This article focuses on the famous folklorized text De zghoda v rodyni, tam myr i tyshyna, shchaslyvi tam liudy, blazhenna storona (“When there is harmony in the family, peace and quiet are there, these people are happy and this land is blessed”), mainly on its genesis and connection with Hryhorii Skovoroda. At the first sight, its authorship is clear and easy to identify. It seems obvious that these lines come from the play Natalka Poltavka by Ivan Kotliarevskyi, who was, in (...) his turn, deeply influenced by Hryhorii Skovoroda. However, the folklorization of this verse, which is, subsequently, of great research interest, has caused numerous misattributions of the authorship. The article illustrates the folklorization of these famous lines with concrete examples of epigraphic embroideries listed on the author’s Interactive Online Index of Folklore Formulas (Epigraphic Embroidery). (shrink)

The article focuses on the role of Olena Pchilka1 and Lesia Ukrainka in epigraphic embroidery development. Undoubtedly, Olena Pchilka was an ardent proponent of folk art purity. Following from this, there is a tendency to think that she was against all novelty in Ukrainian embroidery. Many researchers and antiquity enthusiasts refer to her authority when arguing against inscriptions on textile as a phenomenon resulting largely from printed cross-stitch on paper. However, not all embroidered verbal texts have been (...) of print origin. Most of them were folkloric texts. What is more, Olena Pchilka to some extent provided her own comment on epigraphic embroidery in approving Lesia Ukrainka’s rushnyk containing the inscription “Oh, my thoughts, my thoughts, woe is with you! Love one another, brethren, love Ukraine”. In modern embroidery, embroideresses reproduce the citation with new connotations of these words, thereby continuing the epigraphic embroidery tradition. The author illustrates the folklorization of oft-cited lines from Taras Shevchenko’s poetry with examples of epigraphic embroidery from her own Interactive Index of Folklore Formulas. (shrink)

Discover the many layers of bead embroidery. Through 14 astonishingly beautiful projects, including one from Sherry Serafini and one from Margie Deeb, Heidi Kummli guides beaders to a greater understanding of how to infuse their jewelry with deeper meaning. From animal totems, to the four elements, to the healing power of gemstones, beaders will create pieces that reveal how the natural world can enhance their jewelry-making journey.

Herodotus holds an honoured place among the pioneers of Greek epigraphy. We seek in vain for earlier signs of any appreciation of the historical value of inscriptions, and though we may conjecture that the antiquarian interests of some of his contemporaries or near-contemporaries might well have led them in this direction, our view of the beginnings of Greek epigraphical study must be based on Herodotus, whether or not he truly deserves to be regarded as its ρχηγέτηϲ. Apart from its significance (...) in the history of scholarship Herodotus' use of inscriptions may be expected to throw some light on his methods and on his conception of his task. He cites epigraphic evidence throughout his work and in relation to a wide range of topics; if his use of this material suggests any general conclusions, we do not need to allow for the bias of a single source or the effect of peculiar local conditions, as we must when we consider his accounts of individual episodes or areas. We are relatively well placed to assess his procedure. We have a reasonably clear idea of the general appearance of the various scripts concerned , and in this respect enjoy a considerable advantage over the majority of Herodotus' original audience. Three of the inscriptions which he cites have been wholly or partly preserved, and thus provide a simple gauge of his accuracy in reporting such evidence. (shrink)

This research topic is very important and shows the social causes of poverty alleviation. Poverty is today’s biggest problem in Pakistan. This research made an effort to find out and to discuss the related elements of poverty. The Researcher proposed to study problems and prospects of hand embroidery in the cottage industries, Cottage industry sector plays a dominant role in the economic development of countries. In developing countries cottage industries are especially important in the context of employment opportunities, equitable (...) distribution of national income, balanced regional growth, and development of different areas. A sample of 70 home-based workers selected from convenience sampling in Gadap Town, Karachi. After assembling data, we found that the government is providing the required level of support to hand embroidery, Respondents cannot perform household chores along with their work and create differences in the domestic economic conditions. (shrink)

For Nicole Belayche, χαριστήριον καὶ φιλίας χάριν This issue of the EBGR presents epigraphic corpora and new epigraphic finds published in 2020 as well as additions to earlier issues. As in previous years, Asia Minor has the lion’s share on new inscriptions pertaining to cults and religious mentality, but there are also some very important texts from ‘old’ Greece, e.g. a stele from Epidauros (58) that records the punishment of fraudulent and incompetent architects and a metrical text from (...) Lar... (shrink)

The 24th issue of the Epigraphic Bulletin for Greek Religion presents epigraphic publications of 2011 and additions to earlier issues (publications of 2006–2010). Publications that could not be considered here, for reasons of space, will be presented in EBGR 2012. They include two of the most important books of 2011: N. Papazarkadas’ Sacred and Public Land in Ancient Athens, Oxford 2011 and H.S. Versnel’s Coping with the Gods: Wayward Readings in Greek Theology, Leiden 2011. A series of new (...) i... (shrink)

In memory of Jean-Louis Ferarry The 30th issue of the EBGR was written under difficult circumstances. Because of new heavy administrative duties and the obligation to publish a large group of inscriptions from Aphrodisias I could not dedicate to the EBGR the time that this task usually requires; the lockdown of academic institutions and their libraries has also presented a challenge. Therefore, this issue presents only a portion of the epigraphic corpora, new epigraphic finds published in 201...

