Are good and evil a “point of view”? Do Jedi and Sith alike merely crave greater power? What does a “space opera” have to teach us about how to live virtuously? George Lucas created Star Wars as a modern-day morality tale, modeled on classical epics, such as Homer’s Iliad and Odyssey, tragic dramas written by the likes of Sophocles, Seneca, and Shakespeare, and the scriptures that inspire religions in the East and West. This chapter canvasses the metaphysical and (...) moral themes across the three trilogies that make up the “Skywalker saga” to construct a genealogy of how “the Force” evolved throughout these films. At the heart of this conceptual development is the question of how the light and dark sides of the Force are related to each other and what that relationship can help us understand about the nature of good and evil in our own experience. (shrink)

This chapter lays out the paradox of fiction as it relates to the Star Wars films in three claims: we have genuine and rational emotional responses to the fictional characters and events in Star Wars; we must believe these characters and events really exist; and nobody believes these fictional characters and events in Star Wars exist. While many fans like to talk as if the characters and events in Star Wars are real, (...) none of us actually believe that Luke's heroic journey is real. The illusion theory claims that the fictional work creates in us the illusion that the characters and situations depicted actually exist. One observation that the thought theory makes is that we often have emotional reactions to imaginary situations. The pretend theory says that the emotions we experience while watching Star Wars are not genuine emotions. Rather, they're quasi‐emotions. (shrink)

This third brand-new 'Star Wars & Philosophy' title once again takes a fresh look at the franchise with all-new chapters. The focus of this volume is the more recent entries into the franchise, including hit TV shows such as THe Mandalorian. Modern applied philosophy is also used to analyse the Star Wars universe: In addition to thorny metaphysical questions about the nature of time and free will, this volume highlights the staggering cultural impact of George Lucas's (...) universe. The newest Star Wars narratives tackle ethnicity on alien worlds and how love and sex with a droid like L3-37 would work ("It works"). The connections between the Separatist Freedom Movement and the struggle for social justice in the USA in the 21st century are brought to light. And philosophical second looks at Rian Johnson's The Last Jedi prove there is much more to this controversial entry in the Skywalker saga. (shrink)

The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy (...) ponders the depths of these subjects and asks what it truly means to be mindful of the "living force.". (shrink)

The trilogy is viewed through the lens of myth and metaphor. A wide variety of philosophical and mythological themes are presented and expounded upon, drawing from a rich source of scholars, thinkers, writers, and poets from East and West alike. Heretical or not, the Star Wars prequels are a surprisingly rich source of insight into the whole saga.

The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of Star Wars and Harry Potter. Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to (...) the success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle. (shrink)

Philosophical review of themes in 'Star Wars - Episode VII: The Force Awakens' by the co-editors of 'Star Wars and Philosophy' and 'The Ultimate Star Wars and Philosophy.'.

Does it take faith to be a Jedi? Are droids capable of thought? Should Jar Jar Binks be held responsible for the rise of the Empire? Presenting entirely new essays, no aspect of the myth and magic of George Lucas’s creation is left philosophically unexamined in The Ultimate Star Wars and Philosophy. The editors of the original Star Wars and Philosophy strike back in this Ultimate volume that encompasses the complete Star Wars universe Presents (...) the most far-reaching examination of the philosophy behind Star Wars – includes coverage of the entire film catalogue to date as well as the Expanded Universe of novels, comics, television series, games and toys Provides serious explorations into the deeper meaning of George Lucas’s philosophically rich creation Topics explored include the moral code of bounty-hunter favourite Boba Fett, Stoicism and the Jedi Order, the nature of the Dark Side, Anakin and Achilles in a nihilism face-off, feminism and being chained to a giant slug, cloning, de-extinction, fatherhood, Wookiees, loyalty, betrayal, guardians, republics, tyrants, terrorism, civic duty, friendship, family, and more! Publishing in time for the global release of Star Wars Episode VII: The Force Awakens on December 18, 2015 – hotly anticipated to become the first film to top $3 billion in worldwide box office sales. (shrink)

This chapter discusses the role played by guardians and tyrants in Star Wars. The Jedi align themselves with the light side of the Force, while the Sith align themselves with the dark side. Although the Jedi are guardians of the galaxy, they refrain from ruling directly, acting as willing servants of the Old Republic. In Attack of the Clones, Anakin Skywalker and Senator Amidala demonstrate the trajectory of Plato's thinking when they engage in a semi‐serious debate about the (...) politics of the Republic. Plato's views in the Republic mirror the different types of rule in the Star Wars galaxy surprisingly well: democracy is vulnerable, tyrants only care about their own interests, and guardians of peace and justice are the state's best chance for flourishing. While democracy fails, allowing the Emperor to become a malevolent tyrant, the Jedi Council is cut off in its service to the Republic. (shrink)

