An original reading of Blanchot's thought with far-reaching philosophical and literary implications.

Impostors, confidence artists, and artful deceivers seem to have achieved a strange kind of popularity and even prestige in our contemporary political landscape, for reasons that remain elusive, especially given how harmful and socially unwanted such behaviors ostensibly are. Herman Melville’s 1857 novel, The Confidence-Man: His Masquerade, helps us shift our perspective on this seemingly irrational phenomenon because it points out how being susceptible to dupery is linked to the enjoyment of fiction itself. This insight also highlights the importance of (...) epistemological failure in the recent “return to aesthetics” in literary studies, where the positive dimension of unconsciously “willing one’s dupery” directly links aesthetic form to politics. The logic that connects aesthetics to unconscious enjoyment is then elaborated in the work of psychoanalytic thinkers such as Sigmund Freud, Jacques Lacan, Helene Deutsch and others to raise particular questions about how and why the enjoyment of being duped has been associated with feminine sexuality. Reading Melville’s novel while considering psychoanalytic concepts such as the “as if” personality, imposture, and interpassivity illuminates how confidence games play upon the ruses of sexuality, which have profound implications for why the public remains in thrall to the workings of known deceivers. (shrink)

This essay begins by focusing on four cultural characters that signify different but associated aspects of the changing destiny of the human figure at the end of the twentieth century and beyond. These characters embody the human figure, in the double sense of form and metaphor, at work, at leisure and at war, and as gendered cultural and philosophical ideal. It is our suggestion that they provide excellent images of a general economy of the future present. Their significance as indices (...) of the destiny of the human resides in the way that they disclose the effects of a restricted economy that overflows its boundaries to incorporate, utilise and restrict every element of its generalised expenditure, to use the categories of Georges Bataille: its sumptuary excess, its sacred forms, its abjected waste, its modes of eroticism, its violence. The essay continues by discussing the implications of, and consequences for, human life in the face of the corporate or techno‐bureaucratic drive to incorporate the ‘impossible‐real’. For Paul Virilio, the technological desire to overwrite the temporal and spatial dimensions of ‘the actual’ discloses something of the ‘divine’ in this new technology. In conclusion, then, the essay questions what resistance there might be to the law of the machine‐God who lies, impossibly, as the immanent being of machinic efficiency, operativity and becoming excellence. (shrink)

This book aims to show that recent developments in neuroscience permit a defense of free will. Through language, human beings can escape strict biological determinism.

Using Buddhist thought, explores and challenges the philosophy of Jean-Paul Sartre.

Intersemiotic translation (IT) was defined by Roman Jakobson (The Translation Studies Reader, Routledge, London, p. 114, 2000) as “transmutation of signs”—“an interpretation of verbal signs by means of signs of nonverbal sign systems.” Despite its theoretical relevance, and in spite of the frequency in which it is practiced, the phenomenon remains virtually unexplored in terms of conceptual modeling, especially from a semiotic perspective. Our approach is based on two premises: (i) IT is fundamentally a semiotic operation process (semiosis) and (ii) (...) IT is a deeply iconic-dependent process. We exemplify our approach by means of literature to dance IT and we explore some implications for the development of a general model of IT. (shrink)

În acest studiu, îmi propun să arăt că modelul social intuiţionist al judecăţii morale propus de Haidt este la rândul său prea restrictiv faţă de influenţa raţionării morale, poate tot aşa cum modelul raţionalist subestima influenţa emoţiilor morale. Mai întâi, voi prezenta modelul raţionalist despre natura judecăţii morale şi voi evidenţia rezultatele empirice care au contribuit la erodarea sa. Apoi, voi prezenta şi critica modelul social intuiţionist revigorat de revoluţia „afectivă” din psihologia morală, argumentând că rezultatele din psihologia experimentală, neuroştiinţă (...) şi psihologia evoluţionistă acordă raţionării morale o influenţă cauzală mai mare decât admite Haidt. (shrink)

