American philosophical realism developed in two forms: “new” and “critical” realism. While the new realists sought to ‘emancipate’ ontology from epistemology and defended a direct theory of perception, the critical realists promoted a representationalist account of perception and thus argued for an epistemological dualism. Bertrand Russell’s early philosophical writings figured prominently in both of these American realist camps. However, while the new realists quite enthusiastically embraced the Russellian analytic style of reasoning (and Russell himself appreciated the (...) American new realists as anti-idealist allies), the critical realists were significantly more reserved toward Russell’s point of view. In the present paper, I identify the reasons for this difference in reception. In particular, I will show that the critical realists’ reservations pertained primarily to a more traditionalist—‘continental’—account of philosophy, whereas the neo-realists proved instrumental in setting the stage for later full-blown analytic philosophy in the United States. (shrink)

Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as (...) the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scéne as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal's major contributors and theorists Godard, Truffaut, Rohmer, Rivette, Chabrol were to become same of France's most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have far the most part never appeared in English until now. Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whale. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film. (shrink)

This paper examines Ralph Barton Perry's analysis of the ‘ego-centric predicament’. It will be shown that Perry convincingly argued against prevailing contemporary versions of idealism and that it makes perfectly good sense to consider him a precursor of subsequent trends in American analytic philosophy. Perry's appraisal and promotion of the contemporary logic of relations in the framework of early twentieth-century American neorealism provides further evidence of his being a proto-analytic philosopher. His personal acquaintance with Bertrand Russell proved instructive (...) in this regard. On the whole, Perry's distinctive approach to philosophy was instrumental in establishing the analytic style of reasoning in the United States. This paper is devoted to substantiating this claim. It is thus hoped that a clearer picture of early twentieth-century American philosophy will begin to emerge. (shrink)

American History X (hereafter AHX) has been accused by numerous critics of a morally dangerous cinematic seduction: using stylish cinematography, editing, and sound, the film manipulates the viewer through glamorizing an immoral and hate-filled neo-nazi protagonist. In addition, there’s the disturbing fact that the film seems to accomplish this manipulation through methods commonly grouped under the category of “fascist aesthetics.” More specifically, AHX promotes its neo-nazi hero through the use of several filmic techniques made famous by Nazi propagandist Leni (...) Riefenstahl. Now most critics admit that, in the end, the film claims to denounce racism and attempts to show us the conversion of the protagonist to the path of righteousness, but they complain that nonetheless the film (perhaps unintentionally) ends up implicitly promoting the immoral worldview it rather superficially professes to reject in its final act. This charge of hypocrisy is connected to another worry: the moral conversion in the film is said to fall flat because the intellectual resources on display to support the character’s racism are not counterbalanced by equally explicit (but superior) arguments for the anti-racist position ultimately embraced by the character. In other words, just as the devil is said to get all the good lines in Milton’s Paradise Lost, in AHX the racists get all the arguments. This has been taken to be a morally problematic flaw of the film. Critics lament that Derek’s conversion seems to result not from relevant logical inferences and valid rational argumentation but from overly simplistic and arguably egoistic insights (e.g., “has anything you've done made your life better?”) combined, perhaps, with a hackneyed cliché (in prison, one of his best friends is a black person!) In this paper I’ll attempt to rebut these charges and defend the film as a powerful, and powerfully moral, work of art. I’ll be suggesting that the seductive techniques employed allow for many viewers a degree of sympathy towards the protagonist that is crucial, both for making that character’s more horrific actions especially unsettling, and also for making his eventual conversion plausible and ultimately compelling. I’ll also argue that the manner in which his conversion is presented is in fact subtler than many critics have allowed: Derek’s transformation is not artificial or implausible but is depicted as resulting from a cumulative series of emotionally powerful life events and personal engagements. It is certainly true that it is not represented in the way some would seemingly have preferred, i.e. as straightforwardly resulting from a process of gradual intellectual improvement in Derek’s reasoning on questions of race and politics. However, I’ll argue that the decidedly emotional basis of his moral evolution is both refreshingly realistic and no hindrance to accepting his conversion as rational. Finally, properly understanding the legitimacy of the emotional foundations of much moral thought will also allow us to appreciate the ways in which our initial worries about this film’s (not insignificant) ability to persuade viewers through the engagement of emotions need not, in itself, be seen as a barrier to endorsing the film as a morally praiseworthy work. (shrink)

