Barbara Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain’s material realities. In Echo Objects she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations—particularly the intricate ways that images focus intentional behavior and allow us to feel thought. This, then, is a book for (...) both sides of the aisle, a stunningly broad exploration of how complex images—or patterns that compress space and time—make visible the invisible ordering of human consciousness. Stafford demonstrates, for example, how the compound formats of emblems, symbols, collage, and electronic media reveal the brain’s grappling to construct mental objects that are redoubled by prior associations. On the other hand, she compellingly shows that findings in evolutionary biology and the neurosciences are providing profound opportunities for understanding aesthetic conundrums as old and deep-seated as the human urge to imitate, the mapping of inner space, and the role of narrative and nonnarrative representation. As precise in her discussions of firing neurons as she is about the coordinating dynamics of image making, Stafford locates these major transdisciplinary issues at the intersection of art, science, philosophy, and technology. Ultimately, she makes an impassioned plea for a common purpose—for the acknowledgement that, at the most basic level, these separate projects belong to a single investigation. (shrink)

Erich Neumann (1905-1960) was a student, close collaborator, and life-long friend of C. G. Jung's. He moved from Berlin to Palestine in 1934 where he endured WW11 with much distress. This provoked intense and depthful research into topics such as evil, consciousness, and creativity that would occupy his attention for the rest of his life- as well as challenge his friend's (Jung) thinking in many ways. His writings are still valuable and ever so pertinent for our understanding of human nature (...) and the changing developments that have resulted in "the eruption of the shadow and psychic chaos in today's world." (Jerome Bernstein) Eternal Echoes offers the reader an overview of Neumann's opus, which is large and multifaceted. Beginning with an introduction of Erich Neumann including a series of his active imagination watercolors, we see an intimate view into his internal process. The Jung-Neumann Correspondence examines evil as witnessed during WW11. The work Neumann focused on during this period resulted in his exploration of his own Roots of Jewish Consciousness, both Revelation and Apocalypse, and Hasidism. From there we move into an exploration of his exceptional and iconic books, The Origins and History of Consciousness, and The Great Mother, and two papers "Mass Man and the Phenomena of Recollectivation" and "Narcissism". Neumann continued his study of mythology and archetypes in Amor and Psyche: The Development of the Feminine. Later in Neumann's life, he wrote a number of books on creativity exploring its nature and source which began with his important early paper on "Mystical Man": Creative Man, Art and the Creative Unconscious, The Place of Creation. Neumann's works lead us back to our ground of being, where we live with opposites that are fiercely alive, impacting our lives and cultures. His writings are comprehensive, clear and steeped in deeply felt experiences that help to place us on firm ground. Since many of his themes and concepts are universal-beginning with archetypes, myths, and images-this book is not only pertinent to Jungian psychotherapists but anyone interested in understanding the profundity of human nature and its development. (shrink)

To a greater extent than in other technical domains, research and progress in Artificial Intelligence has always been entwined with the fictional. Its language echoes strongly with other forms of cultural narratives, such as fairytales, myth and religion. In this essay we present varied examples that illustrate how these analogies have guided not only readings of the AI enterprise by commentators outside the community but also inspired AI researchers themselves. Owing to their influence, we pay particular attention to (...) the similarities between religious language and the way in which the potential advent of greater than human intelligence is presented contemporarily. We then move on to the role that fiction, science fiction most of all, has historically played and is still playing in the discussion of AI by influencing researchers and the public, shifting the weights of different scenarios in our collectively perceived probability space. We sum up by arguing that the lore surrounding AI research, ancient and modern, points to the ancestral and shared human motivations that drive researchers in their pursuit and fascinate humanity at large. These points of narrative entanglement where AI meets the wider culture should serve to amplify the call to engage ourselves with the discussion of the potential destination of this technology. (shrink)

Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain’s material realities. In _Echo Objects,_ she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations—particularly the intricate ways that images focus intentional behavior and allow us to feel thought. As a result, _Echo Objects_ (...) is a stunningly broad exploration of how complex images—or patterns that compress space and time—make visible the invisible ordering of human consciousness. Stafford demonstrates, for example, how the compound formats of emblems, symbols, collage, and electronic media reveal the brain’s grappling to construct mental objects that are redoubled by prior associations. In contrast, she shows that findings in evolutionary biology and the neurosciences are providing profound opportunities for understanding aesthetic conundrums such as the human urge to imitate and the role of narrative and nonnarrative representation. Ultimately, she makes an impassioned plea for a common purpose—for the acknowledgement that, at the most basic level, these separate projects belong to a single investigation. “Heroic.... The larger message of Stafford’s intense, propulsive prose is unassailable. If we are to get much further in the great puzzle of ‘binding’—how the perception of an image, the will to act on intention, or the forging of consciousness is assembled from the tens of thousands of neurons firing at any one moment in time—then there needs to be action on all fronts.”—_Science_. (shrink)

This paper aims at an accurate and detailed analysis of some of the main echoes of the Latin comedy of Plautus and Terence in Morean epigrams. The fundamental Greek background from which More’s epigrams spring is somehow enriched by the Latin contributions by virtue, among other factors, of the cultural legacy of the language in which the humanist chose to write them. A contextualized analysis of the clearest echoes found allows distributing them in a general way in (...) two global types: (1) those of a more formal nature (morphological, lexical-semantic, syntactic) and (2) those that convey a debt of content, concept, or topic; it is shown that both types can occasionally be interrelated in a particular and original way. (shrink)

Jean-Numa Ducange’s recent work, La Révolution française et la social-démocratie. Transmissions et usages politiques de l’histoire en Allemagne et Autriche 1889–1934, provides an ambitious and theoretically-sophisticated analysis of the ways in which German and Austrian socialists interpreted the French Revolution from 1889 to the 1930s. Ducange shows how the different strands of Second International socialism interpreted the revolution in their own ways, and shows the impact of the Russian revolutions of 1905 and 1917 on this. His work does not only (...) focus on leading theoreticians such as Karl Kautsky, but also documents very effectively the way in which the readings of the French Revolution were disseminated widely through Social Democracy’s rank-and-file membership. It is a valuable contribution to the literature on the culture of Marxism in Central Europe in this period, as well as a rich addition to the literature on the resonance and uses of the French Revolution: the ‘echoes of the Marseillaise’. (shrink)

