Providing meaningful and actionable explanations for end-users is a situated problem requiring the intersection of multiple disciplines to address social, operational, and technical challenges. However, the explainable artificial intelligence community has not commonly adopted or created tangible design tools that allow interdisciplinary work to develop reliable AI-powered solutions. This paper proposes a formative architecture that defines the explanation space from a user-inspired perspective. The architecture comprises five intertwined components to outline explanation requirements for a task: (1) the end-users’ mental models, (...) (2) the end-users’ cognitive process, (3) the user interface, (4) the Human-Explainer Agent, and (5) the agent process. We first define each component of the architecture. Then, we present the Abstracted Explanation Space, a modeling tool that aggregates the architecture’s components to support designers in systematically aligning explanations with end-users’ work practices, needs, and goals. It guides the specifications of what needs to be explained (content: end-users’ mental model), why this explanation is necessary (context: end-users’ cognitive process), to delimit how to explain it (format: Human-Explainer Agent and user interface), and when the explanations should be given. We then exemplify the tool’s use in an ongoing case study in the aircraft maintenance domain. Finally, we discuss possible contributions of the tool, known limitations or areas for improvement, and future work to be done. (shrink)

In their responses to James Tully’s article “Deparochializing Political Theory and Beyond,” Garrick Cooper, Charles W. Mills, Sudipta Kaviraj and Sor-hoon Tan engage with different aspects of Tully’s “genuine dialogue.” While they seem to concur with Tully on the urgency of deparochializing political theory, their responses bring to light salient issues which would have to be thought through in taking this project forward.

Source: Author: Ombor Pereowei Garrick, Ombor Elizabeth Oshuare, Adumene Sidum This study provides a framework to holistically assess the level of passengers' satisfaction for a given ferry service based on the dominant Design/Operational, Passengers Care/Safety/Security and Environmental categorical factors that define the ferry service operations and influence passengers' satisfaction. A test case carried out for a ferry service offered by a boat operator in the Warri wharf yields a Passengers' Satisfaction Index of 3.84, indicating that the ferry service is (...) in the range of dissatisfactory and moderately satisfactory, which is in good agreement with popular opinions that the service offered by that operator does not satisfy most of the passengers' expectations. The results of the test case proved that the framework reliably and realistically predicts the level of satisfaction the passengers derived from the various segments that define the service offered by a boat operator. This study will assist passengers make informed decision about the choice of operators to patronize. It will also guide operators and regulators to identify and improve those areas of the ferry service that are pertinent to the successful operation of the ferry business. ]]>. (shrink)

The National Labor Relations Act of 1935 has been widely portrayed as an anachronistic piece of legislation that needs to be reformed or abandoned. In the absence of reform, many US labor unions try to avoid the NLRA process altogether by organizing workers outside the confines of the law. But Somos un Pueblo Unido, or “Somos,” a worker center in New Mexico, has been using a novel interpretation of the NLRA less to boost union density than to develop an alternative (...) to contract unionism. By helping nonunionized workers use Section 7 of the NLRA to act concertedly in their own defense, I argue, Somos is combating employer abuse, in the short run, and demonstrating that worker centers and their memberships may be transforming the US labor movement, in the long run. Their experiences illustrate the ability of organizations to redeploy existing institutional resources with potentially transformative results. (shrink)

This article draws on analysis of a variety of problems emerging from practical applications of Group Decision Support Systems (GDSS) to propose a fundamental evolution of decision support models from the traditional single decision-spine model to the decision-hedgehog. It positions decision making through the construction of narratives making the rhizome that constitutes the body of the hedgehog with the fundamental aim of enriching understanding of the contexts of decision making. Localized processes constructing and exploring prescriptions for action within a plethora (...) of decision spines are rooted in this rhizome. It identifies a synthesis of theories that influence decision making within organizations and proposes a comprehensive system of Group Decision Authoring and Communication Support (GDACS). In doing so it proposes that the iterative development of collective narrative within an organizing system engaged with complex decision making leads to active engagement with implementation - a process we call Collaborative Authoring of Outcomes. Throughout, the article outlines the implications for the organization of GDACS and proposes a comprehensive architecture that enables this approach. (shrink)

