Results for 'Kenʾichi Hayashi'

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  1.  2
    Rinrigaku no shiten.Masakazu Iwakiri & Kenʾichi Hayashi (eds.) - 1985 - Kyōto-shi: Hōritsu Bunkasha.
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  2. Hayashi Razan nenpu kō.Kenʾichi Suzuki - 1999 - Tōkyō: Perikansha.
  3.  7
    Hayashi Razan: sho o yomite imada umazu.Ken'ichi Suzuki - 2012 - Kyōto-shi: Mineruva Shobō.
  4.  10
    21-seiki no hō fukushi iryō: sono kadai to tenbō: Yamagami Kenʾichi Hakushi koki kinen ronbunshū.Kenʾichi Yamagami (ed.) - 2002 - Tōkyō: Chūō Keizaisha.
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  5. Sōtairon.Ken'ichi Gotō - 1972
     
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  6.  9
    CLIP: concept learning from inference patterns.Ken'ichi Yoshida & Hiroshi Motoda - 1995 - Artificial Intelligence 75 (1):63-92.
  7.  10
    Detection of surface orientation and motion from texture by a stereological technique.Ken-Ichi Kanatani - 1984 - Artificial Intelligence 23 (2):213-237.
  8.  8
    Nihon dōtoku kyōiku no rekishi: kindai kara gendai made.Ken'ichi Eshima - 2016 - Kyōto-shi: Mineruva Shobō.
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  9. Il mondo come superficie.Ken-Ichi Sasaki - 2003 - Ágalma: Rivista di studi culturali e di estetica 6.
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  10.  6
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  11.  5
    The So-Called "Third"-Person Possessive Pronoun jue 氒 in Classical ChineseThe So-Called "Third"-Person Possessive Pronoun jue in Classical Chinese.Ken-Ichi Takashima - 1999 - Journal of the American Oriental Society 119 (3):404.
  12. Chūsei buke no sahō.Kenʾichi Futaki - 1999 - Tōkyō: Yoshikawa kōbunkan.
  13.  5
    On the Origin of Indeterminancy.Ken-Ichi Ono - 1975 - In J. T. Fraser & Nathaniel M. Lawrence (eds.), The Study of Time II: Proceedings of the Second Conference of the International Society for the Study of Time Lake Yamanaka-Japan. Springer Verlag. pp. 249--257.
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  14.  2
    Erotičnost vizualnosti. Semantična analiza japonskih besed »oko« in »videnje«.Ken-Ichi Sasaki - 1996 - Filozofski Vestnik 17 (2).
    Članek je razdeljen na dva dela. V prvem delu je obravnavan aktivni značaj gledanja. Ta je tako aktiven, da angažira naše celotno bitje v izkustvenem polju. V drugem delu je nasprotno poudarjena aktivna moč sveta: neprosojni pojav, ki poseduje to močno privlačnost, se imenuje v japonščini »oko« – ravno tako kot organ vida. Po teh analizah je obravnavana specifičnost vida med petimi čutili.
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  15. On the Front: Aesthetics vs. the Popular Arts and Mass Culture - I.Ken-Ichi Sasaki - 2017 - Contemporary Aesthetics 15 (1).
     
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  16. Nīche.Ken'ichi Mishima - 1987 - Tōkyō: Iwanami Shoten.
     
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  17.  3
    Nīche to sono kage: geijutsu to hihan no aida.Ken'ichi Mishima - 1990 - Tōkyō: Miraisha.
    近代の哲学的思潮の中でニーチェへの再評価は目覚ましい。本書はドイツ現代思想の第一人者による本格的ニーチェ論であり、その影響力を今日に問い直す。.
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  18.  8
    Rekishi ishiki no dansō: risei hihan to hihanteki risei no aida.Ken'ichi Mishima - 2014 - Tōkyō-to Chiyoda-ku: Iwanami Shoten.
    歴史的人文学の来歴を剔抉し、その現場を問う。西欧人文学における歴史意識の諸側面を反省的に捉え、現代の知を挑発する著者の主要な思想史的論考を集成。.
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  19. Jikan, kūkan, busshitsu.Kenʼichi Ono - 1967
     
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  20.  10
    Shape from texture: General principle.Ken-Ichi Kanatani & Tsai-Chia Chou - 1989 - Artificial Intelligence 38 (1):1-48.
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  21.  5
    SBSOM: Self-Organizing Map For Visualizing Structure In The Time Series Of Hot Topics.Ken-Ichi Fukui, Kazumi Saito, Masahiro Kimura & Masayuki Numao - forthcoming - Joint Workshop of Vietnamese Society of Ai, Sigkbs-Jsai, Ics-Ipsj, and Ieice-Sigai on Active Mining.
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  22. "Okinawa kaku mitsuyaku" o seotte: Wakaizumi Kei no shōgai.Kenʼichi Gotō - 2010 - Tōkyō: Iwanami Shoten.
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  23.  9
    LTP plays a distinct role in various brain structures.Ken-Ichi Hara & Tatsuo Kitajima - 1997 - Behavioral and Brain Sciences 20 (4):620-620.
    LTP is thought to be an experimental model for studying the cellular mechanism of learning and memory. Shors & Matzel review some contradictory data concerning the linkage between LTP and memory and suggest that LTP does not underlie learning and memory. LTP is a cellular and synaptic process and cannot be a memory mechanism. In fact, it is a cellular information storage mechanism.
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  24. Proceedings of the KEK Summer Institute on High Energy Phenomenology: KEK, Tsukuba, Japan, August 21-25, 1990.Kenʾichi Hikasa (ed.) - 1990 - Tsukuba-shi, Ibaraki-ken, Japan: National Laboratory for High Energy Physics.
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  25.  14
    "Mōshi" no kakumei shisō to Nihon: tennō-ke ni wa naze sei ga nai no ka.Ken'ichi Matsumoto - 2014 - Iwaki-shi: Shōheikō Shuppankai.
    日本国家の成り立ち、天皇制のかたちに「孟子」はどのように関わっているのか。古代より現代に至る政治思想史を“革命”の視点から読み解く驚異の書!
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  26. Jitsuzon tetsugaku no ayumi.Kenʾichi Ikeo - 1983 - Tōkyō: Hanawa Shobō.
     