Echoes of No Thing seeks to understand the space between thinking which Martin Heidegger and the 13th-century Zen patriarch Eihei D ogen explore in their writing and teachings. Heidegger most clearly attempts this in Contributions to Philosophy (of the Event) and D ogen in his Sh ob ogenz o, a collection of fascicles which he compiled in his lifetime. Both thinkers draw us towards thinking, instead of merely defining systems of thought. Both Heidegger and D ogen imagine possibilities not (...) apparent in the world we currently inhabit, but notably, find possible, through a refashioning of thinking as a soteriological reimagining that clears space for the presencing of an authentic experience in the space which emerges between certainties. Jenkins elucidates this soteriological reimagining through a close reading of both authors' conceptions of time and space, and by developing a practice of listening that is attuned to the echoes that resonate between the two thinkers. While Heidegger often wrote about new beginnings (as well as about gathering oneself, preparing the site, clearings, and practicing) in preparation for the evental un-concealing of truth, nowhere is this as present as in the enigmatic, difficult, and in fact beautiful, Contributions. To call a text beautiful, especially a work of philosophy, risks committing an act of disingenuity, and yet Contributions, like Jacques Derrida's Glas or Walter Benjamin's unfinished Arcades Project, rises to this acclaim through its very resistance to a system, its refusal to be easily digested, or even understood. Contributions is unfinished, partial, even at times muttered; it is the beginning of a thinking which takes place on a path and as such cannot imagine--or refuse--its final destination. It invites us to take up towards, but not to insist on, its thinking; it is a "turn" away from the reason and logic of a technologized world and returns philosophy--as a thinking--to a place of wonder and awe. D ogen's Sh obogenz o, from another culture and time entirely, is also a beautiful text, for similar reasons. The Sh obogenz o, gathered first as a series of talks given by Eihei D ogen (and later composed as written texts) details the process of understanding which leads, for D ogen, to a position of pure seeing, or satori, and yet these talks are not simply rules for monks, nor merely imprecations and demands for a laity; rather, they open a being's thinking to the possibility of something purely other and work as a transition across worlds that also opens us to an other world. What both thinkers illustrate, as do the other thinkers drawn on in this project--most notably, those philosophers associated with the Kyoto School, who were both intimately aware of D ogen's work, and studied, or studied with, Heidegger--is that world is not a fixed, stable entity; rather it is a fugal composition of possibility, of as yet untraversed--and at times un-traversable--spaces. Echoes of No Thing seeks to examine, within the lacunal eddies of be-coming's arrival, that space between which both thinkers point towards as possible sites of new beginnings."--https://punctumbooks.com/titles/echoes-of-no-thing-thinking-between-heidegger-and-dogen/, accessed 06/05/2020. (shrink)

In relationships ‘I’ and ‘you’ become ‘we’; despite individual differences, couples obtain an interdependent identity due to their shared interactions. During a serious illness, biological and biographical disruptions can put any reciprocal relationship under strain. Through intermedial analysis of Judith Fox’s photographic project, I Still Do: Loving and Living with Alzheimer’s, I will explore ways the couple make sense of illness, how illness is communicated through text and image and also to identify the limits of representation. Here the photographs, I (...) argue, solidify their relationship and echo the stuck-in-the-present state of mind brought on by Alzheimer’s. (shrink)

While Karl Popper highly valued the ability to invent a bold new form of theoretical thought, he warned us at the same time of the need to be cautious in action. Ambitions that are utopian or revolutionary seemed to Popper always unacceptable. We must always be open to reforming our practices, but we must attempt this slowly and piecemeal. Every change that we make we must hold open to criticism. However, change must be conservative and anti-revolutionary. This is the demand (...) that while any one element of current culture may be criticised and rejected, it is important to do this work piecemeal and carefully. Only then does the audacity or boldness of rejecting a seemingly settled view amount to courage: for it reflects also significant conservation of values. Popper regarded no social change or scientific breakthrough as revolutionary. Even the process of conjecture and refutation, of trial and error, is a piecemeal method. Popper’s piecemeal method depicts Otto Neurath’s metaphor of not dismantling the whole ship except perhaps one plank at a time, replacing each plank as the effort goes on. Every step is as conservative as it is also bold, and that alone helps make it courageous. It is only through this conservatism, the piecemeal anti-revolutionary change, that people can become bold in how they experiment and replace some formerly received norm or idea. (shrink)

The murder of six million Jewish men, women, and children during World War II was an act of such barbarity as to constitute one of the central events of our time; yet a list of the major concerns of professional philosophers since 1945 would exclude the Holocaust. This collection of twenty-three essays, most of which were written expressly for this volume, is the first book to focus comprehensively on the profound issues and philosophical significance of the Holocaust.The essays, written for (...) general as well as professional readers, convey an extraordinary range of factual information and philosophical reflection in seeking to identify the haunting meanings of the Holocaust. Among the questions addressed are: How should philosophy approach the Holocaust? What part did the philosophical climate play in allowing Hitlerism its temporary triumph? What is the philosophical climate today and what are its probable cultural effects? Can philosophy help our culture to become a bulwark against future agents of evil? The multiple dimensions of the Holocaust-historical, sociological, psychological, religious, moral, and literary-are collected here for concentrated philosophical interpretations. Author note: Alan Rosenberg is a Lecturer in the Philosophy Department at Queens College of the City University of New York. Gerald E. Myers is Professor of Philosophy at Queens College and CUNY Graduate Center. (shrink)

Resumen: El espacio dramático de Michel Tremblay, “tesoro nacional” de Quebec, está poblado por personajes que se enfrentan casi siempre a la alienación y al deseo de encontrar, o incluso de crear, su propia identidad. Los héroes tremblayanos, cualquiera que sea su orientación sexual y posición en la sociedad, realizan un paso desde la inactividad hasta la acción para desgajarse del orden preestablecido. A veces incapaces de cambiar su situación, a veces felices al poder, por fin, contestar a la pregunta (...) “¿quién soy yo?”, los personajes del teatro de Tremblay siguen siendo representativos de la sociedad quebequense que, durante el período de la llamada Revolución tranquila, se vio sometida a unos profundos cambios identitarios. A lo largo de la evolución social del Quebec de los años sesenta y setenta del pasado siglo, se fueron estableciendo paralelismos entre la toma de conciencia identitaria de la sociedad y la de los personajes dramáticos de Trembley. Así, estos últimos se convertirían en alegorías de la estructura social en por lo menos dos dimensiones, moral y cultural, en el caso de Belles-Sœurs y À toi, pour toujours, ta Marie-Lou, donde se incuban las frustraciones propias de unas heroínas abrumadas por la cultura patriarcal (impotente en todos los ámbitos y ante todo el sexual), representada a su vez por la pieza Hosanna, a la que se la puede considerar como el símbolo de la expresión social de la homosexualidad y de la identidad sexual en general. En consecuencia, la finalidad de este artículo sería la reflexión misma acerca de unas (r)evoluciones teatrales que reflejarían las llevadas a cabo por la Revolución tranquila dentro de toda la sociedad. Abstract: Michel Tremblay's dramatic space, Quebec’s “national treasure”, is populated by characters who are almost always confronted with alienation and the desire to rediscover, and even to create, their own identity. The heroes of Tremblay, whatever their sexual orientation and social positions are, have the story of a passage from inaction till the act of tearing themselves away from the pre-established order. Sometimes incapable of changing their situation, sometimes happy to finally be able to answer the question “Who am I?”, the characters in the Tremblayan theatre are at all times representatives of the Quebec society, which, during the Quiet Revolution, suffered profound changes in identity. Throughout the social evolution in Quebec in the 1960s and 1970s, the awareness of the identity of the society and that of the dramatic characters are two matters that coexist in parallel manner. Thus, the latter become allegories of the social structure on at least two levels: moral and cultural, in the case of the Belles-Sœurs and À toi, pour toujours, ta Marie-Lou representing several frustrations: of the heroines, overwhelmed by the powerless patriarchal culture; sexual, represented for example by Hosanna being the symbol of the social expression of homosexuality and sexual identity in general; and finally, actional, as in the case of Sainte Carmen de la Main, which constitutes a message to Québécois to take their destiny in their hands. The main objective of the article is to bring some reflections on theatrical (r)evolutions which reflected the changes of the Quiet Revolution within the entire society. (shrink)