With only two to five slots of visual working memory (VWM), humans are able to quickly solve complex visual problems to near optimal solutions. To explain the paradox between tightly constrained VWM and impressively complex human visual problem‐solving ability, we propose several principles for dynamic VWM allocation. In particular, we propose that complex visual information is represented in a temporal manner using only a few slots of VWM that include global and local visual chunks. We built a model of human (...) traveling salesman problem solving based on these principles of VWM allocation and tested the model with eye‐movement data. Exactly as the model predicted, human eye movements during traveling salesman problem solving have precise quantitative regularities with regard to both the general statistical pattern of attentional fixations and how they vary across individuals with different VWM capacities. Even though VWM capacity is very limited, eye movements dynamically allocate VWM resources to both local and global information, enabling attention to fine details without loss of the big picture. (shrink)

Just Ecological Integrity presents a collection of revised and expanded essays originating from the international conference "Connecting Environmental Ethics, Ecological Integrity, and Health in the New Millennium" held in San Jose, Costa Rica in June 2000. It is a cooperative venture of the Global Ecological Integrity Project and the Earth Charter Initiative.

A donation paradox occurs when a player gives an apparently valuable prerogative to another player, but ‘does better’, according to some criterion. Peremptory challenges, used in choosing a American jury, permit each side to veto a certain number of potential jurors. With even a very simple model of jury selection, it is shown that for one side to give a peremptory challenge to the other side may lead to a more favorable jury, an instance of the donation paradox. Both a (...) theorem and examples are given concerning the existence of the donation paradox in the optimal use of peremptory challenges. (shrink)

This was the best-selling poetry anthology of the eighteenth century, edited by the most celebrated publisher of the era, Alexander Pope's protege, Robert Dodsley. It includes poems by Samuel Johnson, Thomas Gray, David Garrick, Lady Mary Wortley Montague, Horace Walpole, Joseph and Thomas Warton, James Thomson, Elizabeth Carter, Pope himself, and many others. The Collection of Poems is an invaluable index of literary culture in the eighteenth century, and yet despite its great popularity and influence, it has not been (...) in print for more than two hundred years. (shrink)