Kuklick traces the history of philosophic thought in the United States "as typified and dominated by Harvard" from 1860 to 1930. He provides an analysis both of the thought of this period and of the development of Harvard University and its philosophy department. These two types of analyses are interwoven throughout the book, for Kuklick finds that the second type provides an important key to the interpretation that unfolds within the first type. Among the philosophers included are Francis Bowen, Chauncey (...) Wright, John Fiske, F. E. Abbot, C. S. Peirce, William James, Josiah Royce, Hugo Munsterberg, George Palmer, George Santayana, Ralph B. Perry, E. B. Holt, Ernest Hocking, Alfred N. Whitehead, and C. I. Lewis. Royce and James receive the most lengthy examination, and while there is a surprisingly unappreciative discussion of Whitehead’s position, it is followed by an unusually enthusiastic analysis of the philosophy of C. I. Lewis, whom Kuklick considers to be, "with the exception of Peirce... the most capable philosopher in the school we have studied." Though such a counterbalance to the more common tendency to slight the enduring achievements of Lewis’s philosophical insights is refreshing, even his most avid supporters might well hesitate to affirm such a view. Kuklick’s attitude toward Lewis, as well as his focus of attention on James and Royce, may be guided by a dominant theme of the book in general. One of the major philosophic threads which Kuklick uses to weave a unifying bond among many of the philosophers of this period is idealism, while the realistic strains of the philosophers involved are at best slighted, at worst distorted. James as well, of course, as Royce, is interpreted within the framework of idealism. Lewis, as heir to the debate between neo-realism and idealism as carried on by Perry and Royce, is seen by Kuklick as unsuccessfully attempting to repudiate the idealism bequeathed to him by Royce, thus representing the ultimate triumph of idealism over realism. (shrink)

The dissertation falls into two sections. Part I deals with classical pragmatist arguments against the correspondence theory of truth; Part II , with neo-pragmatist arguments against the possibility of a substantive theory of knowledge. The goal of Part I is to reconstruct and evaluate the main anti-correspondence arguments employed by the classical pragmatists and contemporary neo-pragmatists . Here we offer detailed critical and historical discussions of two arguments in particular: the comparison objection, which claims that the idea that truth is (...) a matter of correspondence with the facts leads directly to skepticism; and the constructivist or anti-realist objection, according to which the correspondence theory is tenable only if realism is defensible, and thus cannot survive the latter position's fall from grace. After considering these objections, we address what James and Dewey had to say about the nature of the correspondence relation itself, and urge that their position has been badly misunderstood by foes and friends alike. Part II deals with the misgivings neo-pragmatists have about the very idea of a philosophical "theory of knowledge." Within analytic philosophy, the most familiar and aggressive expression of this anti-epistemology attitude is Richard Rorty's Philosophy and the Mirror of Nature. However, Rorty is far from alone in declaring epistemology moribund: philosophers in both the Anglo-American and Continental traditions have been busy composing obituaries for some time now. Our primary aim in Part II is to refute two main arguments central to the neo-pragmatist anti-epistemology case: the arguments against "foundations", a heterogeneous family of four objections to the idea of epistemology as 'foundational'; and the anti-representationalist argument, according to which skepticism and epistemology itself are said to rest on an untenable representationalist conception of thought or language. (shrink)

Pierre Duhem and Jacques Maritain, influenced by positivist philosophies of science that prevailed in the late nineteenth and early twentieth centuries, adopted markedly non-realist views about the mathematical theories of the modern physical sciences. The philosophies of science they developed were a hybrid of Thomism and positivism. This paper argues that the ideas of Duhem and Maritain about the relation of the mathematical theories of modern physics to physical reality are inadequate in light of the insights modern physics has yielded (...) about the physical world. (shrink)

Pierre Duhem and Jacques Maritain, influenced by positivist philosophies of science that prevailed in the late nineteenth and early twentieth centuries, adopted markedly non-realist views about the mathematical theories of the modern physical sciences. The philosophies of science they developed were a hybrid of Thomism and positivism. This paper argues that the ideas of Duhem and Maritain about the relation of the mathematical theories of modern physics to physical reality are inadequate in light of the insights modern physics has yielded (...) about the physical world. (shrink)

