71 found
Order:
See also
Anthony Savile
King's College London
  1.  62
    Aesthetic reconstructions: the seminal writings of Lessing, Kant, and Schiller.Anthony Savile - 1987 - New York, NY, USA: Blackwell.
  2.  9
    Kantian Aesthetics Pursued.Anthony Savile - 1993 - Edinburgh University Press.
    Concerned with topics at the heart of Kant's aesthetics, this provoking reading of The Critique of Judgement focuses on often misunderstood or neglected themes. Starting from the issues of the truth and justifiability of our critical assertions, Anthony Savile develops Kantian theory broadly across the arts, and shows it working with subtlety and rigour in cases as diverse as music and architecture. New light is thrown on the exemplary necessity of our aesthetic pleasures, on the Antimony of Taste, on the (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   13 citations  
  3. Kant’s Theory of Taste: A Reading of the Critique of Aesthetic Judgment.Anthony Savile - 2002 - Mind 111 (442):355-360.
  4.  17
    Kantian Aesthetics Pursued.Colin Lyas & Anthony Savile - 1994 - Philosophical Quarterly 44 (175):270.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark   10 citations  
  5.  66
    The Concept of Expression: A Study in Philosophical Psychology and Aesthetics.Anthony Savile - 1972 - Philosophical Quarterly 22 (89):378.
  6. Nelson Goodman's ‘languages of art’: A study.Anthony Savile - 1971 - British Journal of Aesthetics 11 (1):3-27.
    Reviews goodman's claims about representation, Expression and identity of works of art. Claims that the underlying nominalist logic effectively prohibits our understanding of these notions (pace goodman) and leaves everything which is of specific artistic and aesthetic interest out of account.
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   7 citations  
  7.  83
    The test of time: an essay in philosophical aesthetics.Anthony Savile - 1982 - New York: Oxford University Press.
  8. VIII—The Place of Intention in the Concept of Art.Anthony Savile - 1969 - Proceedings of the Aristotelian Society 69 (1):101-124.
    Anthony Savile; VIII—The Place of Intention in the Concept of Art, Proceedings of the Aristotelian Society, Volume 69, Issue 1, 1 June 1969, Pages 101–124, http.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   6 citations  
  9. Kantian Aesthetics Pursued.Anthony Savile - 1994 - Philosophy 69 (268):248-251.
    No categories
     
    Export citation  
     
    Bookmark   6 citations  
  10. Leibniz and the Monadology.Anthony Savile - 2002 - Philosophical Quarterly 52 (208):392-393.
    No categories
     
    Export citation  
     
    Bookmark   5 citations  
  11.  50
    The Test of Time.Anthony Savile - 1983 - Philosophy 58 (225):411-412.
  12.  64
    Leibniz's Contribution to the Theory of Innate Ideas.Anthony Savile - 1972 - Philosophy 47 (180):113 - 124.
    Does Leibniz really worst Locke in respect of innate ideas, as is frequently supposed, or does Locke emerge more or less whole from their epistemological dispute? I shall here argue that Leibniz does far less well than we might like to believe and that his substantive proposals, where not entirely innocuous, contain little that would appeal to anyone interested in a modern form of the innateness thesis.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  13.  57
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19 - 60.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  14. Imagination and the content of fiction.Anthony Savile - 1998 - British Journal of Aesthetics 38 (2):136-149.
  15. Objectivity in aesthetic judgement: Eva Schaper on Kant.Anthony Savile - 1981 - British Journal of Aesthetics 21 (4):363-369.
  16. On passing the test of time.Anthony Savile - 1977 - British Journal of Aesthetics 17 (3):195-209.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark   4 citations  
  17.  4
    Kant's Critique of Pure Reason: An Orientation to the Central Theme.Anthony Savile (ed.) - 2005 - Wiley-Blackwell.
    This fresh orientation to Kant's _Critique of Pure Reason_ presents his central theme, the development of his Transcendental Idealism, as a ground-breaking response to perceived weaknesses in his predecessors' accounts of experiential knowledge. Traces the central theme of the Critique, the development of Kant's Transcendental Idealism. Offers new and original readings of the central arguments in both the Transcendental Aesthetic and the Transcendental Analytic. Appraises the success and failure of Kant's project in the _Critique_.
    Direct download  
     
    Export citation  
     
    Bookmark   3 citations  
  18. The rationale of restoration.Anthony Savile - 1993 - Journal of Aesthetics and Art Criticism 51 (3):463-474.
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark   3 citations  
  19.  1
    Imagination and Pictorial Understanding.Anthony Savile & Richard Wollheim - 1986 - Aristotelian Society Supplementary Volume 60 (1):19-60.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  20. Thought: its Origin and Reach. Essays in Honour of Mark Sainsbury.Alex Grzankowski & Anthony Savile (eds.) - forthcoming - Routledge.
    No categories
     