Unlike Heidegger who reflects on the relationship between being and time, we are interested in studying the relationship between doing and time. We begin by discovering that the basis of people's doing is the starting point for any reflection on society and culture, and therefore we believe that our conclusions can be important especially for sociologists, ethnologists, political scientists, economists and psychologists. A fundamental difference between "doing" and "acting" could be that only people, not things, "do". We say "Antonio made (...) his house out of bricks to prevent the wind from blowing it down". We never refer to the "action of the wind" as a "doing". Acting, especially in "action," is erroneously associated with causation; we think, "the action of the wind on the house, is the cause of the collapse of the house." But in reality, causation is only a variant of doing. For example, in "Susanna writes a letter to Paul", Susanna is the cause of the text of the letter, but not of the reading of the letter. This is a paradigmatic example, the one that gave rise to our study. We say that the text "attracts its reader", as the poles of a magnet attract each other. From which we concluded that it is impossible to keep secrets. The importance of the study of doing in general becomes very relevant when we understand that "producing" and "consuming" are variants of doing. In Marx's work, the doing that generates social value is productive doing. But our research shows that all variants of doing generate order and all "order" generates organizational value. Note that the order of an act can be measured in "bits", which frees us from subjective measurements of the value of what we do in "money". We anticipate here that, in the following pages, we arrive at the conclusion that doing can be divided into 6 types of acts and their subgroups: the vectorial independent and hodern acts and the pendular complementary, parallel, curative and causa-dor acts. In addition, we discovered the existence of inter-acts, i.e. the "organizational resonance of the poles of a pendular act" and which includes the self-referent, bipolar, tripolar and multipole variants. This book could not have been written, without the background of the works already published and elaborated jointly, with Professor Luis de Marcos Ortega between 2018 and 2021. We refer to The Informational Foundation of the Human Act and Whispers and Shouts. The Informational Measurement of the Human Act both published by the University of Alcalá (Madrid). The texts of this book were published in weekly installments between May 2020 and December 2021, in the GaZeta portal of Guatemala. We have respected the chronological order of publication, as well as the contents of the articles. (shrink)

De moderne filosofie lijdt aan muziekvergetelheid. Opvallend is echter dat filosofen, wanneer ze toch aandacht schenken aan muziek, hun aandacht bij voorkeur op één bepaald genre richten, namelijk de opera. Filosofen zoals Søren Kierkegaard en Friedrich Nietzsche lieten hun gedachten over Don Giovanni, Parsifal en Carmen gaan, terwijl omgekeerd de filosofie van Arthur Schopenhauer de opera heeft beïnvloed via Wagner. Diens werk lijkt zich op het snijpunt van het grensverkeer tussen moderne filosofie en moderne muziek te bevinden. Het was zijn (...) ambitie de menselijke existentie en de menselijke geschiedenis in één panoramisch oeuvre te vatten, vanaf het primordiale begin tot en met de dramatische finale die ophanden leek: een catastrofale apotheose die een geheel nieuwe toekomst mogelijk zou maken. Dat is althans de verhaallijn van zijn meesterwerk Der Ring des Nibelungen. Aan het slot van Götterdämmerung lijkt zich een algehele verwoesting te hebben voltrokken: ‘Everything is destroyed and there is an enigmatic kind of hovering over the scene of destruction’ (Badiou 2010, p. 106), een ambivalente stemming van hoop en destructie zette Wagner op muziek. Voor Wagner is dan ook een hoofdrol in deze studie weggelegd: voor zijn muziektheoretische geschriften (waarin hij over een ‘muziek van de toekomst’ filosofeerde), maar meer nog voor de muzikale totaalkunstwerken die hij daadwerkelijk componeerde. (shrink)

This monograph contributes to the scientific misconduct debate from an oblique perspective, by analysing seven novels devoted to this issue, namely: Arrowsmith by Sinclair Lewis (1925), The affair by C.P. Snow (1960), Cantor’s Dilemma by Carl Djerassi (1989), Perlmann’s Silence by Pascal Mercier (1995), Intuition by Allegra Goodman (2006), Solar by Ian McEwan (2010) and Derailment by Diederik Stapel (2012). Scientific misconduct, i.e. fabrication, falsification, plagiarism, but also other questionable research practices, have become a focus of concern for academic communities (...) worldwide, but also for managers, funders and publishers of research. The aforementioned novels offer intriguing windows into integrity challenges emerging in contemporary research practices. They are analysed from a continental philosophical perspective, providing a stage where various voices, positions and modes of discourse are mutually exposed to one another, so that they critically address and question one another. They force us to start from the admission that we do not really know what misconduct is. Subsequently, by providing case histories of misconduct, they address integrity challenges not only in terms of individual deviance but also in terms of systemic crisis, due to current transformations in the ways in which knowledge is produced. Rather than functioning as moral vignettes, the author argues that misconduct novels challenge us to reconsider some of the basic conceptual building blocks of integrity discourse. (shrink)

This paper presents a mutual confrontation of the oeuvres of Pierre Teilhard de Chardin (1881–1955) and Jacques Lacan (1901–1980), highlighting their relevance for the planetary challenges we are facing today. I will present their views on technoscience, environmental pollution and religious faith, focussing on human genomics as a case study. Both authors claim that technoscience reflects a tendency towards symbolisation: incorporating the biosphere (liv- ing nature) into the “symbolic order’ (Lacan) or ‘noosphere’ (Teilhard). On various occasions, Lacan refers to Teilhard’s (...) concept of the hominization of the planet and their dialogue culminates in a ‘final conversation’ between Teilhard and Lacan in 1954, during a reception organised by the journal Psyché. I will conclude that the Teilhard-Lacan dialogue is highly relevant for current debates concerning the Anthropocene, as a moment of global awakening and global crisis. Processes of hominization allowed humans to become literate beings, littering the planet as well: humans as literate litterers. Whereas Teilhard argues that technoscience and self-direc- ted evolution are about to culminate in what he refers to as point Omega, Lacan rather stresses the hazards involved in this optimistic desire towards all-encompassing synthesis, unification and fulfilment. (shrink)

