In lieu of an abstract, here is a brief excerpt of the content:Mobility, Portability, and PlacelessnessJoseph Kupfer (bio)Introduction: A Danger of Electronically Mediated ExperienceA few months ago I was sitting in a Chicago airport, waiting to make my connecting flight. Everywhere I looked, people were talking on cell phones, but the man across from me had gone one better. He had a cell phone and a laptop computer. He was talking on a conference call with two people who were at (...) two different locations as they edited a document that appeared on his laptop. It was a contract that they would soon e-mail to yet a fourth individual for her agreement. In the midst of the conferring, the man across from me broke from the contract to look up something on an Internet Web site. He was able to access data that was needed for the contract work. There is no doubt something astonishing and wondrous about four people hooked up, converging on a document that exists—well, where? Nowhere yet, except in that fanciful ether called cyberspace. Although we need to describe this dimension in familiar language, we realize that the term is just a metaphor. There is no space in cyberspace and no time either for that matter.The portability of information, documentation, and communication enabled the man in the airport to work with people in different places to edit a contract that they would then electronically send to a fourth person. The portability facilitated the individual's mobility since he did not have to be in a particular location to create the document and discuss it with others. The man could have been anywhere. He just happened to be in an airport. But the fact that he, and presumably his colleagues as well, could have been in a car or a park, at home or in a restaurant, rendered the actual place in which he worked—the airport—irrelevant. He did not have to pay attention to his physical environment and probably did not wish to. He was absorbed in his electronically fabricated environment comprised of information, voices, and documents. [End Page 38]As such activity becomes more commonplace, this man and the rest of us become detached from our physical surroundings. When these environments become irrelevant to what we are doing, they will lose meaning for us and we will cease to inhabit them in any meaningful way. Anywhere is nowhere. Obviously, the electronic age of cyberspace provides enormous benefits, and I do not wish to minimize its advantages or seem overly pessimistic. Rather, I wish to call attention to what we risk losing in the hope that awareness of what is at stake can forestall the loss. Just as over-reliance on air travel can undermine our sense of movement through space and the aesthetic of such movement, so too can over-reliance on virtual, electronic connections erode our connection to actual physical places. The more electronically mediated activity replaces place, the more we become dis-placed.In what follows I sketch three dimensions of loss that accompany this exciting new electronic connectedness. With loss of place, with placelessness, we are deprived of the aesthetic experiences particular places provide. Second, we lose touch—with our bodies and other people. Last, we lose a sense of place altogether. Our entire way of being in the world may undergo such a radical change that we foreclose important aspects of our humanity and with it corresponding aesthetic appreciations.Electronic Displacement, Traditional Distance Communication, and Previous Revolutions in MobilitySeveral years ago I wrote about the loss of distinctive places as a result of homogeneity in architecture. The sameness of design in restaurants, motels, sport stadiums, homes, and malls yielded a loss of regionality and locality in our built environment. But these were the result of changes within a pervasive dimension of life—architecture or the built environment. Even if the restaurant, motel, or mall looked the same as others, we nevertheless were functioning within a recognizable spatio-temporal frame. We were aware of it as such and even took some comfort in the familiarity. Americans especially liked the idea of no surprises: the Holiday Inn in Topeka, Kansas, looked and felt and smelled the same as... (shrink)

Geography and religion -- Landscape of anxiety and fear -- Chinese cosmic space and places -- European sacred space and places -- A comparison with American Indian world-view -- Similar, yet different -- Apartness -- Order -- Wholeness and completion -- Sacred state -- Violence -- Ironies of piety -- God and morality -- From amoral energy to power for good -- Rise and fall of place specificity -- Traders and pilgrims -- Religious geography; or just human geography -- The (...) aesthetic sublime : vastness, place, and space -- Space vs. local place and custom -- Unbounded vastness and placelessness -- The aesthetic sublime : transiency and the eternal -- The ethical sublime : Buddhism -- The ethical sublime : Christianity -- Falling standard -- Geography and religion : fundamental questions -- From architectural and ritual to storytelling -- Community, self, and selflessness -- Placelessness and ethereality -- Religion of fear and privilege -- True religion -- Progress -- The ultimate test. (shrink)

A transition to a sustainable future depends on mobilizing social and cultural resources associated with a re-animation of place. Taking as its basis ongoing research in Rjukan, an industrial monocultural town in Norway, the article shows how industrialized regions in a post-industrial world are in the frontline of western societies' relationship to nature and the environment. There is much potential in the restoration of human relationships to place in industrial towns, in terms of health and social and economic development, but (...) not least in terms of sustainability understood as authentic, positive and healthy self-development. (shrink)

The paper discusses the aesthetic aspects of place‑making practices in the urban environment of Western metropoles that are struggling with the progressive undifferentiation of their space and the weakening of communal and personal bonds. The paper starts by describing the general characteristics of an urban environment as distinct from the traditional vision of a city as a well‑structured entity, and in relation to formal and informal aesthetics and participatory design ideas. The author then focuses on two contrary but complementary tactics (...) for translating a space into a positively evaluated p l a ce: by dome ticating it through introducing nature into an urbanscape; and by accentuating its alienness with the example of the urban exploration movement. The growing popularity of the latter is presented in relation to the discourses related to the decline of cities and the romantic endeavours for reaching into the realm of the unknown or the uncanny in order to rediscover and enrich the unique identity of a place. The paper ends with conclusions that present the necessity for the cultivation of a multidimensional aesthetic awareness and an aesthetic engagement as a crucial issue in the complex task of endowing places with a density of meaning. (shrink)

