Bien que son écoute ne diminue guère, la radio a suscité peu de recherches en sciences de la communication qui ont privilégié depuis leur origine la presse, le cinéma et la télévision. Cet article tente d'expliquer cet oubli relatif et propose quelques réflexions sur le son numérique et la fragmentation de l'offre de programmes, notamment les émissions dites «de libre antenne», les programmes nocturnes, et les radios communautaires.Historical factors are behind the relative lack of research into radio in the field (...) of the young information and communication sciences despite radio’s very popular audience. The paper explores the cause of this deficit, compared with TV studies, and shows that the difficulties faced by those carrying out such research into radio are in themselves opportunities for better analysis of media phenomena. (shrink)

L'espace public, on le sait, n'est pas un espace réel, mais un espace symbolique, fait de savoirs et de représentations. La question que nous posons ici est celle des deux formes les plus nettes de la médiation dans cet espace, celle de la presse quotidienne régionale (PQR) et celle de la communication des collectivités locales. Cette limitation forte de la perspective nous est indiquée par le fait que les grands problèmes de société (emploi, sécurité, environnement, etc...) se posent actuellement d'abord (...) à l'échelle urbaine et que la 'crise' de la société est d'abord vécue comme une crise de la ville. (shrink)

Jean-François Lyotard (1924-1998) was one of the most important French philosophers of the Twentieth Century. His impact has been felt across many disciplines: sociology; cultural studies; art theory and politics. This volume presents a diverse selection of interviews, conversations and debates which relate to the five decades of his working life, both as a political militant, experimental philosopher and teacher. Including hard-to-find interviews and previously untranslated material, this is the first time that interviews with Lyotard have been presented (...) as a collection. Key concepts from Lyotard's thought – the differend, the postmodern, the immaterial – are debated and discussed across different time periods, prompted by specific contexts and provocations. In addition there are debates with other thinkers, including Emmanuel Levinas and Jacques Derrida, which may be less familiar to an Anglophone audience. These debates and interviews help to contextualise Lyotard, highlighting the importance of Marx, Freud, Kant and Wittgenstein, in addition to the Jewish thought which accompanies the questions of silence, justice and presence that pervades Lyotard's thinking. (shrink)

Nouvelle édition critique et traduction française annotée de la _Lettre à Marcella_ de Porphyre. Le philosophe néoplatonicien Porphyre (234-305) y adresse à sa femme un témoignage unique sur la manière dont une vie philosophique peut être conduite et se préserver. This book presents a new annotated and translated edition of neoplatonist 3rd-century Greek philosopher Porphyrius’ _Letter to Marcella_. This letter, adressed to his wife, gives a unique account on the ways and principles along which a philosophical life should be led (...) so as to perpetuate itself. (shrink)

In The Differend, Lyotard subjects to scrutiny- from the particular perspective of his notion of 'differend' - the turn of all Western philosophies toward language; the decline of metaphysics; the present intellectual retreat of Marxism; the hopes raised and mostly dashed, by theory; and the growing political despair. Taking his point of departure in an analysis of what Auschwitz meant philosophically, Lyotard attempts to sketch out modes of thought for our present.

In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.

First recorded in the 14th century, the analogy of spit-roast meat argues that expecting the Sun to rotate around a strictly immobile Earth would be just as ludicrous as trying to move the fire around the roasting meat. On the contrary, it should be the Earth that spins upon itself in order to glean, from all possible angles, all the benefits of the Sun, just as it is the meat’s responsibility to turn on the spit before the motionless fire for (...) it to be perfectly cooked on all sides. Aimed at demonstrating, in geocentricism, the plausibility of the rotation of the Earth and, in heliocentrism, at supporting the physical reality of this terrestrial rotation, nowadays this analogy barely elicits more than an amused, or even condescending, smile. However, its continued long-term existence and its frequency of use — from the 14th to the 19th century, we found it mentioned by no less than 45 different authors — incited us to finally pay attention to it. We then noticed that beyond its explicitly cosmological scope, it raises, in its own way, the question of the purpose of the natural world: had the latter been conceived based upon humankind, then it is normal, despite what this analogy advocates, that the Sun is at the service of something more important than itself by rotating, to the profit of humankind, around the Earth; conversely, since such an infringement of the rule of common sense, as illustrated by this analogy, can neither be justified nor tolerated, it is up to the Earth to move around the Sun. Tracing the vicissitudes of this analogy, over 6 centuries, is thus not only about reconstructing the largely forgotten history of a presently obsolete analogy, but also about discovering the deeper meaning, henceforth incomprehensible, behind it. In describing how this meaning became progressively lost, one can finally pro­vide an understanding of why, in the present day, we are no longer capable of more than an amused smile when happening upon it! (shrink)

