This true story explores friendship and the impact of harsh life circumstances on one's life. Vivid with self-exploration, philosophical conversation, and a surprising twist, Portrait of a Life will empower readers and leave them striving to attain peace of mind, self-worth, and the realization of happiness.

Die Reihe Islamkundliche Untersuchungen wurde 1969 im Klaus Schwarz Verlag begründet und hat sich zu einem der wichtigsten Publikationsorgane der Islamwissenschaft in Deutschland entwickelt. Die über 330 Bände widmen sich der Geschichte, Kultur und den Gesellschaften Nordafrikas, des Nahen und Mittleren Ostens sowie Zentral-, Süd- und Südost-Asiens.

Kaurna, the language of the Adelaide Plains, is an awakening language undergoing revival since 1989 (Amery 2016). Though little knowledge of Kaurna remains in the oral tradition and no sound recordings of the language as it was spoken in the nineteenth century exist, a surprising number and range of emotion terms were documented. A great many of these involve thetangka‘liver’ followed bykuntu‘chest’,wingku‘lungs’,yurni‘throat’ andyurlu‘forehead’, whilstmukamuka‘brain’ andyuri‘ear’ are involved in cognition. The role ofpultha‘heart’ is minimal. But these are not the only means (...) to talk about emotions.Muiyu‘pit of the stomach’, a more elusive term, which may or may not be located in a body part andyitpi‘seed’ are also central to emotions. These three termstangka‘liver’,muiyu‘pit of the stomach’ andyitpi‘seed’, appear to be viewed byTeichelmann & Schürmann (1840)and especiallyTeichelmann (1857)as seats of emotion. In addition, there are a range of other means to express emotion, simple verbs and interjections.This paper will discuss in detail the historical documentation, its interpretation and the ways in which this documentation is used today. In the context of re-introducing a reclaimed language, such as Kaurna, how to talk about emotions can become the topic of serious and sometimes unresolved debate. The title of a book of poetry (Proctor & Gale 1997) ended up having two translations, one involvingtangka‘liver’ and the otherpultha‘heart’. Historical phrases expressing emotions are often co-opted in names, speeches, poetry and written texts. (shrink)

There existed a tradition of mimetic experimentation in the late nineteenth century, whereby morphologists sought to scale down sublime natural phenomena to tabletop devices in the laboratory. Experimenters constructed analogs of the aurora, attempting to replicate the colors and forms of the phenomenon with discharge tube experiments and electrical displays, which became popular spectacles at London’s public galleries. This paper analyses a closely allied but different kind of imitation. Between 1872 and 1884, Professor Karl Selim Lemström (1838–1904) attempted to reproduce (...) the aurora borealis in all of its complexity atop four mountains in northern Finland. Crucially, his “artificial aurora” was to materialize at the same scale as the original phenomenon and in its natural habitat in the polar atmosphere. With his experiment Lemström hoped to uncover the workings of the aurora and the electrical currents that he believed were always present within the atmosphere; his epistemological framework was one of learning by making. This paper sheds light on the broader problem of what it meant to authentically replicate a phenomenon that remained largely enigmatic, and, most importantly, how this replication could be verified. This prompts a discussion as to whether model experiments needed only to appear visually similar to the objects they purported to imitate, were required to preserve their form, or needed to be materially identical in order to the original to be identified as legitimate “reproductions” in the late nineteenth century. (shrink)

"... if Améry’s pessimism disparages life, his humanism reaffirms it. By trying to make sense of our existence, Améry reminds us of why human life is precious." —Alan Wolfe, The New Republic "The pessimistic tone of this book is provocative and should interest students and faculty involved with issues of aging." —Choice "The writing challenges and searches, trying to cut beneath conventional language and expectations, seeking to delineate qualities of lived experience in their most essential dimensions." —Contemporary Gerontology Five profoundly (...) moving and courageously honest essays about the process of aging by the famous Belgian author of At the Mind’s Limits. Each essay covers a set of issues about growing old, from the way aging makes the old progressively see time as the essence of their existence to the argument that everyone compromises with death in old age. (shrink)

