"In a wide-ranging discussion the author examines the philosophy of Kant, Heidegger, Adorno and Derrida and looks at the works of modernist and postmodernist artists such as Cezanne, Debussy and Boulez. Lyotard addresses issues such as time and memory, the sublime and the avant-garde, and the relationship between aesthetics and politics. Throughout his discussion he considers the close but problematic links between modernity, progress and humanity, and the transition to postmodernity. Lyotard claims that it is the task of literature, philosophy (...) and the arts to bear witness to and explain this difficult transition." "This important contribution to aesthetic and philosophical debates will be of great interest to students in philosophy, literary and cultural theory and politics."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

The political writings of Jean-Francois Lyotard, the prophet of the postmodern, are presented here as both the missing dimension of his work and the key to understanding his position within contemporary debate.

The Postmodern explained to children : Correspondence 1982- 1985.

A collection of 15 fables from a founding figure of postmodernism that ask in the words of Jean-Francois Lyotard, "how to live and why?" It provides attention to issues of justice and ethics, and aesthetics and judgement - unravelling and reconfiguring idealistic notions of subjects.

A major figure in the contemporary critical world, Jean-Francois Lyotard originally introduced the term 'postmodern' into current discussions of philosophy. The Postmodern Explained is an engaging collection of letters addressed to young philosophers, including the actual children of some of Lyotard's colleagues, that inform the trajectory of his thinking in the period before The Postmodern Condition through The Differend.

This edited collection of essays brings together the leading experts in the field of cultural and philosophical studies to tackle many of the questions still being asked about Jean Francois Lyotard. Contributors include Barry Smart, John O'Neill and Victor J. Seidler with subjects ranging from Lyotard's writings on justice and politics of difference, on feminism, youth, judaism as well as a chapter devoted to his early writings.

The Lyotard Reader is a collection of Jean-Francois Lyotard's most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as wide-ranging as film, painting, psychoanlaysis, Judaism and politics. The originality of Lyotard's work means that it cannot be readily situated within any one philosophical tradition. Instead he returns philosophy itself to debates across a range of areas and, in so doing, redefines the philosophical enterprise.

This brilliant and engaging critical encounter between Jean-Francois Lyotard and Eberhard Gruber has as its focus a single punctuation mark-the hyphen connecting "Jew" and "Christian" in the expression "Judeo-Christian." While focusing on the nature, meaning, and function of this hyphen, the authors are able to analyze many of the essential differences between Judaism and Christianity, as well as the most significant historical and political consequences of these differences from the Roman Empire to the Shoah. Beginning with a reading of (...) the Letters of Paul, they contrast the Jewish and Christian positions on a variety of issues ranging from emancipation, history, sacrifice, incarnation, faith, law, and sexual difference to the value that is accorded reading, writing, and interpretation within these two traditions. (shrink)

"Toward the Postmodern contains thirteen of Jean-Francois Lyotard's most representative essays on literature, aesthetics, and the psycho-political dimensions of discourse. These compelling essays, selected in consultation with the author and arranged chronologically, give a clear view of Lyotard's trajectory over the past three decades. They will enable Lyotard's English-speaking audience to comprehend the range of his principal preoccupations both before and after his engagement with the debate over the postmodern, and also to appreciate the polemical vigor of his aesthetic (...) critique." "Toward the Postmodern contains several previously untranslated essays and two unpublished recent studies. Edited with a perceptive introduction, a comprehensive current bibliography, and a thorough index, this volume will be an invaluable tool for both students and researchers."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

This volume is mandatory reading for anyone who wants to understand the philosophic perspective of Jean-Francois Lyotard (1924-1998) and to grasp the coherence of his thought.

_Why Philosophize?_ is a series of lectures given by Jean-François Lyotard to students at the Sorbonne embarking on their university studies. The circumstances obliged him to be both clear and concise: at the same time, his lectures offer a profound and far-reaching meditation on how essential it is to philosophize in a world where philosophy often seems irrelevant, outdated, or inconclusive. Lyotard begins by drawing on Plato, Proust and Lacan to show that philosophy is a never-ending desire - (...) for wisdom, for the ‘other’. In the second lecture he draws on Heraclitus and Hegel to explore the close relation between philosophy and history: the same restlessness, the same longing for a precarious unity, drives both. In his third lecture, Lyotard examines how philosophy is a form of utterance, both communicative and indirect. Finally, he turns to Marx, exploring the extent to which philosophy can be a transformative action within the world. These wonderfully accessible lectures by one of the most influential philosophers of the last 50 years will attract a wide readership, since, as Lyotard says, ‘How can one not philosophize?’ They are also an excellent introduction to Lyotard’s mature thought, with its emphasis on the need for philosophy to bear witness, however obliquely, to a recalcitrant reality. (shrink)

Vouloir dresser un tableau de la philosophie française au XXe siècle est une entreprise risquée. Comment s'y repérer? Quelles ressources y puiser? Cet ouvrage opère un retour critique sur les grandes traditions françaises : idéalisme, réalisme, spiritualisme. Il vise à en montrer le profond renouvellement jusqu'à la période contemporaine. Les temps ne sont plus aux " grands récits " : Sartre, Althusser, entre autres, ne tiennent plus le haut du pavé. De nouvelles directions de recherche ont largement émergé. Phénoménologie, structuralisme, (...) herméneutique sont encore très présents, même si on constate désormais un véritable éclatement de la pensée française. Les figures de Foucault, Derrida, Lyotard ou Deleuze en sont les plus représentatives. Problèmes, méthodes, enjeux, notamment d'un point de vue chrétien, se trouvent au coeur de cette passionnante traversée du siècle. (shrink)

