Characterizations of philosophy abound. It is ‘the queen of the sciences’, a grand and sweeping metaphysical endeavour; or, less regally, it is a sort of deep anthropology or ‘descriptive metaphysics’, uncovering the general presuppositions or conceptual schemes that lurk beneath our words and thoughts. A different set of images portray philosophy as a type of therapy, or as a spiritual exercise, a way of life to be followed, or even as a special branch of poetry or politics. Then there is (...) a group of characterizations that include philosophy as linguistic analysis, as phenomenological description, as conceptual geography, or as genealogy in the sense proposed by Nietzsche and later taken up by Foucault. (shrink)

By addressing specific global problems and placing them within an ethical context, "The Environment in Question" provides the reader with both a theoretical and practical understanding of environmental issues. The contributors are internationally known figures drawn from the various disciplines which bear upon these issues, such as geography, psychology, social policy, and philosophy. The contributions range from those tackling individual concrete issues to those addressing matters of policy, principle and attitude. "The Environment in Question" is designed as a text for (...) students of philosophy, environmental science, environmental education, ecology, and teacher education. It can be used as an inter-disciplinary, self-contained course book or in conjunction with relevant material. In addition, as the essays directly and controversially address current environmental debates in a non-technical manner, it is of great interest both to professionals in those areas and to readers who care about the planet's future. The substantial cross-section of concerns and approaches will enable all readers to develop the necessary level of understanding required to initiate and sustain debate on environmental issues. Contributors: Robert Allsion, David E. Cooper, Barry S. Gower, F. G. T. Holliday, C. A. Hooker, Mary Midgley, Philip Neal, Joy A. Palmer, Robert Prosser, Holmes Rolston III, Mark Sagoff, Vandana Shiva, Stephen Sterling, Rosemary J. Stevenson, Jennifer Trusted. (shrink)

‘Reactionary modernism’ is a term happily coined by the historian and sociologist Jeffrey Herf to refer to a current of German thought during the interwar years. It indicates the attempt to ‘reconcil[e] the antimodernist, romantic and irrationalist ideas present in German nationalism’ with that ‘most obvious manifestation of means–ends rationality … modern technology’. Herf's paradigm examples of this current of thought are two best-selling writers of the period: Oswald Spengler, author of the massive domesday scenario The Decline of the West (...) in 1917 and, fifteen years later, of Man and Technics, and Ernst Jünger, the now centenarian chronicler of the war in which he was a much-decorated hero, whose main theoretical work was Der Arbeiter in 1932. The label is also applied by Herf to such intellectual luminaries as the legal theorist and apologist for the Third Reich, Carl Schmitt, and more contentiously Martin Heidegger. At a less elevated level, reactionary modernism also permeated the writings of countless, now forgotten engineers, who were inspired at once by the new technology, Nietzschean images of Promethean Übermenschen, and an ethos of völkisch nationalism. (shrink)

This paper defends the description of Buddhism—by Schopenhauer and many other nineteenth-century figures—as pessimistic. Pessimism, in the relevant sense, is a dark, negative judgment on the psychological, social, and moral condition of humankind and the prospects for its amelioration. After discussing texts in the Pali canon that provide prima facie support for the charge of pessimism, two familiar responses are considered. One emphasizes the positive aspects of the human condition recognized by the Buddha; the other emphasizes the prospect held out (...) by him for the cessation of dukkha. It is argued that neither response is persuasive—not least because of a failure to appreciate the gulf between ordinary “worldling” existence and that of the arahant or enlightened person. A final section discusses the description of the arahant as “transcending the world” and the human condition. If correct, this supports the charge of pessimism. This is because pessimism is a claim about the human condition, about our being-in-the-world, and cannot therefore be refuted by the prospect of a mode of being that transcends this condition. (shrink)

This essay charts the author’s philosophical journey from schoolboy enthusiasms for Sartre, Plato, and Buddhism to the equally intercultural themes of his writings over the last few decades. It tells of his disillusion with the dominant style of philosophy in 1960s Oxford and of the liberating effect of working for three years in the USA. The author relates the revival of his interest in Existentialism and how his reading of Heidegger led to an increasing appreciation of Asian traditions of thought. (...) The essay explains why it is important for philosophers to be acquainted with non-western traditions. This importance is illustrated by the ways in which the author draws upon various world philosophies in his recent writings on, for example, mystery, our relationship to nature, and the significance of beauty. (shrink)

Throughout the twentieth century, aestheticians and art theorists declared the 'death' of beauty as a serious, meaningful concept for aesthetics and art practice. Such declarations are better understood as polemical provocations, making their obituarism premature. Careful attention to the writings of those cited testify to the persistence of beauty, albeit in new, 'difficult', 'challenging' forms. Beauty persists, taking on new forms and inflections.

A subtitle for this paper might have been ‘The ugly face of Verstehen ’, for it asks whether the theory of Verstehen has, to switch metaphors, ‘dirty hands’. By the theory of Verstehen, I mean the constellation of concepts—life, experience, expression, interpretative understanding—which, according to Wilhelm Dilthey, are essential for the study of human affairs, thereby showing that ‘the methodology of the human studies [Geisteswissenschafteri] is … different from that of the physical sciences’ :1 for in the latter, these concepts (...) have no similar place. Even critics of Dilthey tend to agree that his heart, if not his head, was in the right place: that Verstehen was designed as an antidote to ‘dehumanizing’ attempts by positivists to reduce the categories used in explaining human behaviour to just those equally operative in the physical sciences. As Dilthey himself put it, ‘there is no real blood flowing in the veins’ of human beings as examined by the positivists and their precursors: they do not treat of ‘the whole man’. The idea of Verstehen, it seems, is doubly humane: a humanizing approach to the humane studies. (shrink)

It is by now something of a cliché of Green discourse that environmental degradation and devastation is grounded in a sharp opposition – the legacy, it is often charged, of Christian metaphysics – between the human and the non-human, between the realms of culture and nature. If one is to understand, let alone endorse, the very general environmentalist ambition to dissolve the dualism of the human and the non-human, it is by questioning rather more tractable and particular dichotomies, like that (...) between art and nature appreciation, where it would seem wise to begin. (shrink)