I advance a variety of intellectualism about knowing-how that is, paradoxically, suggested by Ryle's positive discussions of that phenomenon. I discuss the roots of the view in Ryle's work, its affinity with John Hyman's () view of factual knowledge, and important points of contrast with Stanley and Williamson's () proposal. Drawing on work by Cath () and Wiggins () I also discuss conditions on knowing practically, in ‘the executive way’, as an alternative to appealing to practical modes of presentation.

This paper exploits recent work on the normative and constitutive roles of knowledge in practical rationality, to put pressure on the idea that speakers could communicate without exploiting linguistic knowledge. I defend cognitivism about meaning, the view that speakers have rationally accessible (i.e., implicit rather than tacit) knowledge of semantic facts and principles, and that this knowledge is constitutive of their linguistic competence.

: The founders of American pragmatism proposed what they regarded as a radical alternative to the philosophical methods and doctrines of their predecessors and contemporaries. Although their central ideas have been understood and applied in some quarters, there remain other areas within which they have been neither appreciated nor appropriated. One of the more pressing of these areas locates a set of problems of knowledge and valuation related to global citizenship. This essay attempts to demonstrate that classical American pragmatism, because (...) its methods are modeled on successes in the technosciences, offers a set of tools for fostering global citizenship that are more effective than the tools of some of its alternatives. First, pragmatism claims to discover a strain of human commonality that trumps the radical postmodernist emphasis on difference and discontinuity. Second, when pragmatism's theory of truth is coupled with its moderate version of cultural relativism, the more skeptical postmodernist version known as “cognitive” relativism is undercut. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.1 (2003) 1-12 [Access article in PDF] Art and Mathematics in Education Richard Hickman and Peter Huckstep We begin by asking a simple question: To what extent can art education be related to mathematics education? One reason for asking this is that there is, on the one hand, a significant body of claims that assert that mathematics is an art, and, on the (...) other, work in art that has a mathematical basis. Observations of these kinds are not trivial. They have significant implications for the teaching of these areas of the curriculum in at least two ways. First, there is the methodological issue of the extent to which we should teach mathematics and art separately, and second, the teleological question of why they appear in the curriculum at all. So the relationship between the nature of mathematics and art, perceived or real, bears down on questions of the individuation and the justification of these disciplines, or, in other words, upon pedagogy and purpose. Although in principle both the pedagogy and the purpose of any discipline are distinct, there are important connections between them, as we shall draw out.As far as mathematics goes, it has been stressed that the purposes of even rudimentary aspects of mathematics such as counting do need to be made explicit to pupils. 1 What have been seen as errors in understanding are internally linked with pupils' ideas of the purposes of counting. Anna Sierpinska discusses a similar situation within the broader aspect of what she calls "theory" in higher mathematics. 2 More generally, John Passmore, in his analysis of pupils' understanding includes the case where a pupil sees no need to understand since he or she cannot understand the point of learning the subject. 3 If the purposes of art and mathematics are strikingly similar then there is reason to suppose that certain pedagogical approaches that [End Page 1] follow from this will improve understanding of both mathematics and art, and therefore understanding of reasons for engaging in math-based and art-based activities.In schools we see what appears to be some evidence of connections between art and mathematics in cross-curricular work, such as that described in Jacqueline Cossentino and David Schaffer. 4 Apart from providing much-needed motivation, an important value of this approach toward mathematics is that it can illuminate pupils' understanding of some of its purpose by, at the very least, allowing them to recognize instances of mathematics at work, often in unsuspecting contexts. In particular, by facilitating some transference of knowledge pupils can appreciate the so-called "power" of mathematics in its widespread application to the world of artefacts produced by themselves and others.Can we go further than displaying connections between these disciplines? Can we treat mathematics itself as art? In particular, can we suppose that pupils can make mathematics just as they can make artefacts? Some writers seem to imply this by invoking the notion of creativity as a common property between the two disciplines. 