Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was (...) first published, a rapidly changing world and world politics have scarcely dented the relevance of this book. (shrink)

One of the world's most famous philosophers, Jacques Derrida, explores difficult questions in this important and engaging book. Is it still possible to uphold international hospitality and justice in the face of increasing nationalism and civil strife in so many countries? Drawing on examples of treatment of minority groups in Europe, he skilfully and accessibly probes the thinking that underlies much of the practice, and rhetoric, that informs cosmopolitanism. What have duties and rights to do with hospitality? Should hospitality (...) be grounded on a private or public ethic, or even a religious one? This fascinating book will be illuminating reading for all. (shrink)

YS : Quelles sont, à vos yeux, les tâches d'un philosophe en ce qui concerne les religions? Peut-être que cette question en sous-entend une autre. Quelles sont les "choses" à ne pas faire pour un philosophe, en ce qui concerne l'étude des religions? JB : Pour être tout à fait franc, je ne suis pas certain d’être très bien placé pour répondre à cette question et je n’ai pas non plus essayé de le faire dans le livre dont nous parlons, (...) ne serait-ce que parce que, à la différence de Roger Pouiv... (shrink)

'No writer has probed the riddle of the Other with more patience and insight than Jacques Derrida.

"Descartes a lu Montaigne, qui en douterait? Pourtant, il s'est passé plus de deux siècles avant qu'on ne les joigne et que la liaison des textes et des pensées nourrisse un genre herméneutique prolixe : le rapprochement montaigno-cartésien. Ce corpus n'a cessé de s'amplifier, surtout depuis les années 1970. Malgré les leçons de prudence initiales, nul n'a poussé l'enquête sur les assises épistémologiques et méthodologiques de la tradition qui entretient l'idée d'une filiation directe. Pour l'auteur, contrariant cette position qui n'a (...) jamais assumé son statut d'hypothèse, Descartes n'a pas lu les Essais ni même n'en a eu besoin pour épanouir sa pensée ou faire courir sa plume. Le Dos de ses livres comble le manque d'une critique historique et philologique en répondant à des interrogations non formulées jusque-là : comment en est-on arrivé à lier deux écrivains si différents? qu'est-ce que cette tradition leur a fait dire en rapprochant leurs textes? Ravivant la problématique de la réception de Montaigne au XVIIe siècle, ce livre examine des modes de réception et précise le portrait du philosophe de la table rase en lecteur. Par l'abandon d'une source survalorisée, il rafraîchit le paysage intertextuel, rehausse les contrastes et relance la question des ruptures et des incompatibilités entre les oeuvres et les pensées."--Page 4 of cover. (shrink)

Stel dat een inbreker bij jou thuis alleen de lijsten van de kunstwerken zou wegnemen, en niet de werken zelf. Wat zou er veranderen in je omgang met de kunst? Met dat gedachte-experiment opent de Franse filosoof Jacques Derrida het essay Parergon. Parergon betekent bijzaak in het Grieks. Zoals bijvoorbeeld de lijst van het schilderij, of het kader van een opgehangen foto. Ze behoren niet tot het kunstwerk. En toch zijn ze van groot belang voor hoe het werk bekeken (...) wordt. De belangwekkende tekst van Derrida uit 1974 geeft een centrale rol aan de bijzaak van het kader. Met filosofische acrobatie maneuvreert de denker tussen de grote klassiekers van de kunstfilosofie: Plato, Kant, Hegel en Heidegger. Hij gaat op een speelse manier met hun erfenis om. Woorden worden omgedraaid. Passages die op het eerste gezicht bijzaak lijken, maakt hij tot hoofdrolspelers van zijn betoog. Dit boek presenteert Derridas belangrijkste tekst over beeldende kunst voor de eerste keer in Nederlandse vertaling. Het boek is vormgegeven door de spraakmakende ontwerpster Ines Cox. Vertaler Ben Overlaet schreef een nawoord dat de tekst van de nodige filosofische en historische context voorziet. (shrink)

The following interview took place between Jacques Bouveresse and Hilary Putnam on May 11, 2001 in Paris at the Collège de France. Sandra Laugier was present, preserved the transcription, and proposed that we publish the text here. It was translated into English by Marie Kerguelen Feldblyum LeBlevennec and lightly edited by Jacques Bouveresse, Juliet Floyd, and Sandra Laugier. Themes covered in the interview include the question of Wittgenstein’s importance in contemporary philosophy, Putnam’s development with respect to realism, especially (...) in philosophy of mathematics, and the differences and motivations for realism in mathematics, physics, and ethics. The editors thank Marie Kerguelen Feldblyum LeBlevennec for her translation, and Jacques Bouveresse, Mario De Caro, and Sandra Laugier for permission to publish this transcription. (shrink)

One of the most influential and controversial thinkers of the twentieth-century, Jacques Derrida’s ideas on deconstruction have had a lasting impact on philosophy, literature and cultural studies. Jacques Derrida: Basic Writings is the first anthology to present his most important philosophical writings and is an indispensable resource for all students and readers of his work. Barry Stocker’s clear and helpful introductions set each reading in context, making the volume an ideal companion for those coming to Derrida’s writings for (...) the first time. The selections themselves range from his most infamous works including Speech and Phenomena and Writing and Difference to lesser known discussion on aesthetics, ethics and politics. (shrink)

t. 1. Les années françaises, 1927-1940 -- t. 2. Les années américaines, 1941-1961.

Change and necessity is a statement of Darwinian natural selection as a process driven by chance necessity, devoid of purpose or intent.