In Seminar XVII, entitled The reverse side of psychoanalysis, Jacques Lacan presents his famous theorem of the four discourses. In this rereading I propose to demonstrate that Lacan’s theorem entails a transferable dialectical method for studying processes of knowledge production, enabling contemporary scholars to develop a diagnostic of the present, notably scholars interested in issues such as the vicissitudes of knowledge production under capitalism, the crisis of the university and the proliferation of electronic gadgets. In short, I will argue that (...) Lacan’s theorem of the four discourses entails a dialectical diagnostic of technoscientific knowledge during late capitalism. First, the four discourses will be briefly outlined, emphasising the extent to which they entail, albeit in an ambivalent manner, a return or detour to the logic of Hegel. Subsequently, each discourse will be presented in more detail, emphasising how they allow us to come to terms with the current status of technoscientific knowledge. Special attention will be given to the political backdrop of the seminar: the crisis of the university. Finally, I will discuss the historical dimension, outlining both the predecessor of the four discourses and their current predicament under neoliberal/capitalist conditions. (shrink)

Throughout the 20th century, philosophers have criticized the scientific understanding of the human body. Instead of presenting the body as a meaningful unity or Gestalt, it is regarded as a complex mechanism and described in quasi-mechanistic terms. In a phenomenological approach, a more intimate experience of the body is presented. This approach, however, is questioned by Jacques Lacan. According to Lacan, three basic possibilities of experiencing the body are to be distinguished: the symbolical (or scientific) body, the imaginary (or ideal) (...) body and the real body. Whereas the symbolical body is increasingly objectified (and even digitalized) by medical science, the phenomenological perception amounts to an idealization of the body. The real body cannot be perceived immediately. Rather, it emerges in the folds and margins of our efforts to symbolize or idealize the body, which are bound to remain incomplete and fragile. In the first part of the article (1-3), Lacan's conceptual distinction between the symbolical, the imaginary and the real body will be explained. In the second part (4-5), this distinction will be further clarified by relying on crucial chapters in the history of anatomy (notably Mundinus, Vesalius, Da Vinci and Descartes). (shrink)

In various documents the view emerges that contemporary biotechnosciences are currently experiencing a scientific revolution: a massive increase of pace, scale and scope. A significant part of the research endeavours involved in this scientific upheaval is devoted to understanding and, if possible, ameliorating humankind: from our genomes up to our bodies and brains. New developments in contemporary technosciences, such as synthetic biology and other genomics and “post-genomics” fields, tend to blur the distinctions between prevention, therapy and enhancement. An important dimension (...) of this development is “biomimesis”: i.e. the tendency of novel technologies and materials to mimic or plagiarize nature on a molecular and microscopic level in order to optimise prospects for the embedding of technological artefacts in natural systems such as human bodies and brains. In this paper, these developments are read and assessed from a psychoanalytical perspective. Three key concepts from psychoanalysis are used to come to terms with what is happening in research laboratories today. After assessing the general profile of the current revolution in this manner, I will focus on a particular case study, a line of research that may serve as exemplification of the vicissitudes of contemporary technosciences, namely viral biomaterials. Viral life forms can be genetically modified (their genomes can be rewritten) in such a manner that they may be inserted in human bodies in order to produce substances at specific sites such as hormones (testosterone), neurotransmitters (dopamine), enzymes (insulin) or bone and muscle tissue. Notably, certain target groups such as top athletes, soldiers or patients suffering from degenerative diseases may become the pioneers serving as research subjects for novel applications. The same technologies can be used for various purposes ranging from therapy up to prevention and enhancement. (shrink)

Bioethical discourse on organ donation covers a wide range of topics, from informed consent procedures and scarcity issues up to ‘transplant tourism’ and ‘organ trade’. This paper presents a ‘depth ethics’ approach, notably focussing on the tensions, conflicts and ambiguities concerning the status of the human body. These will be addressed from a psychoanalytical angle. First, I will outline Lacan’s view on embodiment as such. Subsequently, I will argue that, for organ recipients, the donor organ becomes what Lacan refers to (...) as an object a, the ‘partial object’ of desire, the elusive thing we are deprived of, apparently beyond our grasp. Within the recipient’s body an empty space emerges, a kind of ‘vacuole’, once occupied by a faltering organ. This space can only be filled by a ‘gift’ from the other, by an object a. Once implanted, however, this implant becomes an ‘extimate’ object: something both ‘external’ and ‘intimate’, both ‘embedded’ and ‘foreign’, and which is bound to remain an object of concern for quite some time, if not for life. A Lacanian analysis allows us, first of all, to address the question what organ transplantation has in common with other bodily practices involving bodily parts procured from others, such as cannibalism. But it also reveals the basic difference between the two, as well as the distance between the ‘fragmented body’ of Frankenstein’s ‘monster’—as an aggregate of replaceable parts—and the multiple organ recipients of today. (shrink)