This article critically engages with the work of Bruno Latour and, in particular, his book We Have Never Been Modern. Looking beyond the wit and brevity of Latour's writing, the article focuses on some of the non-innocent aspects of his vision of a non-modern world. Rather than completely rejecting the `Great Divides' between Nature and Culture, Westerners and non-Westerners, Latour is seen as only interested in erasing these major fault lines of modernity in order to draw them anew. Ultimately, Latour (...) is not asking his readers to doubt the superiority of Western science but only to understand this superiority differently — as contingent and uncertain rather than necessary and secure. Latour is not as alone as he would have us believe in bringing a non-modern world into focus and the article devotes the bulk of its attention to comparing Latour's thoughts with those governing the Euro-American discipline of international relations before and after the end of the Cold War. Latour's particular account of the non-modern condition, it is argued, corresponds well with the shift from realism to neo-realism within international relations and the replacement of bi-polarity by global technological competition as the dominant feature of the international system. Although Latour continues to be regularly attacked in the so-called `Science Wars' as an enemy of Western science, he actually joins forces with leading Euro-American security experts today in contending that the future of both `Science' and the `West' hinges on the careful monitoring and management of hybrid networks of humans and non-humans and not on uncompromising acts of `purification' as has been the strategy in the past. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviews 105 NEW RUSSIAN WORK ON RUSSELL IRVING H. ANELLIS Modern Logic Publishing I Box 1036, Welch Ave. Station Ames, JA 5°010-1036, USA A. S. Kolesnikov. cI»HJIOCOcPHJl BepTPaHa PacceJIa [Filosofija Bertrana Rassela]. Leningrad: Izdatel'srvo Leningradskogo Universiteta, 1991. Pp. 232. 3 rub. 30 kop.. Anatolii Sergeevich Kolesnikov is a relatively new name in Russell studies,.r1.a1though his book shows a deep knowledge of the material available on Russell in Russian and (...) a wide acquaintance with Russell's publications in English and in Russian translation.1 In this work, which translates as The Philosophy ofBertrand Russel~ Kolesnikov traces the evolution of Russell's "world-view", while presenting a traditional Soviet interpretation of Russell's place in "bourgeois" philosophy. This monograph presents for the first time in Russian a thorough analysis of the evolution of Russell's philosophy as the outstanding representation of contemporary bourgeois philosophy, and is the first major study on Russell's philosophy in Russian since the appearance in'1962 ofSoviet philosopher 1. S. Narskii's The Philosophy ofBertrand Russell2 Russell himself is viewed by Kolesnikov as the best representative of the bourgeois humanist, philosopher, and mathematician. The author seeks a critical understanding of the historical and philosophical sources of Russell's ideas and conceptions and of the influence which these exercised and continue to exercise on contemporary Western philosophy and science. The author's aim is to "uncover" the neo-realist empiricist direction of Russell's philosophy as it manifested itself as a condition of his scientific and epistemological thinking. As had been usual for Soviet studies of Western "bourgeois" philosophers and their philosophies, Lenin and his empiriocriticism serves as a foil for the elucidation of Russell's thought and its development. Probably the most famous example of the dialectical attack on anaI Kolesnikov is also the author of The Freethought ofBertrand Russell [Svobodomyslie Bertrana Rassela] (Moscow: Mysl', 1978). 2 The Philosophy ofBertrand Russell: Lectures for Students in the University Philosophy Faculty [Filosofija Bertrana Rassela: lekcija dlja studentovfilosofikih fakul'tov universitetov] (Moscow: 1962). In the first footnote (on p. 60) to his translation of the article on "Bertrand Russell in the Great Soviet Encyclopedia: Translation from Russian", Russel~ nos. 23-4 (1976): 60-2, Charles Haynes wrote that "Narskiy... appears to be a leading Soviet writet on Russell's philosophy." In fact Narskii wrote extensively on philosophy of logic, for which work he is bcst known. 106 Reviews lytic philosophy revolved around the rather rough treatment accorded to A. J. Ayer when he lectured at Moscow State University in 1962. This methodology for criticizing "bourgeois idealism" has declined in recent years as a consequence of perestroika; from as early as 1987 Soviet philosophers have managed to refrain from employing this tactic in their writings (as one may readily see, e.g., from Zinaida Sokuler's recent paper on "Wirrgenstein on the Contradictions in Logic and in the Foundations of Mathematics"3). Kolesnikov's discussion of political-ideological, social and moral issues is limited to the Preface, which also presents a brief sketch of Russell's life, especially his education and the earliest of the philosophical influences at Cambridge, of course Russell's visit in 1920 to Soviet Russia and the writings that derived from that trip, especially his book The Practice and Theory of Bolshevism, and of his travels in China. Here Kolesnikov notes Russell's ties to the Fabian socialists and names in particular the Webbs, H. G. Wells and "other members representative of the bourgeois intelligentsia" (p. 5). Mention is also made here of his activism for nuclear disarmament and against the American war in Indochina, and of the essay "Why I Am Not a Christian". We are told at the very outset (p. 3) that "the name of this philosopher is widely known in our country." The remainder of the book is concerned with Russell's technical philosophy, i.e. with his work in philosophy of mathematics, logic, philosophy of language, metaphysics and epistemology. Kolesnikov divides Russell's philosophical evolution into three stages (p. 22). The "early" period (1894-1910) is the developmental stage, characterized by the influence ofneo-Hegelianism and neo-Kantianism and by the development of the conception of... (shrink)

