A completely Lorentz-invariant Bohmian model has been proposed recently for the case of a system of non-interacting spinless particles, obeying Klein-Gordon equations. It is based on a multi-temporal formalism and on the idea of treating the squared norm of the wave function as a space-time probability density. The particle’s configurations evolve in space-time in terms of a parameter σ with dimensions of time. In this work this model is further analyzed and extended to the case of an interaction with an (...) external electromagnetic field. The physical meaning of σ is explored. Two special situations are studied in depth: (1) the classical limit, where the Einsteinian Mechanics of Special Relativity is recovered and the parameter σ is shown to tend to the particle’s proper time; and (2) the non-relativistic limit, where it is obtained a model very similar to the usual non-relativistic Bohmian Mechanics but with the time of the frame of reference replaced by σ as the dynamical temporal parameter. (shrink)

Resumen: Propongo una crítica a la noción de serialidad en la comprensión del concepto de tiempo en el contexto de los estudios cartesianos. En el debate entre los defensores del tiempo continuo y quienes defienden un tiempo discreto, sostengo que ninguna de estas posiciones tiene en cuenta que la serialidad se enmarca en una noción de tiempo que se concibe como divisible y numerable y que no pertenece intrínsecamente a la naturaleza de la experiencia temporal del cogito. Mi propuesta consiste (...) en comenzar a desarrollar la caracterización de dicho tiempo experiencial y cogitativo.: My aim is to criticize the notion of seriality embedded in the understanding of time within the framework of Cartesian studies. I hold that neither those who defend that time is continuous nor those who think that it is discrete take into account the fact that seriality is rooted in a conception of time conceived as divisible and numerable that does not belong intrinsically to the nature of the experience of time of the cogito. I propose to advance towards a characterization of such experiential and cogitative time. (shrink)

This article explores the central themes in Mohsin Hamid’s Exit West (2017) by focusing on the complexities of finding oneself placeless and seeking refuge in an unwelcoming global world with porous borders. It examines different aspects of the experience of time, such as transience and waiting, by drawing on postcolonial and refugee studies and theoretical approaches to vulnerability, time, and being. Set in an unnamed city in an unnamed country on the verge of war, Hamid portrays the shattering of everyday (...) life in the city by following the lives of Saeed and Nadia, their growing love relationship, and the impact of their subsequent escape through “magic doors” to several places of refuge on their relationship and understanding of the world. Their story is interspersed with vignettes on several secondary characters who also become refugees by being transposed through magic doors to new locations. By using magic doors and by accelerating, compressing and conflating events and times—the effect of which universalizes the theme of transience and proximity of death—Exit West exposes us to the global history of suffering and invites us to bear witness to the suffering of others and to become aware of our own finitude and the obligations our common vulnerability places on us. (shrink)

This article explores the social representation of Information Technology and Network Society from Barthes' semiology, using his ideas about myth creation and the connotation of ideological discourses through naturalization. Supplemented with some concepts from Peirce and Santaella, we try to identify and understand these mystification mechanisms and how they affect the creation of an information order; in this case, a digital order. We conclude that we are before an evangelizing discursive alignment based on mythical elements arisen from our aversion to (...) uncertainty, the energy-saving principle, and an engineering discourse guided by the urgency of profit and power. We highlight the presence of a reckless narrative that permanently repeats the urgent need for information technology and digitalization without considering side effects or costs. (shrink)

RESUMO O objetivo deste trabalho é indicar como a exploração estilística de Margaret Cavendish responde às particularidades do conceito de natureza dela, por exemplo, a tese de que a natureza é uma matéria viva, infinita, mutável e heterogênea. Primeiramente, mostrarei o modo pelo qual a autora está presente em seus escritos, como ela escreve de uma perspectiva de primeira pessoa sobre sua própria experiência e de quem ela é. Resumirei brevemente sua biografia e o contexto no qual ela praticou filosofia. (...) Dado que suas escolhas de estilo são bastante numerosas, apresentarei somente algumas poucas, entre as peculiaridades estilísticas dela. Em segundo lugar, desenvolverei uma visão geral do seu conceito de natureza, ao contrário do proposto pelas teorias mecanicistas de seu tempo. Esclarecerei que tal conceito é expresso adequadamente pela diversidade estilística à qual Cavendish se volta em suas investigações. ABSTRACT This paper aims at indicating how Margaret Cavendish's stylistic exploration answer to the particularities of her concept of nature, i.e. the thesis that nature is live, infinite, changing and heterogeneous matter. I will first show the way in which the author is present in her writings, as she writes from a first person perspective about her own experience and from who she is. I will briefly summarise her biography and the context in which she practiced philosophy. Given that her stylistic choices are quite numerous, I will only present a few of her stylistic particularities. Secondly, I will develop the general outline of her concept of nature, as opposed to the one proposed by the mechanistic theories of her time. I will make it clear that said concept is adequately expressed in the stylistic diversity to which Cavendish turns in her investigations. (shrink)