Gaston Bachelard occupies a unique position in the history of European thinking. As a philosopher of science, he developed a profound interest in genres of the imagination, notably poetry and novels. While emphatically acknowledging the strength, precision and reliability of scientific knowledge compared to every-day experience, he saw literary phantasies as important supplementary sources of insight. Although he significantly influenced authors such as Lacan, Althusser, Foucault and others, while some of his key concepts are still widely used, his oeuvre tends (...) to be overlooked. And yet, as I will argue, Bachelard’s extended series of books opens up an intriguing perspective on contemporary science. First, I will point to a remarkable duality that runs through Bachelard’s oeuvre. His philosophy of science consists of two sub-oeuvres: a psychoanalysis of technoscience, complemented by a poetics of elementary imagination. I will point out how these two branches deal with complementary themes: technoscientific artefacts and literary fictions, two realms of human experience separated by an epistemological rupture. Whereas Bachelard’s work initially entails a panegyric in praise of scientific practice, he becomes increasingly intrigued by the imaginary and its basic images, such as the Mother Earth archetype. (shrink)

To me a painted paroquet Hath been – a most familiar bird– Taught me my alphabet to say– To lisp my very earliest word. Edgar Allan Poe, “Romance,” Poetry and Tales 53 Logographical necessity (ana...

This article examines identity narratives of adult adoptees who have undergone dislocations which make impossible the construction of a seamless narrative of origin. Focusing on the dynamic between their experience of uprootedness and the modernist compulsion for a `fundamental ground' that is `beyond the reach of play', we argue that the pressure to fix identity operates to expose both the tenuousness of the concept of a center or ground and the problems with the postmodernist impulse to celebrate a vision of (...) identity as only play. Identity narratives of adoptees engage both cultural discourses of authenticity and the emotional resonance of these discourses as subjects reformulate the stories of their lives. These reformulations allow us to examine what it means to move beyond conventional understandings of identity as either mobile or fixed to a more complex view that encompasses interrupted movement and the dissonance of multiple forms of rootedness. (shrink)

This article examines identity narratives of adult adoptees who have undergone dislocations which make impossible the construction of a seamless narrative of origin. Focusing on the dynamic between their experience of uprootedness and the modernist compulsion for a `fundamental ground' that is `beyond the reach of play', we argue that the pressure to fix identity operates to expose both the tenuousness of the concept of a center or ground and the problems with the postmodernist impulse to celebrate a vision of (...) identity as only play. Identity narratives of adoptees engage both cultural discourses of authenticity and the emotional resonance of these discourses as subjects reformulate the stories of their lives. These reformulations allow us to examine what it means to move beyond conventional understandings of identity as either mobile or fixed to a more complex view that encompasses interrupted movement and the dissonance of multiple forms of rootedness. (shrink)

This article focuses on the French philosopher Jacques Derrida’s thought in the 1960s. Though the discourse of the ‘death of man’ was regnant among French avant-garde intellectuals, this article argues that Derrida himself has to be described as a humanist at this stage in his career, even if a reluctant one. The case is made through close textual analysis of three of Derrida’s early and seminal works: ‘Cogito and the History of Madness’ (1963), ‘Violence and Metaphysics: An Essay on the (...) Thought of Emmanuel Levinas’ (1964) and ‘The Ends of Man’ (1968). In these texts, Derrida grapples with issues of the subject and the other. They collectively reveal that the Derrida of the 1960s held fast to the view that philosophical thought could neither dispense with the subject nor escape the horizon of humanism. However, Derrida reconceived the human subject with reference to his core concepts of différance and arche-writing, making for an aporetic humanism that deconstructs the binary of humanism–antihumanism. (shrink)