One of the most rooted topics in Arabic poetry is the dirge. It shows that during the Jāhiliyya period, people lamented the dead at the graves and remembered their beautiful qualities. A similar situation continued in terms of content in the dirges that were said in the following periods. However, with the change of social, political and cultural conditions in time, there have been partial changes in the writing styles and purposes of the dirges. For example, the effects of (...) political and sectarian factors were felt more in the process that started with the Umayyad period and continued in the following centuries. On the other hand, it has been observed that poets wrote dirges not only for the people they love but also for themselves, the animals they owned and the cities they lived in. In Arabic literature, dirges written for cities became famous and widespread, especially during the Andalusian period. However, considering that the poets of the Jahiliyya period lament the lands abandoned by the beloved, especially in the first part of the ode, it can be said that the tradition of writing elegies for cities dates back to much earlier times. On the other hand, the destruction of cities during the Abbasid period due to many wars, especially the Mongol invasion, caused many poets to recite dirges for these destroyed cities. One of the cities damaged during this period is Baghdad, one of the most important cities of Islamic culture and civilization. As it is known, Baghdad was occupied by the Mongols in 1258. As a result of this occupation, also known as the Baghdad disaster, many of the material and spiritual wealth of the city were destroyed. For this reason, the event had great repercussions in Arabic poetry, and many poets who could not remain unresponsive to what happened elegized for Baghdad. One of these poets is Shamsaddīn al-Kūfī (d. 675/1256), whose al-Kasīda al-Nūniya is the subject of our study. Shamsaddīn al-Kūfī, who was born in 623/1226 in Kufa, is one of the leading literary scholars and poets of his period. Due to the fact that the Baghdad disaster affected his poems to a great extent, he was given the title of Poet of Baghdad Disaster. When his poems are examined in general, it can be said that the dirges he sang for family members, friends, children of his friends and the city of Baghdad, which was destroyed by the Mongolian invasion, are at the forefront. The poet, who uses verbal arts such as tibāq and rad al ajuz alā al sadr intensively, places more importance on the meaning dimension of the issue in his dirges and uses arts related to meaning skillfully. al-Kasīda al-Nūniya, written by Shamsaddīn al-Kūfī in the Kamil bahr for Baghdad, is composed of 27 couplets. The theme of complaint about separation is addressed in the introduction part of the kasīda. Then, the main subject of the kasīda was put forward with the themes of the effects of the Mongolian occupation in Baghdad, the poet's feelings about this occupation, and the longing for the beautiful days in Baghdad. In the conclusion part, by returning to the theme of complaint about separation, a different internal structure from the contents of traditional Arabic poetry is displayed. This organization, while in keeping with the spirit of the type of city dirge that reflects the disaster experienced in a city, also provides fluency. While words that are easy to pronounce and suitable for morphology rules are preferred in general, attention has been paid to the rules of eloquence. On the other hand, the poet mostly preferred informative sentences in which he conveyed the Baghdad disaster to the reader with all its truth. However, in the sections where he felt the need to express his emotional intensity in a more striking way, he enriched his expression with sentence types such as wonder, interrogation, oath and interjection. Shamsaddīn al-Kūfī frequently used jinās in his poems. In addition, the art of tibāk, which is one of the arts related to meaning, is one of the badī (creative) arts in its couplets. As a result, it was seen that the Mongol invasion had a considerable effect on Arab poetry within the framework of this city dirge, which Shamsaddīn al-Kūfī had recited, and that historical facts were transferred to the next periods with a poignant style in these poems. (shrink)

Cet article se propose d’étudier de quelle façon l’« Introduction à la métaphysique » de Henri Bergson fut traduite en chinois entre 1918 et 1921. En analysant trois traductions proposées successivement par Liu Shuya, Cai Yuanpei et Yang Zhengyu, l’auteur met en lumière différents enjeux de la traduction des œuvres philosophiques occidentales. En retraduisant en français ces textes chinois, il met en évidence les décalages linguistiques et culturels. Bien loin de condamner d’éventuelles maladresses des traducteurs, l’objectif est de rechercher les (...) raisons et les conséquences de ces dernières. Ainsi, on constate que ces versions chinoises, réalisées par des intellectuels non francophones et non spécialistes de Bergson, ont été à l’origine, en Chine, d’une certaine moralisation du bergsonisme, et plus particulièrement de la notion d’intuition. Les échos culturels des mots employés ont déplacé le texte de Bergson vers de nouvelles problématiques. (shrink)

Communication is an integral part of nursing practice—with patients and their relatives, other nurses and members of the healthcare team, and ancillary staff. Through interaction with the ‘other’, language and silence creates and recreates social realities. Acceptance, rejection or modification of social realities depends on what is expressed and by whom. Narratives that are offered can tell of some experiences and not others. Some nurses choose to be silent while others are silenced. In nursing situations recognising and allowing silence to (...) speak is a challenging but uniquely personal experience that embraces reflection in and on experiences, practice and self as a person and a professional. If enabled and truly heard, silence can speak more loudly than the hubbub of daily practice, allowing us to collectively question and challenge inherent assumptions and biases as professionals, and as a profession. Through a microcosm of Newly Graduated Nurses' lived experiences of nursing situations and expressions of silence individuals' discomfort and private efforts to ascribe meaning to experiences are reflected on. Returning to silence is to return to a constant process of professional transformation that can enable ways of knowing and being that can reform our profession from within and enable us to cast off shackles that bind us to a shameful cultural underbelly. (shrink)

This paper contributes to non-ocularcentric theory and theorizing by way of a methodological application and extension of Henri Lefebvre’s Rhythmanalysis. It explores the cultural dynamics of echoes and history, using as an instrumental case study Steve Reich’s 1966 tape-loop composition, Come Out, to elucidate the ambivalent and contradictory relations of time, temporality, and possibility. While the focus is primarily on the text of Come Out and its context of police brutality and civil rights, it moreover contributes to an (...) enriched and historically grounded understanding of rhythmanalysis while engaging with rhythmanalysis as a methodology, based on the expanded conception of echoes proposed. (shrink)

