Most human actions are complex, but some of them are basic. Which are these? In this paper, I address this question by invoking slips, a common kind of mistake. The proposal is this: an action is basic if and only if it is not possible to slip in performing it. The argument discusses some well-established results from the psychology of language production in the context of a philosophical theory of action. In the end, the proposed criterion is applied to (...) discuss some well-known theories of basic actions. (shrink)

This work makes three valuable contributions to the study of human slips and errors.

This article focuses on Guyanese efforts in the ​postcolonial present to address environmental issues that have become increasingly complex in the face of an awareness of climate change. It opens with an account of how the preservation of Indigenous forests contributes to international efforts to reduce carbon, while making visible the instability that the discovery of oil and gas reserves in the seabed might portend for the Guyanese economy. Specifically, the article examines how engineers have historically confronted settler-colonial discourses about (...) terra nullius unfold as they invest in sea defense. In doing so, the article foregrounds what engineers call slips—the slow or sudden displacement of a sea defense’s structural foundation. Slips are phenomena of energy conversion between land and sea. Rather than arguing for the claims of the pre-Anthropocene earth, the article suggests how many factors are in play in developing policy in the present, in an era of heightened awareness of the different forces in a changing climate. (shrink)

Philosophers of perception are familiar with the argument from illusion, at least since Hume formulated it to challenge a naïve form of realism. In this paper, I present an analogous argument but in the domain of action. It focuses on slips, a common kind of mistake. But, otherwise, it is structurally similar. The argument challenges some contemporary views about the nature of action inspired by Wittgenstein. The discussion shows how thinking about these common mistakes helps illuminate aspects of human agency (...) that tend to be overlooked whenever too much emphasis is placed on the rationality of human actions. (shrink)

Many have thought that exercises of skill are intentional. The argument of the paper is that this thesis fails to account for important types of mistakes and errors. In what psychologists and linguists call “verbal slips with semantic bias”, a speaker mistakenly switches, reverses, or blends certain conceptual contents. Nevertheless, the speaker has successfully exercised an intellectual skill, insofar as her slip uses concepts in conformity to semantic and logical rules. To flesh out how one might successfully exercise skills (...) without doing so intentionally, the paper appeals to the idea of habit. Verbal slips thus show how human skillfulness has a considerably wider scope than is often supposed. (shrink)

Capacitarianism says that an agent can be non-derivatively blameworthy for wrongdoing if at the time of their conduct the agent lacked awareness of the wrong-making features of their conduct but had the capacity to be aware of those features. In this paper, I raise three objections to capacitarianism in relation to its verdict of the culpability of so-called “slips” and use these objections to support a rival (“accessibility internalist”) view which requires awareness of wrong-making features for non-derivative blameworthiness. The objections (...) are that (1) the rival internalist view is just as capable of explaining the culpability of paradigm cases of slips; (2) there are some cases of slips without dispositional awareness of wrong-making features that capacitarians wrongly deem culpable; and (3) capacitarianism cannot adequately ground the reasonable expectation to avoid slips (as Fernando Rudy-Hiller has argued). I then argue that an internalist can simultaneously ground a reasonable expectation to avoid slips and account for slips’ culpability by pointing to the satisfaction of a novel epistemic condition: it is (dispositionally) obvious to the slipping agent that they need to pay enough attention to what they are doing, and how to pay enough attention, to reliably achieve the goal that they have set out to achieve. (shrink)

A history of psychoanalysis through the twentieth century, critiquing Freud as a scientist and as a creative thinker, and considering the political and social environment in which psychoanalysis was born and applied.