Jean-Francois Lyotard's contribution to the debate, Heidegger and 'the Jews, ' is a marked departure from the standard fare. In the first of the two interrelated essays, 'the Jews, ' Leotard quickly establishes the theme of the entire text, placing 'the Jews' in lower case, plural, and in quotation marks to represent the outsiders, the nonconformists: the artists, anarchists, blacks, homeless, Arabs, etc. --and the Jews; as an alien and dangerous disruption, they represent an 'other' to be excised from (...) the West's dream of unbounded fulfillment and development. (shrink)

"In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno and Derrida and looks at the works of modernist and postmodernist artists such as Cezanne, Debussy and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress and humanity, and the transition to postmodernity. Lyotard claims that it is the task of literature, philosophy (...) and the arts to bear witness to and explain this difficult transition." "This important contribution to aesthetic and philosophical debates will be of great interest to students in philosophy, literary and cultural theory and politics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

Fra il 1892 e il 1896, lo scienziato francese Pierre Duhem pubblicò, nella «Revue des questions scientifiques», sette articoli che, per la prima volta, fecero conoscere la sua concezione della scienza a un pubblico più vasto. L’accoglienza reticente, persino ostile, che è stata loro riservata lo indurrà, già in questo breve lasso di tempo, a fare evolvere la sua concezione. Otto anni dopo sarà pubblicata la sua famosa «Théorie physique : son objet, sa structure», in cui sono integrati molti di (...) questi testi. Offrendo per la prima volta l’edizione bilingue completa di questi sette articoli, il volume fornisce una migliore comprensione non solo dell’evoluzione del pensiero duhemiano, ma anche del contenuto del capolavoro di fama mondiale che ne sarebbe derivato. * * * Entre 1892 et 1896, le savant français Pierre Duhem fait paraître, dans la «Revue des questions scientifiques», sept articles qui, pour la première fois, font connaître sa conception de la science à un plus large public. L’accueil réticent, voire hostile, qui leur est réservé l’amènera, déjà au sein de ce court laps de temps, à faire évoluer sa conception. Huit ans plus tard paraîtra sa célèbre «Théorie physique : son objet, sa structure» dans laquelle plusieurs de ces textes se trouvent intégrés. En offrant pour la première fois l’édition bilingue intégrale de ces sept articles, ce volume permet donc de mieux comprendre non seulement l’évolution de la pensée duhémienne, mais encore le contenu du maître-ouvrage, mondialement connu, qui devait en résulter. (shrink)

Lyotard’s earliest major work, available in English for the first time. Jean-François Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting (...) and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp. A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, Discourse, Figure captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language. (shrink)

The political writings of Jean-Francois Lyotard, the prophet of the postmodern, are presented here as both the missing dimension of his work and the key to understanding his position within contemporary debate.

Alors qu’il était précepteur en Suisse, le jeune Hegel traduisit minutieusement un libelle révolutionnaire dénonçant l’oppression que les autorités bernoises exerçaient sur le Pays de Vaud. Il publia ces Lettres de Jean-Jacques Cart à son retour en Allemagne, en 1798, sous le couvert d’un anonymat qu’il ne leva jamais. Derrière le caractère anecdotique de cette première publication, on peut déceler des enjeux qui conduisirent à l’instauration de l’idéalisme spéculatif. Le motif de la lutte pour la reconnaissance, en particulier, semble (...) y trouver sa première apparition. Plus fondamentalement cette première publication éclaire le travail d’élaboration stylistique conduisant progressivement au système, avec, à l’horizon, la question de la portée pratique de la philosophie. (shrink)

A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?" It provides attention to issues of justice and ethics, and aesthetics and judgement - unravelling and reconfiguring idealistic notions of subjects.