For over 50 years, since the development of nuclear-armed ICBMs, the USA has sought a way to defend against them. These efforts evolved through various strategies and technologies: from nuclear-tipped rockets through space-based laser weapons to today’s system of ground-based kinetic-kill interceptors. Public debate around these issues reached a peak in the 1980s with President Reagan’s Strategic Defense Initiative, popularly known as Star Wars.Rebecca Slayton examines this history in Arguments that Count, a valuable and well-told account of a (...) particular aspect of missile defense: computer software. Missile defense required identifying a hostile missile launch, keeping track of thousands of incoming warheads on their ballistic trajectories, and directing interceptors to the right place—and doing all this in less than 30 minutes. From the outset, designers turned to computers to do the complex calculations quickly enough. But missile defense presented an additional factor, in that any m .. (shrink)

There is an imbalance of gender roles in everyone's favorite space saga, with the vast majority of characters played by males while the female parts are minimized at nearly every turn. But the underlying problem of womanhood in Star Wars might be even more insidious than Darth Sidious himself. This chapter explains why it is difficult to embrace a strong female identity anywhere, let alone in the midst of intergalactic war. It analyzes whether the women in Star (...) Wars have what it takes to bring feminism to the Force. While Princess Leia and Queen Amidala are instantly recognizable figures in popular culture, the question arises whether they represent women positively. While Leia and Padmé are typically recognized as the feminist icons of Star Wars, they are not all the films have to offer. The women of Star Wars offer just as much as any of the individual male characters. (shrink)

This chapter introduces time travel into the Star Wars lore. Time travel stories in which the past is changed are in danger of being inconsistent or plagued by paradoxes. In famous time travel stories such as Back to the Future, the protagonist travels to the past, changes the past, and then returns to a present quite different from the one they left. In contemporary philosophy of time, there are three main approaches to this question: presentism, eternalism, and the (...) growing block universe. Time travel works by entering a place, the World Between Worlds, that connects different points in time and space. In terms of modern physics, the portals in the World Between Worlds may be understood as traversable wormholes. The nature of time and the possibility of time travel have attracted and captivated humanity for centuries. (shrink)

Queues may represent business ethics in microcosm: they provide an opportunity to study in a smaller package the fundamental ethical tension in economic activity between self-interest and civility in the context of uncertainty and stress. In May 1999 people began forming lines to purchase tickets to the new Star Wars movie "The Phantom Menace." This paper reviews responses to a questionnaire on the internet regarding experiences in those lines. It focuses on two behaviors threatening queue discipline – the (...) formation of cooperative groups and "pre-scalping." It concludes that although queues are complex phenomena, exhibiting important ethical, economic, social, and psychological elements, the general organizing principle of "first-come-first-served" still provides the foundation for queues while at the same time making room for a variety of legitimate modifications. Second, this paper concludes that, as with queues, the thought that self-interest is the exclusive guiding principle for business behavior is likewise too narrow, inducing participants to neglect opportunities for personal enrichment and satisfaction. (shrink)

Star Wars action figures can help illuminate some theories about the science of the mind and how religious thinking originated. Playing with action figures illustrates how a science of the mind is possible and what can go wrong in the religious mind. In the twentieth century, philosophers began to think of new ways to study the mind. The key is to switch from a first‐person view to a third‐person perspective. Playing with Star Wars action figures illustrates (...) Daniel Dennett's theory of how a science of the mind is possible. To illustrate, this chapter presents a vintage Blue Snaggletooth action figure that sells for hundreds of dollars on eBay. The chapter highlights that understanding what happens when we play with action figures can reveal how a science of mind is possible and illuminate a theory of the origins of the religious mind. (shrink)

According to George Lucas, Star Wars is a morality play, a mythological tale of good and evil that's meant to teach timeless lessons about the moral life. This chapter shows how the moral framework of natural law ethics provides a philosophical foundation for the morality of the Force and helps illuminate Star Wars' moral themes.

This chapter opens with a discussion on the mechanics of canon in the Star Wars universe. The practice of dividing a fiction into canonical and noncanonical parts is not merely an exercise in fanboy/girl esoterica. Once a fiction is massive enough, and the Star Wars fiction is certainly quite massive, the canon/noncanon divide can play a practical role in pointing to which portions of the story are required knowledge for understanding and interpreting the overall universe. Canon/noncanon (...) distinctions make massive fictions like Star Wars accessible. A particular work will not be eternally canonical or eternally noncanonical. The canon/noncanon divide does not merely tell us that some stories count as genuine parts of the Star Wars fiction while others do not. It also dictates which version of a particular story counts as genuine when there are multiple versions from which to choose. (shrink)

Theories about moral status help answer a variety of questions about events that occur throughout the Star Wars saga. This chapter examines what counts as merely a “thing” in the Star Wars galaxy. It highlights that moral relevance identifies the properties a creature must have in order to be morally considerable; it also determines the creature's degree of moral significance. Theories of moral relevance, understood in terms of the properties a creature must have to be morally (...) valuable, fall into two important categories: those that focus on physical properties and those that focus on psychological properties. The chapter analyzes the numerous moral status issues that emerge in the Star Wars galaxy. In particular, the story of the Zillo Beast confronts us with questions about moral considerability, significance, and relevance. (shrink)

