I propose that a quotation appearing in Proclus’ commentary on Plato’s Timaeus, and attributed by Proclus to Parmenides, preserves an independent fragment of Parmenides’ poem. Because the verses quoted share language familiar from other Parmenidean and Empedoclean lines, scholars have regarded Proclus’ quotation as a conflation of lines by Parmenides and Empedocles, but when due allowance is made for the repetitiousness of Parmenides’ poetry and for Empedocles’ borrowings from Parmenides, there is no reason to assume any confusion on Proclus’ part.

Buku ketiga (suntingan Alphonsus Tjatur Raharso dan Paulinus Yan Olla 2017) memuat 20 makalah dari Hari Studi tahun 2017 STFT Widya Sasana. Tulisan-tulisan ini semua mengangkat, dari pelbagai segi dan dengan cara-cara yang berbeda, tantangan-tantangan bagi umat Katolik yang berasal dari kenyataan bahwa umat Katolik adalah minoritas kecil dalam suatu bangsa yang amat majemuk. Atau, lebih tepat, dari kenya- taan bahwa saat ini kebhinekaan dan toleransi mengalami “ujian berat.” Tulisan-tulisan ini dibagi tiga.............................................................. Tiga tulisan terakhir kembali membahas kehadiran Gereja (...) (Katolik) di ruang publik. Sesudah berfokus pada bagaimana Gereja dalam lima abad pertamanya memastikan identitasnya dalam lingkungan budaya yang asing, Antonius Denny Firmatno, dengan meloncat 1400 tahun, me- nunjuk bagaimana Gereja pasca Vatikan II makin sadar bahwa ia berada di ruang publik, maka bahwa sangat penting Gereja memperlihatkan diri sesuai dengan identitasnya yang sebenarnya. Raymundus I Made Sudhiarsa membahas kecenderungan berbahaya agama-gama, termasuk Gereja, untuk mau mengamankan identitas mereka dengan menutup diri terhadap dunia luar. Tulisan bagus dan mendalam ini membahas hal identitas dan “parokialisme” (suatu catatan: sebenarnya istilah “parokialisme” tidak mengenai sikap teologis-ideologis-fanatik dsb., me- lainkan mengenai keterbatasan wawasan “alami,” jadi barangkali lebih baik diganti dengan “ketertutupan” saja), mekanisme kambing hitam serta penolakan terhadap perbedaan, perlunya bergerak dari alienasi ke kola- borasi. Pius Pandor menutup kumpulan tulisan ini dengan berfokus pada patologi ruang publik yang cenderung mendorong agama-agama ke arah fundamentalisme dan pembenaran kekerasan daripada membangun dialog dan toleransi. Kekuatan buku ini adalah kekayaan dan komplek- sitas sudut-sudut yang terangkat dalam membahas tantangan-tantangan yang harus dihadapi Gereja sebagai partisipan di ruang publik, serta bahwa pembaca dirangsang untuk berpikir sendiri (Franz Magnis- Suseno, Guru Besar Ilmu Filsafat Emeritus, Sekolah Tinggi Filsafat Driyarkara, Jakarta). (shrink)

a doubtful law does not bind -- Second corollary : uncertain law cannot impose certain obligation -- Commentary on the Treatise on conscience.

(Anna Maria Taigi 1769 - 1837)St. Alphonsus writes: "a single bad book will be sufficient to cause the destruction of a monastery." Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: "There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals!' (Matthew 18:7). Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty!" We at St. Pius X Press are (...) calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original. The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction. (shrink)

(Anna Maria Taigi 1769 - 1837)St. Alphonsus writes: "a single bad book will be sufficient to cause the destruction of a monastery." Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: "There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals!' (Matthew 18:7). Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty!" We at St. Pius X Press are (...) calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original. The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction. (shrink)

(Anna Maria Taigi 1769 - 1837)St. Alphonsus writes: "a single bad book will be sufficient to cause the destruction of a monastery." Pope Pius XII wrote in 1947 at the beatification of Blessed Maria Goretti: "There rises to Our lips the cry of the Saviour: 'Woe to the world because of scandals!' (Matthew 18:7). Woe to those who consciously and deliberately spread corruption-in novels, newspapers, magazines, theaters, films, in a world of immodesty!" We at St. Pius X Press are (...) calling for a crusade of good books. We want to restore 1,000 old Catholic books to the market. We ask for your assistance and prayers. This book is a photographic reprint of the original. The original has been inspected and many imperfections in the existing copy have been corrected. At Saint Pius X Press our goal is to remain faithful to the original in both photographic reproductions and in textual reproductions that are reprinted. Photographic reproductions are given a page by page inspection, whereas textual reproductions are proofread to correct any errors in reproduction. (shrink)

