A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment, that are distinct from properties identified by the physical sciences. This view stands in contrast to the long-standing and wide-spread view amongst philosophers and scientists that colours don't really exist - or at any rate, that if they do exist, then they are radically different from the way that they appear. It is argued that a naive realist theory of colour best (...) explains how colours appear to perceiving subjects, and that this view is not undermined either by reflecting on variations in colour perception between perceivers and across perceptual conditions, or by our modern scientific understanding of the world. A Naive Realist Theory of Colour also illustrates how our understanding of what colours are has far-reaching implications for wider questions about the nature of perceptual experience, the relationship between mind and world, the problem of consciousness, the apparent tension between common sense and scientific representations of the world, and even the very nature and possibility of philosophical inquiry. (shrink)

Using the results of the latest neurophysiological research on colour, the article rejects outright physicalism and dispositionalism as appropriate approaches to solving the problem of colour realism. Physicalism sees colour as a real property of objects, i.e. the reflectance profile, while dispositionalism takes subjects, objects and light as necessary elements for colour production. First, it briefly outlines the historical development of the theory of colour, pointing towards dispositionalism which, in some sense, considers colour as a real entity of the world, (...) and then introduces the problem of colour realism, focusing on objections to physicalism as well as dispositionalism. After delineating the neurophysiological mechanisms underlying the visual experience of colour, and with the help of the concrete results of practical neurophysiological experiments, the article points to why the physicalist and any dispositionalist theories of colour in the light of a new physiological objection do not present credible views on the nature of colour. (shrink)

Dispositionalist accounts of colour concepts are now largely discarded. But a number of recent and influential objections to this type of theory can be readily answered providing the dispositionalist account contains the key elements it should---which actual versions in the literature do not. I explicate some of the conceptual components needed in such an account once we correctly understand the anthropocentricity of the colour concepts involved. When these components are incorporated into dispositionalism, including one crucial distinction in particular, (...) some powerful seeming objections against this revised dispositionalism fail. In addition, dispositionalism has extra advantages over the far more popular physicalist theories, and I therefore contend that we should explore vigorously this kind of enriched dispositionalist account. (shrink)

Dispositionalist accounts of colour concepts are now largely discarded. But a number of recent and influential objections to this type of theory can be readily answered providing the dispositionalist account contains the key elements it should---which actual versions in the literature do not. I explicate some of the conceptual components needed in such an account once we correctly understand the anthropocentricity of the colour concepts involved. When these components are incorporated into dispositionalism, including one crucial distinction in particular, (...) some powerful seeming objections against this revised dispositionalism fail. In addition, dispositionalism has extra advantages over the far more popular physicalist theories, and I therefore contend that we should explore vigorously this kind of enriched dispositionalist account. (shrink)

This paper critically discusses role functionalism about color and suggests that it is not such a sui generis position as it is often considered to be. The discussionfocuses upon one, hopefully, central point. The main proponent of the idea of role functionalism is Jonathan Cohen who in his book The Red and the Real (2009)suggests a Refined Taxonomy of positions on color ontology. Namely, his proposal implies that color ontology should be divided into relationalist and non-relationalist accounts. (...) Generally, he endorses the relationalist theory of color which roughly claims that colors are constituted in terms of some relation between objects and subjects (inter alia). Specifically, Cohen defends Role Functionalism as the best version of relationalism according to which the relations that constitute colors are functional relations. Based on his role functionalist stance, he distances himself from dispositionalists. However, in this paper I show that he could be interpreted as one and therefore needs to reconsider his Refined Taxonomy of positions on color ontology. (shrink)

Dispositional theories of colour have been attacked by McGinn and others on the ground that ‘Colours do not look like dispositions’. Langsam has argued that on the contrary they do, in ‘Why Colours Do Look Like Dispositions’, The Philosophical Quarterly, 50 , pp. 68–75. I make three claims. First, neither side has made its case. Secondly, it is true, at least on one interpretation, that colours do not look like dispositions. Thirdly, this does not show that dispositionalism about colours (...) is false. (shrink)

Most objectivist and dispositionalist theories of color have tried to resolve the challenge raised by color variations by drawing a distinction between real and apparent colors. This paper considers such a strategy to be fundamentally erroneous. The high degree of variability of colors constitutes a crucial feature of colors and color perception; it cannot be avoided without leaving aside the real nature of color. The objectivist theory of color defended in this paper holds (...) that objects have locally many different objective colors. Most color variations are then real and result from the extreme richness of color properties. (shrink)