I examine the question of whether people are sometimes morally blameworthy for what I call ‘slips’: wrongful actions or omissions that a good-willed agent inadvertently performs due to a non-negligent failure to be aware of relevant considerations. I focus in particular on the capacitarian answer to this question, according to which possession of the requisite capacities to be aware of relevant considerations and respond appropriately explains blameworthiness for slips. I argue, however, that capacitarianism fails to show that agents have responsibility (...) level control over their slips and, consequently, fails to show that it is reasonable to expect agents to avoid this kind of wrongdoing. I conclude that people are typically not blameworthy for their slips, but only regarding the backward-looking, desert-entailing type of blame that has been at issue in this debate. I suggest that ordinary intuitions about blameworthiness for slips can be accommodated by appealing to other types of responsibility and blame. (shrink)

Slippery slope arguments (SSAs) are used in a wide range of philosophical debates, but are often dismissed as empirically ill-founded and logically fallacious. In particular, leading authors put forward a meta-SSA which points to instances of empirically ill-founded and logically fallacious SSAs and to the alleged existence of a slippery slope leading to such SSAs to demonstrate that people should avoid using SSAs altogether. In this paper, I examine these prominent calls against using SSAs and argue that such calls do (...) not withstand scrutiny. I then identify several types of mechanisms leading to slippery slopes in real-life contexts to demonstrate that both the strength of SSAs and the justifiability of using SSAs are best assessed on a case-by-case basis. This result does not exempt the proponents of SSAs from the task of vindicating their use of SSAs. However, if correct, it undermines the often-made claim that people should avoid using SSAs altogether. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Slipping on Banana Peels, Tumbling into WellsPhilosophy and ComedyPaul A. Kottman (bio)Alenka Zupančič. The Odd One In: On Comedy. Cambridge, MA: MIT P, 2008.[T]he philosopher... is the jest, not only of Thracian handmaids but of the general herd, tumbling into wells and every sort of disaster through his inexperience [hupo apeirias].—Plato, Theaetetus 174cWhy stop philosophy’s most precious intrinsic comedy when it comes to comedy?—Alenka Zupančič, The Odd One In1“Comedy,” (...) writes Alenka Zupančič in The Odd One In, “draws our attention to the fact that something of our life lives on its own as we speak, that is to say, at any moment of our life” [218]. Reelaborating some of Jacques Lacan’s formulations regarding comedy, drive, and desire, Zupančič clarifies that this “something” is the “Real of human desire”— namely, “the incongruence of the reality of desire and drive with all those (also quite factual) outlines that determine our supposedly realistic reality” [218]. This extrapolation from Lacan frames Zupančič’s views on comedy and its subversive character; but it is her unique engagement with G. W. F. Hegel’s remarks on comedy—particularly the sections of the Phenomenology of Spirit in which Hegel tracks the passage from the Comedy of Aristophanes to Christianity—that give a distinctive arc to Zupančič’s highly original and generative approach to comedy and its subversive character. In this review essay, I will draw attention to some of the most original aspects of this critical appropriation of Hegel, while highlighting key elements of the text’s argumentative trajectory. Toward the end of this essay, I will also suggest ways that Hegel’s speculative remarks, which see the comic figure as symptomatic of a community that is not yet conscious of itself as such, might allow us to put into question some of Zupančič’s central claims regarding the subversive nature of both comedy and her own critical intervention.Zupančič’s reflections on comedy—which are not only innovative, but also delightfully readable—merit, in their own right, the attention of anyone interested in the intersection of literature, philosophy, and contemporary culture; but her text is all the more significant in light of the oft-remarked rarity of sustained philosophical reflections on comedy. Although there are a number of books on comedy as a literary genre, philosophical studies of comedy are surprisingly rare.1 Henri Bergson’s Le rire (published in 1900) [End Page 3] is perhaps the most well known. More recently, Simon Critchley has written about laughter, wit, and jokes in On Humour. Perhaps the most comprehensive philosophical account of comedy to date—Agnes Heller’s Immortal Comedy: The Comic Phenomenon in Art, Literature and Life (2005)—was published only three years before The Odd One In.2In contrast to Heller’s work, which offers a philosophical account of a variety of comic works and genres, and unlike these other earlier studies, which deal with the poetics of comedy and related phenomena such as laughter or jokes, Zupančič does not approach comedy as an object of inquiry that might be analyzed by philosophical categories or methods, nor even as a phenomenon that is extrinsic to philosophy. Instead, she sees comedy and philosophy as intrinsic to one another, such that the fate of philosophical activity is tied to the fate of the comical. In assessing Zupančič’s claims, therefore, I will strive less for a summary catalogue of the claims presented in the book than for a reelaboration of what I take to be her most provocative and important assertions regarding what she calls the “critical edge” shared by both philosophy and comedy [Zupančič 9].The Odd One In is the eighth title in the series Short Circuits, edited by Slavoj Žižek, in relation to whose writings Zupančič’s text clearly stands in intellectual and stylistic propinquity. (Žižek himself might be taken as a prime figure in whom comic and philosophical practices, in Zupančič’s sense, coincide.) The book opens and closes with a reminder that we too often mistake the subversive side of comedy for “a consolation... (shrink)

