“What is this journal Speculum?” the prospective graduate student asked me. “Is it some sort of radical feminist journal? I saw copies of it in Professor So-and-So's office, and I can't imagine that he would subscribe to a feminist publication. . . . So, what is Speculum?” To understand this question, I had to remember myself at twenty-two years of age, educated but not professionalized, more familiar with speculum as an instrument used in gynecological examinations than with Speculum, the premier (...) journal for medievalists. Vaguely recalling my own puzzlement at first encountering a journal for medievalists called Speculum, I explained to the student the Latin derivation of the title, the importance of the journal in medieval studies, and the absolute absence of a connection between the title of the journal and anything gynecological. We chuckled a bit—in female solidarity—about the naivete of Speculum's founders , who had chosen to title their journal with a name that resonated so strongly for modern women. (shrink)

Intentional verbs create three different problems: problems of non-existence, of indeterminacy, and of failure of substitutivity. Meinongians tackle the first problem by recognizing non-existent objects; so too did many medieval logicians. Meinongians and the medievals approach the problem of indeterminacy differently, the former diagnosing an ellipsis for a propositional complement, the latter applying their theory directly to non-propositional complements. The evidence seems to favour the Meinongian approach. Faced with the third problem, Ockham argued bluntly for substitutivity when the intentional complement (...) is non-propositional; Buridan developed a novel way of resisting substitutivity. Ockham's approach is closer to the Meinongian analysis of these cases; Buridan's seems to raise difficulties for a referential semantics. The comparision between the Meinongian and medieval approaches helps to bring out merits and potential pitfalls of each. (shrink)

Bruce Holsinger identifies and explains an affinity for medievalism and medieval studies among the leading figures of critical theory.

Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives (...) in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us."--Back cover. (shrink)

This chapter investigates the overlaps between the ‘cultural memory’ of the distant past and the memory of the Great War in Britain and Germany between 1914 and 1939, looking in particular at the use of medieval images in war memorials. There was a certain tension between advocates of medievalism and supporters of classicist images, but often, they reached a compromise. The chapter combines a discussion of the concept of ‘cultural memory’ with case studies on the reception of antiquity and (...) the Middle Ages in the era of the Great War. (shrink)

The romance Imberios and Margarona does not belong to the Renaissance. It does not acknowledge many of the issues which become current in the age of Humanism: the value of individual consciousness, to name but one, will wait until the seventeenth century to be explored in Greek literature. And yet, the vintage of Imberios is hybrid: being late medieval and modelled after a popular European prototype, it slants ever so gently towards what will later be fully fledged humanistic sensibilities.

This volume explores the relationship between rationality and happiness from ancient Greek philosophy to early Latin medieval philosophy. What connection is there between human rationality and happiness? This issue was uppermost in the minds of the Ancient Greek philosophers and continued to be of importance during the entire early medieval period. Starting with theSocrates of Plato's early dialogues, who is regarded as having initiated the eudaimonistic ethical tradition, the present volume looks at Plato, Aristotle, the Skeptics, Seneca [Stoicism], Epicurus, Plotinus (...) [neo-Platonism], Augustine, Boethius, Anselm, and ends with Abelard, the final major figure in early medieval philosophy. Special efforts are made to reveal and trace the continuity and development of the views on rationality and happiness among these major thinkers within this period. The book's approach is historical, but the topics it treats are relevant to many discussions pursued in contemporary philosophical circles. Specifically, the book aims to make two major contributions to the ongoing development of virtue ethics. First, contemporary virtue ethics often draws distinctions between ancient Greek ethics and modern moral philosophy [mainly utilitarianism and Kantianism], and seeks to model ethics on ancient ethics. In doing so, however, contemporary virtue ethics often ignores the transition from Greek ethics to the early Latin medieval tradition. Second, contemporary virtue-based ethics, in its efforts to seek insights from ancient ethics, centers on virtue. In contrast, in ancient and medieval ethics, virtue is pursued for the sake of happiness [eudaimonia], and virtue is conceived as excellence of rationality. Hence, the relationship between rationality and happiness provides the framework for ethical inquiry within which the discussion of virtue takes place. Contributors: JULIA ANNAS, RICHARD BETT, JORGE J.E. GRACIA, BRAD INWOOD, WILLIAM MANN, JOHN MARENBON, GARETH B. MATTHEWS, MARK L. McPHERRAN, DONALD MORRISON, C.C.W. TAYLOR, JONATHAN SANFORD, JIYUAN YU. Jiyuan Yu is Assistant Professor of Ancient Philosophy at the State University of New York at Buffalo. Jorge J. E. Gracia is Samuel P. Capen Chair and SUNY Distinguised Professor in the Departments of Philosophy and Comparative Literature at the State University of New York at Buffalo. (shrink)