5 Leaving aside the ironic sense of creativity in, for example, the case of "creative accountancy" pupils must indeed "make" sense of mathematics and they must originate mathematical assertions of their own that have not been directly taught. In both respects mathematics is similar to the learning of a language. Further than this, we value pupils' inventiveness in their approaches to areas of mathematics, calculations for example.The linking of mathematics and art via creativity has its most persuasive force in the change of attitude toward axiomatic foundations. 6 The story is familiar: for centuries Euclidean geometry was (wrongly) supposed to offer truths of the actual space in which we lived, since its axioms were thought to be confirmed by our intuitions of space. However, when it was found that consistent and useful axiomatic systems could be constructed by making certain alterations to these axioms, it became clear that mathematics was not simply discovered. It involved a significant measure of creativity. Yet one thing is clear: the sense that children make of mathematics, the original utterances they make... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.1 (2003) 1-12 [Access article in PDF] Art and Mathematics in Education Richard Hickman and Peter Huckstep We begin by asking a simple question: To what extent can art education be related to mathematics education? One reason for asking this is that there is, on the one hand, a significant body of claims that assert that mathematics is an art, and, on the (...) other, work in art that has a mathematical basis. Observations of these kinds are not trivial. They have significant implications for the teaching of these areas of the curriculum in at least two ways. First, there is the methodological issue of the extent to which we should teach mathematics and art separately, and second, the teleological question of why they appear in the curriculum at all. So the relationship between the nature of mathematics and art, perceived or real, bears down on questions of the individuation and the justification of these disciplines, or, in other words, upon pedagogy and purpose. Although in principle both the pedagogy and the purpose of any discipline are distinct, there are important connections between them, as we shall draw out.As far as mathematics goes, it has been stressed that the purposes of even rudimentary aspects of mathematics such as counting do need to be made explicit to pupils. 1 What have been seen as errors in understanding are internally linked with pupils' ideas of the purposes of counting. Anna Sierpinska discusses a similar situation within the broader aspect of what she calls "theory" in higher mathematics. 2 More generally, John Passmore, in his analysis of pupils' understanding includes the case where a pupil sees no need to understand since he or she cannot understand the point of learning the subject. 3 If the purposes of art and mathematics are strikingly similar then there is reason to suppose that certain pedagogical approaches that [End Page 1] follow from this will improve understanding of both mathematics and art, and therefore understanding of reasons for engaging in math-based and art-based activities.In schools we see what appears to be some evidence of connections between art and mathematics in cross-curricular work, such as that described in Jacqueline Cossentino and David Schaffer. 4 Apart from providing much-needed motivation, an important value of this approach toward mathematics is that it can illuminate pupils' understanding of some of its purpose by, at the very least, allowing them to recognize instances of mathematics at work, often in unsuspecting contexts. In particular, by facilitating some transference of knowledge pupils can appreciate the so-called "power" of mathematics in its widespread application to the world of artefacts produced by themselves and others.Can we go further than displaying connections between these disciplines? Can we treat mathematics itself as art? In particular, can we suppose that pupils can make mathematics just as they can make artefacts? Some writers seem to imply this by invoking the notion of creativity as a common property between the two disciplines. 5 Leaving aside the ironic sense of creativity in, for example, the case of "creative accountancy" pupils must indeed "make" sense of mathematics and they must originate mathematical assertions of their own that have not been directly taught. In both respects mathematics is similar to the learning of a language. Further than this, we value pupils' inventiveness in their approaches to areas of mathematics, calculations for example.The linking of mathematics and art via creativity has its most persuasive force in the change of attitude toward axiomatic foundations. 6 The story is familiar: for centuries Euclidean geometry was (wrongly) supposed to offer truths of the actual space in which we lived, since its axioms were thought to be confirmed by our intuitions of space. However, when it was found that consistent and useful axiomatic systems could be constructed by making certain alterations to these axioms, it became clear that mathematics was not simply discovered. It involved a significant measure of creativity. Yet one thing is clear: the sense that children make of mathematics, the original utterances they make... (shrink)

