Embodied Fantasies: From Awe to Artifice is a compilation of twenty-one essays on the subject of fantasy as it relates to art history, philosophy and the visual arts.

In _On Paradox_ literary and legal scholar Elizabeth S. Anker contends that faith in the logic of paradox has been the cornerstone of left intellectualism since the second half of the twentieth century. She attributes the ubiquity of paradox in the humanities to its appeal as an incisive tool for exposing and dismantling hierarchies. Tracing the ascent of paradox in theories of modernity, in rights discourse, in the history of literary criticism and the linguistic turn, and in the transformation (...) of the liberal arts in higher education, Anker suggests that paradox not only generates the very exclusions it critiques but also creates a disempowering haze of indecision. She shows that reasoning through paradox has become deeply problematic: it engrains a startling homogeneity of thought while undercutting the commitment to social justice that remains a guiding imperative of theory. Rather than calling for a wholesale abandonment of such reasoning, Anker argues for an expanded, diversified theory toolkit that can help theorists escape the seductions and traps of paradox. (shrink)

The volume documents, and makes an original contribution to, an astonishing period in twentieth-century philosophy—the progress of Arne Naess's ecophilosophy from its inception to the present. It includes Naess's most crucial polemics with leading thinkers, drawn from sources as diverse as scholarly articles, correspondence, TV interviews and unpublished exchanges. The book testifies to the skeptical and self-correcting aspects of Naess's vision, which has deepened and broadened to include third world and feminist perspectives. Philosophical Dialogues is an essential addition to the (...) literature on environmental philosophy. (shrink)

The aim of the present paper is to analyse compactness properties of nonmonotonic inference operations within the framework of model theory. For this purpose the concepts of a deductive frame and its semantical counterpart, a semantical frame are introduced. Compactness properties play a fundamental in the study of non-monotonic inference, and in the paper several new versions of compactness are studied.

This paper is an attempt at developing a poetic ontology of the senses through an understanding of poetry, or more importantly the poetic as such, i.e., the movement, temporality, and various antinomies within poetic gesturing which interrupt the logic of closed meaning and totalization. Through a range of philosophers such as Nietzsche, Heidegger, Derrida, and Jean-Luc Nancy, amongst others, and primarily the poetry of Pessoa and Rilke, the paper investigates how poetry (poetics) may not only show us a path toward (...) a poetic ontology (thus an ontology in correlation with the senses and movements of natural and material existence), but furthermore point us toward the possibility of an ethical becoming which mirrors the movements of poetry, in contrast to following the rigid structures of absolute and fixed meaning. The overall intention in this analysis is not to find a clear, complete, or overarching thought which may point us toward the ethical or the good. The attempt here is to show that ethics is an activity, a continuous becoming (analogous to poetics) that can be sensed through a way of being in the world, and "being-with" the world, as compared to simply understood through cognitive forms of abstract knowledge. (shrink)

Cover; Table of Contents; Introduction; References; List of Illustrations; Acknowledgments; 1. Essays; Intimacy Unveiled (Suzanne Anker); From Apocalypse to Analogy; Transforming Life; References; List of Illustrations; Through the Looking Glass: Encounters with Suzanne Anker's Wonderlands (Sabine Flach); I. Making is Thinking -- Art as Knowledge; II. "We can know more than we can tell"; III. Ars Quaerendi -- The Art of Asking Questions; IV. Synechein -- The Art of Interweaving; References; List of Illustrations; 2. Dialogues; Dialogue I: The (...) Glass Veil. (shrink)

Examines the diverse cultural influences which have shaped the basic philosophical traditions of India "Indian philosophy was at the heart of Zimmer's interest..

(2004). A vindication of the rights of brutes. Philosophy & Geography: Vol. 7, No. 2, pp. 259-264.