____Specters of Marx__ is a major new book from the renowned French philosopher Jacques Derrida. It represents his first important statement on Marx and his definitive entry into social and political philosophy. "Specter" is the first noun one reads in _The Manifesto of_ _the Communist Party._ But that's just the beginning. Once you start to notice them, there is no counting all the ghosts, spirits, specters and spooks that crowd Marx's text. If they are to count for something, however, (...) one must question the spectropoetics that Marx allowed to invade his discourse. In ____Specters of Marx,__ Derrida undertakes this task within the context of a critique of the new dogmatism and "new world order" that have proclaimed the death of Marxism and of Marx. (shrink)

These two lectures by Jacques Derrida, 'Foreigner Question: Come from Abroad' and 'Step of Hospitality/No Hospitality', derive from a series of seminars on 'hospitality' conducted by Derrida in Paris, January 1996. The book consists of two texts on facing pages. 'Invitation' by Anne Dufourmantelle appears on the left clarifying and inflecting Derrida's 'response' on the right. The interaction between them not only enacts the 'hospitality' under discussion, but preserves something of the rhythms of teaching. The book also characteristically combines (...) careful readings of canonical texts and philosophical topics with attention to the most salient events in the contemporary world, using 'hospitality' as a means of rethinking a range of political and ethical situations. For example, Antigone is revisited in light of the question of impossible mourning; the trial of Socrates is brought into conjunction with the televised funeral of François Mitterrand. (shrink)

First published in 1981. Routledge is an imprint of Taylor & Francis, an informa company.

This brings together five pieces written by Jacques Derrida as extended lectures. The most important theme is Derrida's redefinition of speech acts and the 'event' as a particular kind of performative. The effects of globalization and mechanization, along with arising issues, provide a second constellation of themes. The first four essays involve a specific act of speech: the lie, the excuse, perjury and profession. The last two essays continue Derrida's powerful series of meditations on professional and institutional questions. The (...) final essay, 'Psychoanalysis Searches the States of Its Soul', confronts the task facing psychoanalysis today: coming to terms in new ways with worldwide cruelty and accommodating itself to the modern juridical concepts of crime against humanity. The phrase 'without alibi' (alibi, of course, being another speech act) is used throughout the essay as a leitmotif indicating that the responsibility psychoanalysis has to respond to globalization cannot be evaded. (shrink)

We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

With this new volume of the _Collected Works of Jacques Maritain_, the University of Notre Dame Press is publishing the first English edition of a remarkable group of essays which Maritain prepared for publication in the year before his death. He brings together various writings which had previously not appeared in print or had circulated privately. The heart of the book is to be found in two series of articles. The first consists of ten philosophical essays. There are essays (...) which deal with truth, with philosophy at the time of Vatican II, and with the divine aseity; two on philosophy of nature dealing with evolution and with animal instinct; and three in moral philosophy. A second series is made up of mainly theological articles. Four are contributions to what Maritain calls an existential epistemology. They are followed by a moving meditation on the Mass and the Church triumphant. When he lay dying at Fossanova, Thomas Aquinas, in deference to the wishess of the Cistercians, with whom he had found refuge, wrote a commentary on the Song of Songs. How better could a lifelong Thomist round off his lifetime of writing than with his own essay on the Song of Songs? This is what Maritian does in the serenely profound meditation that closes the volume. (shrink)

" "Positions brings together three interviews with Derrida, outlining his central concerns and ideas.

This collection of essays and interviews, some previously unpublished and almost all of which appear in English for the first time, encompasses the political and ethical thinking of Jacques Derrida over thirty years. Passionate, rigorous, beautifully argued, wide-ranging, the texts shed an entirely new light on his work and will be welcomed by scholars in many disciplines--politics, philosophy, history, cultural studies, literature, and a range of interdisciplinary programs. Derrida's arguments vary in their responsiveness to given political questions--sometimes they are (...) vivid polemics on behalf of a position or figure, sometimes they are reflective analyses of a philosophical problem. They are united by the recurrent question of political decision or responsibility and the insistence that the apparent simplicity or programmatic character of political decision is in fact a profound avoidance of the political. This volume testifies to the possibility and the necessity of a philosophical politics. Negotiations assembles some of the most telling examples of the intrinsic relationship, so often affirmed by Derrida in more abstract philosophical terms, between deconstructive reading practices and what is called the "political"--more precisely, politics in an almost down-to-earth, pragmatic, and commonsense use of the word. Among the many subjects covered in the book are: the death penalty in the United States, the civil war in Algeria, globalization and cosmopolitanism, the American Declaration of Independence, Jean-Paul Sartre, the value of objectivity, politics and friendship, and the relationship between deconstruction and actuality. (shrink)

_Distinguer pour unir, ou Les degrés du savoir_ was first published in 1932 by Jacques Maritain. In this new translation of _The Degrees of Knowledge_, Ralph McInerny attempts a more careful expression of Maritain's original masterpiece than previous translations. Maritain proposes a hierarchy of the forms of knowledge by discussing the degrees of rational and suprarational understanding. Nine appendices, some longer than the chapters of the book, advance Maritain's thought, often by taking on criticism of earlier editions of the (...) work. Rightly called Maritain's cardinal work, _The Degrees of Knowledge_ is a magnificent and sagacious achievement. Jacques Maritain's masterpiece proposes a hierarchy of forms of knowledge that culminate in mystical experience and wisdom, which is a gift of the Holy Ghost. Maritain argues that the intellectual life is meant to be complemented by the spiritual life and should culminate in sanctity. (shrink)

Tu ne sauras jamais, vous non plus, toutes les histoires que j'ai pu encore me raconter en regardant ces images.