Dispositional theories of colour have been attacked by McGinn and others on the ground that ‘Colours do not look like dispositions’. Langsam has argued that on the contrary they do, in ‘Why Colours Do Look Like Dispositions’, The Philosophical Quarterly, 50 , pp. 68–75. I make three claims. First, neither side has made its case. Secondly, it is true, at least on one interpretation, that colours do not look like dispositions. Thirdly, this does not show that dispositionalism about colours (...) is false. (shrink)

In this paper I argue that color is a relational feature of the distal objects of perception, a way of appearing. I begin by outlining three constraints any theory of color should satisfy: physicalism about the non‐mental world, consistency with what is known from color science, and transparency about color experience. Traditional positions on the ontological status of color, such as physicalist reduction of color to spectral reflectance, subjectivism, dispositionalism, and primitivism, fail, I claim, (...) to meet all three constraints. By treating color as a relational property, a way of appearing, the three constraints can be met. However, serious problems for this view emerge when considering the relation between illusory color experiences and veridical color experiences. I do not propose a solution to these problems. (shrink)

What is the relationship between being coloured and looking coloured? According to Alva Noë, to be coloured is to manifest a pattern of apparent colours as the perceptual conditions vary. I argue that Noë’s ‘phenomenal objectivism’ faces similar objections to attempts by traditional dispositionalist theories of colour to account for being coloured in terms of looking coloured. Instead, I suggest that to be coloured is to look coloured in a ‘non-perspectival’ sense, where non-perspectival looks transcend specific perceptual conditions.

Matthen’s semantic theory of color is compared and contrasted with a variety of dispositionalism, to be called response-intentionalism (since it claims that color is a disposition to produce intentional states involving color-looks. First, it is argued that the two theories are not so far from each other; Matthen might be a closed dispositionalist, since he does stress the causal power of surfaces to produce color representations (signs). Next, the pragmatist component of his theory is (...) addressed. Can usefulness unify color? It seems that some degree of unity is required for a plurality of things to be treated as a group useful in a specifi c way: existence is prior to usefulness, not the other way around. Finally, the dispositionalism (including response-intentionalism) is defended against Mohan’s epistemological objection, according to which the dispositionalist cannot account for a priori nature of one’s knowledge of color looks; it is argued that it can,and that it can even use roughly the same means as semantic realism. (shrink)

Matthen’s semantic theory of color is compared and contrasted with a variety of dispositionalism, to be called response-intentionalism (since it claims that color is a disposition to produce intentional states involving color-looks. First, it is argued that the two theories are not so far from each other; Matthen might be a closed dispositionalist, since he does stress the causal power of surfaces to produce color representations (signs). Next, the pragmatist component of his theory is (...) addressed. Can usefulness unify color? It seems that some degree of unity is required for a plurality of things to be treated as a group useful in a specifi c way: existence is prior to usefulness, not the other way around. Finally, the dispositionalism (including response-intentionalism) is defended against Mohan’s epistemological objection, according to which the dispositionalist cannot account for a priori nature of one’s knowledge of color looks; it is argued that it can,and that it can even use roughly the same means as semantic realism. (shrink)

Color relationalism is the view that colors are constituted in terms of relations between subjects and objects. The most historically important form of color relationalism is the classic dispositionalist view according to which, for example red is the disposition to look red to standard observers in standard conditions (mutatis mutandis for other colors).1 However, it has become increasingly apparent in recent years that a commitment to the relationality of colors bears interest that goes beyond dispositionalism (Cohen, 2004; (...) Matthen, 1999, 2001, 2005; Thompson, 1995). Accordingly, it is an important project for those interested in the metaphysics of color to sort through and assess different forms of color relationalism. There is, however, a powerful and general cluster of objections that has been thought by many to amount to a decisive refutation of any and all forms of color relationalism. Although this idea has been developed in a number of ways, the basic thought is that relationalism — qua theory of color — is at odds with the manifest evidence of color phenomenology, and that this clash between theory and data should be resolved by giving up the theory. (shrink)

In this article it will be argued that a Humean, projectivist theory of colour can be held consistent and plausible. This can be done without selling out to cognitivist intuitions about colours if the distinction between an everyday and a metalevel is upheld. The distinction, it will be argued, is both natural and philosophically uncomplicated.

