Memes are not best understood as semantic information stored in brains, but rather, as whatever is imitated or copied in culture. Whereas other theories treat culture as an adaptation, for memetics it is a parasite turned symbiont that evolves for its own sake. Memetics is essential for understanding today's information explosion and the future evolution of culture. (Published Online November 9 2006).

Throughout history there have been people who say it is all illusion. I think they may be right. But if they are right what could this mean? If you just say "It's all an illusion" this gets you nowhere - except that a whole lot of other questions appear. Why should we all be victims of an illusion, instead of seeing things the way they really are? What sort of illusion is it anyway? Why is it like that and not (...) some other way? Is it possible to see through the illusion? And if so what happens next. (shrink)

Conversations on Consciousness is just that - a series of twenty lively and challenging conversations between Sue Blackmore and some of the world's leading philosophers and scientists. Written in a colloquial and engaging style the book records the conversations Sue had when she met these influential thinkers, whether at conferences in Arizona or Antwerp, or in their labs or homes in Oxford or San Diego. The conversations bring out their very different personalities and styles and reveal a wealth of (...) fascinating detail about their theories and beliefs. Why is consciousness such a special and difficult issue for twenty-first century science? Sue, herself a researcher into this controversial and difficult topic, begins by asking each of her colleagues this simple question and is immediately plunged into the depths of the debate: How do the subjective experiences we call consciousness arise from the physical brain? Is this even the right question to ask? Can zombies - people who behave outwardly just like others but have no inner mental life - exist? What can dreams tell us about consciousness? Should we all be learning to meditate? Do we have free will, and if not is it possible to live without it? With an introduction setting out the broad structure of the debate on consciousness, and an extensive glossary, this book provides an engaging and accessible account of the most challenging problem of all, through the words of some of the leading figures involved in seeking to solve it. (shrink)

A study of the published and unpublished parts of Ernst Mach's last notebook (1910–14) suggests that Max Planck's attack (1908–11) provoked Mach into opposing ‘The Church of Physics’ more strongly than previously realized. Shortly after Mach threatened to leave the discipline if belief in atoms were required. Albert Einstein tried to persuade him to accept atomism (September 1910). Mach declined to mention Einstein again in his publications and increasingly criticized ‘The Church of Physics’. Evidence that Mach opposed relativity theory and (...) the absence of evidence that he favored it is pointed out. It is suggested that Mach's alleged ‘friendly interest’ in Einstein's work in early 1914 may have been stimulated by the hope that the young genius might develop a continuum or field theory to refute Planck's discontinuity physics. The paper concludes with suggestions on how philosophers who defend Mach's non-realism such as Gereon Wolters and Paul Feyerabend might be better off switching to a realist epistemology more compatible with rationally-held science, religion, and common sense. (shrink)

Ender’s Game, Orson Scott Card’s award-winning 1985 novel, has been discovered and rediscovered by generations of science fiction fans, even being adopted as reading by the U.S. Marine Corps. Ender's Game and its sequels explore rich themes — the violence and cruelty of children, the role of empathy in war, and the balance of individual dignity and the social good — with compelling elements of a coming-of-age story. Ender’s Game and Philosophy brings together over 30 philosophers to engage in wide-ranging (...) discussion on issues such as: the justifiability of pre-emptive strikes; how Ender’s disconnected and dispassionate violence is mirrored in today’s drone warfare; whether the end of saving the species can justify the most brutal means; the justifiability of lies and deception in wartime, and how military schools produce training in virtue. The authors of Ender’s Game and Philosophy challenge readers to confront the challenges that Ender’s Game presents, bringing new insights to the idea of a just war, the virtues of the soldier, the nature of childhood, and the serious work of playing games. (shrink)

This chapter contains sections titled: Introduction Origins of the Meme Meme Do Memes Exist? Trouble with Analogies and Units What is a Meme? A New Replicator or Culture on a Leash? Do Memes have Memotypes? Old Genes, New Memes Religions, Cults, and Viral Information Human Evolution Consciousness, Creativity, and the Nature of Self Conclusion Postscript: Counterpoint References.

