Introduction by Paul Brunton. Dr. Mishra brings a medical reasoning and a guru's practice to the ancient science of yoga. Concentration and meditation exercises make this an invaluable introduction to yoga. 14 black-and-white drawings.

"The Textbook of Yoga Psychology, written by noted Sanskrit scholar and yogi Ramamurti S. Mishra, M.D., combines his definitive translation with an inspiring interpretation of Patanjali's Yoga Sutras. Patanjali's ancient formulae for self-analysis make this text crucial to the proper understanding of the philosophy, psychology and practice of Yoga. An extensive Introduction provides a lucid and thorough examination of the Sankhya Yoga Philosophy from which the Yoga Sutras emerged. The accessibility of Dr. Mishra's translation of the Yoga Sutras has made (...) this the favorite among beginning Yoga students, while experienced yogis and novices both appreciate the clarity of his commentaries on each sutra. Dr. Mishra's interpretation is unique in placing this ancient work in a modern context, examining Yoga psychology in the light of recent advances in psychiatry, psychology and parapsychology." --. (shrink)

Brahmānanda Sarasvatī has written an elaborate comment on the following inference cited in Advaitasiddhi: attribute etc. are identical to and different from attributee etc. since they are co-referential. There he wants to prove that every significant case of attribution is a case of identity that coexists with a difference between two demarcators. The identity that coexists with difference is called ‘equality’. This paper will argue that in each case of equality, the realist ontology chooses either identity over difference or the (...) reverse. In the case of ‘the black pot’, the realist ontology prefers difference over identity. In the case of ‘the qualified object is the mere object’, the same ontology prefers identity over difference. Accordingly the ontological ‘entity’ gets projected. This is perhaps because the realist ontology is guided by Ockham’s razor and the grammatical classification of objects. (shrink)

The nature of Self is ever-blissful, yet we feel constant pains and sufferings in the world. Each one of us is forced to face the worldly happenings in every station of our life. These sufferings cannot end without going to their root cause and finding a solution for it. The cause of these sufferings, as put by most of the schools of Indian Philosophy, is ignorance about the nature of Self that results in bondage. All the schools of Indian Philosophy, (...) except the Cārvāka, hold that ignorance is the cause of bondage and knowledge begets liberation. Realization of eternal peace or bliss is the goal of almost every school of Indian Philosophy. Here, we must know that Ānanda is of three types—Viṣayānanda, Vidyānanda and Brahmānanda. Viṣayānanda is momentary pleasure, which arises out of the contact of the mind with external objects. It has a difference in degrees. Vidyānanda is the pleasure that we derive from the feeling that “I have achieved all that was to be achieved”. It is still of the form of a mental mode. Brahmānanda is eternal bliss, which is discovered when avidyā is annihilated by akhandākāra mental mode. It is beyond mind and its modifications. The views of the Bhagavadgītā, Upaniṣad, and the elementary texts written by the proponents of the philosophy of non-dualism expound that the way to achieve the state of bliss is by inculcating the attitude of absolute detachment which, when achieved, makes a short work of our ignorance about Brahman. The paper tries to discuss all these issues and the Bliss aspect of Brahman with relevant references. It would be a success if it clarifies the different aspects of Ānanda and creates genuine interest in the researchers to further study the references for deeper understanding of bliss aspect of Brahman. (shrink)

"Traduction d'un des plus complets traités de Hatha-yoga qui nous soit parvenu, précédée d'une étude sur les différentes formes de yoga dans les traditions shivaïte et tantrique, accompagnée d'une traduction du commentaire sanskrit "Clair de lune" par Brahmânanda.

El Rey de la Habana es la metáfora trágica del agotamiento de la Cuba castrista y el tortuoso parto de una nueva realidad social que no acaba de nacer. En las prietas páginas de una breve novela, repletas de violencia, bestialidad, sexo desaforado, heces y descarnada lucha por la vida, Pedro Juan Gutiérrez se erige como testigo de su época y el destino de su patria. Su telón de fondo es una Habana decadente, físicamente carcomida, donde el “sálvese cada (...) uno como pueda” funciona como ley social. Esta obra coloca a su autor entre los novelistas latinoamericanos medulares en la bisagra entre el s. XX y el s. XXI. (shrink)

The book under review is a compilation of various accounts of the stay of Sri Sarada Devi, and Swamis Vivekananda, Brahmananda, Shivananda, Ramakrishnananda, Abhedananda, Vijnanananda, Subodhananda, Niranjanananda, Turiyananda, Trigunatitananda, and Premananda in the city.

It has always been a matter of curiosity what kind of information art, which is far from ordinary and untouchable, provides people. Confronting a person with an art object means looking at the window of a world different from the world of daily routines, with his head stuck out. We can describe this world as magical in a romantic way. This magic arises from the difference in the functioning of perception, interpretation and judgment processes, which the person confronted with an (...) art object has difficulty in explaining to himself from time to time. Because the acquisition of perception in the world of routines and the acquisition of perception from the art object are different in terms of the functioning of mental processes... (shrink)