Este artigo revisa a idéia de filosofia “medieval” and põe ênfase na variedade de significados daquela palavra. O autor crê que necessitamos de uma nova terminologia para aquele período da história do pensamento e sugere, por razões históricas, as expressões “United Age” e “Formation Age”. Em todo o artigo prevalece uma tentativa de compreender a natureza da atividade filosófica e da história da filosofia.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Fine Delight that Fathers Thought: Rhetoric and Medievalism in Gerard Manley HopkinsRichard D. LordThe Fine Delight that Fathers Thought: Rhetoric and Medievalism in Gerard Manley Hopkins, by Franco Marucci; 261 pp. Washington, D.C.: Catholic University of America Press, 1994, $44.95.Paging one day through Hopkins’s notebooks in the library at Campion Hall, I was startled to find the draft of “Spelt From Sibyl’s Leaves” placed directly (...) opposite the tortuous grade computations for one of his classes. This book presents a similar contrast—insights into “The Wreck of the Deutschland” buried in the technical language of structuralism, semiotics, and rhetoric.In his preface, the author calls his book “a revised and updated translation of my I fogli della Sibilla. Retorica et medievalismo in Gerard Manley Hopkins” (p. ix). As the title indicates, it is divided into two parts, the former dealing with Hopkins’s poetic rhetoric viewed synchronically and the latter with his “textuality as a confluence of... cultural codes” (p. 89).In the chapter introducing part one, Marucci dismisses, with few exceptions, criticism from 1918 to the present as being of little use to one investigating “the function and functionality of Hopkins’s poetic rhetoric” (p. 3). The exemplifying portion of this chapter (“Amplification”) addresses “God’s Grandeur” and “The Wreck of the Deutschland” as judicial speech (persuasive), with the reader performing the judicial function. The analysis is useful in providing insights into the poet’s rhetorical planning as he guides the reader in this persuasive process.Moving from the “Deutschland” to the “terrible sonnets” as exemplifications of “autocommunication,” Marucci notes that here the interlocutor gradually disappears as the sender-receiver relationship fades. He believes that Hopkins became “no longer capable of finding in himself (or, more probably, of offering to a receiver who had proved cold and indifferent) the necessary stimuli” (p. 76) and names the editor of The Month, Bridges, and other correspondents as the probable receivers.In the second (and major) part of the book, the author sets out to examine the cultural codes influencing the poet’s textuality. The chapter introducing this section, “‘Integrated’ and ‘Apocalyptic’ Writers,” first looks at “the global syntagmatic model of the Victorian Age” (p. 98) and then divides its texts according to this model into three categories. The first two either reflect or modify the syntagmatic codes (“integrated” writers) while the third opposes these codes (“apocalyptic” writers). The author’s thesis is that Hopkins is not fully any one of these, but that his Victorianism is subsumed in various ways and ultimately subordinated to his medievalism. His position is that Victorian codes essentially ceased to affect the poet after his entrance into the Society of Jesus, when they were replaced by medieval codes. This is developed in some detail in the chapter entitled “Hopkins and Duns Scotus.”Although the book takes a narrow critical approach to Hopkins, it still might [End Page 149] well have been enriched by allowing for the ways in which the Ignatian method of meditation, with its emphasis on the “application of the senses,” so clearly drew Hopkins to find a kindred spirit in Scotus. This, together with the kind of seminary training in vogue in the Catholic Church until after Vatican II, certainly contributed to the medievalism that Marucci finds in the later Hopkins.This is a useful and provocative book for scholars, but many of the footnotes seem unnecessarily long and some chapters conclude too abruptly. The highly specialized language of structuralism and semiotics requires an expertise that probably eludes most undergraduate students.Richard D. LordWillamette UniversityCopyright © 1995 The Johns Hopkins University Press... (shrink)

The poetic joy voiced in this book's title reflects the hope in God of a poet who sacrificed his art not long after his conversion, but then received back the use of his native talents with even deeper inspiration. As a young Jesuit, Gerard Manley Hopkins offered up the use of his creative abilities in frustrating silence as part of his quest to make a complete donation of himself to God. Only years later did a well-attuned alertness to the stirrings (...) of divine grace propel him to poetry once more, but now a poetry chastened of his early infatuation with Victorian sensibilities and enlivened by a consciously Medieval approach to reading the signs of God's presence everywhere. (shrink)

The ARAROEM project stands for the Archives from Rhône-Alpes and Romandie gathering ephemeral objects inspired by medievalism. This is a project of research and of scientific education, which aims to collect and analyse multiples products made by craftspeople and industrial companies interested by the imaginary of Middle Ages. With a clear methodology, the project investigates three fundamental criteria to understand the Ephemeral Medievalist Objects (EMO): the symbolic value of the objects, the product lifespan and the durability. It involves various (...) disciplines such as medieval history, medievalisn, semiology, economy, sociology, anthropology and ecology. (shrink)

Though the 'medieval' is often deployed as a stigmatic symbol of all that is retrograde, against modernity, and barbaric, the medieval is increasingly being sought as a bedrock of tradition, heritage, and identity, especially by writers and politicians on the far right. Both characterisations- the medieval as violent other and the medieval as vital foundation- are mined and studied in this book. It examines contemporary political uses of the Middle Ages to ask why the medieval continues to play such a (...) prominent role in the political and historical imagination today." -- Back cover. (shrink)