In what is quite possibly the most famous passage of the De revolutionibus, Copernicus implies that nobody could ever place this supreme flaming torch that is the Sun in another or better place than that from which it can illuminate everything simultaneously, namely the centre of this extremely beautiful temple that is our world. Considering the fact that he leaves an interrogatory twist to this argument of convenience, and since he makes this statement without any justification as it seems entirely (...) evident to him, certain Copernicans choose to illustrate this by means of an analogy: if indeed the Sun must be positioned thus, it is because the most appropriate place for the torch intended to illuminate the room is at its centre, and not in one of its corners. Despite the heliosophy of the Renaissance having been shared by both geocentrists and Copernicans alike, this "torch" argument does not appear to have achieved much success: rarely adopted by the Copernican camp, it was even contested by some of them; as for the geocentrists, it held no appeal for them whatsoever. Did this argument of convenience therefore not benefit from the self-evidence attributed to it by Copernicus, and from, in his wake, it's continued support by a good many commentators? As is often the case when it comes to the history of thought, the pseudo-obviousness of this argument is merely the fruit of a blatant anachronism: presenting heliocentrism as the cosmological system that finally grants the Sun its worthy centrality by placing it in the centre of the room and not in a corner, is to ignore the fact that this star of the day already enjoyed, in geocentrism, a centrality esteemed to be perfectly in keeping with both its dignity and its inherent illuminative function. Having lost their grasp on this worldview that no longer belonged to them, the Copernicans thus put forward an argument which, for the geocentrists, is worthless. Yet they could have argued the objective superiority of their centrality over that accorded to the Sun by geocentrism: while the latter is only numerical, on a purely planetary scale, and frankly fictitious, the former is thoroughly spatial, of cosmic proportions and, at least on first approximation, very real. In order to produce arguments of convenience that could carry their own weight, the protagonists of the new cosmology would have benefited from getting to know the world vision of their adversaries a little better instead of addressing them from their own point of view; similarly, instead of treating as an obvious fact that which is only evident to one of the two parties present, historians of scientific thought would also be well advised to have a better understanding of the world vision of those who history now considers as the losers! (shrink)

The ambition and proposal for data modeling of myths presented in this paper is to link contemporary technical affordances to some canonical projects developed in structural anthropology. To articulate the theoretical promise and innovation of this proposal, we present a discrete-event system specification modeling and simulation approach in order to perform a generative analysis and a dynamic visualization of selected narratives, aimed at validating and revitalizing the transformational and morphodynamic theory and methodology proposed by Claude Lévi-Strauss in his structural analysis (...) of myth. After an analysis of Lévi-Strauss’s transformational methodology, we describe in detail how discrete-event system specification models are implemented and developed in the framework of a DEVSimPy software environment. The validation of the method involves a discrete-event system specification simulation based on the extension of discrete-event system specification models dedicated to provide a dynamic Google Earth visualization of the selected myth. Future work around the discrete-event system specification formalism in anthropology is described as well as future applications regarding the impact of computational models to new contemporary anthropological domains. (shrink)