We are really just at the beginning of analysing the connection between ethics, border management and migration policies. In this framework of the debate, I would like to propose a line of analysis centred, not so much what States do in the area of migration policies but rather theorize about the behaviour toward the demand for entry by people from other States. That is, how the States behave rather than what the States do in migration policies. This analysis implies entering (...) into the field of applied ethics and taking a contextual approach. The construction of an ethical framework for the evaluation of decision-making represents a justified task in the current context of migration policies in Europe, and can contribute to the incipient debate on the Ethics of migration.This article follows five sections. In the first section the debate on the Ethics of Migration especially that concerned with the normative debate on the control of borders is introduced. In the second section, the need for using an applied ethic for analysing migration policies is justified, and, in the third section, an "evaluative ethical framework" is finally proposed. In section four, this framework and the policy-maker's information resources are presented, and in section five, the resulting ethical approaches and orientations that follows are defended. Finally, in the concluding section, the article shows the different applications of the proposed framework, viable in both the area of public policy analysis and for empirical research. (shrink)

According to Chandra Mohanty, there is no apolitical academy; academic and scholarly practices are in themselves political, insofar as they are inscribed in power and validation relations, which answer to and have effects upon the patriarchal, colonial, and capitalist structures to which they belong. In the case of philosophical writing, this means that the forms that regulate writing, that is, what determines how one must write in different contexts, are expressive of the power structures within philosophical academia. These power structures (...) are upheld through time because of, among many other factors, the rendering invisible of the diversity of places of enunciation belonging to those who write and think in philosophy, and of the universalization of the privileges associated with said places of enunciation. In this article, I propose a way of writing letters that appeals to grammatical persons and their relation to the authors of the texts. Through this writing practice it is possible to make explicit the places of enunciation from which we write philosophy. This enables, first, making visible the privileges and oppressions of those writing philosophy; and second, generating small spaces of resistance and transformation of the oppressive power relations within the philosophical academy. (shrink)

En este artículo se analizan las concomitancias entre las nociones de imaginario de Cornelius Castoriadis y de mundo interno de Hannah Arendt. Estas nociones amplían el horizonte de la política hacia una compresión más profunda del self del ciudadano. a partir de ellas, se advierte la hipertrofia de la lógica identitaria en el pensamiento occidental, debida al miedo al descontrol y la angustia ante la contingencia. El énfasis en la identidad ha dado como resultado una política idolátrica caracterizada por soluciones (...) omnipotentes. Castoriadis y Arendt descubren en su lugar una concepción más rica de la libertad al reconocer la importancia de la democracia in foro interno. Sus teorías políticas, en las que escuchamos ecos de la tradición retórica mediterránea, ponen en evidencia algunas de las ausencias y las deformaciones más graves del pensamiento occidental, perpetuadas por pensadores como Thomas Hobbes. (shrink)

En este texto exploraré la idea de que la práctica de la danza puede ser un método de investigación en filosofía. Propongo que no solo es posible hacer filosofía en movimiento, sino que además esta aproximación cinética al pensamiento permite poner en cuestión y transformar sesgos y paradigmas patriarcales y coloniales que han predominado en la historia de la filosofía. La danza nos permite experimentar nuestros cuerpos a través de, en y por el movimiento, en lugar de meramente hablar y (...) referirnos al cuerpo como un objeto (como cualquier otro objeto) y de conceptualizar sus propiedades generales. Mi tesis es que un cuerpo que piensa es un cuerpo en movimiento, de manera que, si queremos filosofar como una forma de rechazar los dualismos y privilegios arbitrarios, la danza es una forma interesante de hacerlo. Analizaré el concepto de lo viviente de Gilbert Simondon, a partir de una difracción basada en la experiencia de participar en un taller de danza de Marie Bardet, para mostrar que cuando la temporalidad y la topología de lo viviente se aclaran en la experiencia, es posible constatar las potencias de pensamiento de los cuerpos múltiples, ya no está en cuestión un cuerpo abstracto, sino un cuerpo vivido, feminizado, marcado por historias singulares. (shrink)

El pasaje de la _Física _ (218b21-219a) ha llevado a postular un concepto de tiempo deter minado por las condiciones perceptivas de la psyche. Se muestra cómo las condiciones de percepción son un punto de partida en la investigación: lo que es primero y más cercano a los sentidos y más conocido para los seres humanos. El punto de llegada es la conexión necesaria entre la existencia del tiempo y la del cambio. La percep ción del cambio de los durmientes (...) de Cerdeña permite determinar los elementos que componen la experiencia del tiempo y proceder a determinar aquellos que compo nen la existencia de este. (shrink)

Lozano-Vásquez, Andrea y Meléndez, Germán, comps. Convertir la vida en arte: una introducción histórica a la filosofía como forma de vida. Bogotá: Universidad Nacional de Colombia, 2016. 389 pp.

