El Mokṣopāya (s. X d.n.e), mejor conocido como Yogavāsiṣṭha, nos adentra en el universo del idealismo subjetivo a través de historias extraordinarias, narradas por Vasiṣṭha, en las que la imaginación es la protagonista. La filosofía que subyace a este voluminoso poema muestra que todo lo que hay es la conciencia (cit-mātra) formada por el vacío supremo. La mente individual solo es un destello del poder de esta conciencia (cit-śakti), un teatro donde se proyecta el mundo externo, con todos sus objetos (...) perceptibles. Leyendo este texto a la luz de una de las obras más célebres del teatro español del Siglo de Oro, La vida es sueño de Calderón de la Barca, este ensayo tiende puentes entre la angustia existencial de Segismundo, que ignora si está dormido o despierto, y el pensamiento sereno de Vasiṣṭha cuando explica que la vigilia y el sueño son ambos igual de vacíos e ilusorios. (shrink)

This article explores the way in which the Yogavāsiṣṭha's account of causation as coincidence relates to its soteriological agenda and the view that the 'existence' of the world-deemed to be an illusion anyway-is a mere accident. Comparison is made to similar ideas about causality articulated by David Hume, who nonetheless stops short of drawing quite such radical metaphysical conclusions, in spite of his epistemological skepticism concerning the existence of external objects.

In contrast to a stereotypical account of Indian philosophy that are entailments of the interpreter’s beliefs (an approach that violates basic standards of reason), an approach to Indian philosophy grounded on the constraints of formal reason reveals not only a wide spread disagreement on dharma (THE RIGHT OR THE GOOD), but also a pervasive commitment to the practical foundation of life’s challenges. The flip side of this practical orientation is the criticism of ordinary experience as erroneous and reducible to the (...) agent’s mental states. If we ignore the background practical orientation in Indian philosophy, this seems not like an error theory, that I call Ironic Idealism, but as a defense of idealism. I consider salient candidates for Indian Idealism (Advaita Vedānta, Yogācāra Buddhism, Kāśmīra Śaivism and the Yogavāsiṣṭha) and note that these positions continue a theme in Indian philosophy of articulating Ironic Idealism. Ironic Idealism depends upon the very Indian distinction between ultimate and provisional truth, and Ironic Idealism criticizes the mundane, provisional sort of "truth" as psychological and mental --- and ultimately false. Interpretation, the common approach to the study of Indian philosophy, is an example of what Ironic Idealism criticizes. This explains why authors incorrectly find Idealism everywhere in Indian thought. (shrink)

Das Yogavasistha war und ist ein einfluareicher, hochgeschatzter Text des vedantistischen Hinduismus. Die Untersuchung des Textes deckt den textgeschichtlichen Wandel vom Lehrwerk eines individuellen, buddhistisch beeinfluaten fruehen Advaita-Philosophen zu einem von Mythen umrankten Annex zum Epos als gewollte Gestaltung tendenzioser Uberlieferung auf und beschreibt einen handschriftlichen, alteren Uberlieferungsstrang.

Drawing on a rich variety of Indian texts across multiple traditions, including Vedanta, Buddhist, Yoga and Jain, this collection explores how emotional experience is framed, evoked and theorized in order to offer compelling insights into human subjectivity. Rather than approaching emotion through the prism of Western theory, a team of leading Indian philosophers showcase the unique literary texture, philosophical reflections and theoretical paradigms that classical Indian sources provide in their own right. From solitude in the Saundarananda and psychosomatic theories of (...) disease in the Yogavasistha to female lament in Greek, Sinhala Buddhist and Sanskrit epic tales, their chapters reveal the range and diversity of the phenomena encompassing the English term 'emotion'. In doing so, they contribute towards a more cosmopolitan, comparative and pluralistic conception of human experience. Adopting a broad phenomenological methodology, this handbook reframes debates on emotion within classical Indian thought and is an invaluable resource for researchers and students seeking to understand the field beyond the Western tradition. (shrink)

Critical study of selected portion of Yogavāsiṣṭha, treatise on Vedanta philosophy; includes translation of text and commentary.