This article starts, on the one hand, with a consideration of the paradoxical way in which, namely when he wanted to evoke those intellectual figures that have decidedly contributed to the revelation of the "true Pascal", i. e., of the Pascal that had known the good usage of reason, Fortunat Strowski comes to the idea of putting side by side Pierre Duhem and Leon Brunschvicg. On the other, a reference is made to the fact that Duhem only published two articles (...) and a preface on Pascal while Brunschvicg is the author of a major work on the great figure of the XVIIth -Century. Hence, the question raised is about the consideration that shall be given to a paradoxical affirmation that seems to place on equal terms the few pages that Duhem has written on Pascal with the imposing contributions of Brunschvicg. For the author of the article, it would not be very consequent to take such affirmations as if they were unreflected ones, since it is clear that Strowski knew exactly what he was writing as we can see from the very good knowledge he had of the writings of both Blaise Pascal and Pierre Duhem. Indeed, and more than anyone else, Strowski was in a very good position to enlighten us about these two thinkers and to write about them in the terms he effectively did. The goal of the article, therefore, is to justify that assertion, which on its face is quite paradoxical, by showing in concrete terms the extent to which Pierre Duhem was truly influenced by Blaise Pascal. ––– O presente artigo começa por realçar o modo paradoxal como, uma vez que ele se dá ao trabalho de evocar aqueles autores que contribuíram para a revelação do verdadeiro Pascal, ou seja, daquele que conheceu o bom uso da razão, Fortunat Strowski não hesita em colocar o nome de Pierre Duhem lado a lado com o de Léon Brunschvicg. O facto, porém, é que Pierre Duhem não fez mais do que publicar dois artigos e um prefácio sobre Blaise Pascal, ao passo que Brunschvicg lhe dedicou uma obra que haveria de ficar famosa. O problema, portanto, consiste em saber qual o valor que se deve atribuir a uma tal afirmação desconcertante, a qual parece simplesmente equalizar as poucas páginas de Duhem sobre Pascal com as imponentes contribuições de Brunschvicg. Nesse sentido, a estratégia do autor do artigo consiste em não tomar de forma ligeira uma tal afirmação, como se Strowski não tivesse considerado bem as consequências e o alcance daquilo que escrevia, pois a verdade é que ele conhecia não só a obra de Pascal mas também a de Duhem. Ou seja, mais do que ninguém, ele estava perfeitamente à altura de nos comunicar algo de substancial acerca de cada um destes pensadores e de escrever a seu propósito aquilo que ele efectivamente escreveu. Em suma, o presente artigo não tem outra pretensão que não a de justificar essa afirmação aparentemente paradoxal segundo a qual Pierre Duhem foi um verdadeiro pascaliano. (shrink)

The objective of this study is to analyze the measurability and interfirm comparability of sustainability performance through the qualitative content analysis of 12 sustainability reports of mining firms using the Global Reporting Initiative guidelines. The systematic comparison of information disclosed in 92 GRI indicators sheds light on the reasons underlying the impossibility of rigorously measuring and comparing the sustainability performance of firms from the same sector, which are supposed to be strictly following the same reporting guideline. These reasons include qualitative (...) aspects of sustainability, lack of compliance with GRI protocols, indicator contingency, ambiguous or incomplete information, data heterogeneity, and report opacity. The study makes it possible to return to the very notion of sustainability, its meaning, and flexible application by organizations. The results are discussed from three different theoretical perspectives, each of which proposes possible and complementary explanations of the main findings. (shrink)

This latest offering from one of the founding figures of postmodernism is a collection of fifteen "fables" that ask, in the words of Jean-Francois Lyotard, "how to live, and why?

Physicien théoricien, philosophe de la physique et historien des théo­ries physiques, le savant catholique français Pierre Duhem (1861-1916) a profondément marqué la pensée du vingtième siècle. Chacun connaît le Système du monde, dont les dix volu­mes ont contribué à la redécouverte de la science médiévale, et La théorie physique, qui a notamment donné lieu à la célèbre «thèse Duhem-Quine». Si Clio a donc gardé de Duhem le sou­venir d’un grand historien des sciences et d’un philosophe perspicace de la physique, lui-même (...) cependant n’aspirait qu’à être reconnu comme physicien. Son œuvre est en effet traver­sée par un projet scientifique qui consiste à ordonner et à réunir les diverses branches de la physique sous l’égide de la thermo­dynamique dans le cadre d’une théorie représentative et non explicative du réel. C’est ce projet que Duhem a voulu réaliser dans ses publications scientifiques, exposer dans ses écrits philoso­phiques, et finalement cautionner par ses recherches historiques. Cependant l’investissement toujours plus important de Duhem en histoire des sciences et la présence dans son œuvre de con­sidéra­tions apologétiques et d’écrits patriotiques peuvent don­ner à penser qu’il s’est progressivement détourné de ce projet primordial au profit d’autres préoccupations. De même, les tensions qui, à l’inté­rieur de ce projet scientifique, subsistent entre sa volonté unificatrice et sa revendication phénoménaliste peuvent conduire à une relativi­sation de cette dernière, conçue comme une demande contextuelle, passa­gère et finalement peu significative. Sans ignorer ces préoccu­pations historiques, religieuses ou patriotiques, sans négliger ce con­flit d’intérêt entre les deux parties constitutives du projet duhémien, cette étude entend tout d’abord réaffirmer que ce projet scientifique ne sera jamais ni abandonné, ni amputé. Toutefois, dès lors que sont maintenues la permanence, la prio­rité et l’intégralité de ce projet, trois paradoxes surgissent im­médiatement. Si Duhem se voulait avant tout physicien et souhaitait être reconnu comme tel, par quelle extravagance de l’histoire est-il finalement connu pour ses recherches histori­ques et ses travaux philosophiques et non pour ce qui lui tenait le plus à cœur? S’il ne voulait être qu’un illustre physicien, pourquoi s’est-il acharné, au retour du laboratoire, à exhumer de l’oubli les manuscrits et les théories scientifiques des au­teurs médiévaux? Enfin, s’il voulait vraiment établir une physi­que qui soit unifiée, cohérente et parfaite, pourquoi se prive-t-il du réa­lisme et s’embarrasse-t-il du phénoménalisme? Basée sur la corres­pondance inédite de Duhem, cette étude, centrée plus particu­liè­rement sur ce troisième paradoxe, contribue fina­lement à élucider chacun d’eux. (shrink)