Basic Formal Ontology (BFO) is a top-level ontology used in hundreds of active projects in scientific and other domains. BFO has been selected to serve as top-level ontology in the Industrial Ontologies Foundry (IOF), an initiative to create a suite of ontologies to support digital manufacturing on the part of representatives from a number of branches of the advanced manufacturing industries. We here present a first draft set of axioms and definitions of an IOF upper ontology descending from BFO. The (...) axiomatization is designed to capture the meanings of terms commonly used in manufacturing and is designed to serve as starting point for the construction of the IOF ontology suite. (shrink)

This series helps practitioners to redefine and recreate their daily practice in ways that are healthier for both patients and practitioners. The books provide a welcome antidote to demoralisation and burn-out amongst practitioners, reversing cynicism and reviving our feeling of pride in health practice. The fifth book in this series, The Integrated Practitioner: Food for Thought, written for readers who prefer a more academic and reflective understanding of the themes of books 1-4. It incorporates the theoretical background for each of (...) the concepts discussed in the first four workbooks, giving context to, and providing an underpinning of, modern medical practice. (shrink)

This extraordinary new series fills a void in practitioner development and well-being. The books take a reflective step back from the tick-box, target-driven and increasingly regulated world of 21st century health practice; and invite us to revisit what health and health practice actually are.

The Industrial Ontologies Foundry (IOF) was formed to create a suite of interoperable ontologies. Ontologies that would serve as a foundation for data and information interoperability in all areas of manufacturing. To ensure that each ontology is developed in a structured and mutually coherent manner, the IOF has committed to the tiered architecture of ontology building based on the Basic Formal Ontology (BFO) as top level. One of the critical elements of a successful tiered architecture build is the domain mid-level (...) ontologies. However, thus far there has been no mid-level manufacturing ontology that is based on BFO. The IOF has recently released the IOF Core version 1 beta to fill this gap. This paper documents the development process and gives an overview of the current content of the IOF Core. Finally, the paper describes how the IOF Core can be used as the basis for a more domain-specific Supply Chain Ontology. (shrink)

This article suggests that, during the 1820s and 1830s, Britain experienced a mirage moment. A greater volume of material was published on the mirage in scientific journals, treatises, travel literature and novels during these two decades than had occurred before in British history. The phenomenon was examined at the confluence of discussions about the cultural importance of illusions, the nature of the eye and the imperial project to investigate the extra-European natural world. Explanations of the mirage were put forward by (...) such scientists and explorers as Sir David Brewster, William Wollaston and General Sir James Abbott. Their demystification paralleled the performance of unmasking scientific and magical secrets in the gallery shows of London during the period. The practice of seeing involved in viewing unfathomable phenomena whilst simultaneously considering their rational basis underwrote these different circumstances. I use this unusual mode of visuality to explore the ways the mirage and other illusions were viewed and understood in the 1820s and 1830s. Ultimately, this paper argues that the mirage exhibited the fallibility of the eyes as a tool for veridical perception in a marvellous and striking way, with consequences for the perceived trustworthiness of ocular knowledge in the period. (shrink)

In recent years there has been a number of promising technical and institutional developments regarding use of ontologies in industry. At the same time, however, most industrial ontology development work remains within the realm of academic research and is without significant uptake in commercial applications. In biomedicine, by contrast, ontologies have made significant inroads as valuable tools for achieving interoperability between data systems whose contents derive from widely heterogeneous sources. In this position paper, we present a set of principles learned (...) from the successful Open Biomedical Ontologies (OBO) Foundry initiative to guide the design and development of the Industrial Ontologies Foundry (IOF), which is a counterpart to the OBO Foundry initiative for the manufacturing industry. We also illustrate the potential utility of these principles by sketching the conceptual design of a framework for sustainable IOF development. (shrink)

2016 marks the 50 th Anniversary of the publication of Jean Améry’s collection of essays dealing with his experiences at Auschwitz entitled Jenseits von Schuld und Sühne: Bewältigungsversuche eines Überwältigten. Translated into English as At The Mind’s Limits: Contemplations By A Survivor On Auschwitz And Its Realities, Améry’s collection immediately set a standard for philosophical accounts of the camps that even today remains unchanged. More uncompromising than the texts of Wiesenthal, Levi, Borowski, and Wiesel, Améry’s collection philosophically explores the extreme (...) limit of the survivor’s experience in the camps as well as the ensuing trauma of living in its wake. (shrink)