Among the avant-garde organizations in Europe during the middle of the twentieth century, a few of them combined in 1957 to form the Situationist International (SI). This article locates relevant aspects of their theory in the increasingly visible constellation of Critical Geography and educational scholarship, both in the foundations of education and curriculum theory. After a brief introduction to the SI, a situated pedaogy is presented in past and present educational literature and is complemented with various theoretical constructs of the (...) SI. These considerations are presented to address and, perhaps, remedy a pedagogy of placelessness that appears to be prevalent in public schools today. A situated pedagogy connects the curriculum to the everyday lives of students and is interested in identity and self-formation, but also social-formation and the relationships between the two, and asks students to pay attention to their environment, and listening to what places have to tell us. It also asks students to read the world and to decode it politically, socially, historically, and aesthetically. A situated pedagogy attends to place, not only as the focus of student inquiry or academic study, but as the spaces for performative action, intervention, and perhaps transformation. As such, education moves beyond schools to their communities as students participate in remapping their material and curricular landscapes. (shrink)

ArgumentFrom 1893 to 1909 when it definitely sunk into the glacier, the Mont-Blanc Observatory (MBO) struggled to find its scientific purpose. In this article, we use recent literature on the social characterization of place to analyze this struggle. Our first goal is to investigate where the observatory may fit in the laboratory-field dyad. We investigate various kinds of conceptual “borderlands” between these places and look at the networking activities between particular knowledge production sites. We argue that part observatory, part laboratory, (...) and part field station, the place of the MBO was “heterotopic” space in Foucault's sense. We then examine the social underpinnings that led to the foundation of this observatory in the context of French Third Republic at the turn of the century. Following some of the ways the MBO was connected to other scientific sites and surveying some of its visitors' scientific practices, we finally hint at the fact that some of these practices played a part in the emergence of a regime of science production that endured into the twentieth century (astrophysical aeronautical practices, spatial stations, polar exploration, etc.). (shrink)

In this rich cultural history, Pamela Robertson Wojcik examines America's ambivalent and shifting attitude toward homelessness through a close study of film cycles from five distinct historical moments that show characters as unhomed and placeless, mobile rather than fixed: failing, resisting, or opting out of the mandate for a home of one's own. From the tramp films of the Silent Era to the Oscar-winning Nomadland in 2021, Wojcik shows how film cycles reveal a tension in the American imaginary between (...) viewing homelessness as, on the one hand, deviant or threatening, and, on the other, emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively 'unhomes' dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to the American cinema (and American story) all along. (shrink)

섬은 뭍에 비해 이동하는 데 장애가 되는 바다로 둘러싸여 있다. 섬의 이러한 공간적 특징은 변방의 변방, 소외된 공간이라는 디스토피아적 섬 인식을 강화한다. 그러면서 천연의 자연경관과 내력을 가진 특별한 공간이라는 유토피아적 섬 인식을 강화하기도 한다. 섬이라는 하나의 공간이 이렇게 차별과 배제의 디스토피아, 그리고 평등과 자유의 유토피아로 양극화된다는 현실적 모순은 헤테로토피아(Heterotopia)라는 개념으로 섬을 호명하게끔 한다. 헤테로토피아는 유토피아가 ‘부재(不在)의 공간’이라는 사실을 폭로하는 개념이기 때문이다. 이 연구에서는 그동안 차별과 배제의 디스토피아나 현실 부재의 유토피아로 존재함으로써 장소성을 빼앗기고 있었던 섬이 역설적으로 치유자원으로 소비되는 오늘날의 ‘현실 인식과 (...) 태도’를 서양 공간론의 흐름을 통해서 비판적으로 검토했다. “공간에서 장소”로, “장소에서 다시 공간”으로 옮겨오고 있는 서양 공간론 가운데서도 푸코의 ‘헤테로피아’를 통해 ‘부재하는 공간’에 대한 인식의 전환을, 르페브르의 ‘재현의 공간’을 통해서 저항적 실천의 가능성과 필요를 확인할 수 있기 때문이다. 이에 따르면 오늘날 ‘힐링의 섬’으로 주목받고 있는 제주 섬이 현실 부재의 공간이 아닌 실재 공간으로서 장소성을 확보하려면, ‘재현의 공간’이라는 측면에서 재인식되어야 하고, 이를 바탕으로 한 저항적 실천이 이루어져야 한다. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Genealogy of SilenceChōra and the Placelessness of Greek WomenAdam KnowlesIsn’t excess that which the philosopher... must bring back, within measure?—Luce Irigaray, The Forgetting of Air in Martin HeideggerAnd if I must make some mention of the virtue of those wives who will now be in widowhood, I will indicate all with a brief word of advice. To be no worse than your proper nature [phuseōs], is a great (...) honor for you; and great honor is hers, whose reputation among males is least, whether for praise or for blame.—PericlesIntroductionPhilosophy in the twentieth century is mapped upon a terrain of silence. At the turn of the century Sigmund Freud sought to translate the silent language of the unconscious, as Friedrich Nietzsche heralded an untimely voice that could not yet be heard.1 Ludwig Wittgenstein and Martin Heidegger, foundational thinkers in analytic and continental philosophy respectively, each placed silence at the core of his most influential works.2 In the phenomenological tradition, Maurice Merleau-Ponty and Emmanuel Levinas prominently thematized silence,3 while the subsequent generation of poststructuralist, [End Page 1] deconstructionist, and feminist thinkers such as Hélène Cixous, Jacques Derrida, Michel Foucault, Jean-François Lyotard, and Luce Irigaray all grappled with silence in various forms.4 Among these works, Lyotard’s theory of the differend, a term that describes an ontological gap of incommunicability, is now a standard term for addressing questions of silence, silencing, the ethics of sayability and trauma.5 Later, in queer theory, Eve Kosofsky Sedgwick’s closet became a complex synonym for many forms of silence and silencing.6Beyond this philosophical concern for silence and silencing, a number of similar themes emerged in the art and literature of the twentieth century, demonstrating both the creative and destructive force of silence.7 In literature, dramatists such as Samuel Beckett and Harold Pinter brought silence to the stage, while poets and novelists like Adrienne Rich and Virginia Woolf traced the presence of silence in language, each thematizing the power of silencing in unique ways.8 In music, John Cage famously utilized silence as an element of his compositions and filmmakers such as Ingmar Bergmann and Chantal Akerman likewise crafted silence to structure the cinematic spaces of their works.9 Silence became one of the most persistent themes of philosophy in the twentieth century, both implicitly and explicitly. Could one even go so far as to say that a certain silence haunted philosophy in the twentieth century?Amid this abundance of artistic and philosophical work on silence, “breaking the silence” became the watchword for emancipatory projects pursued by groups such as first-wave feminists, postcolonial scholars, race theorists, and campaigns for social justice.10 These emancipatory projects sought to disrupt processes of silencing by locating, recovering, and translating marginalized voices from the silencing of oppression and disenfranchisement. Though essential political interventions at the historical moment when they emerged, these projects of recovery soon met with the critique of the politics of representation best exemplified by thinkers such as Gayatri Chakravorty Spivak and Toril Moi.11 Spivak and Moi effectively argued that recovering and speaking for silenced and marginalized voices entails a further form of silencing. These critiques showed that projects of recovering silence from the archives, history, literature, art, culture, and everyday practices of living were constrained by the very concept of silence they employed. As a result, any naive politics of granting a voice and breaking silence became impossible after the 1980s. From this point onward the deconstructive critique of representation folded silence back into itself, destroying any simple binary of empowered speech and disempowered silence. Even despite this powerful deconstruction of the speech/silence binary, philosophy, to the extent that it still operates within representational schemes and a speech/silence binary, still remains haunted by the specter of silence—a silence that carries with it a deeply gendered heritage. Pursuing rigorous analyses of the manifold structures of silence and silencing remains an urgent ethical and political task for feminist philosophy. [End Page 2]This essay seeks to contribute to that task by arguing that, in order to critically engage with the many... (shrink)