Resumen En su recepción del Concilio Vaticano II la Iglesia latinoamericana -focalizada en el problema de la pobreza-, tomó distancia de la teología del desarrollo planteada en Gaudium et spes y de la antropología subyacente, sea soslayando este concepto como expresión de la ideología “desarrollista”, sea neutralizando su relevancia a través de la expansión indefinida de su significado, y en todos los casos subordinándolo a la idea y el objetivo de la liberación. Pero su visión unilateral de la pobreza, que (...) interpreta como consecuencia virtualmente exclusiva de las “estructuras de pecado”, lleva inevitablemente a una visión maniquea de la vida social entendida en términos de antagonismo de clases, y empuja por su propia lógica a la acción revolucionaria. Al mismo tiempo, pasa por alto el desafío decisivo para derrotar la pobreza, que no es únicamente la mejor distribución de la riqueza sino también y ante todo su creación. En esto consiste el desarrollo económico, fenómeno moderno pero posibilitado por la capacidad de iniciativa e invención característica del ser humano como imagen de Dios. Mientras los caminos de liberación preconizados por la teología de la liberación y la teología del pueblo han fracasado de modo inapelable, el sistema económico, político y cultural que Michael Novak denominara “capitalismo democrático” es el único que ha demostrado y sigue demostrando capacidad efectiva para liberar las energías creadoras de la sociedad, permitiendo a los pobres prosperar y convertirse en artífices de su propio destino.After the Second Vanean Council, the theology of “development” presented by Gaudium et spes was overlooked in the Latín American Church in favor of the concept of "Uberalion”. Under-lying this option lay a unilateral vision of povery, conceived exclusively as the outcome of the “structures o/sin”. This diagnosis fostered class struggle and revolutionary action, while providing no clue as to how to overcome poverty through the creation of wealth. A more adequate approach should seek for institutional arrangements that provide conditions for both Beration and development. The social system of “democratic capitalism” is the only one capable of generating true economic development, making it possible for its citizens to display their creative energy and become protagonists of their own destiny. (shrink)

An isolated sentence—aphoristic, not fragmentary—tends to reverberate like an oracular utterance having the self-sufficiency of a communication to which nothing need be added.That is barbarian language you hear.There is no document of culture which not at the same time a document of barbarism.Zōon logon ekhon echoes. It rings, three unpunctuated words filling the air and resounding across the landscape. It reverberates, a fragment heard over and over, almost to the point where it seems to go without saying—almost. It reflects, (...) an idea in which a question of beginning, perhaps the beginning, returns from the rock face as that which "has governed an enormous tradition", an origin story, a common... (shrink)

Joan Scott’s ‘fantasy echo’ is deployed to analyse the trope of the mother/daughter relationship in contemporary laments about feminism’s failures, exemplified by Susan Faludi’s ‘American Electra: Feminism’s Ritual Matricide’ (2010). I demonstrate that Faludi’s primary argument – that young feminists do not respect the generations that precede them and therefore halt feminist progress – unreflectively relies upon a feminist maternal fantasy and ignores the prominent role spectacle culture plays in the circumscription of contemporary feminism. Building upon Scott’s attention to literature (...) to interrupt fantasy echoes and their inert visions of how feminism should appear, the article interprets The Portrait of a Lady (1908) through the tools of Scott’s historiography. I argue that Henry James’s novel, focused on an American ‘New Woman’, is an early account of how young women are sold fantasies of feminist freedom through spectacle culture and troubles the assumption that older women only forge benevolent relationships with younger women out of generosity. (shrink)

The article presents an interpretive view on culture wars in America along with their echoes in the autobiographical works written by Barack Obama. Being either viewed as the manifestation of the “post-American” creed, looked down at as a mere product of popular culture, or being ignored as a marginal manifestation, culture wars flared before and after the presidential campaign of 2008, signaling the intensity of a yet unconsumed ideological combustion fuelling further cultural and political dissensions. One of the (...) conspicuous consequences of culture wars in America is that the definition of culture has been significantly altered and that nowadays culture warriors have outnumbered intellectuals. Another outcome of culture wars is that they are considered by many as a benchmark of democracy and democratization, when more probably they are the product of an ideological confrontation. Thirdly, culture wars are regarded either as a political stylization of politicization of culture setting up a new network of correspondences between culture and politics. A final relevant consequence may be found in the increasing awareness that civil society and political parties may deploy different strategies to convey democratic ideals into reality, but it remains to be clarified if this should be carried out into the trenches of a pugnacious media and from there into the beliefs and expectations of citizens. Civil society and political parties in America construed differently the meanings of democracy, providing with different images the promised future and the American creed. Therefore, while culture wars spread their belligerency in various sectors of the American society, it is harder and harder to figure out a democratic consensus. (shrink)

_Demons in the Consulting Room: Echoes of Genocide, Slavery and Extreme Trauma in Psychoanalytic Practice_ isthe second of two volumes addressing the overwhelming, often unmetabolizable feelings related to mourning, both on an individual and mass scale. Authors in this volume explore the potency of ghosts, ghostliness and the darker, often grotesque aspects of these phenomena. While ghosts can be spectral presences that we feel protective of, demons haunt in a particularly virulent way, distorting experience, our sense of reality and (...) our character. Bringing together a collection of clinical and theoretical papers, _emons in the Consulting Room_, reveals how the most extreme types of trauma can continue to have effects across generations, and how these effects manifest in the consulting room. Essays in this volume consider traumas that have affected multiple generations of people, such as the Holocaust, experiences in the gulags, and the experience of slavery. Authors here consider the clinical challenges of working with the demonic force in severe childhood abuse and the effects of serious and prolonged physical injury and illness. Inevitably, there is in such difficult clinical work, the combined effects of hauntings in the analysts and in patients and often in the surrounding culture. In this book, distinguished psychoanalysts explore the myriad forms of ghosts and the demonic, which interfere and disrupt the endlessly difficult psychic work of mourning. It will be of interest to psychotherapists and psychoanalysts, as well as social workers, family therapists, psychologists, and psychiatrists. _emons in the Consulting Room _ill appeal to those specializing in bereavement and trauma and, on a broader level, to sociologists and historians interested in understanding means of coping with loss and grief on both an individual and larger scale basis. (shrink)

This new translation of The Logic of the Cultural Sciences _ _makes Ernst Cassirer’s classic study, long out of print, available to English readers. A German Jew living in exile at the beginning of the Second World War, Cassirer wrote this book—one of his clearest and most concise—in response to the crises besetting his era. It represented to him a rethinking and completion of his magnum opus _The Philosophy of Symbolic Forms. _S. G. Lofts’s translation stays close to the (...) original German and accurately reflects the echoes of the philosophical debates of Cassirer’s day. In the book’s five linked studies, Cassirer considers the intellectual structure of the disciplines we commonly refer to as the humanities. He defines and justifies the basic philosophical perspective of the philosophy of symbolic forms, and he contributes a wealth of ideas to continuing debates about culture and what is unique in human nature. (shrink)

This essay re-examines Hegel's account of Greek culture in the section of the _Phenomenology of Spirit_ devoted to “ethical action”. The thrust of this section cannot be adequately grasped, it is argued, by focusing on Hegel's references to either Sophocles' _Antigone_ or Greek tragedy as a whole. Taking into account Hegel's complex use of literary sources, the essay shows in particular that Hegel draws on Aristophanes' comedies to comprehend the collapse of Greek culture, a collapse he considered to result from (...) the tragic conflict constitutive of Greek culture as a whole. The essay thus aims to shed light on Hegel's abstruse remarks on womanhood and, more generally, to demonstrate that Hegel's peculiar employment of literary sources constitutes an essential element of the method he employs throughout the _Phenomenology of Spirit_. (shrink)

