Consider the following object, where, depending on how you are viewing this paper, the object may be a series of ink markings, a portion of a matrix of pixels through or from which light is emitted, etc.,augeLet’s call the object ‘Shape’. Is Shape a word token? If so, what word type is it a token of? Given how words are traditionally individuated, the Spanish, “auge”—meaning, apogee or peak—the French, “auge”—meaning, basin or bowl—and the German, “auge”—meaning, eye, are different words. So, (...) if Shape is a word token, is it a token of the Spanish, “auge”, the French, “auge”, the German, “auge”, or some combination of the three? Generalizing beyond Shape and ink markings/matrices of pixels as a potential medium for word tokens, when does something, f—e.g., some utterance, inscription, manual gesture, etc.—constitute a token of a word type, w, as opposed to some other word type, w *, or no word at all? In this paper, I motivate and place Central Question in the nascent and burgeoning subfield of the metaphysics of words. I argue that what makes something, f, a token of a word type, w, is that the process of generating f is explained and guided by one’s knowledge of w, e.g., one’s semantic, syntactic, morphophonological/orthographic, knowledge of w stored in one’s mental lexicon. (shrink)

The objective of this paper is to articulate a distinction between habit and bodily skill as different ways of acting without deliberation. I start by elaborating on a distinction between habit and skill as different kinds of dispositions. Then I argue that this distinction has direct implications for the varieties of automaticity exhibited in habitual and skilful bodily acts. The argument suggests that paying close attention to the metaphysics of agency can help to articulate more precisely questions regarding the varieties (...) of automaticity exhibited in overt action. (shrink)

In this article, I examine recent debates concerning the existence and the nature of basic actions. The discussion is structured around four theses, with which Arthur Danto introduced basic actions to contemporary theorists. The theses concern (i) the relationship between agency and causality, (ii) the distinction between basic and complex actions, (iii) the regress argument for basic actions, and (iv) the structure of practical knowledge in the light of these actions.