This bold and lively essay is one of those rarest of intellectual achievements, a big small book. In its short length are condensed enormous erudition and impressive analytical scope. With verve and self-assurance, it addresses a broad, central question: How can we improve our understanding of the large-scale processes and structures that transformed the world of the nineteenth century and are transforming our world today? Tilly contends that twentieth-century social theories have been encumbered by a nineteenth century heritage of “pernicious (...) postulates.” He subjects each misleading belief to rigorous criticism, challenging many standard social science paradigms and methodologies. As an alternative to those timeless, placeless models of social change and organization, Tilly argues convincingly for a program of concrete, historically grounded analysis and systematic comparison. To illustrate the strategies available for such research, Tilly assesses the works of several major practitioners of comparative historical analysis, making skillful use of this selective review to offer his own speculative, often unconventional accounts of our recent past. Historically oriented social scientists will welcome this provocative essay and its wide-ranging agenda for comparative historical research. Other social scientists, their graduate and undergraduate students, and even the interested general reader will find this new work by a major scholar stimulating and eminently readable. This is the second of five volumes commissioned by the Russell Sage Foundation to mark its seventy-fifth anniversary. "In this short, brilliant book Tilly suggests a way to think about theories of historical social change....This book should find attentive readers both in undergraduate courses and in graduate seminars. It should also find appreciative readers, for Tilly is a writer as well as a scholar." —Choice. (shrink)

While logical principles seem timeless, placeless, and eternal, their discovery is a story of personal accidents, political tragedies, and broad social change. If A, Then B begins with logic's emergence twenty-three centuries ago and tracks its expansion as a discipline ever since. -/- The book treats logic as more than a tale of individual abstraction; it sees logic as also being a result of politics, economics, technology, and geography, because all these factors helped to generate an audience for the (...) discipline from the start. The book thus relates developments in logical theory to the social history of different historical periods. -/- The book defends a number of controversial philosophical theses: (1) that rationally persuasive arguments must always proceed from premises that are initially more convincing than the conclusions to be proved (a position derived from Aristotle), (2) that intuitive logical judgments, though sometimes mistaken, can also count as certain knowledge, independent of the techniques used to construct formal logical systems, (3) that Wittgenstein was mistaken in thinking that philosophy was riddled with unintelligible language and that the real problems, instead, have been ambiguity and pretentious diction, and (4) that Nelson Goodman's argument to the effect that deductive logic can be "virtuously circular" is founded on a non sequitur. -/- . (shrink)

In delineating a trajectory of human history, anthropology and other social sciences have tended to describe traditional life in particular geographic terms while leaving modem experience universal in scope. Studies of science and technology, while helping to locate and describe centers of modern practice, have less frequently explored their edges. Using a case study of the location of the primary French/european space launch site in French Guiana, this article examines technologies associated with the development of space beyond the atmosphere by (...) evaluating the impact of rockets and satellites on the construction of human space on the ground. Exploring the social significance of a modem sky and its transformation of one tropical margin into a technical center, the question of where things are becomes one of how they are defined. The modem appears less a placeless universal center and more a moving boundary, one dividing humans, nature, and technology into less stable domains. (shrink)

Literature on place makes use of concepts like authenticity and is often structured around a critique of homogeneity or placelessness. This critique is reinforced by the discourse of conservation biology with its emphasis on protecting biodiversity and condemning some non-native species. However, a common emotional response of humans, when they are displaced, is to make where they are like where they felt at home. The debate around invasive species needs careful handling for both ecological and social reasons. This paper addresses (...) a gap in that debate by taking account of the emotional involvement of humans with plants and their caring for the immediate environment through the activity of gardening. (shrink)