Concerning abortion and infanticide, ethics has always seen to each one as quite puzzling an issue. The dilemma expectedly goes like this: “Are they morally good, permissible or acceptable, or are they not?” All three major approaches in ethics, viz. virtue ethics, deontology and consequentialism, have fervently exerted themselves in order to settle both. A virtue ethicist is expected to approach the issue wondering: “Is performing abortion and infanticide indicative of virtues, to wit of character traits that the virtuous agent (...) possesses?” A deontologist would bring the dilemma up for discussion asking: “Is conducting abortion and infanticide in accordance with some moral rule or principle?” To an act utilitarian, on the other hand, the same question would strike as: “Do abortion and infanticide promote the best consequences, to wit those in which happiness is maximized?” All three approaches have been applied to the subject matter ever since the classic era, sadly with no remarkable success and, most of the times, even without the slightest suspicion of the promised rigor. (shrink)

For over twenty years, Mark McNulty has been documenting the Liverpool music scene, both in the city and as it has proliferated worldwide. Accompanied by over 100 photographs, Pop Cultured celebrates the city, its music, and its culture through the lens of this highly acclaimed and influential photographer. McNulty has covered a wide array of iconic British bands such as the Stone Roses, Happy Mondays, Echo and the Bunnymen, and the Arctic Monkeys, as well as visiting international acts like the (...) White Stripes. Witty, enthralling, and visually stunning, Pop Cultured combines McNulty’s images with his own laconic and humorous commentary and that of his iconic musical subjects, providing a rollercoaster account of the last twenty years of British culture. (shrink)

This article discusses the relationship between the modern novel of Beard and John's stories about Lazarus and Jesus, and wants to give answers to three questions: how is the Lazarus story in John interpreted by Beard?; what meaning does John's story have within its own literary and cultural setting?; what similarities and differences are there between Beard's interpretation and the original meaning of the Johannine story? Questions 1 and 2 require an intratextual analysis, which focuses on the structure and (...) meaning lines in each of the two texts. Then follows an intertextual analysis which in this article is particularly aimed at comparing the contents of the concepts/ death/ and/ live/ in the Fourth Gospel with the ways in which these concepts are semantically coloured in Beard's book. Studying echoes from the Bible in modern literary contexts can explain how the rich potential of meaning of biblical texts is being unlocked in new texts, time and time again, but can also help us to read the Bible with new eyes through the lens of modern culture. (shrink)

The uneasy relation between violence and sanctity, between oppression and culture, underlies the dramatic action of Euripides' "Ion." Ion's monody ends with his threatening to shoot the birds who would soil the temple, or in other words, to protect purity through violence and death. The earlier part of his song also shows how the forces of exclusion and domination create sacredness. Ritual silence , restricted access to the aduton, ritual chastity, even the irreversible transformation of natural gardens into laurel brooms (...) and jugs of water all suggest how violence and domination create culture out of nature. The rape of Creusa epitomizes the relation between culture and violence. Her meeting with Ion reveals the psychological cost of social oppression and portrays the imperfect interdependence between moral feelings and legal institutions. Various dramatic devices portray the divisions in Creusa's mind that the injustice has created, devices including self-address, riddling speech, self-restraint, and silence. Her reluctance to pose her bold question to the oracle, and her displacement of the story onto the person of a raped "friend," show her resentful awareness that social institutions collaborate in the oppression. Ion's disillusionment echoes her resentment more theoretically. Together their comments show how moral rules and legal institutions, though fundamentally based on personal feelings such as shame and indignation, enact these feelings only imperfectly; the resulting dissonance in turn leads to further indignation and moral reflection. Finally, the allusions to fifth-century politics in Ion's speech on Athenian politics and elsewhere suggest that democracy itself depends on political domination and imperialism. (shrink)

L'article traite du passage, dans le champ des «arts et traditions populaires» et/ou du «patrimoine ethnologique», de la notion de « culture populaire» au label de «patrimoine oral et immatériel » ou de «trésor vivant». Abordant à la fois les dimensions disciplinaires et institutionnelles, il invite à questionner ces passages notionnels tant dans leur inscription historique que dans leur complexité et ambiguïté définitionnelles ou encore dans leurs implications scientifiques et politiques. S'inspirant essentiellement de la situation institutionnelle de la Communauté française (...) de Belgique, les constats et les questions posées peuvent, mutatis mutandis, trouver un écho réflexif plus large.The article presents the passage, in the field of "arts and popular traditions" and/or of the "ethnological inheritance", of the concept of "popular culture" to the label of "oral and immaterial inheritance" or of "alive treasure". Approaching at the same time disciplinary and institutional dimensions, it invites to question these notional passages as well in their historical inscription as in their definitional complexity and ambiguity or in their scientific and political implications. Being inspired primarily by the institutional situation of the French Community of Belgium, the reports and the questions can, mutatis mutandis, find a reflexive echo broader. (shrink)

With the election of Donald Trump to the presidency of the United States, the discourse of an authoritarianism and the echoes of a fascist past have moved from the margins to the center of American politics. A culture of war buttressed by the forces of white supremacy and militarization has been unleashed in a series of policies designed to return the United States to a history in which the public sphere was largely white and Christian, and the economy and (...) the state were governed by a ruling corporate elite. Militarization and a war culture have become normalized in the United States and this article explores the ways in which a neo-fascism has emerged that furthers war not only abroad but also at home, especially with regards to the ongoing assaults waged by the state against Muslims, immigrants, women’s reproductive rights, and poor minorities of class and color. Against the rise of neo--fascism, this article advances the idea that education is central to any viable notion of politics, that progressives... (shrink)

Les Critical Legal Studies et ses divers tributaires ont fortement marqué la conscience juridique contemporaine. Ces notions ne sont plus simplement le domaine d’un collectif de juristes nord-américains, mais font désormais partie du discours académique transnational et influencent la formation de divers projets et demandes politiques, malgré leur impact négligeable sur la pratique juridique traditionnelle. Les mouvements de type féministe, racial, LGBTQ+ et postcolonialiste ont profité largement de l’énergie intellectuelle et de l’engagement inhérent à ses analyses critiques. En outre, ces (...) façons d’envisager le droit et de faire de la politique trouvent leur écho en plusieurs juridictions. Des manifestations parallèles, allant au-delà des États-Unis, mettent en évidence la portée de ces idées. Cet article a pour but de décrire, de façon succincte, l’évolution du CLS allant d’une série de critiques précises sur le droit états-unien jusqu’à des discours généralisés, répandus dans divers circuits transnationaux de pensée et d’action. (shrink)