The Bush Administration's quiet resumption of, or initiation of new, nuclear weapons programs aimed militarizing space, and erecting a missile defense shield that would have the effect of rolling back 19 years of solid détente, has gone largely unnoticed over the last eight years. Weapons makers, government officials and politicians have expressed excitement at these new developments, despite the immediate stress loaded onto relations between the United States and Europe, particularly ex-Soviet satellite countries. This paper revisits arguments about nuclear weaponry (...) and the possibility for defense against and survival of a nuclear war. The paper considers the way new nuclear technologies are inherently determinist, and reflects on the threat of the apocalyptic world as seen in American author Cormac McCarthy's unflinching 2006 novel, The Road. (shrink)

This article examines 50 films produced and released between the years 2001 and 2012 that are concerned with the American wars in Iraq and Afghanistan. Using Jacques Ellul’s theories set out in his book Propaganda, the article argues that while the films have failed at the box office, they were intended to function as integration propaganda. The article proposes six different tropes or common frames for understanding how the films avoid dealing with problems raised by the wars. Why the films (...) failed, and what functioned as integration propaganda instead, is the subject for a second article titled “Eyeless in America, the Sequel.”. (shrink)

This article builds on conclusions drawn in the article “Eyeless in America,” by the same author and considers how 50 American films about the wars in Iraq and Afghanistan intended to function as what Jacques Ellul called “integration propaganda,” fared. This article considers and rejects a number of theories about why most feature war films failed between 2002 and 2012 and proposes what war films might look like in the near future.

This paper is a collection of original source material for the use of all scholars interested in understanding Ernst Mach's life as an aid to comprehending his unique and controversial impact on the development of modern physics and both the history and philosophy of science. The documents are complete; and to encourage points of view other than my own, I have listed a number of very recent articles in my footnotes which reflect a wide spectrum of opinion on Ernst Mach (...) and the singular nature of his ideas. (shrink)

To be human is to imitate. This is a strong claim, and a contentious one. It implies that the turning point in hominid evolution was when our ancestors first began to copy each other’s sounds and actions, and that this new ability was responsible for transforming an ordinary ape into one with a big brain, language, a curious penchant for music and art, and complex cumulative culture. The argument, briefly, is this. All evolutionary processes depend on information being copied with (...) variation and selection. Most living things on earth are the product of evolution based on the copying, varying and selection of genes. However, once humans began to imitate they provided a new kind of copying and so let loose an evolutionary process based on the copying, varying and selection of memes. This new evolutionary system co-evolved with the old to turn us into more than gene machines. We, alone on this planet, are also meme machines. We are selective imitation devices in an evolutionary arms race with a new replicator. This is why we are so different from other creatures; this is why we alone have big brains, language and complex culture. There are many contentious issues here; the nature and status of memes, the validity of the concept of a replicator, the difference between this and other theories of gene-culture co-evolution, and whether memetics really is necessary, as I believe it is, to explain human nature. I shall outline the basic principles of memetics, show how memes could have driven human evolution, and consider some of these questions along the way. (shrink)

In the late 20th and early 21st centuries, increased computing power has made possible extraordinary leaps in film special effects. This article argues that special effects developed since the beginning of digital animation, when coupled with standard editing room techniques (jump cuts, cutaways), have brought us to an era where the eye cannot keep pace with on-screen events. It is arguable that video gamers are best equipped to handle the visual overload produced by action films' effects. The article enumerates a (...) series of techniques used in current action films to bring about visual excess that has an upsetting, exciting, overwhelming somatic effect on the viewer; these same effects are indispensable for the success of contemporary blockbuster action movies. Following theorist Paul Virilio's arguments, this article suggests that a machine ideology drives the perceptual system to dizzying limits, resulting in the “speed death of the eye.”. (shrink)

