. Studies in alert monkeys while freely viewing natural scenes showed that classical and nonclassical RFs cooperate in forming representations of the visual world. Today, our understanding of the mechanisms underlying the RF is undergoing a quantum leap. What had started out as a hierarchical feedforward concept for simple stimuli, such as spots, lines, and bars, now refers to mechanisms involving ascending, descending, and lateral signal flow. By extension of the bottom-up paradigm, RFs are nowadays understood as adaptive processors, enabling the predictive coding of complex scenes. Top-down effects guiding attention and tuned to task-relevant information complement the bottom-up analysis. (shrink)

This article is about the post-history of Hobbes’s name for the state and thus about the history of the name ‘Leviathan’ insofar as this name has remained the catchword for the (modern) state to this day (from the late 17th century to the beginning of the 21st century), but above all for that of absolutist-despotic proportions. This story, told here for the first time, is particularly interesting because it ultimately reveals a continuity in the understanding of Hob-bes that suggests that (...) this post-history not only has something to do with Hobbes’s Leviathan itself, but at least as much with its pre-history - with the name ‘Leviathan’, which Hobbes gave the state in reference to the biblical monster of the same name. (shrink)

I describe characteristic phenomena of quantum physics that suggest that reality appears to us in two domains: the open and well-known domain of empirical, material things—the realm of actuality—and a hidden and invisible domain of nonempirical, non-material forms—the realm of potentiality. The nonempirical forms are part of physical reality because they contain the empirical possibilities of the universe and can manifest themselves in the empirical world. Two classes of nonempirical states are discussed: the superposition states of microphysical entities, which are (...) nonempirical because observation destroys them, and the virtual states of material systems, which are nonempirical because they are empty. The non-empirical part to physical reality represents a predetermined and hidden order that exists before it is empirical, and the visible world is an emanation out of it. I discuss consequences for our understanding of human nature, the origin of life, and human values. Reality is an indivisible wholeness that is aware of its processes, like a Cosmic Spirit, and it reveals its awareness in the mindlike properties of elementary processes as well as in the human consciousness. Thus, one is led to G. W. F. Hegel's thesis that the Cosmic Spirit is thinking in us. (shrink)

This major work covers almost all that has been learned about the acoustics of stringed instruments from Helmholtz's 19th-century theoretical elaborations to recent electroacoustic and holographic measurements.Many of the results presented here were uncovered by the author himself over a 20-year period of research on the physics of instruments in the violin family. Lothar Cremer is one of the world's most respected authorities on architectural acoustics and, not incidentally, an avid avocational violinist and violist.The book - which was published (...) in German in 1981 - first of all meets the rigorous technical standards of specialists in musical acoustics. But it also serves the needs and interests of two broader groups: makers and players of stringed instruments are expressly addressed, since the implications of the mathematical formulations are fully outlined and explained; and acousticians in general will find that the work represents a textbook illustration of the application of fundamental principles and up-to-date techniques to a specific problem.The first - and longest - of the book's three parts investigates the oscillatory responses of bowed strings. The natural nonlinearities that derive from considerations of string torsion and bending stiffness are deftly handled and concisely modeled.The second part deals with the body of the instrument. Special attention is given to the bridge, which transmits the oscillations of the strings to the wooden body and its air cavity. In this case, linear modeling proves serviceable for the most part - a simplification that would not be possible with lute - like instruments such as the guitar.The radiation of sound from the body into the listener's space, which is treated as an extension of the instrument itself, is the subject of the book's final part.Lothar Cremer is Professor Emeritus at the Technical University of Berlin, where he served as director of the Institute for Acoustical Engineering. (shrink)