Having in mind the concept of poiesis, as Paul Valéry uses it, time and movement are presented as concepts produced within the project of understanding the natural world. From the idea of philosophy as a way of constructing through concepts the intelligibility of phenomena, I will show the coherence between the construction of the concept of time and that of the concept of movement.

El pasaje de la Física ha llevado a postular un concepto de tiempo determinado por las condiciones perceptivas de la psyche. Se muestra cómo las condiciones de percepción son un punto de partida en la investigación: lo que es primero y más cercano a los sentidos y más conocido para los seres humanos. El punto de llegada es la conexión necesaria entre la existencia del tiempo y la del cambio. La percepción del cambio de los durmientes de Cerdeña permite determinar (...) los elementos que componen la experiencia del tiempo y proceder a determinar aquellos que componen la existencia de este. Passage 218b21-219a of Aristotle's Physics has led to the formulation of a concept of time that is determined by the perceptual conditions of the psyche. The paper shows that the conditions for perception, that which is prior, closer to the senses, and better known by human beings, are just the starting point for the investigation. The point of arrival is the necessary connection between the existence of time and change. The perception of change in the case of the sleeping Sardinian heroes makes it possible to determine those elements involved in the experience of time and, subsequently, those that make up the existence of the same. (shrink)

The general idea that we have of artificial intelligence (AI) consists of the belief that machines will be able to develop conscious thoughts such as those possessed by human beings, and, as computing advances, such thinking will also advance until intelligence to surpass the human being, with which the advancement of AI represents ethical risks in the future. In reality, such a belief hides a cognitive assumption, which assumes that computational engineering explains human intelligence through the mind-computer metaphor. According to (...) this assumption, technology explains cognition, and philosophy, through ethics, reflects on the impact of said technology. However, in this article, I contradict such an assumption and defend that the philosophy in AI is not reduced to the ethics that is present after the use and impact of AI in the world. I intend to expose that a good ethics of AI is the one that reflects on the appropriate risks facing AI, and for this, philosophy, beforehand, must make a cognitive analysis about the possibilities that computing has to create intelligent machines, namely, whether or not the mindcomputer metaphor makes sense. My thesis consists in defending that the philosophical analysis about AI must be carried out both on a cognitive level and on an ethical level, but that the philosophical priority in the cognitive analysis over the ethical priority, since the ethical risks of AI depend of the possibilities of technology, and only the cognitive approach can account for this. (shrink)

Hannah Arendt señala que la acción de los ciudadanos dentro de una democracia participativa consiste en juzgar. El verdadero ciudadano debe estar formado en el juicio político. Cada ciudadano ejerce su participación plena a través del intercambio de argumentos que explican sus acciones. Esta facultad de argumentar dinamiza su participación política. Sin embargo, el juicio político no consiste en ejercitar el pensamiento desde el plano meramente lógico racional del entendimiento. Por el contrario, la política, al estar delimitada por la acción (...) y la palabra, acude a otros registros de la acción práctica, tales como la estética y la historia. En esta reflexión iniciamos el paso de lo estético a lo político precisando lo que entendemos por juicio reflexionante y por juicio estético y que permitirán constituir la facultad de juzgar propia de lo político. Haciendo un recorrido por la racionalidad estética que señala la relevancia de lo subjetivo susceptible de ser comunicado, la estética kantiana nos abre el camino para el juzgar político, también centrado en el diálogo intersubjetivo de intereses por negociar tan propios de un proceso democrático. Conceptos como el gusto, el sentido común, la genialidad estética del genio, bien podrían compararse con el liderazgo político capaz de atraer en el caso de la política y de suscitar el placer por lo estético, en el caso del buen gusto. (shrink)

El modelo de ser humano: homo oeconomicus, impuesto por la racionalidad económica capitalista, ha tenido en las dos últimas décadas una metamorfosis compleja, a saber, la formación de un tipo de subjetividad representada en la figura del “emprendedor” o “su propio jefe” que, desde una nueva gramática teológica, encarna un proyecto mercantil solapado y subrepticio que condiciona las relaciones entre sujetos. En razón a esto, el propósito de este texto es pensar dicha problemática desde el ejercicio hermenéutico-crítico que lleva a (...) cabo el joven Marx, para someter al análisis las categorías de culpa, deuda, sacrificio y expiación destacadas por Walter Benjamin, a la luz de la categoría esencia subjetiva de la propiedad privada que permita entender cómo el capitalismo se vale hoy de la teología y su lenguaje para continuar responsabilizando al ser humano de su pobreza, de su riqueza o su fracaso económico. (shrink)

Este artigo tem como propósito abrir o debate sobre uma ontologia do design de moda, traçando uma ontopolítica entre os designers Luisa Farani e Alexander McQueen. O método proposto é o especulativo e as interpretações nos levam a uma aproximação entre arte e moda na direção de um pensamento sobre Moda-Corpo, Moda-dispositivo.