Over 1000 companies have either curtailed or else completely ceased operations in Russia as a response to its invasion of Ukraine, a mass corporate exodus of a speed and scale which we’ve never seen. While corporate withdrawal appears to have considerable public support, it’s not obvious that it has done anything to hamper the Russian war effort, nor is it clear what the long-run effects of corporate withdrawal as a regularised response to war might be. Given this, it’s important the (...) evaluate the ethical merits of such a response. In this paper I critique what I take to be the two most common arguments given in favour of voluntary corporate withdrawal, which I label ‘the instrumental argument’ and ‘the clean hands argument’ respectively. After illustrating their shortcomings, I reframe corporations’ predicament as a ‘spattered hands’ case—one where they may do good by remaining in a war-waging state, but where they contribute indirectly to grave wrongdoing by doing so. Drawing on ideas from the ‘Business for Peace’ and ‘Business and Human Rights’ literature, I highlight the potentially positive role of corporate presence within war-waging countries, before highlighting four considerations which corporations ought to bear in mind when determining whether to withdraw, or whether it is the lesser evil to stay and to let their hands be spattered. (shrink)

Very absent-minded persons in going to their bedroom to dress for dinner have been known to take off one garment after another and finally to get into bed, merely because that was the habitual issue of the first few movements when performed at a later hour.

The British Museum, based in Montague House, Bloomsbury, opened its doors on 15 January 1759, as the world's first state-owned public museum. The Museum's collection mostly originated from Sir Hans Sloane, whose vast holdings were purchased by Parliament shortly after his death. The largest component of this collection was objects of natural history, including a herbarium made up of 265 bound volumes, many of which were classified according to the late seventeenth-century system of John Ray. The 1750s saw the emergence (...) of Linnaean binomial nomenclature, following the publication of Carl Linnaeus'Species Plantarum andSystema Naturae. In order to adopt this new system for their collections, the Trustees of the British Museum chose to employ the Swedish naturalist and former student of Linnaeus, Daniel Solander to reclassify the collection. Solander was ordered to devise a new system for classifying and cataloguing Sloane's natural history collection, which would allow both Linnaeans and those who followed earlier systems to access it. Solander's work was essential for allowing the British Museum to realize its aim of becoming a public centre of learning, adapting the collection to reflect the diversity of classificatory practices which were existent by the 1760s. This task engaged Solander until 1768, when he received an offer from Joseph Banks to accompany him on HMSEndeavourto the Pacific. (shrink)

From Basil Fawlty, The Little Tramp and Frank Spencer; to Jim Carey, Andy Kaufman and Rowan Atkinson... comedy characters and comic actors have proved useful lenses for exploring—and exposing—humor’s cultural and political significance. Both performing as well as chastising cultural values, ideas and beliefs, the comic character gives a unique insight into latent forms of social exclusion that, in many instances, can only ever be approached through the comic form. It is in examining this comic form that this paper will (...) consider how the ‘comedy character’ presents a unique, subversive significance. Drawing from Lacanian conceptions of the subject and television ‘sitcom’ examples, the emancipatory potential of the comedy character will be used to criticize the predominance of irony and satire in comic displays. Indeed, while funny, it will be argued that such comic examples underscore a deprivative cynicism within comedy and humor. Countering this, it will be argued that a Lacanian conception of the subject can profer a comic efficacy that not only reveals how our social orders are inherently inconsistent and open to subversive redefinition, but that these very inconsistencies are also echoed in the subject, and, in particular, the ‘true comedy character’. (shrink)