This article suggests an assembly of ideas collected from transdisciplinary areas that in integration can potentially cast light on the role of affect and feeling in aesthetic experience. The article takes up a well-known philosophical quest to define the nature of aesthetic experience, but seeks out new territories of explanation that rest upon principles of rhetorical integration across a seemingly ambiguous landscape of separated theories, and under a dynamic, connective observatory perspective. The aim of the article is thus to suggest (...) a rhetorical design integrating results from the fields of neuroscience, biosemiotics, medical theory and philosophy of art, which could potentially result in an extension of traditional understandings of the roles of affect and feeling in processes of communication. I see the space of installation art, based on new technology and science, as a possible laboratory for the speculative mind, to which such investigations could be successfully related. I find that contemporary installation artworks can if successful induce an activation of processes intrinsic to the bodymind, which can bring forward new imaginations, new metaphors and extended self-understandings. (shrink)

Nature, a topic central to art history, is concurrently a dominant concept in contemporary art, art theory and its related disciplines such as cultural theory, philosophy, aesthetic theory and environmental studies. The project Naturally Hypernatural questions lines of tradition and predetermined categories that coexist with the topic of nature. Currently, nature in art surpasses the simple depiction of art as a material or object. To clarify and analyze the interrelations between nature and art is the aim of the project Naturally (...) Hypernatural. Concepts of Nature - the first volume of this project - argues that contemporary art is predominantly concerned with concepts of nature regarding the depth of their implications in order to reveal and analyze their internal structure. (shrink)

The Ethics of Uncertainty asks what it means to live, act, decide, and respond responsibly, in the aporia of freedom itself - a freedom which on one hand opens us to the open space of possible possibilities, and on the other, leaves us no stable ground or measure for pre/determined decision making. The aporia of freedom is conditioned by the indeterminate space of knowing we must make decisions, and yet, at the same time, we cannot call on an absolute authority (...) or measure as a guide. Aporias open us to freedom, the place where, as Derrida has taught us, an ethical decision may occur. Allowing indeterminacy to exist in our becoming allows a continuous coming to be with others - a becoming always open to the "to come" (Derrida) of the future. Always drawing us toward the possibility of making a decision within the fabric of indecision, aporias give us the possibility of ethical becoming. Overall, this text points us to the possibility of living an ethical life in a world without absolute measure - an ethics, in other words, of uncertainty. (shrink)

Lange vergriffen ' jetzt als Neuausgabe:Heinrich Barths Philosophie der Praktischen VernunftHeinrich Barths Philosophie der Praktischen Vernunft ist zugleich eine gründliche Analyse von Immanuel Kants Kritik der praktischen Vernunft und die Grundlegung einer eigenständigen Philosophie der existentiell begründeten Vernunft. Ausgehend von den Marburger Philosophen Hermann Cohen und Paul Natorp, vertieft Barth deren transzendentalen Systemgedanken zu einem radikalen Prinzip, das die Wirklichkeitsfrage neu aufwirft. Letztere wird zwar auch in Kants zweiter Kritik gestellt, doch nicht im Sinne einer Handlungstheorie, sondern mit der (...) Absicht aufzuweisen, dass es so etwas wie praktische Vernunft überhaupt «gibt». Genau darin aber erkennt Barth den Kern der Philosophie der Existenz, wodurch sich seine Philosophie der Praktischen Vernunft ' wie Sein und Zeit 1927 erschienen ' in einer noch zu erhellenden Verwandtschaft zu Martin Heidegger befindet. Dennoch könnte die Ausgangslage beider Philosophen verschiedener nicht sein. Weder Sein noch Tod geben die Leitlinien von Barths Interpretation vor, vielmehr die transzendental verstandene Vernunft und der Mensch, der wesensmässig vom Anspruch praktischer Verwirklichung herausgefordert ist. Grundsätzlicher als ethische Normen und Regeln werden hier die Grundlagen der praktischen Vernunft erachtet, die im Horizont von Platons «Idee des Guten» und Kants Begriff der «Pflicht» eine eigenständige Wirklichkeit beansprucht. Dass der Philosoph Barth auch offen ist für die Dimension der Glaubenswahrheiten zeigte sich schon bei seiner Mitarbeit an der «Dialektischen Theologie» in den frühen Zwanzigerjahren des 20. Jahrhunderts. (shrink)