Our modern scientific explanation of colour as a subjective impression has replaced a ‘pre-theoretical’ notion of colour as an intrinsic property of objects, which was mainstream in ancient thought. Why have we lost such pre-theoretical notion, and what have we lost by losing it? I argue that most ancient Greek philosophers exploited this pre-theoretical assumption – one that was obvious to them – in terms and ways that are still worthy of attention in the context of contemporary philosophy of colour. (...) I offer an in-depth analysis of the theories of a number of early Greek philosophers, as well as of Plato in the Timaeus, showing that they tend to share the idea that colour is an essential property of external bodies and therefore plays a causal role in perception. Then I focus on a comparison between Democritus’ stance and Aristotle’s in order to highlight a significant contrast between the two. Democritus' theory is an exception in ancient thought because it traces the colour phenomenon back to a refraction of atmospheric light through atomic aggregates. Aristotle, instead, posits the presence of colour and light in the bodies themselves. Finally, I interpret Aristotle's account as the most complex attempt in ancient thought to weld together what we call the ‘manifest image’ of colour and its ‘scientific image’. (shrink)

Variations in colour perception have featured prominently in recent attempts to argue against the view that colours are objective mind-independent properties of the perceptual environment. My aim in this paper is to defend the view that colours are mind-independent properties in response to worries arising from one type of empirically documented case of perceptual variation: variation in the perception of the «unique hues». §1 sets out the challenge raised by variation in the perception of the unique hues. I argue in (...) §2 that the empirical findings are less dramatic than they might initially appear, and in §3 that accounting for the inter-personal differences is consistent with the view that colours are mind-independent properties that normal subjects veridically perceive, at least roughly speaking. (shrink)

I argue that Democritus presents a theory of colour in which the predominance of atomic shapes and microstructural arrangements are necessary but not sufficient for colour vision. Focusing primarily on Democritus’ basic colours, I analyse his microstructural account, providing a new analysis of the natural and technological underpinnings of his method of explanation. I argue that the notion of predominance allows Democritus to account for both the variation and the repeatable correspondence of colour perception by setting limits on possible microstructures. (...) This account, however, is complicated by the evidence for a Democritean theory of colour transformation and distorted vision, which arise from a dynamic interplay of features at the level of microstructures and at the level of perception. (shrink)

The dispute between realists about color and anti-realists is actually a dispute about the nature of color properties. The disputants do not disagree over what material objects are like. Rather, they disagree over whether any of the uncontroversial facts about material objects--their powers to cause visual experiences, their dispositions to reflect incident light, their atomic makeup, and so on--amount to their having colors. The disagreement is thus about which properties colors are and, in particular, whether colors are any (...) of the properties in a particular set that is acknowledged on both sides to exhaust the properties of material objects. In a previous paper we discussed at length one attempt to identify colors with particular properties of material objects--namely, with their dispositions to cause visual experiences. Here we shall discuss a different and perhaps more influential version of realism, which says that the colors of material objects are microphysical properties of their surfaces. We shall call this theory physicalism about color (physicalism, for short). In order to evaluate this theory, however, we shall first have to clarify some methodological issues. Our hope is that we can bring some further clarity to the question of color realism, whether or not we succeed in our critique of the physicalists' answer. (shrink)

I argue that Democritus presents a theory of colour in which the predominance of atomic shapes and microstructural arrangements are neces- sary but not sufficient for colour vision. Focusing primarily on Democritus’ basic colours, I analyse his microstructural account, providing a new analysis of the natural and technological underpinnings of his method of explanation. I argue that the notion of predominance allows Democritus to account for both the varia- tion and the repeatable correspondence of colour perception by setting limits on (...) possible microstructures. This account, however, is complicated by the evidence for a Democritean theory of colour transformation and distorted vision, which arise from a dynamic interplay of features at the level of microstructures and at the level of perception. (shrink)

There have been a number of criticisms, based on visual processes, of the Australian view that colour is an objective property of the world. These criticisms have led to subjective theories about colour. These visual processes (metamers, retinex theory, opponent processes, simultaneous contrast, colour constancy, subjective colours) have been examined and it is suggested that they do not carry their supposed critical weight against an objective theory. In particular, it is argued that metamers don’t occur in nature and primate (...) colour vision evolved without metamers. Thus normal colour vision occurs without the problem of metamers. This argument, in conjunction with evidence against the critical roles of opponent processes and retinex theory in colour vision, is taken to suggest that colour can be given a photon energy/wavelengthrealism explanation. This proposal allows an account of the many microstructural bases of colour generation put forward by Nassau (1983). It is argued that neither disjunctive realism or reflectance realism are adequate objective explanations of colour. (shrink)

