Bücheler assigns this epitaph to the Caesarian epoch: and it is clearly not of later date. The fifth line is corrupt. Bücheler suggests tentatively the insertion of the word dilecto after Cadmo. That will indeed give us a verse of six feet. But we shall not be much the happier. We shall still have to believe that a member of the gens Heluia married, circa 100&50 B.C, a husband of the name of Cadmus Scrateius. He must have been the (...) public executioner: for I know of no other Cadmus in Rome; and he bore no very good reputation, and very little deserved the epithet dilectus, for the commentators upon Horace 5. i. 6. 39 speak of him as ‘ notae crudelitatis.’ He must be supposed to have taken the name Scrateius to make himself more terrible. But where in all the Graeco-Roman world he found it, it is impossible to guess. (shrink)

The inscription edited in this paper is the third bilingual Chinese-Sogdian epitaph to be made known, following that of Wirkakk and Wiyusi and that of Nanai-vande and Kekan, published in 2005 and 2017 respectively. The new epitaph is that of a Sogdian lady who died in 736 CE. Apart from its linguistic interest, it is important as attesting the conversion of a Sogdian lady to the “heretical” Buddhist Sanjie or “Three levels” movement, which remained popular despite being officially (...) suppressed under the Tang. (shrink)

In his reply to my previous article Professor Tatum has added some interesting material to the discussion and has made some points which invite further examination. He rightly stresses that the statement in the added first line, that the dead man had been flamen Dialis, would have conflicted with the hopes expressed in the original epitaph if we think these hopes referred to success in war and politics. This objection would be equally relevant if the Publius of the (...) class='Hi'>epitaph were the grandson proposed by Sumner or any other young Scipio who, though robust enough for a public career, died prematurely. (shrink)

In her recent discussion of ILLRP 311 Kirsteen Moir draws attention to the discrepancy between the epitaph's apparent claim that young Publius had before him a brilliant career, had he but survived, and the description which Cicero provides of Africanus' son, Publius, who is usually identified, with varying degrees of conviction, as the subject of this inscription. As Moir points out, the son of Africanus, though remarkably erudite, was incapacitated by poor health from achieving the military and political distinction (...) predicted by the necrology. Within the actual text of this inscription, one might add, there is another discrepancy: the Publius here commemorated was flamen Dialis, and the taboos which restricted the daily life of the priest of Jupiter effectively barred him, regardless of his powers or inclination, from fulfilling the promise voiced by his memorial. Moir proposes a solution which will solve both problems. She suggests that the gloria to which Publius could look forward was literary celebrity. The son of Africanus, after all, composed works known and read by Cicero a century later, works which documented his literary capabilities. Such attainment was well within the grasp of the flamen Dialis. And this interpretation of the inscription, if correct, would solve both discrepancies. (shrink)

‘Death is bad for those who die, but good for the undertakers and the grave-diggers’. And for archaeologists and for epigraphers as well, even though epitaphs, and especially simple or formulaic ones, are probably the most understudied and unloved area of ancient epigraphy. Yet the mere fact of an inscribed epitaph indicates deliberate and intentionally enduring commemoration, and therefore embodies a social attitude; epitaphs thus constitute a matter of historical importance that can be studied for the very reason that (...) so many—in Athens over 10,000—survive. Most Athenian epitaphs which have been found have been dated, and for approximately two-thirds of them a general find-spot has been recorded. Temporal and spatial variations within the distribution of Athenian epitaphs prompt not only the question of why aspects of this habit should change over time, but why the habit of epitaphs should exist at all; the answer suggested here links the function and distribution of Athenian epitaphs to changing concepts of Athenian citizenship. For epitaphs function as more than testimonials to grief: they represent what survivors saw as defining the deceased, and the significantly greater number of epitaphs in fourth-century Athens derives from Athenians' emphatic definition of themselves as citizens at that time. Finally, the Athenians's use of tombstones has no parallel in the classical Greek world, for the Athenians' developing perceptions of their own city and of their own special relationship, as citizens, to it, were also unparalleled. (shrink)

Quei apice insigne Dialaminis gesistei | mors perfec tua ut essent omnia | brevia, honos, fama, virtusque | gloria atque ingenium. Quibus sei | in longa licuiset tibe utier vita, | facile facteis superases gloriam | maiorum. Qua relubens te in gremiu, | Scipio, recipit terra, Publi, | prognatum Publio, Corneli. ILLRP 311 For you who wore the distinctive cap of a Flamen Dialis, Death cut everything short — honour, fame and virtue, glory and intellectual ability. If you had been (...) granted a long life in which to use these advantages, you would have far surpassed the glory of your ancestors by your achievements. Therefore Earth gladly takes you in her arms, Scipio — Publius Cornelius, son of Publius. (shrink)

This essay argues that in linguistic communication, nothing corresponds to a linguistic competence as summarized by the three principles of first meaning in language: that first meaning is systematic, first meanings are shared, and first meanings are governed by learned conventions or regularities. There is no such a thing as a language, not if a language is anything like what many philosophers and linguists have supposed. We must give up the idea of a clearly defined shared structure which language users (...) acquire and then apply to cases, as well as the attempt to illuminate how we communicate by appeal to conventions. (shrink)

The "third man" argument presented in plato's "parmenides" is valid against any articulated version of the theory of forms. Plato recognized this fact, yet continued to hold the theory because the most fundamental description of what is (the "unwritten theory") cannot be articulated and does not fall victim to the third man.

