동서철학 비교연구서. 헤겔, 하이데거 등의 독일 정통철학의 핵심과 퇴계 율곡 등의 한국 전통철학의 정수 를 그 독자성과 세계성, 그리고 연결성의 측면에서 비교 고찰한 논문집.

1. Hŏryŏng, t'ŏng piŏ yŏnghwarhan maŭm -- 2. Ajik tŭrŏnaji anŭn maŭm esŏ chigak i kanŭng han'ga -- 3. Mibal kwa kijil ŭn ŏttŏn kwan'gye in'ga -- 4. Umjiginŭn maŭm kwa koyohan maŭm -- 5. Chigak ŭi sŏnggyŏk kwa kŭ yŏnwŏn e kwanhan munje.

Habla pausadamente, con un cierto distanciamiento irónico. El tema es, naturalmente, su libro "Yo y tú, objetos de lujo". No afirma nada categóricamente, pero, como observador crítico de una cultura tal vez emergente, sugiere interpretaciones de la realidad muy alejadas de visiones apocalípticas o condenatorias hacia lo que viene (está ya aquí, de hecho) en la era del consumo y del ciberespacio. Y, sin embargo, me parece descubrir en él un punto de melancolía�.

Por medio de un contraste con el pensamiento heideggeriano, el estudio desarrolla la concepción gadameriana de la alteridad, el lugar que ocupa este tema en la propuesta hermenéutica de Verdad y Método y la reformulación que ello supone de la manera como Heidegger concibe la aperturidad de la existencia humana y el acontecimiento mismo del ser. El trabajo inicia planteando la crítica de Gadamer al reconocimiento ontológico del otro por parte de Heidegger; muestra enseguida la oposición que se presenta entre (...) el “ser-para-la-muerte” y el “ser-para-la-historia”, la relevancia que tiene en Gadamer la vida práctica y la idea de diálogo como modelo de la comprensión. Se concluye mostrando la oposición que se da entre ambos autores en la manera de considerar el modo de ser del lenguaje y el acontecimiento del ser que en éste tiene lugar. [/] -/- In permanent contrast with Heidegger’s thought, this study develops Gadamer’s conception of otherness, its place in the hermeneutic project of Truth and Method and the reformulation that all this entails of human existence disclosedness and the event of being itself. Work starts raising Gadamer’s critique to the ontological [42] recognition of the others by Heidegger; it shows then the opposition between the “being-towards-death” and “being-for-history”, and the relevance of practical life and the idea of dialogue as a model of understanding in Gadamer’s philosophy. It concludes by showing the opposition between both authors regarding language’s essence and the event of being that takes place on it. (shrink)

Resumen En este artículo analizo las actividades de imagen que se realizan cuando se emplea tú genérico. Además, correlaciono la presencia de la segunda persona singular tácita o explícita con el tipo de actividades de imagen documentadas en el Corpus sociolingüístico de la Ciudad de México (CSCM). Los resultados sugieren que los hablantes muestran una preferencia por la omisión del sujeto pronominal de segunda persona singular genérico cuando realizan actividades de autoimagen y que esta estrategia les permite ocultar al yo. (...) Por el contrario, cuando realizan actividades de cortesía recurren con mayor frecuencia a la expresión de SP genéricos de segunda persona, esto es, el tú genérico explícito contribuye para codificar una estrategia centrada en el interlocutor. El análisis corrobora que los hablantes mexicanos se preocupan por el cuidado de su propia imagen y por la de sus interlocutores, privilegiando los deseos de imagen de afiliación. (shrink)

Escribir acerca de la muerte en la literatura trata de responder a una de las preguntas que, desde siempre, se ha hecho el hombre de cualquier cultura, época o creencia. Vida y muerte son las dos caras de la misma moneda y no podemos ignorar que todo lo que nace acaba pereciendo. El Oráculo en La llamada de los muertos, de Laura Gallego, nos recuerda que la vida por sí misma no es nada, si no va acompañada por la muerte, (...) su compañera: "No comprendes que cada cosa tiene su tiempo y su edad, y que si bien la vida es algo maravilloso, también la muerte es necesaria para toda criatura" (pág. 31). En El coleccionista de relojes extraordinarios es la propia muerte quien le da este consejo a Jonathan Hadley: "Limítate a vivir, eses es tu trabajo. Cuando llegue tu hora, yo vendré a buscarte. Ese es mi trabajo. Nos veremos entonces�" Jonathan Hadley (pág. 154). Y es que no se puede huir de la Muerte por mucho que nos empeñemos. (shrink)

According to Mednick’s (1962) theory of individual differences in creativity, creative individuals appear to have a richer and more flexible associative network than less creative individuals. Thus, creative individuals are characterized by “flat” (broader associations) instead of “steep” (few, common associations) associational hierarchies. To study these differences, we implement a novel computational approach to the study of semantic networks, through the analysis of free associations. The core notion of our method is that concepts in the network are related to each (...) other by their association correlations - overlap of similar associative responses (“association clouds”). We began by collecting a large sample of participants who underwent several creativity measurements and used a decision tree approach to divide the sample into low and high creative groups. Next, each group underwent a free association generation paradigm which allowed us to construct and analyze the semantic networks of both groups. Comparison of the semantic memory networks of persons with low creative ability and persons with high creative ability revealed differences between the two networks. The semantic memory network of persons with low creative ability seems to be more rigid, compared to the network of persons with high creative ability, in the sense that it is more spread out and breaks apart into more sub-parts. We discuss how our findings are in accord and extend Mednick’s (1962) theory and the feasibility of using network science paradigms to investigate high level cognition. (shrink)

In their examination of elementary science classrooms, Amerine and Bilmes (1988) found that following instructions requires students to understand the relationship between the projected outcome and the corresponding course of actions. One of the most important resources for instructions is the lesson plan, which prescribes the sequence of teaching. However, there is often a gap between what is planned and what actually happens in the classroom. This raises the question of how teachers come to terms with contingent variants and unexpected (...) outcomes that real-time interactions occasion and how lesson plans are configured into these processes. This study examines a teacher education program that uses lesson plans as a central resource for teaching mathematics. The results suggest that classroom teachers use lesson plans as communicative resources to identify problems, specify assumptions about their teaching and act on the evolving contingency of classroom interaction. The interactional contingency is the locus of teaching practices, not an obstacle to the application of procedures in lesson plans. (shrink)

『三太郎の日記』による栄光の後に襲ってきた波乱。同時代の知識人との関係や教育制度から、大正教養派の代表者に迫る社会史的評伝。.

八代将軍吉宗の世、思想界に現れた二つの新興勢力・徂徠学と国学。当時の主流たる朱子学を否定した両「古学派」の進展を考察する。.

The associative theory of creativity states that creativity is associated with differences in the structure of semantic memory, whereas the executive theory of creativity emphasises the role of top-down control for creative thought. For a powerful test of these accounts, individual semantic memory structure was modelled with a novel method based on semantic relatedness judgements and different criteria for network filtering were compared. The executive account was supported by a correlation between creative ability and broad retrieval ability. The associative account (...) was independently supported, when network filtering was based on a relatedness threshold, but not when it was based on a fixed edge number or on the analysis of weighted networks. In the former case, creative ability was associated with shorter average path lengths and higher clustering of the network, suggesting that the semantic networks of creative people show higher small-worldness. (shrink)

We apply the technique of generic ultrapowers to study the splitting problem of stationary subsets of P K λ . We present some conditions which guarantee the splitting of stationary subsets of P K λ.