The enduring popularity of Star Wars has much to do with its mythic dimensions. However, there are problems with Joseph Campbell's work on myth and George Lucas's use of Campbell's ideas in Star Wars. Both Campbell and Lucas promote a simplistic view that encourages fans to avoid some darker, more unsettling ideas in Star Wars, which may obscure myth's true power. Campbell remains one of the most famous mythologists, but he was by no means (...) the first. Campbell's influence on Star Wars seems obvious, but the details are difficult to determine, partly because Lucas himself gives different accounts of it. Campbell's monomyth leads us to see similarities between tales and, in so doing, overlooks many significant differences. Tensions between mythos and logos date back to ancient Greek philosophers, if not earlier. The mythic structure of Star Wars has immense hidden power, and this power has a dark side. (shrink)

Introduction: Why so serious? -- The super body-politic: nationally assembling Joss Whedon's exceptional The avengers -- "He was deceived by a lie": tragedy and the dark plague of the politics of fear in George Lucas' Star wars -- Dystopian polyvalence: emancipating the mediated life from The matrix.

Introduction: Why so serious? -- The super body-politic: nationally assembling Joss Whedon's exceptional The avengers -- "He was deceived by a lie": tragedy and the dark plague of the politics of fear in George Lucas' Star wars -- Dystopian polyvalence: emancipating the mediated life from The matrix.

Fatherly love should be evident in caring for the health and good of one's children, seeking to safeguard them from harm and to encourage their integrity. However, in Star Wars, Darth Vader promises his son's survival only on the condition that Luke Skywalker will serve his own monstrous, tyrannical master. Utilizing a philosophy of love and goodness to show how the parent–child relationship may be lost or regained, this chapter examines the transition in Anakin's life from a natural (...) love of others to a distorted, toxic caricature of love. The drama and trauma displayed in Star Wars allow us to recognize how an admirable love can lose its value, and in fact can become what motivates people to outrageously wicked acts. The chapter highlights that the good of the love in such relationships needs to be tempered by humility and wisdom. (shrink)

In Lucas's universe, the Jedi have a special capacity to connect with the Force. There is nothing more powerful in human psychology than the power of attraction in the love of one person for another. The power of passionate love between persons – sexual‐love or love of the body – is experience of the Force. The Jedi also teach their trainees to have a detached, compassionate love for others that is sometimes called “Platonic love.” Anakin's transformation into Darth Vader seems (...) to contradict a prophecy about him: that he's the Chosen One who would bring balance back to the Force. Star Wars doesn't leave the original love, Anakin's passionate love for Padmé, behind. The Force love of Rey and Ren concludes the drama of love that finally achieves the balance of the Force in the sequel trilogy. (shrink)

Deterrence means threatening to retaliate against an attack in order to deter it in the first place. The central problem with a policy of deterrence is that the threat of retaliation may not be credible if retaliation leads to a worse outcome - perhaps a nuclear holocaust - than a side would suffer from absorbing a limited first strike and not retaliating. - The optimality of deterrence is analyzed by means of a Deterrence Game based on Chicken, in which each (...) player chooses a probability (or level) of preemption, and of retaliation if preempted. The Nash equilibria, or stable outcomes, in this game are compared with those in a Star Wars Game, in which the preemption and retaliation levels are constrained by the defensive capabilities of each side. Unlike threats in the Deterrence Game, which can always stabilize the cooperative outcome, mutual preemption emerges as an equilibrium in the Star Wars Game, underscoring the problem - particularly if defensive capabilities are unbalanced - that deterrence will be subverted by the development of Star Wars. (shrink)

Loyalty is like the Force: it has a light side and a dark side, and it surrounds and binds us all. Each of us, whether Jedi or Sith, Rebel or Imperial, is ensnared in a complex web of loyalties. On the light side, our loyalties bind us, turning mere groups of people into something more. On the dark side, those same loyalties can trap us and restrict us. This chapter argues that the value of loyalty itself is exaggerated, and that (...) its true value is derived from other valuable personality traits. The chapter talks about loyalty and betrayal found in the characters of Star Wars. Loyal people seem to be better people all around than nonloyal people. Loyalty itself may not be all that good, but it represents a combination of other factors that generally are good. Commitment, dedication, and selflessness are all valuable traits for a person to have. (shrink)

Though Trey Parker and Matt Stone haven't been killed for it (they did receive death threats after their 200th episode) the creators of South Park have faced accusations much like those that led to Socrates' execution: the corruption of youth and the teaching of vulgar, irreligious behavior. A closer examination, however, reveals that South Park is very much within the Platonic tradition, as Kyle and Stan engage in questioning and dialogue in order to "learn something today." Moreover, the mob mentality (...) of the parents, along with the malicious yet mimetic evil of Cartman, demonstrates how evil emerges from thoughtlessness: a failure to ask if one can live with oneself, and a failure to out oneself in the place of others. Through its different characters, and even its apparently mindless vulgarity, South Park shows the need for engaging in dialogue, and thinking from others' perspectives, in order to pursue wisdom, examine life, and make it worth living. (shrink)