This title presents not two, but three questions. The third question, the one that lies behind and is obscured by the two more obvious ones, concerns the nature of American philosophy. What qualifies as “American” philosophy? Is it, as some have suggested, philosophy as it is practiced in any of the Americas – North, Central, or South? Or is it perhaps philosophy as it is pursued by practitioners living in North America, or even in a more restricted sense, by practitioners (...) living in the Unite... (shrink)

Michela Bella & Matteo Santarelli – What was the state of Pragmatism studies when you first encountered pragmatism? Larry A. Hickman – After completing my undergraduate degree in psychology I decided that I wanted to study philosophy. In order to prepare for graduate school, I spent a year taking philosophy courses at the University of Texas in Austin. The faculty included Charles Hartshorne, who was co-editor of the Peirce Collected Papers. There was also David L. Miller and George Gentry, (...) b... (shrink)

In 1947 America’s premier philosopher, educator, and public intellectual John Dewey purportedly lost his last manuscript on modern philosophy in the back of a taxicab. Now, sixty-five years later, Dewey’s fresh and unpretentious take on the history and theory of knowledge is finally available. Editor Phillip Deen has taken on the task of editing Dewey’s unfinished work, carefully compiling the fragments and multiple drafts of each chapter that he discovered in the folders of the Dewey Papers at the Special Collections (...) Research Center at Southern Illinois University Carbondale. He has used Dewey’s last known outline for the manuscript, aiming to create a finished product that faithfully represents Dewey’s original intent. An introduction and editor’s notes by Deen and a foreword by Larry A. Hickman, director of the Center for Dewey Studies, frame this previously lost work. In Unmodern Philosophy and Modern Philosophy, Dewey argues that modern philosophy is anything but; instead, it retains the baggage of outdated and misguided philosophical traditions and dualisms carried forward from Greek and medieval traditions. Drawing on cultural anthropology, Dewey moves past the philosophical themes of the past, instead proposing a functional model of humanity as emotional, inquiring, purposive organisms embedded in a natural and cultural environment. Dewey begins by tracing the problematic history of philosophy, demonstrating how, from the time of the Greeks to the Empiricists and Rationalists, the subject has been mired in the search for immutable absolutes outside human experience and has relied on dualisms between mind and body, theory and practice, and the material and the ideal, ultimately dividing humanity from nature. The result, he posits, is the epistemological problem of how it is possible to have knowledge at all. In the second half of the volume, Dewey roots philosophy in the conflicting beliefs and cultural tensions of the human condition, maintaining that these issues are much more pertinent to philosophy and knowledge than the sharp dichotomies of the past and abstract questions of the body and mind. Ultimately, Dewey argues that the mind is not separate from the world, criticizes the denigration of practice in the name of theory, addresses the dualism between matter and ideals, and questions why the human and the natural were ever separated in philosophy. The result is a deeper understanding of the relationship among the scientific, the moral, and the aesthetic. More than just historically significant in its rediscovery, Unmodern Philosophy and Modern Philosophy provides an intriguing critique of the history of modern thought and a positive account of John Dewey’s naturalized theory of knowing. This volume marks a significant contribution to the history of American thought and finally resolves one of the mysteries of pragmatic philosophy. (shrink)

This article compares seven novels published from 1932 to 1980 which are set in drug dystopias in order to answer two questions. What are the effects and symbolic meanings of the fictional drugs they describe? Why are there so few examples of this subgenre? Today, their warnings about the reduction of populations to docility or of assaults on the integrity of individual minds seem overwrought, and the apparent passing of the subgenre need not be mourned. Two of the seven novels, (...) however, Brave New World and A Scanner Darkly, continue to be read because they warn against more subtle forms of tyranny. (shrink)