In memory of Hasan Malay This issue of the Epigraphic Bulletin for Greek Religion presents a significant portion of new epigraphic finds published in 2019 as well as several corpora and other epigraphic collections of that year. For reasons of space, I have limited myself to new finds and very few discussions of already published inscriptions. I have also made some additions to earlier issues of the EBGR (esp. 2016–2018), planning to cover the most significant gaps in (...) the future. In this issu... (shrink)

In the paper, I pose the question of how, on artistic, aesthetic, and philosophical levels, decoration and domestic handicrafts as subversive strategies enable the undermining and breakdown of class-based and patriarchal divisions into high and low, objective and subjective, public and private, masculine and feminine. I explore whether handicrafts, in accordance with feminist postulates, are transgressive, transformative, and inclusive. I link handicrafts with the feminist perspective, since, in the second half of the twentieth century, it was precisely the feminist movement (...) that initiated significant changes in the social and cultural perception of women, femininity, and gender relations. Thus I apply this perspective in the first place to the analysis of selected works of contemporary art in which handicrafts is used not only as a means of artistic expression but also as a subversive aesthetic strategy. I also demonstrate how the world of fashion transforms and aesthetizes handicrafts, whose presence in fashion makes it an area in which, in addition to imperatives and aesthetic values, social attitudes, ethical values, and world views are shaped. Finally, referring to the works of selected feminist authors (Mary Field Belenky, Mary Daly, Evelyn Fox-Keller, Donna Haraway), I show how these researchers have metaphorically interpreted handicrafts as specifically feminine ways of creating and developing knowledge. (shrink)

The aim of this paper is to highlight several features of the concept of impiety and of its use in inscriptions. Two main types of epigraphic texts mention impiety: 1. preventive laws, where formulations such as ἀσεβὴς ἔστω, ἀσεβείτω and ἔνοχος ἔστω ἀσεβείᾳ have a double effect inasmuch as they categorize an offence as an impiety and, in addition, they give a culprit the status of impious and 2. reports of trials or of past wrongs. Being regarded as impious (...) entails other consequences on the relationship between the culprit and gods but also between the culprit and the human community – the main issue being that these consequences are seldom explicitly mentioned. Moreover, instead of a single law or text defining impiety or proceedings to take place in case of impiety, there is an array of texts in which impiety appears, the sum of which forms what a community would legally recognize as an impiety.Cet article vise à mettre en exergue différentes particularités du concept d’impiété et de son utilisation dans les inscriptions. Deux types principaux de textes épigraphiques mentionnent l’impiété : 1. des lois préventives, dans lesquelles des formulations telles que ἀσεβὴς ἔστω, ἀσεβείτω et ἔνοχος ἔστω ἀσεβείᾳ ont un double effet dans la mesure où elles définissent une infraction comme étant une impiété et, de surcroît, elles confèrent au coupable le statut d’impie et 2. des rapports de procès ou de torts commis par le passé. Être considéré impie entraîne d’autres conséquences, dans la relation du coupable avec les dieux mais également avec la communauté humaine – le problème étant principalement que ces conséquences sont rarement explicitement mentionnées. De plus, au lieu d’une loi unique définissant l’impiété ou envisageant les procédures à mettre en place en cas d’impiété, il y a un ensemble de textes dans lesquels apparaît l’impiété, dont la somme forme ce qu’une commu­nauté reconnaîtrait légalement comme impiété. (shrink)

One of the most famous stories in Ugaritic literature is the legend of Aqht that was found at Ras Shamra, Syria, during the early 1930s. Written in Ugaritic script and spread over three worn and broken tablets, this text has been thoroughly studied for the past eighty years. More than a few studies have dealt with the following questions: Is the end of the known text in the third tablet really the end of the story? Or is there perhaps a (...) missing tablet, or tablets, that continue the plot from the third tablet? These questions have been answered on the basis of storyline and plot, and many believe that there must have been more contents that complete this story and that it cannot end where the text ends. In this paper we have tried to answer this question based on epigraphic evidence found in the third tablet of the Aqht legend. After carefully examining four unique features of this tablet, we conclude that KTU 1.19 is, in fact, the last one of this specific sequence. We support this evidence by an analysis of the contents, showing that there is indeed enough text to suggest a proper closure for this legend. (shrink)

Embroidery is a part of the needlework that is one of the four virtues of women in ancient times, including “appearance, speech, needlework and behavior”. (Chen Baoliang, 2004) The education of women in old times mainly focused on the "feminine virtues" and "needlework". Due to cultivation at an early age, the upper-class women were mostly clever and intelligent, and did not have to earn their own living. Because of the restraints of the traditional society, they could not devote too (...) much of their time and energy to the technical improvement of the needlework. The embroidery works of women in the Ming and Qing dynasties, however, show different characteristics from that of the previous age. They skillfully adopted the ideas of old masters, and with continuation and development, they showed signs to separate embroidery from traditional needlework, eventually making it into an independent art. (shrink)

The present work depicts the content and functions of very specific carriers of collective memory, namely the epigraphic transmissions. The rich tradition of using epigraphic objects, their durability and communicative seriousness, make them consistently attractive forms of transferring memory also in small local communities of towns, villages, parishes, schools and working commu-nities. Those seen as particularly interesting ones are epigraphic objects, whose task is to “commemorate the origins”. The use of the “topos of origins” creates an initiation (...) moment on the line of collective memory of a given local community. The observations presented in the work relate to the epigraphic resource, created in the last half century within the spatial framework of the borderland of Silesia and Lesser Poland. (shrink)

In memory of Alexandru Avram In a recent article, Robert Parker (“Greek Religion 1828–2017: the Contribution of Epigraphy”, Chiron 48 [2018], p. 1–15) has summarized the contribution of inscription to the study of Greek religion in the last two hundred years. With the help of the Bulletin Épigraphique, the reborn Supplementum Epigraphicum Graecum, the revived Inscriptiones Graecae, online resources such as the Collection of Greek Ritual Norms, the systematic publication of local corpora, and...