ABSTRACT This essay presents an alternative to interpretations of laboratories as institutions for controlled investigation of nature that are either placeless or “set apart.” It historicizes the claim by showing how the meaning of “laboratory” has both changed and diversified over the last two centuries. Originally a laboratory could be a site of organic growth or material manufacture, but it can now be a specialized domain for technological development, educational training, or quality testing. The essay then introduces some contingencies (...) of geography and gender by showing how boundaries between laboratories and other spaces—especially domestic kitchens—could be permeable or nonexistent; importantly, some spaces served as experimental laboratories without ever being designated as such. A key corollary, however, is that there were limits to this permeability: not all social spaces could be turned consensually into laboratories, and laboratory users could be intolerant of certain imported technical cultures. (shrink)

The article examines the reduction of architecture to the dimension of utility which results in placelessness. The modern redefinition of science as “knowing-making” is essential to this reduction, although it has fundamental and forgotten importance. Drawing upon Martin Heidegger’s and George Grant’s critique of technology, and the ideas of Alberto Pérez-Gómez and Charles-Francois Viel, the significance of the complex relations between theory and practice in architecture will be explored in the context of Kimberly Dovey’s notion of the cycle of lived-space. (...) A re-definition of modern “knowing-making” reveals a semioticlevel which contains new possibilities for meaningful and environmentally attuned architecture within the technological framework. I suggest “designing-building” as an alternative, understood as a process of poetic recreation of meaningful spaces. (shrink)

The migration of texts and traditions assumes that philosophy is in some way linked to its places. But this is an assumption that has not been held by the majority of philosophers. For most, philosophy is by definition placeless, concerned with ideas, and not with the circumstances of their generation. However, this version of philosophy does not take into account the lived history of philosophers themselves. Philosophers have had much to say about place, but little about their place.

This volume addresses how spatialized identities, belongingness and hospitality are interrogated in British and Irish contemporary art (painting, installation, video, photography, new public art) at a time when economic and political crises tend to encourage individual or exclusive usages of space. It sketches a cartography of encounters encompassing the home, the neighbourhood, the village or city, and the nation. Artists interrogate how intimacy is both facilitated and threatened by spatial devices, how space fashions our perception of gender, social or ethnic (...) identity and activates power relations. They explore the need for a home or a homeland and the various forms exile or placelessness can take. They may also take part in the restoration of the Commons and the constitution of alternative communities. Whether the analyses focus on the private sphere (in urban, suburban or rural contexts), or on shared communal spaces, they ponder the mechanisms of inclusion and exclusion at work in human encounters and shed light on how artistic apparatuses make the tensions between openness to the other and rejection or withdrawal perceptible. The approach, borrowing from art history as well as anthropology lays emphasis on context, situationality and field work; it proposes to repoliticize relational art and concludes on the dialogical positionality which lies at the core of art. (shrink)

This article explores the central themes in Mohsin Hamid’s Exit West (2017) by focusing on the complexities of finding oneself placeless and seeking refuge in an unwelcoming global world with porous borders. It examines different aspects of the experience of time, such as transience and waiting, by drawing on postcolonial and refugee studies and theoretical approaches to vulnerability, time, and being. Set in an unnamed city in an unnamed country on the verge of war, Hamid portrays the shattering of (...) everyday life in the city by following the lives of Saeed and Nadia, their growing love relationship, and the impact of their subsequent escape through “magic doors” to several places of refuge on their relationship and understanding of the world. Their story is interspersed with vignettes on several secondary characters who also become refugees by being transposed through magic doors to new locations. By using magic doors and by accelerating, compressing and conflating events and times—the effect of which universalizes the theme of transience and proximity of death—Exit West exposes us to the global history of suffering and invites us to bear witness to the suffering of others and to become aware of our own finitude and the obligations our common vulnerability places on us. (shrink)

This study develops a genetic phenomenological sociology of space from the phenomenology and phenomenological sociology of space. Based on relational ontology, it argues that social space is a social relationship in genesis. An Apple walk-in store and an Apple online store are examples to illustrate the essence of social space. Any Apple store as a social space represents a set of social relations. The genetic phenomenological sociology of space in both store types includes two parts: first, the social ontology of (...) space, that is, ‘being-in-the-Apple-store’ or ‘being-in-the-Apple-online-store’; and second, the social epistemology of space, that is, the act of ‘encountering’ in either store. Examining the existence of space ontologically and the mode of existence epistemologically clarifies that the actual ‘meaning’ of social space, an Apple store or an Apple online store in this study, emerges through the act of encountering. Three characteristics of encountering are placelessness, ‘de-distancing,’ and mediation. (shrink)

How has sociology framed places of knowledge production and what is the specific power of the laboratory for this history? This article looks in three steps at how sociology and Science and Technology Studies (STS) have historically framed the world as laboratory. First, in early sociology, the laboratory was an important metaphor to conceive of sociology as a scientific enterprise. In the 1950s, the trend reversed and with the emergence of a ‘qualitative sociology’, sociology was seen in opposition to laboratory (...) work. With the ascent of laboratory studies, the laboratory perspective was again applied to many fields, including sociology itself. Based on a definition of a laboratory as aiming at placeless knowledge and being inconsequential this article argues that the two waves of laboratorization were metaphorical and did not really turn the world into a laboratory. Instead, two alternative concepts, those of the unilatory and the locatory, are proposed to gain a more precise understanding of some of these metaphorical uses of the term ‘laboratory’. (shrink)