This book is a collection of articles previously published in various literary and cultural journals. It deals with a large number of topics including “magical realism,” “auratic practice”, and “neolibidinal epistemic nostalgia”. It is enriched with words like axolotl, catachresis, interpellations, neo-Arielism, subalternism, and prosopopeic.

ABSTRACT In this wide-ranging interview Professor Douglas V. Porpora discusses a number of issues. First, how he became a Critical Realist through his early work on the concept of structure. Second, drawing on his Reconstructing Sociology, his take on the current state of American sociology. This leads to discussion of the broader range of his work as part of Margaret Archer’s various Centre for Social Ontology projects, and on moral-macro reasoning and the concept of truth in political discourse.

This chapter contains sections titled: Jurisprudential Methodology Legal Indeterminacy Descriptive Theory of Adjudication The Attack on Formalism Normative Theory of Adjudication Other Themes from Realism References.

This chapter contains section titled: Introduction Legal Indeterminacy The Core Claim of American Legal Realism Two Branches of Realism Naturalized Jurisprudence? How Should Judges Decide Cases? Legacy of Legal Realism I: Legal Education and Scholarship in the United States Legacy of Legal Realism II: Legal Theory References Further Reading.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:A Search for Unity in Diversity: The "Permanent Hegelian Deposit" in the Philosophy of John DeweyFrank X. RyanJames A. Good A Search for Unity in Diversity: The "Permanent Hegelian Deposit" in the Philosophy of John Dewey Lanham, MD: Lexington Books, 2006. xxx + 288 pp.Among the revelations of Dewey's rare moments of autobiographical reflection, none has generated more curiosity and investigative zeal than his 1930 claim to have (...) "drifted" from Hegel in the decade following his move from Michigan to Chicago in 1894. Beginning with Morton White's Origin of Dewey's Instrumentalism (1943), biographers have divided on the question of whether Dewey's later philosophy was more strongly influenced by William James's experimental psychology or F. J. E. Woodbridge's Aristotelian naturalism. Despite their differences, both approaches are essentially empirical and realistic, and thus the majority of sympathetic commentators have agreed that Dewey was a realist, albeit of a decidedly unorthodox stripe. For them the notion that Dewey retained any significant commitment to idealism, given its virtual eradication at the beginning of the twentieth century, would damage his influence and legacy.It has been something of a puzzle, accordingly, that in the same autobiographical essay Dewey alludes to a "permanent Hegelian deposit." For years Richard Rorty has claimed this differentiates a "good" Dewey committed to "social flourishing" from a "bad" Dewey prone to metaphysical dalliance. But the first systematic inquiry into Dewey's enduring Hegelianism is John R. Shook's Dewey's Empirical Theory of Knowledge and Reality (2000). Shook argues convincingly that Dewey never abandoned idealism, but rather transformed it into an experimental naturalism by doing away with both "mind-stuff" and equally noxious "things-in-themselves." In many ways James Good's A Search for Unity in Diversity is a bookend to Shook's project, though Good further differentiates Anglo-American Neo-Hegelianism from Hegel himself. According to Good, Dewey endorsed a Humanistic/Historicist interpretation of Hegel rooted in the reciprocal engagement of individuals and societies, rather than the supernatural and architectonic absolute championed by Neo-Hegelians such as T. H. Green, and F. H. Bradley. With [End Page 216] top-notch scholarship and scrupulous attention to detail, A Search for Unity in Diversity is both an excellent intellectual biography and a penetrating plea for a radical reinterpretation of Dewey's contribution to philosophy. I'll briefly sketch the historical account before addressing the more controversial claims about the "permanent Hegelian deposit."Even readers familiar with the half-dozen book-length treatments of Dewey's development will find this account refreshing and informative. Good's professional credentials as a historian shine as he recreates the rough and bustling Burlington of Dewey's youth. In