This paper will articulate an underappreciated side of the psychoanalytical Deleuze: his relation to Melanie Klein, particularly as it appears in The Logic of Sense. Deleuze's engagement with Klein largely follows his familiar strategy of re-reading a thinker off of a twist in one or two of that thinker's key concepts. With Klein, this twist involves re-reading her story of psychic development on the basis of disjunction rather than negation, so that the psychic surface that emerges generates a persistent non-correspondence (...) between self and other and between concept and thing. Deleuze thereby makes Klein a central figure in his ontology of sense and his analysis of how the physical surface of bodies generates a metaphysical surface of thought. However, Deleuze's ultimate turn is a Nietzschean one towards overcoming, the thought of eternal return, and the demolition of the Oedipal Law. As this final turn makes clear, even in his early writings that engaged more directly and affirmatively with psychoanalytical thought, Deleuze was already on an anti-Oedipal path. (shrink)

While Merleau-Ponty’sPhenomenology of Perceptionrelies on the descriptive register of the body proper, his Sorbonne lectures on child psychology investigate the genesis of the experience of a body as one’s own. I demonstrate the uniqueness of Merleau-Ponty’s account of the narcissistic affect and sociality involved in this developmental process, distinguishing his account vis-à-vis Wallon’s and Lacan’s studies of the mirror stage. I conclude that in Merleau-Ponty’s account, (1) the experience of the body proper is not singular, but encompasses a range of (...) phenomenological variation; and (2) the genesis of the body proper is not confined to the mirror stage. The production of bodily boundaries is an ongoing process identified not only with its advent in childhood, but also with adult emotional life. The boundaries between inner and outer domains of perception are not merely discovered, but must be negotiated and cultivated in the intercorporeal affective dramas of adult life. (shrink)

In this article I undertake an analysis of erotic sexual intercourse - commonly, and more accurately, designated as love-making - in the spirit of Durkheim's social analysis of religion. Thus, based on a phenomenological semiotic analysis of the peculiar things we do and feel in the course of making love, I propose, first, to uncover the implicit `logic' that generates and governs these distinctly sociable doings and sociable feelings. Second, I proceed to suggest that the sameself logic, albeit in an (...) attenuated version, also generates and governs the broad class of `social occasions proper', and that this homology calls for gathering erotic and social occasions under one and the same rubric, which I propose to call the `socio-erotic' (since the term `social' has been denatured through overuse). Third, I conclude with a discussion of how socio-erotic domains fit into a larger world structured and governed mainly by interest-driven and power-driven conflictual fields. (shrink)

Homi Bhabha's attempts to recuperate Frantz Fanon's “black man” as a figure of resistance and subversion have relied on the simple fact of this figure's existence: because the black man's identity is irrevocably divided, Bhabha claims that its mere existence calls the unity of a normative identity into question. This essay broadly questions Bhabha's reading of Fanon by asking exactly how it is that the subject's potential for subversion can be realized in action, and suggests – drawing from Jacques Lacan's (...) work as well from the work of Jean-Paul Sartre – a new model for the figure of Fanon's black man which retains the possibility for a free subjectivity oriented toward resistance. The tacit belief that resistance must arise as a consciously developed response is belied by the suggestion that there are psychic tensions that might produce a subversive subjective orientation involuntarily, spontaneously. (shrink)

This article pursues the hypothesis that there is a structural affinity between the case study as a genre of writing and the question of gendered subjectivity. With John Forrester’s chapter ‘Inventing Gender Identity: The Case of Agnes’ as my starting point, I ask how the case of ‘Agnes’ continues to inform our understanding of different disciplinary approaches to theorizing gender. I establish a conversation between distinct, psychoanalytically informed feminisms to move from the mid-20th century to contemporary cultural debate.

This paper explores the commodification of animals, beginning with Marx’s description of how value arises within a system of exchange. Drawing from Irigaray, I observe that value in animals is both arrived at through the use value of the animal as a commodity for human consumption and as a form of currency which serves a function in reproducing the value of the “human” itself. Extending this further, I reflect on Derrida’s discussion of the metaphor as a way to understand the (...) removal of the skin of the animal in order to produce value. As I argue, we find here a convergence of material and symbolic violence which produces value in a way which is distinct from other commodities, and participates in generating the “mirage” of human sovereignty over other animals. (shrink)

In L’amour du censeur, a seminal work published in French in 1974 but as yet untranslated into English, Pierre Legendre uses the Freudian Oedipus complex as a reading grid with which to decipher the libidinal dynamics underpinning Christian civilisations. This paper exposes Legendre’s work, and complements it by elucidating the play of the different modalities of identification conceptualised by Freud in Group Psychology. Horizontal and vertical identifications channel the investments that lend consistency to a political figure, an ideology, a discourse. (...) Legendre’s work reminds us that the primary function of a given civilisation is to institute a workable libidinal economy for its subjects, and that politics names the knot of the social bond. (shrink)

Taking a post-structuralist view of constructionism (a view that privileges symbolic representation and language), this paper uses Piaget''s descriptions of how knowledge is acquired to speculate on the existence of a system of delays underlying thinking.