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  27. Kyōiku to rinri.Kenʾichi Ikeo - 1965
     
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  28.  7
    Kojēvu no hōtetsugaku: fuhen tōshitsu kokka ni okeru seigi.Ken'ichi Katada - 2019 - Tōkyō-to Shinjuku-ku: Seibundō.
    公平の正義の道筋を明らかにする試み!普遍等質国家における人間のあり方および人間世界の統治のあり方を提示する!
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  29.  14
    Reformulation of “How Is Society Possible?”.Ken’Ichi Kawano - 2012 - Schutzian Research 4:65-77.
    “How is society possible?” posed by Georg Simmel has been one of the fundamental problems in sociology. Although various attempts have been made to solve it, I conceive that “society” in the problem remains to be articulated. Simmel provides us with two concepts of society—“society as interaction” and “society as unity”—to be distinguished. Some research traditions in sociology have been concerned with the former, others have dealt with the latter. On the other hand, Simmel maintains continuity between them. In this (...)
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  30.  6
    Shiryō ni miru songenshi mondai.Ken'ichi Nakayama & Akira Ishihara (eds.) - 1993 - Tōkyō: Nihon Hyōronsha.
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  31. Chiteki yasei kyōiku.Ken'ichi Takemura - 1978 - Edited by Yōko Kirishima.
     
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  32.  9
    Roger Bacon and the Origins of Perspectiva in the Middle Ages: A Critical Edition and English Translation of Bacon's Perspectiva, with Introduction and Notes. Roger Bacon, David C. Lindberg.Ken'ichi Takahashi - 1999 - Isis 90 (2):358-359.
  33.  19
    L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2009 - Diogène 227 (3):3-.
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  34.  16
    Browsing Alone: The Differential Impact of Internet Platforms on Political Participation.Ken'ichi Ikeda, Sean Richey & Holly Teresi - 2013 - Japanese Journal of Political Science 14 (3):305-319.
    We research the political impact of how users access the Internet. Recent research suggests that Internet usage may promote political participation. Internet usage is proposed to be beneficial because it increases activity in diverse politicized social networks and through greater access to information. Even though Internet usage may begin as a non-political activity, we outline several reasons to believe that it may spark later political participation. This impact, however, is likely to be non-existent in new forms of Internet browsing such (...)
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  35.  9
    Ellis S. Krauss Broadcasting Politics in Japan: NHK and Television News, Ithaca, NY: Cornell University Press, 2000.Ken'ichi Ikeda - 2001 - Japanese Journal of Political Science 2 (2):257-271.
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  36. Sean Richey.Ken'ichi Ikeda - 2006 - Japanese Journal of Political Science 7 (1-3):273.
     
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  37. Tetsugaku no ayumi.Kenʾichi Ikeo - 1968 - Hanawa Shobo.
  38. A Viewpoint of Painting? On a Problematic Theory of Computational Psychology.Ken'ichi Iwaki - 2007 - Filozofski Vestnik 28 (2):217 - +.
    The general understanding of pictorial representation as constructed through the viewpoint of the artist outside the picture space is mediated through our present-day familiarity with geometric perspective and photography. This presumes the existence of an external viewpoint. This understanding of painting has become common sense. In this way a 'historical product' has been taken as an 'a-historical essence' of our understanding. Even now, many theories on painting seem to remain caught in such a essentialist thinking. In this paper I discuss (...)
     
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  39.  5
    エスニックの次元: 『日本哲学』創始のために.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  40.  8
    Landscape as atmosphere. An aspect of japanese sensibility.Ken-Ichi Sasaki - 2006 - Rivista di Estetica 33 (33):85-94.
    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscape painting would seem (...)
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  41.  44
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  42.  5
    Éditorial.Ken-Ichi Sasaki & France Grenaudier-Klijn - 2011 - Diogène 233 (1):3.
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  43.  8
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  44.  3
    Głębsza retoryka - mechanizm propagandy jako perswazji (tł. M. Bokiniec).Ken-Ichi Saski - 2003 - Estetyka I Krytyka 4 (4):115-134.
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  45.  4
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  46.  5
    “Mind” in ancient Japanese: The primitive perception of its existence.Ken-Ichi Sasaki - 2010 - Diogenes 57 (3):3-19.
  47.  51
    Principes modernes de la valorisation de l'art : Mise en question de la valeur esthétique.Ken-Ichi Sasaki - 1993 - Horizons Philosophiques 3 (2):89-101.
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  48.  15
    Politics of Beauty.Ken-Ichi Sasaki - 2012 - Journal of Philosophical Research 37 (9999):55-60.
    This article looks at the past, present, and future of the study of aesthetics. The early modern period, during which aesthetics came into being, was a great historical turning point for civilization. So, too, is our own day. Looked at this way, aesthetics should show a different face than the one we are used to. Aesthetics is generally considered to be the philosophy of art, yet, with art regarded as an autonomous cultural field, aesthetics commonly gives the impression of being (...)
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  49.  7
    The Faculty of Feeling.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):21-31.
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  50.  9
    Masukomi wa nani o tsutaenai ka: media shakai no kashikoi ikikata.Kenʼichi Shimomura - 2010 - Tōkyō: Iwanami Shoten.
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