The performance of population programmes suggests that even the more successful ones have acceptance rates that are only a fifth or so of what is needed to reduce population growth rates to the 1% a year that permits significant improvements in income per head. It is also clear that no programmes use bonuses at anything approaching the monetary values per recipient that are justifiable. There is no guarantee that such bonuses will produce the number of acceptors that are needed, but (...) it is fairly evident that without larger bonuses there will not be enough acceptors. (shrink)

The Irish are largely invisible as an ethnic group in Britain but continue to be racialized as inferior and alien Others. Invisibility has been reinforced by academic treatment Most historians have assumed that a framework of assimilation is appropriate and this outcome is uncritically accepted as desirable. Sociologists on the other hand have excluded the Irish from consideration, providing tacit support for the ‘myth of homogeneity’ of white people in Britain against the supposedly new phenomenon of threatening (Black) ‘immigrants’. Focus (...) on the paradigm of ‘colour’ has limited the range of racist ideologies examined and led to denial of anti-Irish racism. But an analysis of nineteenth-century attitudes shows that the ‘Irish Catholic’ was a significant Other in the construction of the British nationalist myth. Despite contemporary forgetting, hostility towards the Irish continues, over and above immediate reactions to recent IRA campaigns. Verbal abuse and racial harassment are documented in London and elsewhere, but unacknowledged. The masculine imagery of ‘Paddy’ hides the existence of Irish women in Britain, although they have outnumbered men since the 1920s. In America, by contrast, there is a strong stereotype of ‘Bridget’ and her central contribution to Irish upward mobility is recognized. But invisibility does not protect Irish women in Britain from racism. Indeed, they are often more exposed since their productive and reproductive roles connect more firmly to British society. Moreover, women have played a key role in maintaining Catholic adherence, which continues to resonate closely with Irishness and difference. (shrink)

"... a comprehensive canvass of Dewey’s logic, metaphysics, aesthetics, philosophy of history, and social thought."—Choice "... a major addition to the recent accumulation of in-depth studies of Dewey." —Journal of Speculative Philosophy "Larry Hickman has done an exemplary job in demonstrating the relevance of John Dewey’s philosophy to modern-day discussions of technology."—Ethics.

Hickman situates Dewey’s critique of technological culture within the debates of 20th-century Western philosophy by engaging the work of Richard Rorty, Albert Borgmann, Jacques Ellul, Walter Benjamin, Jürgen Habermas, and Martin ...

Postmodernism -- Classical pragmatism : waiting at the end of the road -- Pragmatism, postmodernism, and global citizenship -- Classical pragmatism, postmodernism, and neopragmatism -- Technology -- Classical pragmatism and communicative action : Jürgen Habermas -- From critical theory to pragmatism : Andrew Feenberg -- A neo-Heideggerian critique of technology : Albert Borgmann -- Doing and making in a democracy : John Dewey -- The environment -- Nature as culture : John Dewey and Aldo Leopold -- Green pragmatism : reals (...) without realism, ideals without idealism -- Classical pragmatism -- What was Dewey's magic number? -- Cultivating a common faith : Dewey's religion -- Beyond the epistemology industry : Dewey's theory of inquiry -- The homo faber debate in Dewey and Max Scheler -- Productive pragmatism : habits as artifacts in Peirce and Dewey. (shrink)

John Dewey (1859-1952), hailed during his lifetime as "America's Philosopher," is now recognized as one of the seminal thinkers of the twentieth century.

