The French historian Auguste Bouché-Leclercq made major contributions to our knowledge of the Hellenistic period. A member of the Académie des Inscriptions et Belles-Lettres, he was also made an officer of the Légion d'Honneur. Bouché-Leclercq is also considered the first modern historian of astrology: he had developed a long-lasting interest in divination during his extensive researches on ancient Greek civilisation. This field had not been considered worthy of serious scholarly study until he published his Histoire de la divination dans l'antiquité (...) between 1879 and 1882. L'Astrologie grecque, first published in 1899, is another important work, still referred to today. Bouché-Leclercq looks back to the oriental roots of Greek astrology. He delves into the specific influence of the zodiac signs, and explains how the celestial sphere was divided in order to draw horoscopes. Other topics include astrology in Roman culture, as well as astrological medicine. (shrink)

Scholarly attempts to analyze the history of science sometime suffer from an imprecise use of terms. In order to understand accurately how science has developed and from where it draws its roots, researchers should be careful to recognize that epistemic regimes change over time and acceptable forms of knowledge production are contingent upon the hegemonic discourse informing the epistemic regime of any given period. In order to understand the importance of this point, I apply the techniques of historical epistemology to (...) an analysis of the place of the study of astrology in the medieval and early modern periods alongside a discussion of the “language games” of these period as well as the role of the “archeology of knowledge” in uncovering meaning in our study of the past. In sum, I argue that the term “science” should never be used when studying approaches to knowledge formation prior to the seventeenth century. (shrink)

Paracelsus nahm in verschiedenen Kontexten Stellung zum facettenreichen Thema "Bild". Als radikaler Laientheologe attackierte er in reformatorisch gesinnten Schriften den Bildgebrauch der Römischen Kirche und umriss die Macht des Glaubens. Als Naturphilosoph und Mediziner verfasste er einen Bildertraktat, der nicht zum ästhetischen Genuss von Bildern anleiten, sondern ihre "Kraft" und "Tugend" zur Erkundung der Welt und zur Gewinnung des Heils eingesetzt wissen will. In seinem Hauptwerk Astronomia magna integrierte er seine Vorstellungen von wirkmächtigen Bildern in ein enzyklopädisches Wissenschaftsprogramm und umriss (...) seine Erwartungen an den wahren Künstler. (shrink)