At the end of 2015‘s The Witch, isolated and beaten protagonist, Thomasin, ultimately rejects her puritanical upbringing to become a witch, accepting the invitation of the Devil (in the guise of the family’s goat Black Philip). This essay will discuss Thomasin’s sexual deliverance in terms of her turning away from the authoritarian ‘Law of the Father’ towards female liberation that comes in the form of the Witch. Thomasin transitions from girl to woman, but does not want to do so in (...) the restrictive Puritan fashion where patriarchy and oppression rules. She becomes a woman by embracing her sexuality in the figure of the witch and Black Philip as the figure of lust helping her become free. Western folklore posits the goat as a symbol of fertility, independence, and lust; Black Philip is a figure who represents a connection to wild desires. Therefore, Black Philip becomes not only a physical representation of the devil, but also a symbolic representation of Thomasin’s sexual desire. Drawing on theories of the monstrous-feminine (Creed, Kristeva, Arnold), the symbolism of folklore and Freud’s Electra complex, this work argues that, despite its message of feminine empowerment, The Witch cannot fully reject or escape patriarchal discourse. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Imagining the Moor in Medieval PortugalJosiah Blackmore (bio)For medieval Portugal, Africa was familiar and strange, a known place across the modest parcel of the Mediterranean between the Algarve and Ceuta, and, farther south, an unknown expanse of land that glimmered black under the equatorial sun. And for Portugal, like for Spain, Africa was part of the demographics and history of Iberian culture in the figure of the Moor, (...) at once an “other” and a closer, more intimate presence. Jeffrey J. Cohen reminds us of the “cultural work” of the Saracen (one of the medieval terminological possibilities for “Moor”), “whose dark skin and diabolical physiognomy were the western Middle Ages’ most familiar, most exorbitant embodiment of racial alterity” [189]. Cohen argues, therefore, that the Saracen (grosso modo) existed in a network of literary and ideological productions of western Europe; in the case of Iberia, the Moor was sometimes but not always a Saracen and was both a figure of alterity and of familiarity and sameness, less an aprioristic other and more of a figure that could be variously othered as a marker of boundaries including “race,” spirituality, and sexuality. While this essay does not take on the idea of racial alterity per se, it does assume the notion that in the literary culture of Portugal blackness, in some manner, informed constructions of the Moor. My purpose here is to delineate an understanding of the Moor in medieval Portugal as a construct that resists easy categorizations as an undifferentiated figure of otherness, a consideration that culminates with the work of Gomes Eanes de Zurara (1410?–1474?), the first chronicler of Portuguese exploration into (west) Africa. To this end, I will briefly consider the Moor in representative examples from the livros de linhagens (genealogical books) and the cantigas d’escarnho e de mal dizer (poetry of mockery and insult, hereafter abbreviated CEM), not so much in order to trace a direct influence between these texts and the work of Zurara but to provide an idea of how the Moor was variously fashioned in earlier texts. The analysis here is not exhaustive nor conclusive but suggestive, and is meant to indicate how the Moor—and the idea of the Moor—in Portugal can add to critical conversations on the imaginative and ideological constructions of the Moor and of Africa and its inhabitants.The formulations of national and cultural identities in European texts of the Middle Ages and Renaissance1 that in some way engage Africa and the African have increasingly [End Page 27] and understandably become an object of interest among literary and cultural theorists. One of the advances in recent years of this critical work is the freeing of the Moor from the strictures of the “self/other” binary that permeated earlier scholarly work on Europeans and their others, especially in the field of imperial/colonial studies or in the study of the conflictive representations of Moors and Europeans in genres such as medieval epic.2 In the medieval field, Cohen’s work on the Saracen is one good example of this more theoretically suggestive approach, since Cohen explores the work of representation as it dovetails with the universalizing claims of psychoanalysis. Suzanne Conklin Akbari’s essay usefully reminds us that the medieval world considered itself as existing in three parts, thus making problematic modern applications of binaries as supposedly informing a medieval perception of “Asian Orient and European Occident” [20]. Other studies, though concerned with postmedieval literatures and histories, also explore the cultural work of the Moor. Such, for instance, is the case with Emily C. Bartels’s articles on the Moor in Shakespeare. Bartels charts the flexibilities and inconsistencies of the term “Moor” in Renaissance England [“Making More” 434], noting especially its “racial” claims. In analyzing the place of postcolonialism as it might inform critical work on Africa in the Renaissance, Bartels questions the model that postcolonial studies assumes as underlying its own practice by arguing that “[postcolonial critiques] continue … to recreate the history of silenced voices through only one model of cultural exchange: one in which European domination is both the motivating force and the inevitable outcome” [“Othello and Africa” 46].These representative studies of the Moor tag... (shrink)

Christiansen & Chater's (C&C's) arguments share with memetics the ideas that language is an evolving organism and that brain capacities shape language by influencing the fitness of memes, although memetics also claims that memes in turn shape brains. Their rejection of meme theory is based on falsely claiming that memes must be consciously selected by sighted watchmakers.