In the late 19th and early 20th centuries, more than 4 million Italians migrated to the United States of America (U.S.), which they regarded as a utopia. The film _The Legend of 1900_, which was inspired by Alessandro Baricco’s monologue _Nocecento_ and directed by Giuseppe Tornatore, tells the story about the genius pianist 1900, an orphan, who is fostered by Danny, a black coalman in the boiler room of an ocean liner, and whose parents are presumably Italian immigrants. Due to (...) immigration law, 1900, a man with neither identity, visa, nor legal papers, cannot legally set foot on American soil. As a genius pianist, his existence is nothing more than that of musician—an entertainer to passengers on the gigantic trans-Atlantic liner Virginian, the only place he is permitted to live. According to Michel Foucault’s notion of heterotopia, a ship is “a piece of floating space, a placeless place”—a vessel transporting people to the land of their dreams. However, 1900, who has no legal status, will never arrive in utopia aboard Virginian. He can only construct a heterotopia—a mirror of utopia—so that it to him is a utopia. In the eyes of the law, 1900 is a legally non-existent person on Virginian, a placeless place. However, it is this lawless heterotopia and isolation that create a genius. In this paper, I illustrate how Virginian, as a place outside the law of land, metaphorically gives birth to a pianist, 1900, and why 1900 at the end chooses not to leave the ship, while also discussing the meaning behind the film and the relationship between law and space. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:World Alienation in Feminist ThoughtThe Sublime Epistemology of Emphatic Anti-EssentialismBonnie Mann (bio)The earth is the very quintessence of the human condition.Hannah ArendtWe are tied to place undetachably and without reprieve.Edward CaseyThe alliance between feminism and postmodernism1 in the American academy has brought about a revolution in feminist epistemology. The early feminist epistemology of unmasking, of sorting through appearances to get to the real underneath, has been discredited as "essentialist."2 (...) Feminist standpoint epistemology was an attempt to respond to this accusation by using social location as a "standpoint" from which at least local and situated knowledge could be articulated.3 More recently, many feminists have taken on the epistemology of the simulacrum. Here "the real" plays a part only as that which dissolves into the appearances themselves. Behind the appearances, if there were such a place, would be only an abyss of absence.With this revolution in feminist epistemology comes a wholesale displacement [End Page 45] of the feminist project. Others have argued that the feminist political project is displaced in the alliance with postmodernism.4 On my view, the epistemological and political displacements accompany and instantiate an even deeper level of dispossession. The ultimate price we pay for the feminist alliance with postmodernism may well be a material displacement, in which we are dispossessed of our ability to inquire into and articulate our relationship to the earth itself. We find this planet we inhabit, this physical place that sustains us moment by moment, to be effectively shut out of what now passes as "good" feminist inquiry.In 1958, Hannah Arendt wrote already of "the advent of a new and yet unknown age," marked by world-alienation, a "twofold flight from the earth into the universe and from the world into the self" (1958, 6). The "unknown age" has now been named. Postmodernity takes this flight one step further than Arendt foresaw, however, and even folds the universe and the self into discourse. World-alienation has taken the form of the self-enclosed universe of the text. Our sojourn in the world of signs is so paradigmatic of "the postmodern condition," that asking the question of our relationship to the physical planet we inhabit seems naive and nostalgic. Anything we might say about the earth, after all, is already in language, already bound up in discourse. To speak of an "earth" or "nature" that exceeds discourse is to find oneself locked, even so, within discourse. Having lost our belief in the referentiality of language, in the relation between words and things, we are stuck with signs that refer only to other signs.A capitulation to our very real physical and phenomenological experience of world-alienation finds here its theoretical form. We give in to placelessness. As Edward S. Casey writes, "To say 'I have no place to go' is to admit to a desperate circumstance. Yet we witness daily the disturbing spectacle of people with no place to go: refugees from natural catastrophes or strife-torn countries, the homeless on the streets of modern cities, not to mention 'stray' animals. In fearing that 'the earth is becoming uninhabitable'—a virtual universal lament—we are fearing that the earth will no longer provide adequate places in which to live. The incessant motion of postmodern life in late-capitalist societies at once echoes and exacerbates this fear" (Casey 1993, xiii). Intellectually, we find ourselves in equally desperate circumstances, trapped as we are inside a language that can refer only to itself. This self-enclosure becomes a kind [End Page 46] of no place, a world-alienated space without place,5 and feminist thinking is set adrift from the physical places that give feminist thinkers our moment by moment sustenance. In its alliance with postmodernism, feminism has capitulated to the placelessness that so marks our phenomenological experience at the turn of the millennium.6Yet we inhabit this planet. Faced with its destruction we are compelled to make sense of our relationship to it and to act to save it. A feminist philosophy that turns its back on the earth embraces, rather than contests, the world-alienation of which Arendt spoke. Yet our alienation... (shrink)

In a 1986 article, "Third World Literature in the Era of Multinational Capitalism," Fredric Jameson concludes his study by contrasting the "situational consciousness" of first and third worlds in terms of Hegel's master/slave dialectic. On Hegel's theory, the slave "whats what reality and the resistance of matter really are" while the master "is condemned to idealism. Elaborating on this analysis, Jameson writes: "It strikes me that we Americans, we masters of the world, are in something of that very same position. (...) The view from the top is epistemologically crippling, and reduces its subjects to the illusions of a host of fragmented subjectivities ... This placeless individuality, this structural idealism which affords us the luxury of the Sartrean blink, offers a welcome escape from the 'nightmare of history,' but at the same time it condemns our culture to psychologism and the 'projections' of private subjectivity. all of this is denied to third world culture, which must be situational and materialist" (Jameson 1986, p. 85). This passage strikes me as providing a useful opening to discuss the relationship between modern Western philosophy and the new Philosophy of Liberation which has emerged above all from Latin America. One of the insights of the Philosophy of Liberation is that Western Philosophy is the philosophy of the center, of the metropoles, of white European males. Its concepts, problems, and problematics are identified with philosophy itself and other perspectives, other positions, are condemned to the margins (Dussel, pp. ). On this view, Western Philosophy is the philosophy of the masters of the world, of the dominant countries, cultures, and class. Is the Philosophy of Liberation, then, -- pursuing Hegel's master-slave metaphor --the philosophy of slaves, of the dominated, of the oppressed and if so what particular insights does this perspective reveal that is lost to western philosophy.. (shrink)