Many people feel compelled to disassociate themselves from wrongdoing. We call judgments to the effect “disassociation intuitions.” Do disassociation intuitions have a common cause? Why do they seem so obvious and resistant to countervailing reasons? How did they become so widespread? Here, we argue that disassociation intuitions are a natural product of gene‐culture co‐evolution. We also consider the mechanism that gene‐culture co‐evolution employed to achieve this result, arguing that a plausible candidate is disgust and its cultural echoes. This (...) theory of disassociation intuitions suggests a promising research program in the philosophy of psychology, which provides new ways of thinking about higher cognitive emotions, and biologically constrained cognitive capacities generally. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant and the Culture of EnlightenmentTimothy M. CostelloeKaterina Deligiorgi. Kant and the Culture of Enlightenment. Albany, New York: SUNY Press, 2005. Pp. xi + 248. Cloth, $70.00.At a time when our attention is overwhelmed by the practical manifestations of power in pursuit of personal, political, and economic gain, it is timely to read a book urging the spirit of the Enlightenment as a palliative for contemporary ills. In (...) Katerina Deligiorgi's recent study, Kant is the spectre haunting the halls of the Enlightenment project, reminding the living that it is a "culture" shaped by the "social ideal" of rational enquiry, self-criticism, and public debate (1). Drawing on Kant, Deligiorgi aims both to contribute to understanding the legacy of the Enlightenment and to demonstrate its "relevance" to current political and philosophical concerns (3). She pursues these ends by emphasizing how the power of the Enlightenment is embodied in its own "reflection on the meaning of the term 'enlightenment'" (4); and since this self-critical questioning has a history, unlocking the Enlightenment's past and revealing its future requires reconstructing a path through the philosophical forms that gave it shape. Deligiorgi's chosen route is not systematic, but it does reflect her concern to reveal the steady and reflective progress of human reason towards intellectual, social, and political self-consciousness.In chapter 1, she reminds readers that the guiding light of reason was as much explanandum as explanans for Enlightenment thinkers, dramatized by the failed "social criticism" of Diderot and Rousseau (16) and the retrograde step taken by Mendelssohn and Reinhold, who reached the "unsatisfactory" conclusion that the "final court of judgment" lay with enlightened individuals like themselves rather than with a "public that can act as standing jury... participating in its own enlightenment" (52). However, as Deligiorigi explains in chapter 2, the Enlightenment fulfils its promise in the shape of Kant and his emphasis on "public argument" (56), liberation from the "dogmatic certitudes of rationalism," and the rightful exercise of free thought (55). Under his direction, enlightenment transforms itself from the simple "struggle against error and superstition" into practical debate under the authority of reason—at once public and inclusive—with "the world at large" as its addressee (63). This, Deligiorgi proposes, constitutes a "culture of enlightenment" (71). [End Page 667]One might detect a certain naiveté in this view—a "dream of reason" (99)—given, as Hamann pointed out, the practical realities of power and authority echoed in Frederick II's ominous motto that citizens might "argue but obey" (94). In chapter 3, Deligiorgi responds to this charge by articulating Kant's view of universal history as causally ordered, meaningful, and directed, but at once the product of human action. Kant has a vision of hope, Deligiorgi urges, containing the promise of a political arrangement that ensures freedom for all, but without appealing to the schwärmerei of obscure, supra-individual forces he found in Herder, his erstwhile student and protégé (111). As Deligiorgi points out, even this solution smacks of the romantic, since, as Kant himself acknowledges, the belief that "our actions will bear fruit... is difficult to hold onto in our everyday experience of 'political evils'" (130). Indeed, as we learn in chapter 4, this uncomfortable truth is indicative of the more general problem that Kant's breezy faith in the "shared vision of enlightenment" (134) became anachronistic before the ink had dried, sullied by the grim realities of the modern state articulated in Schiller's pessimistic portrayal of the "struggle of existence," the material conditions of which leave little room for the luxuries of intellectual emancipation (140). However, while Deligiorgi deals decisively with flaws in Schiller's own vision of an "aesthetic state"—ultimately a "disembodied model of social and political life" (154)—she offers nothing to rescue the culture of enlightenment from the iron cage of bureaucracy, division, and mechanization.This, in fact, amounts to the least convincing part of Deligiorgi's often compelling tale. Her success at a rational reconstruction of Enlightenment thought is not mirrored in a defense of the companion claim that the culture of enlightenment is still relevant some two centuries later. "The contextualization of... (shrink)

Purpose: A cursory look at the lives of most people living in the rural areas of Ghana suggests that they are poor as compared to their counterparts living in the urban areas. The study aimed at investigating into the culture, philosophy, lifestyles and factors that have impacted negatively on the socio-economic situation that make the people living in the rural areas poor. Methodology: In order to obtain data on the causes of poverty among the rural people, the qualitative research approach (...) was used for the study in which the observation method was employed to collect information from the elderly, youth, farmers, women, men, workers, illegal miners, traders, market women, etc. in some villages on their social lifestyles and economic activities. For effective and reliable outcome, unstructured interviews, surveys and investigations were used as tools to gather data. The use of unstructured interviews and conversations enabled majority of the sampled population who could not read nor write offer useful information. Findings: The study revealed that rural poverty is on the ascendency because most of the youth who serve as the work force migrate to the urban areas in search of jobs and better living conditions while a fraction of those who remained engage in illegal mining. The effect of this illegal activities has led to the degradation of arable lands, destruction of millions of acreages of cash/food crops and river bodies making agriculture, which is the backbone of the economy, very unsustainable. The attitude of majority of Ghanaians to time and work, especially in the public sector, leaves much to be desired. As a result, a lot of man-hours is rendered unproductive due to unpunctuality, religious and cultural activities. Unique contribution to theory and Practice and Policy: The outcome re-echoes the need for a policy direction on education that focuses on skill development and hands on experience to enable school leavers enter into entrepreneurship and be self-reliant so they will not be dependent on the limited government work. It will also make people come to the realization that only few people benefit from illegal mining but the harmful effects are universal and back government effort in fighting/curbing it. Government, Municipal/District Assemblies will see the need to provide amenities that rural communities lack, initiate intervention programmes for youth employment especially, in the rural areas to curtail rural-urban migration. (shrink)

In this paper, we critically consider the analogy between “infodemic” and “pandemic”, i.e. the spread of fake news about COVID-19 as a medial virus and the infection with the biological virus itself from the perspective of cultural evolutionary theory (CET). After confronting three major shortcomings of the ‘infodemic’ concept, we use CET as a background framework to analyze this phenomenon. To do so, we summarize which bi-ases are crucial for transmission in terms of cultural selection and how transmission (...) is restricted by filter bubbles or echo chambers acting as TRIMS (transmission isolating mechanisms) post “infection”, which isolate false from trustworthy scientific information in the context of the Corona pandemic. This is followed by a demonstration of the threat to biological fitness posed by the effects of an infection with fake news, which leads to a reduced willingness to vaccinate and follow health measures. We identify fake news on Covid as pseudoscience, trying to immunize itself from external influences. We then address the question of how to combat the infodemic. Since debunking strategies, such as warnings by fact-checking, have proven relatively ineffective in combating fake news, the inoculation theory from psychology might offer an alternative solution. Through its underlying ‘prebunking strategy’, which educates individuals about the risks and tactics of fake news prior to a potential infection, they could be ‘immunized’ in advance, similar to a virological vaccination. Although we recognize that the pandemic/infodemic analogy is in fact far from perfect, we believe that CET could provide a theoretical underpinning in order to give much more semantic depth to the concept ‘infodemic’. (shrink)

In September 2006, when 45 scholars and activists from 19 countries around the world gathered amid the spires and gargoyles of Oxford for a conference entitled, “Hope: Probing the Boundaries,” complex dialectics of hope and despair circulated through the meeting rooms by day, and the conversations in quadrangles and pubs late into the night. On the one hand, the remarkable social and political openings and possibilities of the previous decade, from Berlin to Johannesburg, Leningrad to the Lacandon jungle of Chiapas, (...) seemed to be ever-more constrained by political and economic forces as brutal as those that preceded them, but, on the other hand, there were the Zapatistas and a thousand other movements persisting in the belief that, to echo the mantra of the World Social Forums, “another world is possible,” and there we were from around the world, to do the work of theorizing, describing, and enacting the persistence of individual and collective hope despite grim realities. The essays developed from that conference and collected here reflect both the theoretical and philosophical underpinnings and the cultural and political praxes of “hope against hope.”. (shrink)