This article compares the phenomena of “tic” and “slip of the tongue” [lapsus] as they have been described by Maine de Biran and Victor Egger, including a possible reception of Biran’s thought by Egger. In the twentieth century these phenomena will be analysed by psychoanalysts, but their first description appears in nineteenth-century French philosophy. Emerging from the analysis of Biran’s “tics” and Egger’s “slips” in the nineteenth century, the concept of habit becomes linked to a reflection on the unconscious. (...) Tic and slip of the tongue constitute, each in its own way, the place where habit exhibits its most peculiar characteristic, that of being always suspended in the dual dialectic of the voluntary and the involuntary, of the conscious and the unconscious. Maine de Biran’s “habit tics” underline the tendency set by habit for which voluntary and conscious actions become involuntary and unconscious, whereas Egger defines slip of the tongue as an involuntary and unconscious event that allows the birth of new habits. (shrink)

Abstract Freud's theory of slips of the tongue has been extensively criticized by Adolf Grunbaum and Edward Erwin. They argue that in an effort to make the theory plausible Freud relied on examples of speech errors that do not conform to his theoretical characterization of slips of the tongue. These examples have contributed to the impression that Freud's theory relies on a broader evidential base than it in fact does. Furthermore they argue that Freud has not established the existence of (...) a causal connection between repressed ideation and slips of the tongue. I argue that both of these criticisms are ill?founded because they are demonstrably based on misinterpretations of Freud's view and misreadings of the relevant texts. Grunbaum and Erwin have consistently mistaken the epistemic structure of Freud's view. I am less interested in defending Freud's view than in clarifying the relationships between assertion and evidence in Freud's theory of parapraxes. To this end I conclude with an argument to show that within Freud's theory there is no criterion for telling that any particular thought has previously been repressed, and that in the absence of such a criterion a fundamental assumption of the theory is unsupported. (shrink)

The World War II Disney propaganda films – the propaganda and entertainment shorts – are included in the Walt Disney in the Front Lines boxed set, which was released as part of the third wave of the Walt Disney Treasures collection in 2004. This chapter considers a neutral definition of propaganda – one that does not foreclose on the question of its moral acceptability. Each of the Disney propaganda shorts comes with a specific message, though the common purpose was “intended (...) to help the war effort, whether by encouraging thrift and sacrifice, or demoralizing the enemy.” Whether it is the pareidolic depictions of Nazi submarines in The Spirit of '43, or the caricatures of the German leaders in Der Fuehrer's Face, or the portraits of the Japanese troops in Commando Duck: the point is that these all rouse the passions in a way that purely verbal descriptions of the Axis soldiers never could. (shrink)

In this paper, I will present the empirical version of the slippery slope argument (SSA) in the field of genome editing. According to the SSA, if we adopt germline manipulation of embryos we will eventually end up performing or allowing something morally reprehensible, such as new coercive eugenics. I will investigate the actual possibility of sliding towards eugenics: thus, I will examine enhancement and eugenics both in the classical and liberal versions, through the lens of SSA. In the first part, (...) I will discuss the classical eugenics from a historical perspective and conclude that classical eugenics is morally deplorable; but by currently accepting genome editing I argue that it is not possible to ‘slip’ into classical eugenics. Then, I will analyze liberal eugenics: I will consider Habermas’ and Sandel’s objections to liberal eugenics and genetic human enhancement. Subsequently, I will reply to these arguments affirming that, although it is not possible to refuse any form of genetic enhancement, liberal eugenics would not consider the principles of justice, non-maleficence, and non-instrumentalization; hence, it should be considered not morally acceptable. In addition, I will support the thesis according to which the possibility of relapsing into liberal eugenics is more likely than relapsing into classical eugenics. Then, I will present a strategy that, while avoiding falling into the undesirable scenarios related to SSA, still accepts some application of germline genome editing of embryos and gametes. In such a way, I will show that even if we accept the plausibility of a certain slip into an undesirable scenario, SSA does not offer conclusive reasons to forbid any use of germline genome editing technique in both therapeutic and enhancement fields. (shrink)