Guns, slug-throwing weapons, have evolved as humans have increased their grasp of the mechanical arts. In the near future, however, it seems likely that soldiers' rifles operating at punishing cyclic rates of fire face the limits of physics and materials science— heat and speed will cost accuracy and distance. This article considers not only the near future of the personal weapon carried by soldiers in battlespace but also the rifle's evolution as an index of alterations in 20th-and 21st-century war fighting. (...) The arc traced by multiple-fire weapons, from the Gatling to the laser rifle, is a narrative of humans, machinery, and their cocreative symbiotic relationship. This article begins by examining some current examples of late-generation rifles and their imagined futures, continues by pursuing the linkages between guns and soldiers, and finally asks what new guns will mean for soldiers being born now. (shrink)

Datafication of social life affects what society regards as knowledge. Jasanoff’s regimes of sight framework provides three ideal-type models of authorised knowing in environmental data practice. This paper applies Jasanoff's framework for analysing intelligence practice through an exploratory empirical study of crime and intelligence practitioners in a selection of police services in Australia, New Zealand, Canada and the United States. The paper argues that the ‘view from somewhere’ captures the essence of existing police intelligence practices in the four countries but (...) the ‘view from nowhere’ is emerging as a possible future for police intelligence – an approach promoted by technology companies and supported mainly by police leaders and managers. The paper investigates the challenges and limits of a shift by police from VFS to VFN in the production of intelligence; the challenges are primarily political, which threaten the dominance of police contextual knowledge over ‘scientific’ knowledge. These political challenges also have symbolic and material implications. The paper concludes that, because of these challenges, a complete shift from VFS to VFN is not likely to happen. At best the two models might co-exist with the latter subordinate to the imperatives of the former, resulting in further tension between sworn officers and civilians, organisational inertia, as well as technologies that may be under-utilised or abandoned. (shrink)

Unmanned (or Uninhabited) Aerial Vehicles are a key part of the American military's so-called revolution in military affairs (RMA) as practiced over Iraq. They are also part of the drive to shift agency away from humans and toward machines. This article considers the ways in which humans have, in calling on high technologies to distance them from what the military calls the “dull, the dirty, and the dangerous,” hoped to avoid responsibility for murder in wartime. In examining the claims of (...) weapons manufacturers and their military customers, the article focuses on the concept of “systems of systems” and the various outcomes such battlespace imaginings might have for human beings. The article concludes that the RMA entertains a fantasy of human agency while technological systems call out to and conjure up other technological systems that are possessed not only of their own logics but also purposes that are hidden and disturbing. (shrink)

Every year, like a social drinker who wants to prove to herself that she's not an alcoholic, I give up cannabis for a month. It can be a tough and dreary time - and much as I enjoy a glass of wine with dinner, alcohol cannot take its place. Some people may smoke dope just to relax or have fun, but for me the reason goes deeper. In fact, I can honestly say that without cannabis, most of my scientific research (...) would never have been done and most of my books on psychology and evolution would not have been written. Some evenings, after a long day at my desk, I'll slip into the bath, light a candle and a spliff, and let the ideas flow - that lecture I have to give to 500 people next week, that article I'm writing for New Scientist, those tricky last words of a book I've been working on for months. This is the time when the sentences seem to write themselves. Or I might sit out in my greenhouse on a summer evening among my tomatoes and peach trees, struggling with questions about free will or the nature of the universe, and find that a smoke gives me new ways of thinking about them. Yes, I know there are serious risks to my health, and I know I might be caught and fined or put in prison. But I weigh all this up, and go on smoking grass. For both individuals and society, all drugs present a dilemma: are they worth the risks to health, wealth and sanity? For me, the pay-off is the scientific inspiration, the wealth of new ideas and the spur to inner exploration. But if I end up a mental and physical wreck, I hereby give you my permission to gloat and say: "I told you so". My first encounter with drugs was a joint shared with a college friend in my first term at Oxford. This was at the tail end of the days of psychedelia and flower power - and cannabis was easy to obtain. After long days of lectures and writing essays, we enjoyed the laughter and giggling, the heightened sensations and crazy ideas that the drug seemed to let loose. Then, one night, something out of the ordinary happened - though whether it was caused by the drug, lack of sleep or something else altogether, I don't know.. (shrink)