Larry A. Hickman is Emeritus Professor of philosophy at Southern Illinois University Carbondale, where he was the director of the Center for Dewey Studies from 1993 until his retirement in 2016. His monographs include: Modern Theories of Higher Level Predicates ; John Dewey's Pragmatic Technology ; Philosophical Tools for Technological Culture ; and Pragmatism as Post-Postmodernism. His edited volumes include Technology and Human Affairs ; Reading Dewey ; The Essential Dewey ; and The Correspondence of John Dewey. He has (...) also authored many articles on technology, environmental philosophy, critical theory, pragmatism, education, film studies, and philosophy of religion. This interview was conducted via email in the Spring of 2017. Hickman’s responses have not been altered in any way. (shrink)

In addition to being one of the greatest technical philosophers of the twentieth century, John Dewey was an educational innovator, a Progressive Era reformer, and one of America’s last great public intellectuals. Dewey’s insights into the problems of public education, immigration, the prospects for democratic government, and the relation of religious faith to science are as fresh today as when they were first published. His penetrating treatments of the nature and function of philosophy, the ethical and aesthetic dimensions of life, (...) and the role of inquiry in human experience are of increasing relevance at the turn of the 21st century. Based on the award-winning 37-volume critical edition of Dewey’s work, The Essential Dewey presents for the first time a collection of Dewey’s writings that is both manageable and comprehensive. The volume includes essays and book chapters that exhibit Dewey’s intellectual development over time; the selection represents his mature thinking on every major issue to which he turned his attention. Eleven part divisions cover: Dewey in Context; Reconstructing Philosophy; Evolutionary Naturalism; Pragmatic Metaphysics; Habit, Conduct, and Language; Meaning, Truth, and Inquiry; Valuation and Ethics; The Aims of Education; The Individual, the Community, and Democracy; Pragmatism and Culture: Science and Technology, Art and Religion; and Interpretations and Critiques. Taken as a whole, this collection provides unique access to Dewey’s understanding of the problems and prospects of human existence and of the philosophical enterprise. (shrink)

In this commentary on Evan Selinger’s book Postphenomenology: A Critical Companion to Ihde, I begin with Carl Mitcham’s claim that with respect to Don Ihde’s “postphenomenology” there are “challenges both to and from pragmatism.” I discuss four points on which postphenomenology and pragmatism seem to be in agreement, and then two points on which I believe pragmatism offers a program that socially thicker.

Often overlooked by historians, specialist gardeners with an expert understanding of both native and exotic plant material were central to the teaching and research activities of university botanic gardens. In this article various interrelationships in the late Georgian period will be examined: between the gardener, the garden, the botanic collection, the medical school and ways of knowing. Foregrounding gardeners’ narratives will shed light on the ways in which botanic material was gathered and utilized for teaching and research purposes, particularly for (...) medical students, as well as highlighting the importance of the garden as a repository of botanic material for the classroom. In this way, the blurred lines between art and science, skill and scholarly activity, and shared pedagogic practices between botany and anatomy will be revealed. (shrink)

Eşrefoğlu Rumi and Ümmî Kemal are prominent practitioners of Ottoman Sufi poetry—literature that emerged from the environment of Anatolian Sufi orders. The parallel histories of the transmission of their two divans help clarify details of the poets’ lives. Conversely, biographical facts may help explain details and oddities of those transmission histories, which themselves may also illuminate features of the late fifteenth- and sixteenth-century Ottoman religious and political landscape of increasing theological rigidity in the face of Safavid pressure and probable persecution (...) of those deemed beyond the pale, features that are still poorly understood. In light of a recent essay by Walter Andrews on prevailing editing practices in Ottoman literature, I offer a critique of the recent handling of both divans. After noting previously unrecognized copies of each, I also make suggestions for further study of their poems. (shrink)

Sassen is Interested in what she terms “conceptually subterranean trends” that are for the most part invisible to current analytical methods but visible, or in her words, “legible,” to other, newer sorts of analytical tools that she herself is developing. She thus emphasizes suspension of accepted methods and development of certain “analytic tactics” that function, as she puts it, “before method.” What this means more specifically is that she is not so much analyzing the structures of existing institutions but instead (...) pursuing a more functional approach, that is, seeking to determine how they are assembled, dis-assembled, and re-assembled. Her focus is thus on the making of non-material conditions, that is, their .. (shrink)

This book, the result of cooperation between the Center for Dewey Studies at Southern Illinois University Carbondale, and the Dewey Center at the University of ...