We examine the pros and cons of color realism, exposing some desiderata on a theory of color: the theory should render colors as scientifically legitimate and correctly individuated, and it should explain how we have veridical color experiences. We then show that these desiderata can by met by treating colors as properties of the special sciences. According to our view, some of the major as properties of the special sciences. According to our view, some of the major (...) disputes in the literature about color -- anti-realism versus dispositionalism versus reductionism -- are not well-founded at this stage of scientific inquiry. Our account of color is designed to be of use in the sciences and as such is driven largely by considerations of what the various sciences need in order to proceed appropriately. We argue that a scientific theory of colors need not regard colors as anything more than high-level statistical constructs built out of correlations between color experiences and other phenomena. (shrink)

The world as perceived by human beings is full of colour. The world as described by physical scientists is composed of colourless particles and fields. Philosophical theories of colour since the scientific revolution have been primarily driven by a desire to harmonize these two apparently conflicting pictures of the world. Any adequate theory of colour has to be consistent with the characteristics of colour as perceived without contradicting the deliverances of the physical sciences. Given this conception of the aim (...) of a theory of colour, there are three possibilities for resolving the apparent conflict between the scientific and perceptual facts. The first possibility is to deny that physical objects have colours. Theories of this kind admit that objects appear coloured but maintain that these appearances are misleading. The conflict is resolved by removing colour from the external world. Second, it might be that colour is a relational property. For an object to possess a particular colour it must be related in the right way to a perceiver. One common version of this view analyzes colour as a disposition to cause particular kinds of perceptual experiences in a human being. Since the physical sciences deal only with the intrinsic properties of physical objects and their relations to other physical objects and not their relations to perceiving subjects, the possibility of conflict is removed. A third possible response to the conflict is to maintain that colour really is a property of external objects and that the conflict is merely apparent. Some theories of this form maintain that colour is identical to a physical property of objects. Others maintain that colour is a property that physical objects possess over and above all their physical <blockquote> 1 </blockquote> properties. Philosophical discussions of colour typically take the form of either elaborating on one of these three possibilities or attempting to show more generally that one of these three types of responses is to be preferred to the others.. (shrink)

The papers comprising Zur Farbenlehre, best known portion of Goethe's writings on color and optics, appeared between 1808 and 1810. Portions of Zur Farbenlehre, translated by the painter Charles Lock Eastlake and frequently reprinted under the title Theory of Colours, achieved immediate notoriety because of Goethe's insistent questioning of Newton's methodology. Acknowledging no mentors except Theophrastus and the physicist Robert Boyle, Goethe compared the Newtonian theory of colors--indelicately, some think--to a once proud castle still revered long after it has (...) fallen into decay. The furor aroused by this intemperate analogy has not fully subsided yet. During the twentieth century Max Planck answered the impertinence with a vigorous ad hominem attack and Rudolph Carnap followed suit. We still lack a serious analysis of Goethe's color theories or his arguments against Newton. And the early vituperation seems quaint. Questioning Newton's methodology--or even his epistemology--is a legitimate activity and has even become commonplace. The 1840 edition of Eastlake's translation enjoys a perennial popularity among artists and a few perceptual psychologists, who have been allowed to monopolize for too long a book which is primarily a highly provocative inquiry in the philosophy of science. Someday an imaginative publisher may be inspired to make available more extensive translations of Goethe's copious writings on color, complemented by the type of careful editing, annotation and analysis which I. Bernard Cohen and Alexander Koyré provide for the writings of Newton. Until then one is grateful for Eastlake.--P. S. (shrink)

Traditional theories locate color in primary qualities of objects, in dispositional properties of objects, in visual fields, or nowhere. In contrast, we argue that color is located in properties of light. More specifically, light is red iff there is a property P of the light that typically interacts with normal human perceivers to give the sensation of red. This is an error theory, because objects and visual fields that appear red are not really red, since they lack (...) the properties that make light red. We show how this light theory solves or avoids problems that afflict its competitors. (shrink)

The paper reviews the empirical evidence for highly significant variation across perceivers in hue perception and argues that color physicalism cannot accommodate this variability. Two views that can accommodate the individual differences in hue perception are considered: the self-locating property theory, according to which colors are self-locating properties, and color relationalism, according to which colors are relations to perceivers and viewing conditions. It is subsequently argued that on a plausible rendition of the two views, the self-locating theory has (...) a slight advantage over color relationalism in being truer to the phenomenology of our color experiences. (shrink)