This paper brings to the attention of the reader some examples of how the words of the Qur’an, when examined in their literal sense, appear to connect with languages or cultures other than those acknowledged by traditional Muslim apologetics. As such, they may be echoing origins that these apologetics have dismissed from their discourse. In fact, whereas traditional exegesis has generally tended to limit the Qur’an exclusively to the Arabic language as sufficient guarantee by itself of its authenticity, the words (...) of the text reveal a linguistic and cultural multiplicity which demonstrates the richness of its roots. In pursuing this repression exerted on outside contextual influences, the author focuses on three avenues: the pre-Islamic culture of the nomadic Arabs, the Judeo-Christian culture and the Hellenic culture. Those languages which go wilfully unrecognized, those practices whose recollection is passed over, prove to be of great assistance to understanding the sense of certain verses of the Qur’an. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.3 (2001) 451-453 [Access article in PDF] Ernst Cassirer. The Logic of the Cultural Sciences: Five Studies. Translated by S. G. Lofts. New Haven: Yale University Press, 2000. Pp. xliii + 134. Cloth, $30.00. Paper, $15.00. This is a new translation of Cassirer's Zur Logik der Kulturwissenschaften: Fünf Studien. It replaces the earlier one by Clarence Smith Howe with the title The (...) Logic of the Humanities (Yale University Press, 1961) that has been out of print for many years. Howe's volume includes a translation of Cassirer's essay "Naturalistic and Humanistic Philosophies of Culture" which does not appear in the new volume.Considered as part of his system of symbolic forms, this volume is the counterpart to Cassirer's conception of mathematical and scientific thought of the third volume of the Philosophy of Symbolic Forms. The pivotal study in Cassirer's five closely related analyses of the cultural sciences is that concerning "Naturbegriffe und Kulturbegriffe." [End Page 451] Cassirer contrasts the way in which concepts function in natural scientific thought with the way in which concepts function in cultural thought. In the natural sciences all of the individual "properties" of a thing can be reduced to numerical determinations. The particular can be subordinated to the universal. Thus gold as a specific metal is gold if and only if it exhibits specific numerically expressed properties, e.g., possesses a specific weight, electrical conductivity, coefficient of expansion, etc.Cultural concepts do not subordinate the particular to the universal in this determinate manner. Rather, they coordinate the particular with the universal. Thus it is possible to arrange the various figures of the Renaissance such as Leonardo da Vinci, Machiavelli, Michelangelo, and Cesare Borgia under Jakob Burckhardt's conception of "Man of the Renaissance," but each only approximates this standard. Although each is not given a determinate place in relation to the others, they all can be comprehended in a meaningful set of interrelationships.There is a problem of how to render Cassirer's key terms, Naturbegriffe and Kulturbegriffe. Howe expresses them literally as "nature-concepts" and "culture-concepts." Lofts states them as "concepts of nature" and "concepts of culture." Lofts's rendering has the difficulty of suggesting that Cassirer's discussion concerns a comparison or criticism of various concepts of nature and culture rather than a theory of concept-formation showing the type of thinking distinctive to the natural sciences in contrast to the cultural sciences.The last study in the volume concerns "The Tragedy of Culture" in which Cassirer criticizes Georg Simmel's conception of culture as alienation of the human spirit from itself. Against Simmel's negative view, Cassirer advances his view of culture as a positive achievement of the development of spirit (Geist) from life (Leben). Cassirer's position in this study forecasts his view as developed later in An Essay on Man (1944) that human culture as it arises through its various symbolic forms of myth and religion, language, art, history, and science is a process of "progressive self-liberation." Culture for Cassirer is not alienation, but self-knowledge.Central to this last study is Cassirer's discussion of how the "I" does not originally exist in a fixed state of separation between "I" and "world" and between "I" and other human beings. The Ich, Cassirer says, develops itself in relation to the Du in the formation of culture. The difference between the two is not simply given. Lofts follows Howe in translating Ich and Du as "I" and "you" (Howe, 188-90; Lofts, 107-8). Cassirer's use of the second person familiar (Du) is intended to emphasize the "I-thou" relationship, the sense in which the other in this development of the self is originally an alter ego, not an impersonal other (Sie). Cassirer's discussion here echoes his discussion of the "thou" in the chapter on the "Phenomenon of Expression" (Ausdrucksphänomen) in the third volume of the Philosophy of Symbolic Forms. The translation of Du as "you" rather than "thou" which reflects the... (shrink)

This new translation of The Logic of the Cultural Sciences _ _makes Ernst Cassirer’s classic study, long out of print, available to English readers. A German Jew living in exile at the beginning of the Second World War, Cassirer wrote this book—one of his clearest and most concise—in response to the crises besetting his era. It represented to him a rethinking and completion of his magnum opus _The Philosophy of Symbolic Forms. _S. G. Lofts’s translation stays close to the (...) original German and accurately reflects the echoes of the philosophical debates of Cassirer’s day. In the book’s five linked studies, Cassirer considers the intellectual structure of the disciplines we commonly refer to as the humanities. He defines and justifies the basic philosophical perspective of the philosophy of symbolic forms, and he contributes a wealth of ideas to continuing debates about culture and what is unique in human nature. (shrink)