Of all the terms Jean Améry might have chosen to explain the deepest effects of torture, the one he selected was world. To be tortured was to lose trust in the world, to become incapable of feeling at home in the world. In July 1943, Améry was arrested by the Gestapo in Belgium and tortured by the SS at the former fortress of Breendonk. With the first blow from the torturers, he famously wrote, one loses trust in the world. With (...) that blow, one can no l onger be certain that “by reason of written or unwritten social contracts the other person will spare me — and more precisely stated, that he will respect my physical, and with it also my metaphysical, being.” In a vault inside the fortress, beyond the reach of anyone who might help — a wife, a mother, a brother, a friend — it turned out that all social contracts had been broken and torture was possible. His attackers had no respect for him, and no-one else could or would help. (shrink)

What is the relation between philosophical categories and everyday experience? Can an effectively first-person account of an historical experience rise to the level of a philosophical argument? This essay argues that Jean Amery’s account of his sufferings under the Nazis intends to generate a justificatory argument, a transcendental deduction of sorts, for the category of ”resentment’ against its philosophical critics, most importantly, Nietzsche.

The questions of forgiveness and political justice have recently become intertwined with the “transitional justice” project, the aim of which is the coming to terms with past human rights violations. This article demonstrates that “transitional justice” is less concerned with providing justice than with achieving historical closure, moral redemption, and a “new beginning.” It proposes that justice requires a profound reflection of a political nature by introducing and discussing Jean Améry's concept of resentment. Central to Améry's view of resentment is (...) the restoration of the victim's social status and dignity, the validation of the experience of victimhood; his view therefore contrasts with the Nietzschean derogative view of ressentiment. On the basis of Améry's conceptualizations and with reference to Derrida's notions of “hiatus” and “forgiveness as impossibility,” the article problematizes the relation of ethics and politics—which the “transitional justice” project takes as given. It suggests that to theorize on justice, one needs to parenthesize the moral imagery of forgiveness and bring thirdness to the fore as the space where the identities of “victims” and “perpetrators” are established and played out. (shrink)

If truth hurts, this is no doubt because it is often enough forced on us. And the question as to whether the reception of “nice,” “easy” truths is similarly an outcome of coercion negates itself in its very formulation — we do not ask “why are things the way they are?” from a feeling of comfort; the plaintiff cry of “how, then, shall we live?” does not come to us out of a sense of security. Indeed, insofar as truth overtakes (...) us and interrupts the conventions of our lives, it occurs to us quite apart from our ordinary desires and wants. We are thus faced with a paradox: what claim can truth make on a bein g that “doesn’t need it and doesn’t care about it—since it doesn’t at all concern his needs”? When one considers that the awareness of truth is indexed to lived experience, the paradox is only heightened. (shrink)

Contemporary accounts of evil attempt to identify features or properties that transform an act of wrongdoing into an act of evil. What is missing from the discussion, however, is a phenomenology of evil that engages with the standpoint of the subject that undergoes evil. This paper discusses basic themes for a phenomenology of evil through a critical comparison between Hannah Arendt and Jean Améry’s respective conceptions of evil. Central for this discussion is a claim Arendt and Améry share: evil destroys (...) subjectivity and undermines trust in the world. Furthermore, both argue that the perpetrators of evil inhabit a distorted moral framework. They differ, however, insofar as Améry foregrounds the subject that undergoes evil, a standpoint that remains tacit in Arendt’s account. Recounting his torture by the Gestapo, Améry reveals how embodied subjects experiences evil and how it is in light of these experiences that perpetrators of evil should be understood. (shrink)

