Exploration into the concept, origins and meaning of place, taking Delphi, Rome and Jerusalem as principle examples.

v. 1. La fisica concettuale. Revisione delle categorie del pensiero scientifico e visione unitaria del mondo fisico sulle bast della dialettica di Hegei.

Normative positions are sometimes illustrated in diagrams, in particular in didactic contexts. Traditional examples are the Aristotelian polygons of opposition for deontic modalities (squares, triangles, hexagons, etc.), and the Hohfeldian squares for obligative and potestative concepts. Relying on previous work, we show that Hohfeld’s framework can be used as a basis for developing several Aristotelian polygons and more complex diagrams. Then, we illustrate how logical theories of increasing strength can be built based on these diagrams, and how those theories enable (...) us to determine in a computably efficient way whether a set of normative positions can be derived from another set of normative positions. (shrink)

_Brill’s Companion to the Reception of Athenian Democracy_ delivers a fresh and wide-ranging analysis of the uses and reinterpretations of ancient Greek democracy from the late Middle Ages to the XXI century, offering a comprehensive and multidisciplinary approach to this important topic.

Martin-Löf Type Theory is both an important and practical formalization and a focus for a charismatic view of the foundations of mathematics. Per Martin-Löf's work has been of huge significance in the fields of logic and the foundations of mathematics, and has important applications in areas such as computing science and linguistics. This volume celebrates the twenty-fifth anniversary of the birth of the subject, and is an invaluable record both of areas of currentactivity and of the early development of the (...) subject. Also published for the first time is one of Per Martin-Löf's earliest papers. (shrink)

Reale (history of ancient philosophy, Catholic U. of Milan) covers the first 500 years of the common era.

The relationship between 1. recipes, 2. ingredients and 3. dishes may be understood in analogy to the relationship between elements in the performing arts: for example, in music, 1. musical works, 2. ‘musical ingredients’ and 3. performances. The recipe’s inventor is a ‘composer’ and the cook is a ‘performer’. As I will argue, both in musical performances and in the preparation of dishes, the application of norms requires ‘creative’ adaptation to the concrete specific situation and the final product emerges from (...) practical interactions that involve transformations of their own normative bases. Hence, both in culinary practices and performing arts like music, the improvisational case is paramount for understanding how their normativity, as paradigmatic of the normativity of human practices in general, works. (shrink)

Philosophy of Mind is usualy seen as the theoretical field in which theories about the functioning of the mind are elaborated, to be afterwards empirically tested through Artificial Intelligence. But this empirical approach does not fit the human mind which is not simply a machine. It is therefore possible to see Philosophy of Mind as a necessary creation to empty AI of its philosophical charge.