the 1870s, German idealism was considered the epitome of political liberalism and progressive education, and Dewey's journey toward the "inclusive philosophical idea" of the social began in an environment swirling with the crosscurrents of Kant, Hegel, and Schelling. At the White Street Congregational Church, Lewis Barstow preached a liberal orthodoxy that was essentially "man-building" (102), and Good presents a convincing case for the likelihood that even in boyhood Dewey never viewed God as an aloof law-giver or cosmic architect, but as a process unifying the individual and the social within a natural world of unlimited potential. At the University of Vermont Dewey encountered a struggling rural college transformed into the first bastion of American transcendentalism by James Marsh, who inspired a "Burlington philosophy" that rejected atomistic empiricism for a holistic integrity of knowing and doing, facts and values, and pure and practical reasons (57–59).In noting the influence of the "St. Louis Hegelians" upon Dewey, most biographers have focused on W. T. Harris, the prominent founder of The Journal of Speculative Philosophy who published Dewey's earliest submissions and offered encouragement that led to his pursuit of graduate work at Johns Hopkins. Good augments this familiar tale with fascinating depictions of equally influential yet lesser-known Hegelians such as H. C. Brokmeyer, Denton Snider, and Thomas Davidson. At a time when European Hegelianism was polarized between, on the one hand, reactionary apologists for traditional Christianity and Prussian militarism and, on the other, radical... (shrink)

American critical realism emerged in two forms: an ‘essentialist’ version defended, with some significant divergences, by George Santayana and C. A. Strong, and an ‘empirical’ version primarily defended by Roy Wood Sellars. Both forms of American critical realism aimed at an epistemologically convincing ‘representationalist’ account of perception. However, they were divided over issues of ontology. While Santayana and Strong invoked the notion of essence in order to ontologically reinforce their epistemological conceptions, Sellars attempted a more empirical, (...) evolution-based approach. It will be argued that Sellars’s view has more to recommend it because it better explains the actual mechanism of perceptual representation. (shrink)

By creatively expanding Deleuze's concept of the time-image crystal, I productively fold together and engineer an encounter between two comparable cinematic movements otherwise separated by huge vistas of time and space. Here, I work to plicate the post-war Italian neorealist movement which Deleuze saw inaugurating the modern cinema, with a ‘postsocialist’ mainland Chinese movement that I playfully call ‘neo-realism’. The films of both historical moments formulate comparable break-away cinemas which are often considered moral or socially responsible art cinemas best (...) approached through André Bazin's ‘ontological’ film philosophy lens. By using Deleuze, however, I hope to move beyond these realist discussions to explore how both movements are also fruitfully thought in terms of introducing distinct yet analogous mental relations into the image during historical junctures defined by radically transforming psycho-geographies. Like Deleuze's discussions of neorealism, neo-realism is considered a loose impulse or mode that collectively bears witness to confusing and bewildering mental experiences from within a turbulent period of cultural, ideological and historical upheaval: which demands new ways of perceiving, thinking and acting. Without wanting to fall into a problematic auteur paradigm, I necessarily employ the films of Wang Xiaoshuai as emblematic examples of the wider impulse or trend. Indeed, Wang's films perfectly reify a new ethico-aesthetic form of Chinese cinema marked by a proliferation of new spaces, characters, experiences and narrative structures. Here, I also strive to do what Deleuze did not in his writing upon film, and explore the break-ups, breakdowns and breakthroughs in specific relation to a complex contextual web of political and cinematic ecosystems. Throughout this process I try to put Deleuze to work by using the films and context to re-interrogate and re-evaluate the time-image models as they appear within and across his Cinema books. (shrink)