The article provides a close reading of Jean Améry’s essay, ‘Resentments’ from the perspective of temporality. Although firmly grounded in a specific historical and political context (Améry, a Holocaust survivor, reflects on the aftermath of his experiences during the war), I argue that this essay offers valuable insights into Améry’s philosophy of temporality. After establishing the context and structure of Améry’s ‘Resentments’, the article delves into a discussion of the temporal aspects found in the text: (1) Delay: the emergence of (...) resentments and their connection to trauma. (2) Eternal Recurrence: Améry’s critique of Nietzsche, along with surprising interconnections between their ideas. (3) Natural Time and Forgiveness: Améry’s critique of the temporal structure of forgiveness and the morally questionable prioritization of the future over the past. (4) Moral Time and the Irreversible: the distorted temporal structure of resentments, and Améry’s thought-provoking exploration of the phantasy of time’s reversibility. (5) The Future: Améry’s direct address to the young Germans and his unexpected suggestion on how they should treat their past and history, emphasizing responsibility rather than blame, as the key their past provides for the possibility of their future. (shrink)

Most current talk of forgiveness and reconciliation in the aftermath of collective violence proceeds from an assumption that forgiveness is always superior to resentment and refusal to forgive. Victims who demonstrate a willingness to forgive are often celebrated as virtuous moral models, while those who refuse to forgive are frequently seen as suffering from a pathology. Resentment is viewed as a negative state, held by victims who are not "ready" or "capable" of forgiving and healing. Resentment's Virtue offers a new, (...) more nuanced view. Building on the writings of Holocaust survivor Jean Améry and the work of the South African Truth and Reconciliation Commission, Thomas Brudholm argues that the preservation of resentment can be the reflex of a moral protest that might be as permissible, humane or honorable as the willingness to forgive. Taking into account the experiences of victims, the findings of truth commissions, and studies of mass atrocities, Brudholm seeks to enrich the philosophical understanding of resentment. (shrink)

Arguing beyond hasty dichotomies and unexamined moral assumptions, _Resentment's Virtue_ offers a more nuanced approach to an understanding of the reasons why survivors of mass atrocities sometimes harbour resentment and refuse to forgive. Building on a close examination of the writings of Holocaust-survivor Jean Améry, Brudholm argues that the preservation of resentment or the resistance to calls for forgiveness can be the reflex of a moral protest and ambition that might be as permissible, humane or honourable as the willingness to (...) forgive. (shrink)

This article examines the different ways in which torture can be seen to have shaped the political and theoretical outlook of Frantz Fanon and that of his enthusiastic reader, the former Auschwitz prisoner Jean Améry. Building on the latter’s suggestion that torture was the essence of the Third Reich, the reader is asked to apply that insight to an unconventional interpretation of the routinization of torture in contemporary statecraft.

Against the view that trauma cripples the survivor’s ability to account for his or her own experience, Jean Améry, a survivor of Auschwitz, argued that trauma speaks a language of its own. In this language, what may be taken as a clinical symptom, the inability to let go of a traumatic past, is actually an ethical stance on behalf of history’s victims. Améry wrote about aging in similar terms. Aging and death are an assault on the values of life, an (...) assault that Améry rejected with equal vigor, and in much the same terms, as he rejected the history that does not stop with the Holocaust. In the second case, Améry is mistaken. Aging and death, allowed to proceed at a natural pace, serve life, the succession of generations. This argument is pursued by comparing Améry’s position with that of a large group of Holocaust survivors. It may appear as if Améry’s argument about the Holocaust has little to do with his argument about aging. In fact, they are related, to the detriment of both arguments. (shrink)

This volume offers the first English language collection of academic essays on the post-Holocaust thought of Jean Améry, a Jewish-Austrian-Belgian essayist, journalist and literary author. Comprehensive in scope and multi-disciplinary in orientation, contributors explore central aspects of Améry's philosophical and ethical position, including dignity, responsibility, resentment, and forgiveness.

One of the best known and most widely accepted premises regarding the experience of pain and suffering is its singular, private nature. Pain’s violence isolates us from everything else, embedding us completely within our own suffering so that there is nothing else but pain: no world or objects, no relationship with other people, no past or anticipation of the future. An utter withdrawal. But pain’s isolating force is dual: it affects not only those who suffer, but also those who are (...) not in pain. Thus, it is precisely in pain – the exemplary state in which we need others with us to offer their help and sympathy – that we find ourselves in solitude; and it is precisely in the state of pain that we leave others to suffer alone. (shrink)

Name der Zeitschrift: Naharaim Jahrgang: 11 Heft: 1-2 Seiten: 133-165.

