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  1.  10
    Introduction to Antiphilosophy.Boris Groys - 2012 - Verso Books.
    Søren Kierkegaard -- Leo Shestov -- Martin Heidegger -- Jacques Derrida -- Walter Benjamin -- Theodor Lessing -- Ernst Jünger's technologies of immortality -- Three ends of history : Hegel, Solvyov, Kojève -- Nietzsche's influence on the non-official culture of the 1930s -- A genealogy of participatory art -- Lessing, Greenberg, McLuhan.
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  2.  24
    Under Suspicion. A Phenomenology of Media.Boris Groys - 2012 - Columbia University Press.
    Advancing the field of media studies in a truly innovative way, Boris Groys focuses on the media's affect of sincerity and its manufacture of trust to appease skeptics.
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  3. Introduction.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 1-16.
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  4. 9. Claude Lévi-Strauss: Mana ; or, the Floating Signifi Er.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 106-114.
     
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  5. DOSSIER-What is German Media Philosophy? Subjectivity as Medium of the Media.Boris Groys - 2011 - Radical Philosophy 169:7.
     
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  6. Frontmatter.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press.
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  7. 10. Georges Bataille: The Potlatch with the Sun.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 115-128.
     
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  8. Index.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 193-202.
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  9. 11. Jacques Derrida: The Lack of Time and Its Specters.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 129-147.
     
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  10. 12. Jean-François Lyotard: The Roller Coaster of the Sublime.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 148-160.
     
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  11. 8. Marcel Mauss: Symbolic Exchange; or, Civilization Under Water.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 93-105.
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  12. Notes.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 181-192.
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  13. REVIEWS-Zuruck aus der Zukunft: Osteuropaische Kulturen im Zeitalter des Postcommunismus.Boris Groys, Anne von der Heiden, Peter Weibel & Kerstin Stakemeier - 2007 - Radical Philosophy 141:53.
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  14. REVIEWS-Das kommunistiche Postskriptum.Boris Groys & Kerstin Stakemeier - 2007 - Radical Philosophy 141:53.
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  15. REVIEWS-Die Neue Menschheit: Biopolitische Utopien in Russland zu Beginn des 20 Jahrhunderts.Boris Groys, Michael Hagemeister & Kerstin Stakemeier - 2007 - Radical Philosophy 141:53.
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  16. REVIEWS-Am Nullpunkt: Positionen der russischen Avantgarde.Boris Groys, Aage Hansen-Love & Kerstin Stakemeier - 2007 - Radical Philosophy 141:53.
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  17. 14. Suspicion Is the Medium.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 173-180.
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  18. 5. The Gaze of the Other.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 62-68.
     
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  19. 4. The Phenomenology of Medial Sincerity.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 49-61.
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  20. The Politics of Equal Aesthetic Rights.Boris Groys - 2006 - Radical Philosophy 137:28-34.
     
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  21. The Russian Novel as a Serial Murder or the Poetics of Bureaucracy.Boris Groys - 2000 - In Willem van Reijen & Willem G. Weststeijn (eds.), Subjectivity. Rodopi.
     
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  22. Translator ’s Preface: Dead Man Thinking.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press.
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  23. 13. The Time of Signs.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 161-172.
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  24.  23
    The Problem of Soviet Ideological Practice.Boris Groys - 1987 - Studies in Soviet Thought 33 (3):191-208.
  25.  21
    2. The Truth of the Medial and the State of Exception.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 32-40.
    This chapter offers a philosophical reflection on the truth of the medial and the state of exception. It begins with the notion that every single media carrier—be it “natural” or produced by technical means—basically allows for only two operations with signs: to save and to transfer. The entire medial economy that operates with signs makes use of these two operations. All signs have a meaningless, nonsemantic, purely formal, and simultaneously material side beyond all signification. When we confront the media, we (...)
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  26.  24
    Le Musée Pour L’Installation D’Art Contemporain.Boris Groys - 2011 - Hermès: La Revue Cognition, communication, politique 61 (3):, [ p.].
    Ces dernières années, des musées d’art contemporain sont apparus partout dans le monde occidental et au-delà. Le nombre de ce genre de musées augmente en permanence. Le touriste d’aujourd’hui, qui se rend dans une grande ville, s’attend à y trouver un musée d’art contemporain, de la même manière qu’il s’attend à y trouver un restaurant italien ou un cinéma. Dans la plupart des cas, ces attentes sont confirmées. Dans le pire des cas, le touriste va apprendre que le musée d’art (...)
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  27.  33
    The Problem of Soviet Ideological Practice.Boris Groys - 1987 - Studies in East European Thought 33 (3):191-208.
  28.  13
    Die Wahrheit der Kunst.Boris Groys - 2017 - Paragrana: Internationale Zeitschrift für Historische Anthropologie 26 (1):17-27.
    Name der Zeitschrift: Paragrana Jahrgang: 26 Heft: 1 Seiten: 17-27.
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  29.  10
    Le Musée Pour L’Installation D’Art Contemporain.Boris Groys - 2011 - Hermes 61:, [ p.].
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  30.  11
    3. Media-Ontological Suspicion and Philosophical Doubt.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 41-48.
    This chapter explores media-ontological suspicion as a specific manifestation of philosophical doubt. It begins by discussing how the suspicion that something is hidden behind the visible and experienceable surface of the world that cannot be observed or described by humans and that might be threatening to them has determined the entire history of Western philosophical discourse. At least since Plato, philosophy has tried again and again to recognize and name what is hidden so as to overcome the fear of it. (...)
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  31.  12
    Images de pensée.Boris Groys - 2005 - Multitudes 3 (3):149-158.
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  32.  72
    Russia and the West: The Quest for Russian National Identity.Boris Groys - 1992 - Studies in East European Thought 43 (3):185-198.
  33. 6. The Medium Becomes the Message.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 69-79.
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  34.  30
    Russia and the West: The Quest for Russian National Identity.Boris Groys - 1992 - Studies in Soviet Thought 43 (3):185-198.
  35.  9
    7. The Case of Exception and the Truth of the Medial.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 80-90.
    This chapter examines the case of exception and the truth of the medial. It begins with a discussion of different truth values that the signs on the surface of the media have: the truth of referentiality and the truth of submedial space. The truth of referentiality is scientific truth whereas medial truth concerns the truth of exception. The chapter proceeds by explaining how the truth of sincerity is lost through repetition and suggests that the truth of the submedial, of the (...)
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  36.  7
    The Border Between Word and Image.Boris Groys - 2011 - Theory, Culture and Society 28 (2):94-108.
    Proceeding from Lessing’s distinction between poetry and visual art, Boris Groys argues that language is not external to, but resides behind, the image. The image constitutes the scene of a frustrated linguistic desire. Modern visual art sought to avoid the obscenity of staging this unfulfilled desire by conducting a systematic ascetic repression of the linguistic impulse. This negation of linguistic desire culminated in Judd’s ‘specific ob jects’. Y et the modern image, Groys emphasizes with reference to Greenberg and McLuhan, still (...)
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  37.  6
    1. The Submedial Subject and the Flux of Signs.Boris Groys - 2012 - In Under Suspicion: A Phenomenology of Media. Columbia University Press. pp. 19-31.
    This chapter explores the imperceptible foundation of the play of signs that takes place on the medial surface. It begins by discussing submedial space as the space of suspicion as well as the space of subjectivity, suggesting that something invisible must be hidden behind the visible in the space beneath the medial surface. It then considers the poststructuralist philosophy of flux in relation to the problem of signification and how signification determines the relationship of the archive to the “reality” outside (...)
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