Contrary to the view that Africa is populated by many ethnic groups whose cultures and languages have no relation to one another, scientific research, as opposed to impressionistic arguments, points to the fact that African languages are connected, and by extension, demonstrate African cultural connectivity and unity. By making reference to both African and European scholars, this article demonstrates pan-African linguistic and cultural unity, and echoes pan-Africanist scholars’ call for African linguistic and cultural unity as a (...) basis for pan-Africanism and the African Renaissance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 29.1 (2005) 1-23 [Access article in PDF] Literature and Evolution: A Bio-Cultural Approach Brian Boyd University of Auckland Many now feel that the "theory" that has dominated academic literary studies over the last thirty years or so is dead, and that it is time for a return to texts.1 But many more outside literary studies—in fields as diverse as anthropology, economics, law, psychology, and religion—have (...) recently come to recognize that the deep past that shaped our species can help to explain our present and recent past. Since a bio-cultural model of the human can only be richer than a solely cultural model, and since it implies neither genetic determinism nor limitation to the status quo, I want to argue for a bio-cultural or evolutionary approach to literature, first in very general terms, and then through a few aspects of a single familiar example, Hamlet.2 Such an approach, I suggest, can offer both a more comprehensive theory of literature and a closer investigation of literary texts. I Traditional views of literature tended to see it as reflecting nature, especially human nature, all the way from Plato's discomfort with, or Aristotle's admiration for, mimesis to Shakespeare's or Stendhal's images of art as holding the mirror up to nature. Common-sense traditional views of art and literature have easily shaded into transcendental views, widespread because religious beliefs have been so pervasive and because both artists and their patrons in state or church benefit by nurturing a sense of awe at art's putatively divine origins and power.In the twentieth century, first in sociology, anthropology, and even [End Page 1] psychology, then by the 1960s in the combination of these with Saussurean linguistics that produced structuralism and its aftershocks, and therefore impacted on literature, there has been a rejection of human nature as a given and a stress on human nature as the product only of culture and convention. "Theory," or what the Norton Anthology of Theory and Criticism more pointedly calls cultural critique, rightly critiques traditional common-sense and transcendental views of art, pointing out that the nature, human nature, or supernature that art or literature was supposed to reflect was merely what was assumed of these things from within a local cultural perspective.3 Roland Barthes, for example, criticized "the mystification which transforms petit-bourgeois culture into a universal nature."4 Modern Theory also rejects the individual as another bourgeois or capitalist or Western notion, as when Fredric Jameson echoed Barthes's Death of the Author by announcing the Death of the Subject.5 Criticism since the 1960s "has denied, on theoretical grounds, the relevance of the single historically definable author."6However, as many have lately realized, there are problematic ethical consequences of both the denial of human nature and the denial of the individual. After such denials, on what basis do we then claim equal rights for all humans, and on what basis do we assign responsibility for particular actions?7 If there is no "single historically definable author," does that mean that someone penning a racist screed cannot be held accountable?A critique of unquestioned Western assumptions about human nature was needed, but the post-1960s critique was shortsighted: it has not looked nearly far enough. While structuralism and its more or less rebellious offspring were continuing the lineage of early twentieth-century social sciences, the natural sciences were moving in the opposite direction, towards the first comprehensive scientific attempt to understand human nature in the context of evolution and human, animal, and artificial cognition and behavior.In the humanities there has of late been widespread skepticism about science. Some postmodernists have what they deem "a sophisticated appreciation of the futility of proof and the relativity of all knowledge claims." But, as Daniel Dennett comments, "this opinion, far from being sophisticated, is the height of sheltered naïveté, made possible only by... ignorance of the proven methods of scientific truth-seeking and their power."8 Science does not generate only true answers: ideas proposed within it can of... (shrink)

The extensive use of digital platforms has presented considerable challenges to democracy, particularly in the realms of politics and ideology in Brazil. The emergence of digital echo chambers and the rise of extreme viewpoints pose threats to social cohesion, informed decision-making, and the development of individual identities. This analysis focuses specifically on identity formation, the creation and dissemination of information, emphasizing its repercussions on social identity and cultural diversity. Consequently, the influence of these echo chambers in promoting extremist views (...) in this context is just one facet of the broader ideological, racial, and class polarization facing the nation. To face these challenges, it is imperative to defend critical and reflective education on the role and use of social networks, both in the educational system and in the daily lives of young people and society. (shrink)

The author challenges the narrow philosophical perspective that has characterized much contemporary Anglo-American philosophy and calls for both an expansion of the boundaries of experience and an understanding and appreciation of ordinary experience. Aware that he is dealing with dimensions of experience in which it is difficult to achieve conceptual clarity, McDermott echoes James, who wrote in Psychology—Briefer Course, "It is... the reinstatement of the vague and inarticulate to its proper place in our mental life which I am so (...) anxious to press on the attention.". (shrink)

This article examines allusions to Greek poetry in two Greek verse inscriptions carved on public monuments for Lycian dynasts of the late fifth and early fourth centuriesb.c.(CEG177, 888). Scholarship on these epigrams celebrating the rule, achievements and outstanding qualities of the dynasts Gergis (LycianKheriga) and Arbinas (Erbinna) has largely focussed on the evidence they provide for Lycian history, dynastic ideology and Lycia's relationship to Greece. Less attention has been paid to the possible significance of their long-noted echoes of Greek (...) poetry. Literary analysis of these epigrams has been sidelined, it seems, owing to a prevailing assumption that they were composed and inscribed primarily for Greeks visiting or resident in Xanthus, the Lycian ‘capital’ where they were inscribed, and so their literariness, unheard by Lycian ears, cannot add to our understanding of Lycia and Lycians. Yet, a recent observation of Peter Thonemann suggests that the appropriation and manipulation of Greek poetry is in fact central to the dynastic intent of the epigrams: to assert Lycia's non-Greek, ‘Asiatic’ identity. (shrink)

In this dissertation, I argue that early nineteenth-century American poets’ and readers’ interpretations of Romanticism shaped their understanding of the role poetry and its producers could play in a developing national culture. By examining the public careers and private sentiments of four male poets — William Cullen Bryant, Henry Wadsworth Longfellow, Edgar Allan Poe, and Jones Very — I analyze how each reconciled poetic vocation with the moral and economic obligations associated with the attainment of manhood. I locate these poets (...) and their critics within specific historical discourses of aesthetic reception and production, focusing on the tensions and overlaps between Scottish Common-sense and Romantic aesthetic thought. Finally, I suggest that as a career objective the production of poetry paralleled rather than opposed the middle-class project of the “self-made man.” The effortful self-mastery urged upon young men by prescriptive writers was echoed in critics’ assessments of American poets’ works. Both the male poet and the self-made man operated within discourses which stressed imperatives — do, be, act — without specific objects. Yet, for aspiring poets, Romantic emphases on spontaneous composition and emotional expressiveness made deliberate craftsmanship irrelevant to poetic production. By identifying poetic production as spontaneous and as the highest form of disinterested intellectual labor, antebellum American critics and poets alike obscured the actual work involved in poetry writing. This erasure of conscious literary labor separated effort from its products, replacing a poet’s personal motives for writing poetry with the more nebulous goal of service, to be achieved through evidently inspired transcription than through purposeful composition. The title ‘poet’ suggested devotion to higher, more abstract goals, above mere commodity production. Each of these poets’ careers show how ambition compelled aspiring American poets to justify their work while disclaiming their individual hopes for their poetry and their reputations. Each poet promoted an understanding of poetic labor that demanded just such disclaimers. By underscoring the insubstantial and all but effortless nature of poetic composition itself, all four of these poets contributed to an enfeebled definition of the male poet — as a man who received impressions rather than produced them, and who observed rather than acted. (shrink)

En écho à la crainte de voir la "politique disparaître complètement du monde", selon l'inquiétude formulée par Hannah Arendt, notamment dans sa Crise de la culture, les trois essais qui composent ce recueil tentent d'apporter quelques éléments de réponse à des questions contemporaines de philosophie politique. Aussi cette menace d'une disparition éventuelle de la politique semble-t-elle suivre de nos jours trois tendances interdépendantes : sa dissolution privative dans les mécanismes du marché ; l'évincement de ses catégories usuelles (nation, souveraineté...) au (...) profit des notions religieuses (croisade, axe du mal...) ; enfin, l'occultation tendancieuse du débat démocratique au nom d'une expertise garante d'une objectivité "non partisane". Si crise de la politique et crise de la culture paraissent ainsi s'interpeller, sans doute est-ce parce qu'elles révèlent un même enjeu : la reconquête, à rebours de cette privatisation processuelle de l'espace public, d'un monde commun – ce que souligne d'ailleurs avec force la question écologique. A l'inverse d'une philosophie politique abstraite sise sur des principes immuables, l'idée est plutôt la suivante : comment articuler concrètement et stratégiquement, dans le sillage de Daniel Bensaïd, philosophie et politique? (shrink)