As the contemporary nation state order continues to produce genocide and destruction, and thereby refugees, and as the national and international landscape continues to see the existence of refugees as a political problem, Jean Améry’s 1966 essay “How Much Home Does a Person Need?” takes on a curious urgency. I say ‘curious’ because his own conclusions about the essay’s aims and accomplishments appear uncertain and oftentimes unclear. My aim in what follows, then, is twofold. First, I intend to make clear (...) the rich, suggestive, but perhaps underdeveloped phenomenological assumptions involved in this essay. Second, I want to show — but, unfortunately, only show —how these assumptions and Améry’s analysis points to a problem at the heart of contemporary conceptions of statehood, one which demands significantly more discussion. (shrink)

La obra de Jean Améry es uno de los intentos más notables de reflexión filosófica crítica y sistemática realizada por un superviviente del Holocausto. Jean Améry ejemplifica a través de su propia persona y de su escritura un _ethos_ inflexible de humanismo radical, frente a un mundo transformado por el totalitarismo en ámbito de extrañamiento. En este artículo queremos acercarnos a su pensamiento desde la perspectiva de la original teorización del resentimiento que en él se desarrolla. Una reflexión sobre la (...) condición humana y sobre la exigencia de justicia y reparación entendida como ontología negativa de la condición humana y como una moralidad que teoriza el futuro como una suerte de imposibilidad. (shrink)

That the question of identity takes on a sense of urgency, one with its own possibilities and impossibilities, the moment that identity is bound up with death, is hardy surprising. What follows are a series of reflections on the question of identity, Jewish identity, raised by Jean Améry’s remarkable text On the Necessity and Impossibility of Being a Jew. Améry’s text was of course published in the wake of his own experiences as an active member of the resistance, as having (...) been imprisoned in Auschwitz and as the victim of torture. Philosophically, rather than biographically, if there were a point of comparison, then it is to Levinas’s 1947 text Etre juif. Both pose the problem of how the question of Jewish identity, Jewish being, is to be understood in the wake of the Shoah. The meaning of the formulations - Jude zu sein, Jude sein, Etre juif, Jewish being – delimits the question to be addressed. This will be the case even if its point of address, namely what the question stages, is itself far from straightforward. Moreover, while what is demanded within that question is itself philosophically important, it is equally the case that the question of Jewish being is at work within both communities and synagogues across the Jewish world. As a consequence it is as much a philosophical question as it is one that has a structuring effect on how Jewish survival is conceived. How survival is understood is an issue that continues to exert its force. Who is the subject of survival? What is the subject of survival? Who or what has been subjected to the issue of survival? Survival is both more nuanced and complex than the brute fact of an afterlife. Jewish being as a present question – a question of the present - continues therefore. (shrink)

Does atrocity age? What I mean to ask is, does time heal wounds that were genocidal or otherwise broad, deep, and caused by a fatal combination of human depravity and widespread indifference? Jean Améry famously refused to let the past be past in his essay “Resentments.” He argued that even if, with regard to the Holocaust, logically speaking, what happened is in the past, there is no moral sense to that. Morality requires of us that we refuse to let the (...) past be whenever we are faced with a past that should have been otherwise. For him, writing 20 years after he was freed from the camps, time had not healed all wounds. Atrocity was not aging gracefully. (shrink)

Jean Améry, superviviente de la Shoá, experimentará durante dos décadas la clausura de la palabra, como consecuencia traumática de la violencia y la tortura padecidas. Desde mediados de los años sesenta hasta su muerte, Améry se ocupará ensayística y literariamente de la destrucción infligida a él. Su empresa narrativa será el esfuerzo titánico por subvertir el “topos de inaplicabilidad”, asociado con el recuerdo del dolor extremo, determinante para su condición de víctima, mediante la palabra. una palabra capaz de devolverle –siempre (...) de modo parcial y subsidiario– la condición de sujeto. Sin embargo, la experiencia del dolor será inaprehensible, subsumida por el tiempo en la etérea forma de una abstracción. La memoria se revela a Améry como incapaz frente a la substancia del dolor, tan solo asequible a recurrentes escenas de penosa claridad para la visión. (shrink)