There are few articles in science that remain relevant over a span of 100 years; Max Wertheimer's pioneering experimental studies on apparent motion and figural organization are notable exceptions. Wertheimer's 1912 account of motion perception started a revolution and established the Gestalt school of psychology. It also paved the way for further investigations of apparent motion perception, including subsequent research by Oliver Braddick, Stuart Anstis, Vilaynur Ramachandran, and others. Wertheimer's 1923 article on figural organization helped define grouping as a principle (...) of figure-ground perception. This book provides contemporary readers and researchers with Wertheimer's two pivotal articles, newly translated into English and each accompanied by a synopsis, and two essays on apparent motion and figural organization that describe the long-term impact of Wertheimer's work. The translation of the original German into readable English prose allows English-language readers for the first time to appreciate Wertheimer's visionary ideas. The accompanying essays tie Wertheimer's phenomenological descriptions to the underlying neuronal mechanisms, bridging the years between the articles' first publication and modern research. (shrink)

I respond to Stanley Klein's critique of my essay “Quantum Reality, the Emergence of Complex Order from Virtual States, and the Importance of Consciousness in the Universe,” arguing in support of the necessity to derive a quantum perspective of evolution rather than adhering to an essentially classical view. In response to Klein's criticism of my concept of a cosmic morality, the origins of that concept are traced back to Zeno of Citium. I wholeheartedly embrace Klein's suggestion that the new science (...) inspires views of the human condition that can help us make the world a better place. (shrink)

The authors undertake a thought experiment the purpose of which is to explore possibilities for understanding moral principles in analogy with cosmic order. The experiment is based on three proposals, which are described in detail: an ontological, a neurological, and a moral proposal. The ontological proposal accepts from the phenomena of quantum physics that there is a nonempirical domain of physical reality that consists not of material things but of what is philosophically conceptualized as a realm of nonmaterial forms. This (...) realm of forms is the realm of potentiality in physical reality that quantum physics posits as an indivisible Wholeness—the One. It is the ultimate reality because everything empirical is the actualization of its forms. The neurological proposal is the hypothesis that the brain is sensitive to the potentiality waves in the cosmic field, as ordinary measuring instruments in physics are sensitive to potentiality waves at the quantum level, so that the cosmic field can communicate with the human brain. The third proposal assumes that the communication with the cosmic field can translate into moral ideas and actions. Even though the three proposals underlying the thought experiment are highly speculative, they lead to definite implications that make sense in their own right and can be applied in a useful way. From the order of reality some simple rules of conduct follow that are identical with traditional moral rules but have the character of rules of well-ness, leading to new aspects of Aristotle's concept of eudaimonia and Kant's concept of the highest good. In analogy with the structure of physical reality, where all empirical phenomena are actualizations of nonempirical forms, it is suggested that the structure of morality, too, is that of a tacit, nonempirical form that actualizes in explicit principles and moral acts through our consciousness. The tacit form is thought to exist in the realm of cosmic potentiality, together with all the other forms that the empirical world actualizes. It can appear spontaneously in our consciousness when needed, offering its guidance to our judgment and free will. Because it does not appear in the form of commandments accompanied by threats, the actions of the tacit moral form define a higher level of morality, similar to that offered by some aspects of the Christian teaching, where one acts not out of fear but on the desire to do things right. (shrink)

The choliambic metre of the prologue poem of Persius’ Satires is key to understanding the poem’s message. On the one hand it creates a link to Hipponax as the canonical exponent of the iambic genre and to the tale of his inspiration transmitted by Giorgios Choiroboskos, and so attests the presence of the iambic poet in the cultured literary circles at Nero’s imperial court. On the other hand the poet alludes to Callimachus, his iambic poetry and his poetology, and so (...) adopts his rejection of a poetry that has sunk to mere literary convention. This casts new light both on Persius’ own claim to be a semipaganus and on his mockery of the profit-oriented corvi and picae. (shrink)

Pessoa et al. provide a valuable taxonomy of perceptual completion phenomena, but it is not yet clear whether these phenomena are mediated by one kind of neural mechanism or more. We suggest three possible neural mechanisms of long-range interaction to stimulate further perceptual and neurophysiological investigation of perceptual completion and filling-in.