Selon l’interprétation traditionnelle, la révolution copernicienne, qui opère le passage du géocentrisme à l’héliocentrisme, aurait détrôné et dévalorisé l’homme, en lui retirant sa position cen­trale, et donc privilégiée, dans le cosmos, pour le reléguer sur une planète devenue analogue aux autres et occupant une place quelconque à l’intérieur du système solaire. Cette inter­prétation ne pèche pas seulement dans sa compréhension de l’héliocentrisme copernicien, mais également dans sa percep­tion du géocentrisme aristotélico-médiéval. Il faut donc dénon­cer sa fausseté générale et, plus encore, (...) lui substituer un autre schéma interprétatif qui, peut-être moins évocateur de notre rapport au monde, soit plus respectueux de la vérité historique. ––– According to the traditional interpretation, the Copernican revo­lution, which brought about the transfer from geocentrism to heliocentrism, is said to have dethroned and devalued man by removing his central and hence privileged position in the cos­mos and by relegating him to a planet now seen as analogous to others occupying an insignificant position within the solar system. This interpretation fails not only in its understanding of Copernican heliocentrism, but also in its percep­tion of Aristo­telian mediaeval geocentrism. It is necessary, therefore, not only to denounce its general falsity, but also to substitute for it a different interpretative scheme which, although it may empha­size less our link with the world, may be more respectful of historical truth. (shrink)

Adaptive Actions initiated in London in 2007 by Jean-François Prost explores alterations in the workplace, the home, and public spaces in general. Identifying the variety of these personal and found alterations in the city as different forms of adaptation creates a vocabulary for the expression of the collective imagination, through the existing urban structures therein. These ‘actions’ modify and activate the intended use of architecture and enhance the character of urban environments. They create positive tensions that test the (...) limits of tolerated appropriation. Can these simple actions, images, and ideas, such as the hybridization of conventional and unusual urban realities, infiltrate our collective imagination to promote feelings of identity and a sense of cultural belonging? Adaptive Actions points to how urban phenomena impact on residents’ perception of the environment and their relation to it. By offering a space to share experiences, ideas, forms of actions, and specific accomplishments, Adaptive Actions creates an inventory of alterations rarely visible to the public. Printed documents and organized events are being planned to increase visibility of the selected actions to the public eye and build affiliations and communal thinking. (shrink)

A major figure in the contemporary critical world, Jean-Francois Lyotard originally introduced the term 'postmodern' into current discussions of philosophy. The Postmodern Explained is an engaging collection of letters addressed to young philosophers, including the actual children of some of Lyotard's colleagues, that inform the trajectory of his thinking in the period before The Postmodern Condition through The Differend.

In The Differend, Lyotard subjects to scrutiny- from the particular perspective of his notion of 'differend' - the turn of all Western philosophies toward language; the decline of metaphysics; the present intellectual retreat of Marxism; the hopes raised and mostly dashed, by theory; and the growing political despair. Taking his point of departure in an analysis of what Auschwitz meant philosophically, Lyotard attempts to sketch out modes of thought for our present.

Presents a series of the Wellek Library lectures given in May of 1986 entitled: Clouds, Touches, and Gaps.

The Postmodern explained to children : Correspondence 1982- 1985.

A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?" It provides attention to issues of justice and ethics, and aesthetics and judgement - unravelling and reconfiguring idealistic notions of subjects.