The theorization of the relays and relationships between the psychic and the social, as well as between the cognitive and the expressive, is still obstructed by the resilience of the egocentric and logocentric subject invented by the discourse of modernity. This article examines the possibilities opened up by the work of Lichtenberg Ettinger for breaking free of phallogocentrism in its various forms as one condition for subverting the normative truths of power/knowledge. It focuses on the sonic dimension of being-in-the-world as (...) one approach that indicates new avenues for research. (shrink)

The present paper aims to shed light on some post-oedipal moments of the Freudian-Lacanian psychoanalysis. Going beyond the stereotypical opposition between the oedipal psychoanalysis and the anti-oedipal schizoanalysis, it endeavors to reinvestigate the semiotic nature of theknotenpunktand thesinthomeby applying some Deleuzian and Bakhtinian concepts. Thus, theknotenpunktis described as a grotesque knot bringing together some heterogeneous elements. The involved disparate components establish a rhizomatic multiplicity irreducible to a common determiner. As far as thesinthomeis concerned, it is also illustrated as a grotesque (...) knot quilting the disseminated heterogeneous orders. In contrast to the dominant conception of the symptom with a complex mode of signifying (that is mainly bound to the oedipal topography), theknotenpunktand thesinthomehold a kind of hyper-formative mode of signifying. As a result, the latter may be regarded as pure formators irreducible to a meaning or a certain interpretation. Finally, the paper sets out to analyze and evaluate the relationship between thesinthomeand the foreclosure from a semiotic perspective. Accordingly, thesinthomeis explained as a reply to foreclosure which is specifically a perceptive-imperative (retroactive) contemplation (in the light of law according to the Peircean phaneroscopy) on the rhizomatic multiplicity of psychosis (the case of schizophrenia). (shrink)

This paper discusses how, starting from Blaise Pascal’s Wager about God, in his later teaching Lacan rearticulates his Name-of-the-Father concept. Building on a discussion of Lacan’s (1963) single seminar session on the Names-of-the-Father and his 1968–1969 discussion of Pascal’s Wager in Seminar XVI, the author examines what this changing conception implies for the Lacanian approach of psychosis. It is argued that – contrary to what Lacan suggests in the nineteen fifties – within these works from the sixties the Name-of-the-Father no (...) longer refers to a privileged signifier, but to an act of faith concerning the virtuousness of the Other. This act of faith functions as a guarantee for the articulation of the subject, separates the subject from what Lacan calls “object a”, and establishes a positive expectant relation with the Other. The strength of Lacan’s revised conception is that it opens new perspectives on the psychoanalytic treatment of psychosis. (shrink)

Castoriadis's interpretation of Freud centres on the idea of the radical imagination; the introduction of this concept into psychoanalysis has consequences which affect all levels of the Freudian project. As Castoriadis sees it, Freud's foundational insights are not in dispute, but the reference to the imagination makes it possible to articulate them in new ways and build new bridges between psychoanalysis and social theory. In its capacity as a source of representation and meaning, the radical imagination is - together with (...) the drives - a `co-foundation of the psyche'; further reflection along those lines leads Castoriadis to radicalise the concept of the unconscious and introduce the notion of the primal monad, but at the same time, his revised concept of sublimation links the psyche to the social-historical world. In all these regards, there are significant affinities between Castoriadis's work and the post-Lacanian currents in French psychoanalysis. (shrink)

This essay performs a comparative reading of the themes of language, otherness and subjectivity in the work of Emmanuel Levinas and Jacques Lacan. Their focuses on the place and role of an ethical subjectivity who is profoundly affected and displaced by the (non)presence of the absolute Other provide apt philosophical material for comparison and contrast. Through a close analysis of the important philosophical and psychoanalytic themes in Levinas’ early work Totality and Infinity and Lacan’s Seminar VII: The Ethics of Psychoanalysis, (...) I demonstrate how the different articulations of alterity in both influence their separate conceptions of the possibility of ethics in relation to decentered notions of subjectivity. In reading both, I argue that Lacan’s treatment of otherness and the eccentric nature of language provides a reimaging of certain gaps in Levinas. In return, I position Levinas as being able to provide a notion of ethical community that Lacan leaves out. (shrink)

This article offers a novel historical interpretation of the problem of jihadism through a critique of the philosophical foundations of Olivier Roy’s scholarship on Islam and jihadism. In particular, the article elucidates the consequences of the dominant positivist ontology and secular episteme of the social sciences for the analysis of jihadism. To this end, it formulates an alternative conceptualization of the main terms of analysis (namely, Islam, the ummah, the caliphate, and jihad), highlighting their political significance and disavowing thereby the (...) epistemic prejudices of Eurocentric social science. The article argues jihad designates a political phenomenon tied to Islam’s presence as a universal order and Muslims as an autonomous community. It is a signifier of the organized, collective warfare of Muslims as a distinct political group, represented by the caliphate as an ‘Islamicate great power’, and waged by its professional armies. Jihadism represents the venture to recover jihad in a world without a caliphate, its condition of possibility being the disappearance of the caliphate, and in that it signifies the fragmentation, disorganization, and de-politicization of jihad. (shrink)