In this article I intend to explore one possible way of using place to rethink nature, the relationship between humans and nature, and the implications for education. The elucidation and discussion of the sense of place will reveal that there are profound and superficial or, placeful and placeless, senses of place. This paper examines the possibilities of thinking nature based on this particular sense of place. The profound sense of place, in the light of Jeff Malpas, Marcel Proust, and (...) David Henry Thoreau, can provoke in us an awareness of care about the place. If the nature can be sensed as placeful to individuals, as this paper will argue, it would be very possible for individuals to care about and be committed to the conservation of the nature. (shrink)

Studios resist reductive analyses. Although isolated, they have their own frontstages and backstages, and like the laboratories studied by Knorr-Cetina, function as more than simply “internal environments.” The placeness of studios leaves both audible traces (the early reflections of sounds) and visible ones, if we think of those studios that become shrines or pilgrimage sites, or photo or video documentation of studios that provide the outside world a brief glimpse into the interior isolation of recording studio life. It would seem (...) that major facilities such as Abbey Road, Ocean Way or Sun Records are emphatically not “placeless place[s]” (Gieryn 2008), nor are they decontextualized from their immediate geographic surroundings. -/- Although atomized project studios (including bedroom studios, garages, and barns) may not immediately appear to be embedded within the social relations of a bounded local culture, many such studios are embedded within the social relations of specific online networked cultures,20 as is evinced by the vibrant online recording engineer communities that support everything from amateur acoustician pedagogy to advanced mixing techniques and even online mixing/remixing competitions. Such studios can be considered as “local anchoring points in the cultural metropolises of the global urban network” (Watson, Hoyler and Mager 2009). Knorr-Cetina (1992) suggests something similar when she discusses how laboratories function not just as “internal environments” but rather as “a link between internal and external environments, a border in a wider traffic of objects and observations”. Like their larger counterparts, project studios are acoustic environments isolated from various perceived outsides, use the very same technologies of audition to make up for the constrained paths of audibility, and similarly shape the kinds of musical and social practices that can transpire within (even if this shaping process effectively restricts the studio’s usage to a single musician at a time). I argue that the more we wish to understand the vibe and sound of the studios, the more we may wish to consider the studio as an active agent in the process of recording production, an actor in the social worlds that inhabit its very wombs and bunkers. (shrink)

The failure of post-war institutions to fully grasp the depth and permanence of the placeless condition in the twentieth-century is at least in part responsible for the re-emergence of camps, barbed wire, sunken boats, and separated children in our own. As Seyla Benhabib demonstrates brilliantly, none of key intellectual exiles at the center of her book believed that political thought could simply accommodate the age of the refugee: the terms under which it operated had to shift with the moving (...) world. I argue that there is an important kind of border poetics at work in these accounts of exile, migration and statelessness and within Benhabib’s analysis of the challenges that the placeless condition presents to the institutions of law and democracy today. This is no-coincidence. The modern history of placelessness required—and requires—a political imagination, and a language, that we are yet to fully appreciate or articulate. The wager of Benhabib’s book is how we might cultivate a poetics of exile which relinquishes claims to sweeping universalism whilst imagining the new forms we so urgently need to keep political life open to the differences and otherness that is its lifeblood. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:ENVIRONMENT, SPACE, PLACE / VOLUME 13 / ISSUE 2 / 2021 142 Mathewson, Tom Mels, Theano S. Terkenli, Tim Waterman, Claudio Minca, MichaelJones,KennethR.Olwig,“TheMeaningsofLandscape:EssaysonPlace,Space, Environment and Justice,” The AAG Review of Books 7, no. 4 (2019): 291–­304. 11. Linde Egberts, Review of The Meanings of Landscape: Essays on Place, Space, Environment and Justice by Kenneth R. Olwig. Tijdschrift voor economische en sociale geografie 111, no. 2 (2020): 199–­200. The Sprawl: (...) Reconsidering the Weird American Suburbs BY JASON DIAMOND Minneapolis: Coffee House Press, 2020 REVIEWED BY JULIE WILHELM JasonDiamond’sTheSprawl:ReconsideringtheWeirdAmericanSuburbs provides an often fascinating and meandering trip through American suburbs of the past and present. Diamond, who lives in Brooklyn but grew up in the suburbs of Florida and Illinois, explores the suburbs through both his own experiences and the experiences of the creative and everyday individuals he profiles. “The Sprawl,” a title drawn from the speculative fiction writer William Gibson, names for Diamond the worst of the suburbs, the thoughtless piling on of chain stores and houses without attention to design or community. The subtitle calls up the best of the suburbs, which is in some ways connected to the sprawl: the creativity and weirdness that crops up without design or in refusal of the rigid designs of suburban communities. In studying the dynamic of creative expression and suburban living, Diamond provides a cultural tour of visual art, literature, music, movies, and other creative artifacts of or about the suburbs. Throughout the genres he explores, Diamond focuses on what he calls “the undercurrent of strangeness” (xvii), the creativity, passion, and possibilities that have come out of places that seem inhospitable to them. Chapters are thoroughly researched and topics are exhaustively covered: most readers will complete the book with at least a short list of music, literature, and other art to track down based on Diamond’s sometimes encyclopedic coverage. The genre of The Sprawl is uniquely hybrid. Diamond blends his- Book Reviews 143 tories of various suburbs, descriptions of art, anecdotes of his explorations of particular suburbs, and memories of his own suburban childhood to explore each chapter topic. As historian/cultural enthusiast /tour guide/friend, Diamond is warm and personable, sharing his own painful experiences as a child moving from house to house in the suburbs and ultimately leaving them for the city. Diamond focuses chapters on themes such as exclusionary practices of the suburbs, suburban “garage rock,” and the “ruin porn” of faded malls, each adding a dimension to readers’ understanding of American suburbia. A striking quality of The Sprawl is Diamond’s attention to the feelings of the suburbs and evocation of those feelings in descriptions of his own and others’ experiences. Several chapters touch on teenage anxiety, boredom, and alienation, often through the perspectives of fictional characters and artists. Chapter seven: “Mousepacks,” for instance,onculturalportrayalsandexperiencesofsuburbanteens,traces the relationship between teenage alienation and boredom, and spatial and design attributes: the inability of teenagers to get places in many suburbs since they cannot drive, the absence of cultural spaces that bring people together, the homogeny for which the suburbs are infamous, and racism evoked in texts such as Get Out. Nostalgia also pervades the book and the experiences of the author and others relating to the suburbs: the sense that, though there is nothing place-­ specific about a breakfast from IHOP or the cologne-­ scented mall of one’s childhood, it is a place-­ less experience one still longs for. Particularly poignant, chapter nine, titled “Mondo-­ Condo-­ Shopping-­ Mall-­ Hell,” opens with a description of Cecil Robert’s YouTube video “Toto-­Africa (playing in an empty shopping centre).” The video features the glossy tiled floor, lighting, and decorative plants of an empty shopping mall as Toto’s “Africa” plays from a distant mall speaker. Intrigued by Diamond’s description, I watched the video myself, which is mesmerizing in its uneventfulness, and saw that it has over three million views on YouTube. Why is this exploration of suburban banality so moving to so many? What drove Robert, who was a teenager after the heyday of the mall, nostalgic for this “placeless place”? These are some of the most compelling questions that Diamond explores. Chapter three... (shrink)