Com o Sensualismo criam-se condições para uma nova estética, sensível e sensacionalista, que vai transformar as diversas artes (Literatura, Pintura, Escultura) e trazer consigo novas formas de espectáculo: o panorama, a fantasmagoria e o diorama (este, já no início do século XIX). O Eidophusikon, dispositivo de criação e ampliação (sensurround) de novas imagens – um híbrido de teatro e pintura, criado por Philippe de Loutherbourg entre 1781 e 1782 –, insere-se nesse processo e, com a fantasmagoria de Robertson (no final (...) do século XVIII, em França), constitui uma das modalidades do que hoje designamos por pré-cinema. No entanto, apropriando-se das novas condições de representação e de percepção do teatro introduzidas por David Garrick em Drury Lane – que promovem a “absorção” do espectador naquilo que vê em palco –, o Eidophusikon de Loutherbourg (ele próprio, pintor) pode ser considerado um elo em processo da nova concepção de pintura de Diderot – da qual a “promenade Vernet” do Salon de 1767 constitui como que a actualização por escrito. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:In Their Father’s Library: Books Furnish Not Only a Room, But Also a Tradition ELIZABETH POWERS Although they shared close life dates and became famous in the same years for their epistolary novels, Johann Wolfgang von Goethe (1749–1832) and Fanny Burney (1752–1840) would seem to have been worlds apart literarily. (Goethe had in his Weimar library a copy of Evelina, while Burney was probably not ignorant of the Europe-wide (...) sensation The Sorrows ofYoung Werther.) What might be called their literary apprenticeship, however, was remarkably similar, consisting not of schooling in a traditional institution in which students (and, importantly, most eighteenth-century writers) were drilled in the classical curriculum, but, instead, from wide reading within the confines of their fathers’ libraries. It is true that Goethe and his younger sister Cornelia were supplied at home with a number of tutors and that their progress was monitored by their father, but their acquaintance with literature was fostered within the confines of the family home. Burney had no formal education at all. Indeed, on the appearance of Evelina, her father (according to her diary) remarked : “[S]he has had very little Education but what she has given herself,—less than any of the others!” Burney, however, had the advantage of growing up in a milieu in which books mattered. While the Goethes were eminently respectable, on the mother’s side part of what was the patriciate of the city of Frankfurt, the Burney household in London was bursting with wits and with what can only be called celebrities. The Burneys knew God and the world: David Garrick, Dr. Johnarion 28.1 spring/summer 2020 116 in their father’s library son, Hester Thrale. As Virginia Woolf noted of the famous father, Dr. Charles Burney, he was a musician “who could talk of intellectual things and ask clever people to his house.” Goethe has given plenty of evidence of roaming freely among his father’s books, a collection of 1,700 calfskin-bound volumes. When Burney went to serve at the court of King George III, Queen Charlotte was disappointed at how few books the author of Evelina possessed. (Similarities accumulate: Goethe also served at court, as minister in the duchy of Weimar.) But why cart around a load of books? As Burney wrote in her diary: “[M]y Father’s most delightful Library, as I then told her [the Queen], with my free access to it, had made [owning my own books] a thing unnecessary... ” Libraries in the eighteenth and early nineteenth century, whether private or public affairs, were not like contemporary public libraries, catering to a wide array of tastes, but were repositories of what Matthew Arnold termed “the best that is known and thought in the world.” Let’s call it the Western intellectual and cultural heritage. Most respectable homes would possess at a minimum a Bible, while the holdings in private homes, as evident in the library of Goethe’s father, could reach astounding proportions. According to Burney biographer Claire Harman, Fanny’s brother left at his death one of the finest private libraries of the age. Moreover, the antiquity of the works in the venerable libraries scattered across Europe from Dublin to Saint Petersburg, and especially their survival despite centuries of vicissitudes, was testimony to the authoritative nature of the transmission. Anyone who took the Bible in hand, who took lessons from it, adhering, for instance, to the injunctions of the Ten Commandments, was conscious of subscribing to values shared by preceding generations. Literary practitioners, also showing obeisance to authoritative predecessors, followed earlier models, in the process contributing to an evolving literary heritage. There was no purity in this transmission. It was truly promiscuous, but its quasi-biological character, like a mother’s left-handedness in a child, can be seen in the family Elizabeth Powers 117 resemblances among writers of different eras. Just as individuals perpetuate traits of their parents, so literature and the other arts recycled features of artistic predecessors. Writers as diverse in background and language and religion as Ariosto and Milton transmitted the dna, so to speak, of such epical forebears as Homer and Virgil. This sort of family legitimacy was... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XX, Number 1, April 1994, pp. 73-84 Beattie's Lost Letter to the London Review JAMES FIESER The most well known written attack on Hume's philosophy during his life was James Beattie's Essay on the nature and immutability of truth (1770). Beattie's target was Hume's Treatise and its skeptical discussions of personal identity, the origin of ideas, causality, and virtue. His Essay was highly praised and resulted (...) in a yearly pension from King George III. Hume is reported to have reacted with anger to the publication of the Essay,1 and Hume's advocates retaliated by charging Beattie with unjustly abusing Hume. One such advocate was the London Review. The last issue of the London Review contains an editorial response to a letter they received from James Beattie. The context of the London Review response indicates that Beattie's letter was to have been printed in that journal. Strangely, however, the letter never appeared. Enough detail is provided in the London Review's response to reconstruct the thrust of Beattie's letter: Beattie contends that, contrary to the London Review's accusations, he did not abuse Hume in the Essay, and that Hume's criticisms of Beattie's poetic writings were based on prejudice. The letter is important since it represents Beattie's only attempt at a public defense of his treatment of Hume, and an explanation of Hume's unfavorable reaction to his poetical writings. After presenting the London Review's "Answer," I will discuss the nature of the conflict between Beattie and the London Review, and reconstruct the key James Fieser is at the Department of Philosophy, University of Tennessee at Martin, Martin, TN 38238 USA. e-mail: [email protected] 74 James Fieser points in Beattie's letter. It will be helpful to begin with background on the London Review itself. The London review of English and foreign literature was founded in January 1775 by William Kenrick as a monthly book review journal styled after, and in competition with, the Monthly Review and Critical Review. The review lasted for twelve Volumes with its final issue in December 1780. Kenrick, born in 1725, reviewed for the Monthly Review for seven years and was himself the author of books and articles on a range of subjects. As early as 1759 Kenrick voices his praise for Hume in an article for the Monthly Review, referring to him as a "masterly writer."2 Kenrick had a reputation for maliciously and deceptively provoking disputes with other writers, including Johnson, Garrick, and Goldsmith. Unlike the Monthly Review and Critical Review, which zealously preserved the anonymity of their reviewers,3 the London Review hinted at the authorship of their reviews by providing a single initial at the close of each article. The initial "W" refers to Kenrick himself. Kenrick's son, William Shakespeare Kenrick, assumed editorship of the journal when Kenrick was taken ill in the Spring of 1779 and after his death in June 1779. The Response to Beattie's Letter The reply to Beattie's letter appeared as the final item in the July 1780 issue of the London Review under the heading "Correspondences," and under the subheading "Answer to an Extract from a Letter from Dr. Beattie." The complete reply is as follows: Having, we apprehend, done Dr. Beattie ample justice by publishing his defence, let us now be equally just to the memory of a man who can no longer defend himself. Dr. Beattie's defence charges Mr. Hume with the meanness of contradicting himself in a fit of disgust, and of being swayed by passion in pronouncing sentence upon his poetical works. Till he produces his evidence, this attack upon the established character of Mr. Hume will have but little weight with the public, who have been long apprised of his exemplary probity, and strict honour. Why should Dr. Beattie suppose that we should be misinformed by a disinterested person, and desire us to disbelieve his testimony, when he would have us believe himself, who is not disinterested? Does he wish to prove that "we believe in all unbelief?" The Dr. says, "I never had any personal pique at Mr. Hume... (shrink)