It is shown that Külpe’s critical realism anticipates several elements of modern scientific realism. Furthermore, a comparison with contemporary American critical realism is drawn. On the whole, it is argued that more intensive relevant research in the future is needed.

This chapter critiques neonativist ideologies and immigration legislation through the intersecting lenses of gender, ethnicity and race, class, and immigration status. I argue that neonativist immigration legislation is persistently, though covertly, biased again women immigrants, and arguments in defense of such exclusionary legislation rest on insupportable normative assumptions concerning the proper aims of immigration policy and the rights of resident noncitizens.

Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, _Filming the Nation_ reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of (...) film images across a particularly traumatic and complex historical period, _Filming the Nation_ revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis. (shrink)

Many have wondered about the similarity in name of American critical realism and the movement of the same name begun by Roy Bhaskar. The figure of Maurice Mandelbaum complicates the relationship, not only due to his career bridging the two movements but also Mandelbaum's concern not only with traditional concerns of American critical realism (epistemology and philosophy of science) but the nature of society, the nature of social explanation, and naturalism. This volume reflects both on Mandelbaum's (...) own career and the relation of his thought to Bhaskar's critical realism. By examining Mandelbaum's commitments to phenomenology within critical realism, as well as his goal to enlighten social scientific and above all historiographical categories, it is possible to see how Mandelbaum went beyond the scientific realism of his predecessors. At the same time, a fruitful comparison with Bhaskar's and others' thought is undertaken by examining mandelbaum's solutions to the problems of the ontology of sociology and social laws, the dynamics of cultural change and the overriding master narratives that govern late capitalism. By explaining Mandelbaum's scrupulous attempt to address the horrors of the twentieth century, it is possible to appreciate his significance for the twenty-first. A timely and important book, Maurice Mandelbaum and American Critical Realism is essential reading for all serious students of critical realism and twentieth century philosophy. (shrink)

The turn of the last century saw an explosion of philosophical realisms, both in the United States and in the United Kingdom. Gary Hatfield helpfully asks whether we can impose order on this chaotic scene by portraying these diverse actors as responding to a common philosophical problem—the so-called problem of the external world, as articulated by William Hamilton. I argue that we should not place the American realism that grows out of James’s neutral monism in this problem space. (...) James first articulated his position in response to critical attacks on the methodology he had employed in his psychological research. The direct topic of these criticisms was James’s earlier claim that a scientific psychology must treat knowledge as an inexplicable theoretical primitive. If I am right, then we ought to hesitate about Hatfield’s suggestion that American realism operated inside the same problem space as the early realism of British figures like Russell and Moore. James’s neutral monism first emerged as a conception of knowledge by a psychologist, and it was designed to meet concerns about his scientific research that had been raised by other psychologists. (shrink)

This book demonstrates how legal realism offers important and unique jurisprudential insights that are not just a part of legal history, but are also relevant and useful for a contemporary understanding of legal theory.

The issue of this paper is the extent to which historicism excludes metaphysics in the contemporary revival of American philosophical pragmatism. I have isolated three types of neo-pragmatism: philosophical, theological, and religious. My theisis is that religious pragmatism is a dialectical compromise between theological pragmatism and philosophical pragmatism. William Dean is correct that Rorty’s commitment to human solidarity implies a metaphysics, for human solidarity is valuable only because natural reality is so harsh. Jeffrey Stout, though, is correct that theistic (...) naturalism is “relevant but redundant,” for God is identical to creative natural experiences. Religious pragmatism is an unjustly neglected alternative in this contemporary revival of classical pragmatism. It is a union of the naturalistic conception of religion from theological pragmatism and the non-theistic metaphysics of philosophical pragmatism. By preserving what is true in each type of pragmatism, religious pragmatism makes constructive dialogue possible. (shrink)