Much has been written about the disagreement and even radical opposition between Gilles Deleuze’s and Félix Guattari’s conceptualizations and those of Jacques Lacan: for example, about desire, psychotherapy, the subject and the radically opposed political consequences that result from their approaches. The purpose of this paper is to demonstrate from a Lacanian perspective that in the case of a central concept such as the body, there are rather more similarities than differences. Its main thesis is that Deleuze’s and Guattari’s body (...) without organs is very close to Lacan’s notion of the Other jouissance and that with slightly different strategies they both provide arguments to fight the same enemy: that is, the control and repression of singularity under capitalism. (shrink)

Felt presence, a sensation that “someone is there”, is an integral part of our everyday experience. It can manifest itself in a variety of forms ranging from most subtle fleeting impressions to intense hallucinations of demonic assault or visions of the divine. Felt presence phenomenon outside of the context of neurological disorders is largely neglected and not well understood by contemporary science. This paper focuses on the experiential and expressive qualities of the phenomenon and attempts to bring forth the complexity (...) and the richness of possibilities for inter- and intrasubjective awareness represented by these experiences. Are these simply misperceptions and hallucinations heightened and enforced by the mystical or superstitious mind? Or are these entities projections of our own “selves”, elements of self-estrangement? How are such experiences shaping our understanding of ourselves and of others? And finally, what is the interplay between intersubjective, private experiences and private or public spaces of dwelling? (shrink)

The expression “AI” has become as commonplace as “computer.” While many people have a relatively clear idea of what an AI system or a computer does or can do, fewer have an idea of how precisely th...

Through staged photographs in which she herself is often the lead actor or through appropriation of historical photographs, contemporary African American artist Carrie Mae Weems deconstructs the shaming of the black female body in American visual culture and offers counter-hegemonic images of black female beauty. The mirror has been foundational in Western theories of subjectivity and discussions of beauty. In the artworks I analyze in this article, Weems tactically employs the mirror to engage the topos of shame in order to (...) reject it as a way of seeing the self and to offer a new way of lovingly seeing the self. I use the work of Kelly Oliver, Helen Block Lewis, and bell hooks to articulate the relationships among the mirror, shame, and black female subjectivity in Weems's work. Weems's subjects often reckon with what Oliver calls “social melancholy” as they experience shame while standing before the mirror. However, Weems also shows that by looking again—a critical strategy I explain using Oliver's model of “the loving eye”—her subjects can use the mirror as a corrective to the social shaming gaze and make it a stage for establishing black female subjectivity, a gaze of self-love, and beauty. (shrink)

This essay critiques Rita Felski’s employment of Axel Honneth’s theorisation of “recognition” for a postcritical literary theory and, in turn, Honneth’s own appropriation of recognition from Hegel. In her article “Recognizing Class,” Felski uses Honneth’s concept of recognition to read Didier Eribon’s memoir Returning to Reims, and to argue for the importance of lived experience in analyses of class and its literary representation. This leads her to indict Marxism for its ideal of a classless society. Why should we will the (...) abolition of class when many workers experience their class as a source of pride and belonging? What workers need is not emancipation from their class, but adequate recognition. By drawing upon Gillian Rose’s Hegelian account of recognition, this essay contends that by assuming recognition in advance as an ideal, Felski and Honneth overlook that without emancipation from bourgeois property and class relations, the recognition they presuppose remains an impossibility. (shrink)

In Speculum of the Other Woman (1974), Luce Irigaray argues that "any theory of the subject has always been appropriated by the masculine." This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as "the phallic economy of castration." A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

In Speculum of the Other Woman, Luce Irigaray argues that “any theory of the subject has always been appropriated by the masculine.” This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as “the phallic economy of castration.” A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

This article mounts a defense of my and Slavoj Žižek’s co-edited anthology, Subject Lessons: Hegel, Lacan, and the Future of Materialism, against the two main criticisms of it made throughout Graham Harman’s article “The Battle of Objects and Subjects”: (1) that we and our fellow contributors are guilty of gross overgeneralization when we classify thinkers from various schools of thought – among them New Materialism, object-oriented ontology, speculative realism, and actor–network theory – under the broad rubric of the “new materialisms”; (...) and (2) that despite our pretensions to the mantle of materialism, our Lacano-Hegelian position is actually a full-blown idealism. In responding to and attempting to refute these criticisms, I make the case that our Lacano-Hegelian model of dialectical materialism is an “extimate materialism.”. (shrink)