BackgroundSchool violence and bullying are prevalent problems that affect health in general, especially through the development of emotional and behavioral problems, and can result in the deterioration of the academic performance of the student victim. The objective of this study was to determine the prevalence rates of aggressive behaviors according to types of school violence and bullying, sociodemographic characteristics, and variation by department, region, and time in the period between 2014 and 2018 in Peru.MethodsThe design was observational and cross-sectional based (...) on data from the Specialized System for Reporting Cases of School Violence in Peru, which covers a population of 23,641 students at the initial, primary, and secondary levels of Basic Regular Education [Educación Básica Regular ], for the 2014–2018 period. The prevalence rates of the different types of school violence and bullying, the sociodemographic characteristics, and the variation by department, region, and time in the period between 2014 and 2018 were estimated.ResultsPsychological violence/bullying occurred at higher prevalence rates. Women from public institutions reported greater sexual violence, mostly by teachers than by other students. The Selva region had the highest prevalence rate of sexual violence. The departments of Tacna and Piura had the highest and lowest rates of psychological/verbal violence and bullying in 2018.ConclusionPsychological/verbal violence and bullying is highly prevalent among students; women report being victims of sexual violence by administrative personnel of public institutions. The Selva region had the highest rate of sexual violence, and Piura and Tacna had the highest and lowest rates of violence and psychological/verbal bullying. Based on these results, it is suggested to conduct evidence-based prevention programs in Peruvian schools to reduce these social problems. (shrink)

Num espaço acadêmico dominado por formalismos textuales, a arte constitui se numa revolução, assim a presente expressão artística se ergue como uma forma de diálogo entre o que pode ser entendido como fazer ciência e o lugar que as artes cênicas e performáticas podem gerar quando são colocadas em jogo no corpo de uma mulher que faz perguntas incômodas, que faz uso de um discurso que poderia parecer ininteligível e que qual borboleta, faz uma metamorfose que até chega a gerar (...) surpresa e espanto nela mesma e no público. (shrink)

El presente texto desea dar cuenta, a partir de aquellos aspectos fenomenológicos de la teoría del conocimiento de Thomas Hobbes, el fundamentoy justificación de la génesis del Estado civil. Sin lugar a dudas, serán la percepción o la intuición, lo sensible, la imaginación o la memoria, el lenguaje, el movimiento, el cómputo, el deseo, el miedo, entre otros, lo que lleva al sujeto a comprender su propia naturaleza y a partir de ella, a pactar con otros sujetos cediendo sus derechos (...) naturales a un tercero para dar fin al estado de naturaleza y poder conservar su vida y vivir en paz. (shrink)

Embodied and phenomenological approaches to neuropsychiatry have proven to be promising for assessing social cognition and its impairments. Second-person neuroscience has demonstrated that the dynamics of social interaction make a difference when it comes to how people understand each other. This article presents the Perceptual Crossing Experiment (PCE) as a paradigm for studying real-time dyadic embodied interactions in the context of schizophrenia. We draw on the phenomenological concept of interbodily resonance (IR) and show how the PCE can be used to (...) accurately model and assess IR. We then turn to disembodied interaction in schizophrenia and finally propose the PCE as a translational tool for systematically assessing the hindered IR that individuals with schizophrenia suffer from. We offer an experimental approach to phenomenology which could be informative for the development of more embodied interventions aiming to remedy the profoundly disrupted social life that patients with schizophrenia live with. (shrink)

La cultura, en tanto manifestación de la actividad del espíritu en oposición a la actividad material, se ha entendido, generalmente, como expresión del progreso humano, que nos aleja de la barbarie. Adorno somete este concepto a un riguroso análisis dialéctico y descubre que la barbarie misma puede estar encarnada en la cultura, y que esta, como bien sucede con la industria cultural, puede estar al servicio de la dominación antes que al de la emancipación. Sin embargo, no renuncia a su (...) espíritu utópico. Este texto explora no solo la crítica de Adorno al concepto tradicional de cultura y su complicidad con la barbarie, sino también las indicaciones en el pensamiento del mismo autor para comprender las posibilidades emancipatorias de la cultura. (shrink)