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Nelson Goodman's ‘languages of art’: A study
British Journal of Aesthetics 11 (1):3-27 (1971)
Abstract
Reviews goodman's claims about representation, Expression and identity of works of art. Claims that the underlying nominalist logic effectively prohibits our understanding of these notions (pace goodman) and leaves everything which is of specific artistic and aesthetic interest out of accountAuthor's Profile
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Citations of this work
Against Depictive Conventionalism.Catharine Abell - 2005 - American Philosophical Quarterly 42 (3):185 - 197.
How fictional works are related to fictional entities.Alberto Voltolini - 2003 - Dialectica 57 (2):225–238.
How Fictional Works Are Related to Fictional Entities.Alberto Voltolini - 2003 - Dialectica 57 (2):225-238.
On Cinematic Genius: Ontology and Appreciation.Paisley Livingston - 2012 - Royal Institute of Philosophy Supplement 71:85-104.
Studies in knowledge representation : modeling change - the frame problem : pictures and words.Lars-Erik Janlert - 1985 - Dissertation, Umeå Universitet
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