Translation is an act of articulation that takes place in the social topos of difference or incommensurability. The topos of difference, to which translation is a response, is anterior to the conceptual difference of species or particularities. Yet, translation is often represented as a process of establishing equivalence according to the model of communication. This misapprehension of translation derives from the confusion of the act of translation with its representation. By representing translation that is unrepresentable in itself through the schema (...) of co-figuration, the representation of translation inscribes and re-inscribes the twin figures of languages between which a transfer of information is supposed to have taken place. This whole regime organized around the schema of co-figuration is a historical construct of modernity that has worked powerfully to project national/ethnic languages and the international world, only within which national languages are possible. Our task is to historicize this regime of translation. (shrink)

The critical commentary on Judith Butler’s Excitable Speech: A Politics of the Performative focuses primarily on her use of speech-act theory for political purposes. Admitting the limitations of Austin’s work, she introduces an extended supplement to her linguistically based performative theory in Excitable Speech: a discussion of embodied subjectivity presented in ways never before instanced in her work. That is, in this text, she continues to use speech-act theory articulated with Derridean iterability (her usual practice) to ground performativity, while presenting (...) a version of embodiment newly derived from psychoanalysis to establish the political efficacy of the subject. Although this shift has gone unremarked in the literature, Butler herself treats this psychoanalytic dimension as animating the entire argument. This article reviews her logic and the place that psychoanalysis holds in her theory to establish the viability of the embodied political performative and its utility for historicism. (shrink)

The Kristeva–Lacan relationship has been a difficult one, with commentators tending to either collapse the former into the latter or insist on an absolute division wherein Kristeva emphasizes the m...

Both a method of therapy and an exploration of psychic reality, free association is a fundamental element of psychoanalytical practices that refers to the way a patient is asked to describe what comes spontaneously to mind in the therapeutic setting. This paper examines the role of free association from the point of view of psychoanalysis and neuroscience in order to improve our understanding of therapeutic effects induced by psychoanalytic therapies and psychoanalysis. In this regard, we first propose a global overview (...) of the historical origins of the concept of free association in psychoanalysis and examine how Freud established its principles. Then, from Freud’s distinction between primary and secondary processes, we proceed to compare the psychoanalytic model with research originating from cognitive psychology and neuroscience. The notions of entropy and free energy appear particularly relevant at the intersection of these different domains. Finally, we propose the notion of symbolizing transmodality to describe certain specificities of symbolization processes within free association and we summarize the main functions of free association in psychoanalytic practices. (shrink)

El objetivo de este artículo consiste en mostrar que no basta con cuestionar las opiniones establecidas y con argumentar dialécticamente para adoptar una actitud filosófica; es preciso además matar al Padre, es decir asumir un nombre propio, un lugar de enunciación que conlleva una colisión más o menos polémica con los pensadores con quienes dialogamos. Si Sócrates representa la figura del tábano que cuestiona y persuade, el Extranjero del Sofista representa la figura del parricida. Sostendré entonces que la actitud filosófica (...) solo puede explicarse en toda su amplitud y profundidad a partir de estas dos figuras. Asimismo, mostraré que la institución académica tiende a privilegiar la figura del tábano en detrimento de la figura del parricida. (shrink)

Autism has been widely covered by the medias, and studies analyzing this discourse have pointed out frequent and repetitive distortions of the biomedical knowledge. We conducted a systematic analysis of conceptions of autism in the french specialized social workers press between 1989 and 2014, and compared these results to a recent study on Attention Deficit Hyperactivity Disorder (ADHD) in the same field. Analysis of discourse about autism, and more generally on mental and psychosocial disorders in the specialized social workers press (...) shows that social factors highly involved in these pathologies are never presented, as they are widely argued in the international literature, and can be subject to specific socio-educational policies and practices. Most ways of autism presented to french social workers belong to the therapeutic sphere, and reveal a growing medicalization of social work, allowing us to question the practice and training issues. (shrink)

The debate regarding representation is haunted by the fact that it takes place within a context of general suspicion whereby everything, it is claimed, is always representation. Such is the hurdle that Foucault identifies and Derrida attempts to elucidate in his debate with Heidegger, in which he takes issue with Heidegger’s critique of the “age of representation.” Derrida’s deconstruction of Heidegger’s account of the history of representation leads to a reconstruction that privileges the motifs of dissemination, of envoi (sending or (...) dispatching). In art too, Derrida confronts Heidegger, this time with the aim of re-thinking the relationship between the work and what lies outside and beyond it. By framing the Derrida/Heidegger debate within a consideration of the Lascaux cave drawings, and by examining the positions of Girard, Bataille and Blanchot in relation to the question of the origins of art, it will be possible to re-draw the boundaries of representation insofar as they lie at the intersection between philosophy and art. (shrink)