Despite the fact about colour, that it is one of the most obvious and conspicuous features of the world, there is a vast number of different theories about colour, theories which seem to be proliferating rather than decreasing. How is it possible that there can be so much disagreement about what colours are? Is it possible that these different theorists are not talking about the same thing? Could it be that more than one of them is right? Indeed (...) some theorists, e.g. Leo M. Hurvich, D. L. McAdam and K. Nassau, say that the term ‘colour’ is used to identify a range of different properties, e.g. pigments, properties of light, and sensations. Such a view has its attractions, but it raises the question of what it is that unites these various concepts – what is it that would make them all concepts of colour? What is it that justifies using the same terms, ‘yellow’, ‘blue’, ‘pink’, mauve’, and so on?This paper aims to address this question, arguing that its answer supports the conclusion that the best theory of colour is a form of anti-realism: the Illusory theory of colours. There are two parts to this thesis, one negative, the other positive. The negative part is that there are no colours, as they are ordinarily conceived. The positive part is that, nevertheless, the world is such that ‘it is as if there are such colours’. Such a theory has important implications. One is that it doesn’t fall neatly into the usual taxonomy of philosophical theories. In particular, it does not deserve the label ‘eliminativist’. Another is that it allows some space for the views expressed by Hurvich, McAdam and Nassau, but not quite in the sense that they intend. (shrink)

Despite the fact about colour, that it is one of the most obvious and conspicuous features of the world, there is a vast number of different theories about colour, theories which seem to be proliferating rather than decreasing. How is it possible that there can be so much disagreement about what colours are? Is it possible that these different theorists are not talking about the same thing? Could it be that more than one of them is right? Indeed (...) some theorists, e.g. Leo M. Hurvich, D. L. McAdam and K. Nassau, say that the term ‘colour’ is used to identify a range of different properties, e.g. pigments, properties of light, and sensations. Such a view has its attractions, but it raises the question of what it is that unites these various concepts – what is it that would make them all concepts of colour? What is it that justifies using the same terms, ‘yellow’, ‘blue’, ‘pink’, mauve’, and so on?This paper aims to address this question, arguing that its answer supports the conclusion that the best theory of colour is a form of anti‐realism: the Illusory theory of colours. There are two parts to this thesis, one negative, the other positive. The negative part is that there are no colours, as they are ordinarily conceived. The positive part is that, nevertheless, the world is such that ‘it is as if there are such colours’. Such a theory has important implications. One is that it doesn’t fall neatly into the usual taxonomy of philosophical theories. In particular, it does not deserve the label ‘eliminativist’. Another is that it allows some space for the views expressed by Hurvich, McAdam and Nassau, but not quite in the sense that they intend. (shrink)

In the second volume of the "Handbuch der physiologischen Optik", published in 1860, Helmholtz sets out a three-receptor theory of color vision using coterminal response curves, and shows that this theory can unify most phenomena of color mixing known at the time. Maxwell had publicized the same theory five years earlier, but Helmholtz barely acknowledges this fact in the "Handbuch". Some historians have argued that this is because Helmholtz independently discovered the theory around the same time as Maxwell. (...) This paper argues that this hypothesis is implausible. By writing what he did in the "Handbuch", Helmholtz influenced the field's perception of its own history. As a result, Helmholtz has received more recognition for his contributions to the field of color mixing than was his due, and Maxwell less. (shrink)

In this paper, it is argued that those who claim that the dispositionalist theory of color has even a prima facie advantage over color physicalism in accommodating the similarity relations that seem to hold among the colors are mistaken. The appearance that dispositionalists can handle the relevant similarity claims stems from the unexamined assumption that the similarity of two dispositions is simply a matter of the similarity of the manifestations of those dispositions. A more careful treatment of (...) the ways in which two dispositions can be similar to, or different from, one another must consider both the bases and the manifestation conditions of those dispositions in addition to their manifestations. After examining cases of dispositions from outside the domain of colors, it is argued that attention to conditions of manifestation provides a particularly strong reason for rejecting the assumption that similarity of manifestations entails similarity of dispositions. Without this assumption, dispositionalists about color are shown to be in the same position as non-dispositionalists regarding similarity relations among the colors. This way of responding to color dispositionalism is compared with two other responses [offered by Byrne :641–665, 2003) and McLaughlin ], and shown to be a candidate to strengthen, rather than replace, either one. (shrink)