This paper examines the crowded landscape of conferences and organizations within which the International Foundation for Science (IFS) was shaped in the early 1970s. The IFS aimed to support scientists from developing countries, circumventing the bureaucracy of established international organizations such as UNESCO and the Organization for Economic Co-operation and Development (OECD). The new foundation was a potential rival to such institutions, which ironically provided the conditions essential to its emergence. Their conferences, board meetings and assemblies, where scientists and policy (...) makers convened, provided key infrastructure for the development of the IFS. This infrastructure appears simultaneously both as an almost invisible feature of international science policy, and as a political problem. The solution to this problem was Stockholm: a geographical place that was also placeless, occupying both national and international status, desirable in its political, scientific and geographical neutrality. In an organizational context, academies and scientific societies who found their role circumscribed by existing international institutions used the IFS to argue for their particular role and expertise in funding and promoting scientific development. Geographically and politically, neutral Sweden provided a setting which was located between East and West, and which added to the country's own reputation for championing the causes of developing nations. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:World Alienation in Feminist ThoughtThe Sublime Epistemology of Emphatic Anti-EssentialismBonnie Mann (bio)The earth is the very quintessence of the human condition.Hannah ArendtWe are tied to place undetachably and without reprieve.Edward CaseyThe alliance between feminism and postmodernism1 in the American academy has brought about a revolution in feminist epistemology. The early feminist epistemology of unmasking, of sorting through appearances to get to the real underneath, has been discredited as "essentialist."2 (...) Feminist standpoint epistemology was an attempt to respond to this accusation by using social location as a "standpoint" from which at least local and situated knowledge could be articulated.3 More recently, many feminists have taken on the epistemology of the simulacrum. Here "the real" plays a part only as that which dissolves into the appearances themselves. Behind the appearances, if there were such a place, would be only an abyss of absence.With this revolution in feminist epistemology comes a wholesale displacement [End Page 45] of the feminist project. Others have argued that the feminist political project is displaced in the alliance with postmodernism.4 On my view, the epistemological and political displacements accompany and instantiate an even deeper level of dispossession. The ultimate price we pay for the feminist alliance with postmodernism may well be a material displacement, in which we are dispossessed of our ability to inquire into and articulate our relationship to the earth itself. We find this planet we inhabit, this physical place that sustains us moment by moment, to be effectively shut out of what now passes as "good" feminist inquiry.In 1958, Hannah Arendt wrote already of "the advent of a new and yet unknown age," marked by world-alienation, a "twofold flight from the earth into the universe and from the world into the self" (1958, 6). The "unknown age" has now been named. Postmodernity takes this flight one step further than Arendt foresaw, however, and even folds the universe and the self into discourse. World-alienation has taken the form of the self-enclosed universe of the text. Our sojourn in the world of signs is so paradigmatic of "the postmodern condition," that asking the question of our relationship to the physical planet we inhabit seems naive and nostalgic. Anything we might say about the earth, after all, is already in language, already bound up in discourse. To speak of an "earth" or "nature" that exceeds discourse is to find oneself locked, even so, within discourse. Having lost our belief in the referentiality of language, in the relation between words and things, we are stuck with signs that refer only to other signs.A capitulation to our very real physical and phenomenological experience of world-alienation finds here its theoretical form. We give in to placelessness. As Edward S. Casey writes, "To say 'I have no place to go' is to admit to a desperate circumstance. Yet we witness daily the disturbing spectacle of people with no place to go: refugees from natural catastrophes or strife-torn countries, the homeless on the streets of modern cities, not to mention 'stray' animals. In fearing that 'the earth is becoming uninhabitable'—a virtual universal lament—we are fearing that the earth will no longer provide adequate places in which to live. The incessant motion of postmodern life in late-capitalist societies at once echoes and exacerbates this fear" (Casey 1993, xiii). Intellectually, we find ourselves in equally desperate circumstances, trapped as we are inside a language that can refer only to itself. This self-enclosure becomes a kind [End Page 46] of no place, a world-alienated space without place,5 and feminist thinking is set adrift from the physical places that give feminist thinkers our moment by moment sustenance. In its alliance with postmodernism, feminism has capitulated to the placelessness that so marks our phenomenological experience at the turn of the millennium.6Yet we inhabit this planet. Faced with its destruction we are compelled to make sense of our relationship to it and to act to save it. A feminist philosophy that turns its back on the earth embraces, rather than contests, the world-alienation of which Arendt spoke. Yet our alienation... (shrink)