[opening paragraph]: Do you believe, deep down, that you exist? Do you feel as though `you' make the decisions and run `your' life? Above all do you think that `you' are conscious? If so, according to Guy Claxton's latest book, you have got it all wrong.

The implications that Steels & Belpaeme's (S&B's) models have for memetics are discussed. The results demonstrate the power of memes (in this case colour words) to influence both concept formation, and the creation of innate concepts. They provide further evidence for the memetic drive hypothesis, with implications for the evolution of the human brain and for group differences in categorisation.

What is it like to die? Although most of us fear death to a greater or lesser extent, there are now more and more people who have "come back" from states close to death and have told stories of usually very pleasant and even joyful experiences at death’s door.

Consciousness is a hot topic. Relegated to the fringes of science for most of the twentieth century, the question of consciousness only crept back to legitimacy with the collapse of behaviourism in the 1960s and 1970s, and only recently became an acceptable term for psychologists to use. Now many neuroscientists talk enthusiastically about the nature of consciousness, there are societies and regular conferences, and some say that consciousness is the greatest challenge for twenty-first century science. Although confusion abounds, there is (...) at least some agreement that at the heart of the problem lies the question of subjectivity - or what it’s like for _me_. As philosopher Thomas Nagel (1974) put it when he asked his famous question "What is it like to be a bat?" - if there is something it is like _for the bat_ then we can say that the bat is conscious. This is what we mean by consciousness - consciousness is private and subjective and this is why it is so difficult to understand. (shrink)

Term is starting and I’m not going back! Whoopee! At the age of fifty I feel like a wild schoolgirl tearing off my hated uniform and bursting into a chorus of ‘No more Latin, no more ....’ only this time it’s ‘No more meetings, no more forms, no more TQA and no more ...’.

Also published in 1998 in S.R.Hameroff, A.W.Kaszniak and .C.Scott (Eds) _Toward a Science of_ _Consciousness II._ MIT Press. 701-707. Note that there were problems with the editing of this volume and there are some misprints. This version is correct.

This article applies Susan Blackmore's model of brain self-modeling to explain how people experience altered states of consciousness in meditative religions. Against the experience vs. over-belief model put forth by William James and Wayne Proudfoot, Blackmore's model provides a theoretical base for a social role in the formation of meditative experience itself, not just in its interpretation. Learning to meditate involves learning to attend to certain bodily and feeling states, which involves learning to construct a brain model that (...) produces a different experience of the self. This is not just a matter of socially learned labeling, but of learning to generate authentic psycho-physical experience. Examples are drawn from the author's study of Quakers and practitioners of the Gurdjieff Work. (shrink)

A 2012 review article for Metascience which explains Mach's realistic brand of empiricism, contrasting it with the common phenomenalist reading of Mach by John Blackmore in two recent books.

This volume gathers together for the first time are all the key texts in a crucial debate in modern philosophy, centered on Leibniz's famous 1695 essay, the "New System of the Nature of Substances and their Communication," in which he introduced his strikingly original theory of metaphysics. His "system" became increasingly famous and drew him into discussion and development of these ideas, both in public and in private, with a variety of thinkers, most notably the great French philosopher Pierre Bayle. (...) Woolhouse's and Francks's new English edition gives the only full representation of this debate, and will therefore be essential reading for anyone who wishes to gain a proper understanding of Leibniz's philosophy and its intelletual context. All the texts are newly translated and extensively annotated; many appear in English for the first time. (shrink)