The papers comprising Zur Farbenlehre, best known portion of Goethe's writings on color and optics, appeared between 1808 and 1810. Portions of Zur Farbenlehre, translated by the painter Charles Lock Eastlake and frequently reprinted under the title Theory of Colours, achieved immediate notoriety because of Goethe's insistent questioning of Newton's methodology. Acknowledging no mentors except Theophrastus and the physicist Robert Boyle, Goethe compared the Newtonian theory of colors--indelicately, some think--to a once proud castle still revered long after it has (...) fallen into decay. The furor aroused by this intemperate analogy has not fully subsided yet. During the twentieth century Max Planck answered the impertinence with a vigorous ad hominem attack and Rudolph Carnap followed suit. We still lack a serious analysis of Goethe's color theories or his arguments against Newton. And the early vituperation seems quaint. Questioning Newton's methodology--or even his epistemology--is a legitimate activity and has even become commonplace. The 1840 edition of Eastlake's translation enjoys a perennial popularity among artists and a few perceptual psychologists, who have been allowed to monopolize for too long a book which is primarily a highly provocative inquiry in the philosophy of science. Someday an imaginative publisher may be inspired to make available more extensive translations of Goethe's copious writings on color, complemented by the type of careful editing, annotation and analysis which I. Bernard Cohen and Alexander Koyré provide for the writings of Newton. Until then one is grateful for Eastlake.--P. S. (shrink)

The paper reviews the empirical evidence for highly significant variation across perceivers in hue perception and argues that color physicalism cannot accommodate this variability. Two views that can accommodate the individual differences in hue perception are considered: the self-locating property theory, according to which colors are self-locating properties, and color relationalism, according to which colors are relations to perceivers and viewing conditions. It is subsequently argued that on a plausible rendition of the two views, the self-locating theory has (...) a slight advantage over color relationalism in being truer to the phenomenology of our color experiences. (shrink)

Many scholars claim that Frege's theory of colouring is committed to a radical form of subjectivism or emotivism. Some other scholars claim that Frege's concept of colouring is a precursor to Grice's notion of conventional implicature. I argue that both of these claims are mistaken. Finally, I propose a taxonomy of Fregean colourings: for Frege, there are purely aesthetic colourings, communicative colourings or hints, non-communicative colourings.

An argument is offered that externalism can compromise the first‐person transparency of mental contents. The premises are John McDowell's view that experience is passively structured by concepts, and the Simple Theory of Colour advocated by John Campbell, according to which those properties that are the actual semantic values of colour concepts are just as they appear to normal observers under standard conditions. An example is offered to suggest that it must be an epistemic possibility that the semantic values of such (...) concepts, as externally determined, are not the properties the Simple Theory takes them to be. The possibility highlights a mismatch between the properties that the colour concepts present as their semantic values and their actual, externally determined semantic values. Such a mismatch is shown to induce an incoherence into colour concepts leaving them unfit passively to structure our colour experience. Under such circumstances, it would not be transparent to a subject on the basis of colour experience, whether those experiences are conceptually structured by concepts answering to the Simple Theory, or precisely what content they carry. (shrink)

A Naïve Realist Theory of Colour By AllenKeithOxford University Press, 2016. x + 204 pp.

It is often thought that Blackburn and Boghossian have provided an effective reply to the finiteness objection to dispositional theories of meaning, presented by Kripke's Wittgenstein. In this paper I distinguish two possible readings of the sceptical demand for meaning-constitutive facts. The demand can be formulated in one of two ways: an A-question or a B-question. Any theory of meaning will give one of these explanatory priority over the other. I will then argue that the standard reply only works (...) if B-questions are seen as prior, while the dominant dispositionalist theories of meaning see A-questions as prior. (shrink)

This article attempts to give a systematic analysis of the passage 67c4–68d7 from the Timaeus, in which we find Plato’s most detailed, but also extremely obscure, account of the nature and perception of colours. In particular, I focus first on the question how Plato conceives of colour, comparing Plato’s notion with that of Empedocles and showing Plato’s dependence on, but also divergence from, the Empedoclean tradition. Second, I discuss the question what, according to the Timaeus, makes things have the particular (...) colour they have; my interpretation is meant to give a better account of Plato’s view both of what he considers as basic colours and of what he considers as mixed colours. And third, I conclude with some remarks about the ontological status of colours on Plato’s theory, in part by contrasting it with Democritus’ conception of colours as secondary qualities. (shrink)