Abstract:Implementing creative and sustainable urban planning initiates is rather challenging. This article argues that universities can become more relevant to underserved communities in their hinterlands by conducting town-gown citizen-science programs. Central to the article is a review of the most pertinent literature on public engagement, citizen-science, and other community based participatory methods utilized in the resolution of very complex health, social, environmental, and consumption problems. The research’s analytical mechanism is centered on the triad of Placeless, Place and Non-Place genius (...) loci of socio-spatial town-gown interventions. The curricular and pedagogical innovations identified entail the strengthening of citizen-science and design thinking in both high school and university education. (shrink)

Course Correction engages in deliberation about what the twenty-first-century university needs to do in order to re-find its focus as a protected place for unfettered commitment to knowledge, not just as a space for creating employment or economic prosperity. The university's business, Paul W. Gooch writes, is to generate and critique knowledge claims, and to transmit and certify the acquisition of knowledge. In order to achieve this, a university must have a reputation for integrity and trustworthiness, and this, in turn, (...) requires a diligent and respectful level of autonomy from state, religion, and other powerful influences. It also requires embracing the challenges of academic freedom and the effective governance of an academic community. Course Correction raises three important questions about the twenty-first-century university. In discussing the dominant attention to student experience, the book asks, "Is it now all about students?" Secondly, in questioning "What knowledge should undergraduates gain?" it provides a critique of undergraduate experience, advocating a Socratic approach to education as interrogative conversation. Finally, by asking "What and where are well-placed universities?" the book makes the case against placeless education offered in the digital world, in favour of education that takes account of its place in time and space. (shrink)

A term with myriad associations, revolution is commonly understood in its intellectual, historical, and sociopolitical contexts. Until now, almost no attention has been paid to revolution and questions of geography. Geography and Revolution examines the ways that place and space matter in a variety of revolutionary situations. David N. Livingstone and Charles W. J. Withers assemble a set of essays that are themselves revolutionary in uncovering not only the geography of revolutions but the role of geography in revolutions. Here, scientific (...) revolutions—Copernican, Newtonian, and Darwinian—ordinarily thought of as placeless, are revealed to be rooted in specific sites and spaces. Technical revolutions—the advent of print, time-keeping, and photography—emerge as inventions that transformed the world's order without homogenizing it. Political revolutions—in France, England, Germany, and the United States—are notable for their debates on the nature of political institutions and national identity. Gathering insight from geographers, historians, and historians of science, Geography and Revolution is an invitation to take the where as seriously as the who and the when in examining the nature, shape, and location of revolutions. (shrink)

Airports are crucial channels of mobility for the global citizens of the twenty‐first century. They are points of entry and exit for tourists, business persons, workers, students and of course, for some refugees as well. The scale of operations is huge ‐ international passenger travel increased twelve‐fold in the second half of the twentieth century and the vast majority of this is accounted for in air travel. In the USA alone there are two million daily airtravelers on 20,000 flights. Airports (...) are ‘placeless’ sites of temporary sojourn, air‐lock chambers for nomadic executives or sun‐seekers. But they have profound social and political significance, particularly in personal data handling. (shrink)

According to the rapid development and convergence of transporta-tion and IT technologies, we are witnessing the unprecedented ubiquity of mobility. In philosophy, the universality of movement and the motility of existence has been one of the main themes for all times and places. In particular, Zhouyi Philosophy in East Asia has long dealt with the ethical issues of human society with the weltanschauung of movement and change. In the Zhouyi texts, Yaoti(爻體) can be deemed the substance of changeability, while Yaowei(爻位) (...) construed as the substance of unchangeability enables the upward and downward mobility of Yaoti. Yaoti initiates mobility by being aware of the place as the concrete space-time of Yaowei. Put differently, Yaoti acquires the placeness of Yaowei by the reflection on the placelessness of Yaowei as well as by the relevant ethical practice. In the same manner that Yaoti comes to recognize the placeness of Yaowei, the moving subjects come to learn the meaning of the place (placeness). Moreover, in the Zhouyi text, the reflective thinking and ethical practice of Yaoti allows the changeability of divining statements, such as good or ill luck. That being the case, the changeability of divining statements is nothing but the effects of the reflective thinking and ethical practice of Yaoti. As long as the equality of mobility power and the relevant participation of citizens are the duties and rights of the communities in the mobility society, the reflective thinking and ethical practice of Yaoti in the Zhouyi Philosophy has the potential to empower the moving subjects to actualize the duties and rights of the communities. (shrink)

The aim of my proposal is to address the following question: “How the experience of interacting with a specific technology mediate our experience of the world?”. I will do this by exploring the ideas of the postphenomenological theorists: Don Ihde, Peter Paul Verbeek and Evan Selinger. Postphenomenological studies tend to focus on understanding the roles that technologies play in the relations between humans and world.I would examine the idea that technologies mediate the world in such a way that perception of (...) the self, world and environment changes. I am going to deepen the phubbing phenomenon, because it reveals the effect of technologies on social interaction. (shrink)