This study will explore the Enlightenment conception of the individual of reason, its attempted formulations in actor biographies, and its ultimate denial by the reality of human identity as multiple, fluid, and dialogical. Such fluidity sought to overcome the marginal status of the stage player through the embodiment of rational models of personality. Some stage celebrities, most notably David Garrick, were offering themselves as public models of identity for the new age of reasoned discourse. This involved the presentation before (...) the public of stage performers as fully realized individuals. However, the unavoidable problem was that presenting an individual, even a renowned stage star, as a living paradigm of the enlightened person of reason would prove elusive. Aside from the inherent contradiction of locating any perfected stereotype in an actual person, the qualities making an individual in full conformity to his or her “reason” did not match the particular cultural qualities demanded for a successful eighteenth-century middle-class Englishman or Englishwoman. Nonetheless, by the last quarter of the eighteenth century, significant advances were made both within the particular profession of acting and before the onstage and offstage public. The acting profession was moving quickly and for the first time in England away from its marginalized status to offer respected agents for cultural change. The new genre of actor biographies as well contributed to this more fully realized formulation of the modern individual. (shrink)

A collection of articles on the the principles of social justice from an Australian Catholic perspective. Contents: Forward (Archbishop Philip Wilson), Introduction (James Franklin), The right to life (James Franklin), The right to serve and worship God in public and private (John Sharpe), The right to religious formation (Richard Rymarz), The right to personal liberty under just law (Michael Casey), The right to equal protection of just law regardless of sex, nationality, colour or creed (Sam Gregg), The right to freedom (...) of expression (Damian Grace), The right to choose and freely maintain a state of life, married or single, lay or religious (Marita Winters), The right to education (Anthony Cleary), The right to petition government for the redress of grievances (Paul Russell), The right to a nationality (Andrew Hamilton), The right to have access to the means of livelihood, by migration when necessary (Brenda Hubber), The right of association and peaceful assembly (Michael Hogan), The right to work and choose one's occupation (Ian Blandthorn), The right to personal ownership, use and disposal of property subject to the right of others (Brian Coman), The right to a living wage (Garrick Small), The right to collective bargaining (Keith Harvey), The right to associate by industries and professions to obtain economic justice (Henrik Jurisevic), The right to assistance from society, if necessary from the State, in distress of persons and family (Catherine Althaus), Afterword (James Franklin). (shrink)