Emil Fackenheim’s life work was to call upon the world at large—and on philosophers, Christians, Jews, and Germans in particular—to confront the Holocaust as an unprecedented assault on the Jewish people, Judaism, and all humanity. In this memoir, to which he was making final revisions at the time of his death, Fackenheim looks back on his life, at the profound and painful circumstances that shaped him as a philosopher and a committed Jewish thinker. Interned for three months in the Sachsenhausen (...) concentration camp after Kristallnacht, Fackenheim was released and escaped to Scotland and then to Canada, where he lived in a refugee internment camp before eventually becoming a congregational rabbi and then, for thirty-five years, a professor of philosophy. He recalls here what it meant to be a German Jew in North America, the desperate need to respond to the crisis in Europe and to cope with its overwhelming implications for Jewish identity and community. His second great turning point came in 1967, as he saw Jews threatened with another Holocaust, this time in Israel. This crisis led him on a pilgrimage to Jerusalem and ultimately back to Germany, where he continued to grapple with the question, How can the Jewish faith—and the Christian faith—exist after the Holocaust? “An ‘epoch-making’ autobiography.”—Arnold Ages, _Jewish Tribune_. (shrink)

I. Prosopographie délienne et épitaphes : l'identification de diverses personnes, proposée par M.-Fr. BasLez dans son étude sur les cultes orientaux à Délos, est fragile, car elles portent des noms très banals. Il faut noter que le corpus publié des stèles funéraires de Délos ne comprend qu'une très faible proportion (l/10e?) des monuments de la nécropole. II. Affranchis d'après les inscriptions de Délos et de Rhénée : corrections et ajouts divers à l'étude de G. Fabre sur les patrons et les (...) affranchis à la fin de la République. Le peu de rigueur avec laquelle les règles de l'onomastique romaine sont appliquées dans les épitaphes rend délicate l'identification du statut de plusieurs défunts. III. Stèles errantes : publication d'une stèle inédite de Délos et de photos de stèles à Avignon, Trieste et Naples. (shrink)

At the heart of MacIntyre's critique of modernity is the problem of moral truth. He argues that the 'Enlightenment project' of justifying morality has failed due to the breakdown of a concep tual scheme inherited from Aristotle, in which the idea of an essen tial human nature or function played a crucial part. Where modernity trades on moral fictions such as 'utility' and 'natural rights', Aris totle's scheme allows moral judgements to be matters of fact. Mac Intyre's denigration of modernity (...) draws attention to his own positive account of moral justification, which I examine from a position of scepticism about moral knowledge. I argue that, while there is much of value in his work - his critique of modern moral philosophy is remarkably cogent and helps clarify what is at stake in discussion of modernity - his account of the good life seems to be circular and his notion of rational progress is unpersuasive. Key Words: Aristotle • ethics • MacIntyre • modernity • truth. (shrink)

The measure of man.--What philosophy is and does.--The vocation of consciousness.--The touch of art.--The voice of the dead wife.--The kin-consciousness of art.--The poem is not a symbol.--The poem is a symbol.--Being: the act of belonging.

Günther Anders’s poem Du kleiner Fischerman is read here as a text contribution to the irruption that is violence and its enduring (omnipresent) aftermath. The essay includes a discussion of transmedial expression, including dramatization, or television and social media, text and subtext, as well as the inspiration of Anders’s poem as a work of art continuing in our times: the ongoing exclusion(s) of certain names and certain thinkers as of certain musical modes, including electronic musical works, as of voices and (...) of collective memory, or oblivion. Reading Raymond Williams along with Anders and Adorno on television updated in today’s era of screen-being, this essay reads the challenges of on-line music magazines, Leonard Cohen and k.d.lang, between modes of memorialization, including a reading of Anders’s poetic memorial on the violence of Walter Benjamin’s death to conclude with Ivan Illich on the ongoing expropriation of death (and health) today. (shrink)

This study investigated various manifestations of gravestone inscriptions to find different types of moves in the formation of such inscriptions in two Iranian social classes. The sample of the study included forty epitaphs in two shrines in the north and west of Tehran. Each epitaph was then photographed for analysis. Swales’ genre move model was used to analyze the data. The moves involved word choice, content, graphics, socio-cultural values, and written communicative practices. Considering socio-cultural factors characterizing the social classes, (...) the results revealed four moves in the epitaphs in the Shrine located in north of Tehran, and eight moves in the Shrine located in west of Tehran. Out of the total of eight moves observed, three were different in the two classes. Comparing these patterns of moves and their frequencies, various emotional, structural, lexical, gender-specific, and age-specific differences were observed. (shrink)

Philippa Foot once said: I'm not clever at all. I have a certain insight into philosophy, cost I think. But I'm not clever, I don't find complicated arguments easy to follow. Foot's cleverness enticed many thinkers to take these Gombrowiczian lines seriously.

It is central to Davidson’s argument in ‘A nice derangement of epitaphs’ that a speaker’s utterance can have a non-standard meaning, rather than that the speaker can mean something non-standardly when so uttering. Linguistic conventionalism typically holds that Mrs Malaprop, in uttering ‘a nice derangement of epitaphs’, might mean a nice arrangement of epithets but that her words do not. I suggest that Davidson’s view of language provides him with good grounds to claim that the nonstandard meanings can be attributed (...) to a speaker’s utterances and not merely the speakers themselves. However, I also suggest that in many cases of interpretation of non-standard utterances, communication is successful because an interpreter first grasps the speaker’s relevant intentions, rather than the meaning of the utterance itself. Indeed, in a single communicative exchange containing an innovative utterance successfully interpreted, it is not the meaning of the utterance that one is entitled to say is identified, but what a speaker means to communicate when he produces an utterance. (shrink)

This note argues for an intertextual connection between the Epitaph for Bion lines 93-7 and Pindar fragment 198a and then interprets this programmatic allusion.

Name der Zeitschrift: Klio Jahrgang: 99 Heft: 2 Seiten: 753-757.