: This article explores the way in which the Yogavāsistha's account of causation as coincidence relates to its soteriological agenda and the view that the 'existence' of the world—deemed to be an illusion anyway—is a mere accident. Comparison is made to similar ideas about causality articulated by David Hume, who nonetheless stops short of drawing quite such radical metaphysical conclusions, in spite of his epistemological skepticism concerning the existence of external objects.

A wide-ranging analysis of the Mokṣopāya, the Indian literary classic that teaches through storytelling how to enjoy an active, successful, worldly life in a spiritually enlightened way. In the Mokṣopāya (also known as the Yogavāsiṣṭha), an eleventh-century Sanskrit poetic text, the great Vedic philosopher Vāsiṣṭha counsels his young protégé Lord Rāma about the ways of the world through sixty-four stories designed to bring Rāma from ignorance to wisdom. Much beloved, this work reflects the philosophy of Kashmir Śaivism. Precisely because all (...) worldly pursuits are dreamlike and fiction-like, the human soul must first come to an experience of non-dualistic, mind-only metaphysics, and after attaining this wisdom, promote moral activism. _Engaged Emancipation_ is a wide-ranging consideration of this work and the philosophical and spiritual questions it addresses by philosophers, Sanskritists, and scholars of religion, literature, and science. Contributors allow readers to walk with Rāma as his melancholy and angst transform into connectivity, peace, and spiritual equipoise. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī (d. 1674). They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], which (...) is itself a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], which is itself (...) a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], which is itself (...) a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

The Mughal court was the main sponsor of Persian works on Vedānta, broadly conceived, from the late sixteenth until the mid-seventeenth century. Thereafter, the audience for such works shifted outside the court. Several Hindus literate in Persian composed or circulated Vedāntic writings. This article surveys three hitherto neglected Persian texts treating Vedānta that appear to have been composed independently from court sponsorship. All three are attributed to Banwālīdās Walī. They comprise the Gulzār-i ḥāl [Rose-garden of ecstatic states], which is itself (...) a translation of the Prabodhacandrodaya; a translation of the Rāma Gītā, which is a dialogue between Rāma and Lakṣmaṇa from the Adhyātma Rāmāyaṇa; and the Om-nāma [Book of Oṃ], a poem loosely based on the Yogavāsiṣṭha that incorporates Vedāntic themes. In general, Indo-Persian authors such as Walī associated Vedānta with a non-dualist doctrine, even when they did not specifically refer to Advaita Vedānta. The article discusses the approaches to translation that these texts take. It also reflects on the functions of these Persian translations in a context where conveying the meaning of the source texts was not the only motive. (shrink)

This paper explains some of the uses of the word ‘freedom’ in Western as well as in Indian philosophy. Regarding the psychological concept of freedom or free will, this paper focuses on the distinction between fatalism, determinism, types of compatibilism, and libertarianism. Indian philosophers, by and large, are compatibilists, although some minor systems, such as Śākta Āgama, favor a type of libertarianism. From the Indian perspective the form of life of human beings has also been mentioned in the discussion of (...) free will. Regarding metaphysical freedom, I discuss the views of the Bhagavad Gītā and Swami Vivekananda in Sect. III. K.C. Bhattacharyya, a neo-Advaita Vedāntin, has discussed degrees of freedom of the subject at several levels. According to him, spiritual progress lies in the progressive realization of the freedom of the subject. I compare his view with the classical Advaita concept of freedom. I have also addressed the question of whether freedom from suffering can be realized at social and global levels. In this context I have mentioned some of the interpretations of the great saying ‘I am Brahman,’ and how freedom can be realized at the global level by using the Advaita concept of ‘oneness.’. (shrink)