    Export citation  
     
    Bookmark  
  21. The lamp of memory.Anthony Savile - 2000 - European Journal of Philosophy 8 (1):89–105.
    Book reviewed in this article:John Ruskin, The Seven Lamps of Architecture.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  22.  47
    Natural Beauty, Reflective Judgment and Kant’s Aesthetic Humanism.Anthony Savile - 2021 - British Journal of Aesthetics 61 (2):199-211.
    Kant’s concern for the universal validity of aesthetic judgment turns on its providing a needed bridge between our understanding of the world as governed by mechanical laws and our ability freely to realize our true humanity. That obliges us to find beauty in nature that is expressive of our ethical and moral values. It shapes the way we should understand aesthetic judgment itself.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  23.  24
    Narrative theory: Ancient or modern?Anthony Savile - 1989 - Philosophical Papers 18 (1):27-51.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  24.  2
    The Art of Apelles.William Charlton & Anthony Savile - 1979 - Aristotelian Society Supplementary Volume 53 (1):167-206.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  25.  26
    The Art of Apelles.William Charlton & Anthony Savile - 1979 - Aristotelian Society Supplementary Volume 53 (1):167 - 206.
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  26.  74
    Aesthetic experience in shaftesbury: Anthony Savile.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76 (1):55–74.
    [Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in (...)
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  27.  27
    II_— _Anthony Savile.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76 (1):55-74.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  28.  8
    Aesthetic Experience in Shaftesbury.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76:25-74.
    [Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in (...)
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  29.  31
    A History of Modern Aesthetics.Anthony Savile - 2015 - British Journal of Aesthetics 55 (3):406-409.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  30.  1
    Appreciation.Anthony Savile - 2005 - In Kant's Critique of Pure Reason: An Orientation to the Central Theme. Oxford, UK: Blackwell. pp. 110–128.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  31.  37
    Beauty, Ugliness and the Free Play of Imagination.Anthony Savile - 2020 - British Journal of Aesthetics 60 (1):106-110.
    Beauty, Ugliness and the Free Play of Imagination Mojca Küplen Springer. 2015. pp. 152. £74.99.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  32.  45
    Critical notice: The objective eye.Anthony Savile - 2007 - British Journal of Aesthetics 47 (4):432-440.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  33.  8
    Critical Notice: The Objective Eye: Articles.Anthony Savile - 2007 - British Journal of Aesthetics 47 (4):432-440.
    Direct download  
     
    Export citation  
     
    Bookmark  
  34.  1
    Cognitive Rewards: The Refutation of Idealism, the Self and Others.Anthony Savile - 2005 - In Kant's Critique of Pure Reason: An Orientation to the Central Theme. Oxford, UK: Blackwell. pp. 92–109.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  35.  2
    Experience and Judgement: The Metaphysical Deduction.Anthony Savile - 2005 - In Kant's Critique of Pure Reason: An Orientation to the Central Theme. Oxford, UK: Blackwell. pp. 33–47.
    This chapter contains section titled: The Metaphysical Deduction.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  36.  78
    Imagination and aesthetic value.Anthony Savile - 2006 - British Journal of Aesthetics 46 (3):248-258.
    One issue for theory is to account convincingly for the value of art and the significance of its specifically aesthetic character. Appeal to imagination, understood along Kantian lines as functioning to construct ‘a second nature from the material supplied by actual nature’, generates suggestive answers to both aspects of the task. The second nature that the artist inventively constructs in fine representation is one in which themes central to the inner life are revealed in ways as unestranging to us as (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  37.  53
    Instrumentalism and the interpretation of narrative.Anthony Savile - 1996 - Mind 105 (420):553-576.
    No categories
    Direct download (7 more)  
     
    Export citation  
     
    Bookmark  
  38.  1
    Index.Anthony Savile - 2005 - In Kant's Critique of Pure Reason: An Orientation to the Central Theme. Oxford, UK: Blackwell. pp. 145–148.
    The prelims comprise: Half Title Title Copyright Contents.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  39.  23
    II_— _Anthony Savile.Anthony Savile - 2002 - Aristotelian Society Supplementary Volume 76 (1):55-74.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  40.  38
    Is there still life in Still Life?Anthony Savile - 2012 - Royal Institute of Philosophy Supplement 71:67-84.
    In his literary autobiography, Le vent Paraclet , Michel Tournier records how during his time at the Lycée Pasteur in Neuilly he and his fellow classmates found a source of great hilarity in their favourite bêtisier , a volume called Pensées de Pascal , in which one learns that painting is a frivolous exercise that consists in imperfectly reproducing objects that are themselves quite worthless. Fairness to Pascal – far from Tournier's mind in those early days – demands that that (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark  
  41. Is there still life in still life?Anthony Savile - 2013 - In Anthony O'Hear (ed.), Philosophy and the Arts. New York: Cambridge University Press.
     
    Export citation  
     
    Bookmark  
  42.  2
    Kant's Aesthetic Theory.Anthony Savile - 2006 - In Graham Bird (ed.), A Companion to Kant. Malden, MA, USA: Blackwell. pp. 441–454.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  43. Kant, Truth, and Affinity.Anthony Savile - 1974 - In Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses. Walter de Gruyter. pp. 2:336-343.
     
    Export citation  
     
    Bookmark   1 citation  
  44.  1
    Kant, Truth and Affinity.Anthony Savile - 1974 - In Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses: Mainz, 6.–10. April 1974, Teil 2: Sektionen 1,2. De Gruyter. pp. 336-344.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  45.  66
    Mr. Wheatley on Virtue.Anthony Savile - 1963 - Analysis 23 (4):93 - 95.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  46. Mr. Wheatley on Virtue.Anthony Savile - 1963 - Analysis 23 (4):93-95.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  47.  13
    Note on Taylor's "Fatalism".Anthony Savile - 1963 - Analysis 23 (4):96.
    Direct download  
     
    Export citation  
     
    Bookmark  
  48.  28
    Progress and common sense: Two approaches to a problem in criticism.Anthony Savile - 1977 - British Journal of Aesthetics 17 (4):305-319.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  49.  10
    Philosophy and the Arts. Royal Institute of Philosophy Lectures Vol. VI, 1971-72.Anthony Savile & Godfrey Vesey - 1974 - Philosophical Quarterly 24 (96):284.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  50. René Descartes: Grandeur et Misère.Anthony Savile - 1978 - Canadian Journal of Philosophy, Supplementary Volume 4:13.
    No categories
     
    Export citation  
     
    Bookmark  
1 — 50 / 71