Often associated with themes in political philosophy and aesthetics, the work of Jean-François Lyotard is most known for his infamous definition of the postmodern in his best-known book, La condition postmoderne, as incredulity towards metanarratives. The claim of this article is that this famous claim of Lyotard is actually embedded in a philosophy of technology, one that is, moreover, still relevant for understanding present technoscience. The first part of the article therefore sketches Lyotard’s philosophy of technology, mainly by (...) correcting three common misconceptions: that La condition postmoderne would only be about metanarratives, whereas in fact, it is mainly about what replaces them, namely performativity; that performativity would be shorthand for capitalism, whereas in reality, capitalism is the latest instance of a longer history of performativity; and that Lyotard’s reflections on science and technology would be restricted to this book alone, whereas in reality, a well-articulated philosophy of technology, centered around the concept of technoscience, is found in his later work. The second part of the article then aims to highlight the contemporary relevance of this philosophy of technoscience through a brief examination of two contemporary technosciences: synthetic biology and data science. (shrink)

Jean-François Lyotard is one of the most important, and complex, French thinkers of the twentieth century. Best known in the English-speaking world for his book The Postmodern Condition, the multi-faceted nature of Lyotard’s work has often been obscured by its sometimes problematic association with the postmodern. His life refuses to follow the clear trajectory common to academics in France: it stalls and hesitates, with Lyotard’s first ‘career’ consisting of fifteen years of militant Marxist political engagement. Kiff Bamford traces (...) this circuitous journey, unravelling the thrust of Lyotard’s main philosophical arguments, his struggle with thinking and his confrontation with the task of writing and thinking philosophy in a different way. These all take place within a series of very particular contexts: the Algerian war, the experimental university at Vincennes and a sustained engagement with the visual arts. Lyotard’s own tentative reflections on his intellectual life help to frame his suspicions of easy narratives and highlight his rejection of ‘the delusion that we are able to programme our life’. It is by following these cautions that Kiff Bamford is able to present a compelling portrait of a challenging subject. (shrink)

In this paper published in Slovenian, i argue that Jean-François Lyotard could probably not have written his groundbraking book Le Différend in the eighties of the 20th century without having had his Algerian experience as a young teacher there. Lyotard was member of the group of leftist intellectuals "Socialisme ou barbarie" (also name of a journal they issued) around Cornelius Castoriadis. Understanding the "Other" and the relationship between the subject and the "Other" is essential to the line of (...) thought that Lyotard developped in Le Différend. See his book La guerre des Algériens. (shrink)

With the publication of Jean-François Lyotard: The Interviews and Debates, Kiff Bamford has securely situated himself as a scholar of ‘the marginal’, in the sense of recovering the neglected texts...

Neither art criticism nor a scholar’s monograph on an artist, Jean-François Lyotard’s Sam Francis: Lesson of Darkness: ‘like the paintings of a blind man’ is a reflection that engages both the painter and 43 of his works into a conversation alternating painting and aphoristic writing. Their order follows neither the chronology of the works nor a linear argument in the prose. And yet, the work generates the strongest feeling of there being a continuity in this peculiar dialogue of (...) pictures and poeticism, a continuity not clearly presented by logic, but one concerning what remains unpresented in presentation. The conversation is revelatory of their shared concerns with the energetic force of absence and is fascinating. (shrink)

La pensée politique de Jean-François Lyotard est encore aujourd’hui à découvrir pour une grande partie du public lettré pour deux raisons principales. La première consiste en ce que la philosophie générale de Lyotard reste faussement appréciée dans son ampleur et sa portée, y compris chez les « professionnels de la profession » (selon...

This article reconstructs Jean-François Lyotard’s theory of the sublime in contemporary art, focusing on his claim that such art ‘presents’ the unpresentable, and tracing its origins in Kant’s account of the sublime. I propose that Lyotard identifies a difficulty concerning Kant’s account: to understand why the disparate elements in the experience of the sublime should be synthesized to form that experience. Lyotard recasts this difficulty as a pragmatic problem for artistic practice – how to ‘testify’ to the absolute (...) in a non-absolute, sensibly perceivable object – that can be understood to drive avant-garde artistic experimentation. (shrink)

Discourse, Figure signifies an event. I mean this in a variety of ways. There has been a recent event: the publication of an English translation of Jean-François Lyotard’s first major book. Its translation is an event forty years delayed and signifies the closing of a major gap in the translation of Lyotard’s work. Of course, both “signify” and “event” are important words for Lyotard. Discourse, Figure’s goal is to “signify the other of signification” (2011, 13, emphasis his). The (...) question of the representability of events that concerns Lyotard throughout his career originates in Discourse, Figure. I use these two words to guide my review. First I outline the events of the book: its context and its argument. .. (shrink)

This article rediscovers a short film directed by Jean-François Lyotard, entitled L’Autre Scène. The work underlines the originality of a philosopher who refused to separate theory from practice. First analysing the influence of Freudian theory on the production of the film, I shall then see how the work elaborates the concept of “acinema”. Finally, I will give an interpretation of Lyotard’s enigmatic silence about his first film work. -/- .