Contemporary society very often asks of individuals and/or corporate entities that they perform actions connected in some way with the immoral actions of other individuals or entities. Typically, in the attempt to determine what would be unacceptable cooperation with such immoral actions, Christian scholars and authorities refer to the distinction, which appears in the writings of Alphonsus Liguori, between material and formal cooperation, the latter being connected in some way with the cooperator's intention in so acting. While expressing agreement (...) with most of Alphonsus's determinations in these regards, Cooperation with Evil also argues that the philosophical background to these determinations often lacks coherence, especially when compared to related passages in the writings of Thomas Aquinas. Having compared the philosophical approaches of these two great moralists, Cooperation with Evil then describes a number of ideas in Thomas's writings that might serve as more effective tools for the analysis of cases of possible immoral cooperation. The book also includes, as appendixes, translations of relevant passages in both Alphonsus and Thomas. (shrink)

In a recent essay, Charles F. Capps takes issue with a permissive interpretation of St. Alphonsus Liguori’s influential understanding of cooperation with evil, and develops a more stringent interpretation. In response, I argue that Capps relies on a particular conception of what it is for a cooperator to share a wrongdoer’s bad intention, that this conception of intention sharing is not plausible because it is overly inclusive, and, that on account of this over-inclusiveness, it yields mistaken moral judgments. I (...) then develop and defend an alternative conception of intention sharing. (shrink)

In a recent essay, Charles F. Capps takes issue with a permissive interpretation of St. Alphonsus Liguori’s influential understanding of cooperation with evil, and develops a more stringent interpretation. In response, I argue that Capps relies on a particular conception of what it is for a cooperator to share a wrongdoer’s bad intention, that this conception of intention sharing is not plausible because it is overly inclusive, and, that on account of this over-inclusiveness, it yields mistaken moral judgments. I (...) then develop and defend an alternative conception of intention sharing. (shrink)

The theatrical device of the bed-trick occurs fifty-two times in forty-four plays during the English Renaissance.1 Just as in the first two plays employing it, Alphonsus, Emperor of Germany and Grim the Collier of Croyden, male characters arrange 60 percent of the bed-tricks used in gaining control over women. Shakespeare's heroines in All's Well That Ends Well and Measure for Measure, then, appear to mark a decisive break from the bed-trick's evolutionary pattern. Helen and Mariana, respectively, persevere in their (...) endeavors in spite of a male-dominant hierarchy. Yet, upon closer inspection, men are the ones who create the circumstances that prompt the necessity of using the device. They impose such... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Victorian DoorsErnest L. FontanaILet us begin with a simple observation. If we confine ourselves to mid- and late-nineteenth Anglophone (Victorian) poetry that employs traditional verse stanzas or rooms, it is perhaps not surprising that a line terminating with door most often rhymes with more, particularly as more is found in such locutions as no more or evermore.1 For example, in the work of Emily Dickinson, door rhymes with a (...) more phoneme in 14 of 20 instances. What is of special interest, and the focus of this essay, is the use of door as a rhymed word at the end or near the end of a poem. Of related but secondary interest is its appearance as a rhymed word at the end of an intermediate stanza. Since more signifies a quantitative concept, the frequent use of it to rhyme with door suggests that the designated door often demarcates a site of transition from a state that is quantitatively different (most often less) from the state to which one passes through the door. This imagined other state often involves quantities of time as in the frequent use of no more and evermore. In the first instance the time imagined is completely negated, in the second it is affirmed as a perpetual duration. Poe acknowledged the significance of the door/evermore rhyme in the "The Raven" in which this rhyme occurs at the end of 5 of its 18 stanzas.2 Thus this common English rhyme of door and more requires a signification of transition from one state to another that differ from each other in quantity. Often, particularly in Dickinson, the other state lies beyond the walled or enclosed room of [End Page 277] the self. My essay raises the question of whether without this accidental acoustical concurrence in English, the signification in Anglophone poetry of an implied transition from certain quotidian or phenomenal states to certain visionary or noumenal states would be as frequent or so easily rendered. Does this accidental rhyme in fact generate certain significations or metaphors?3I shall begin my demonstration with what I believe are telling examples of doors as a closural effect of both poems and stanzas.4 In the second, revised version of Hopkins's sonnet "In honour of St. Alphonsus Rodriguez: Laybrother of the Society of Jesus," written in Dublin in 1888, the concluding sestet of this Italian sonnet ends with door.Yet God (that hews mountain and continent, Earth, all, out; who, with trickling increment, Veins violets and tall trees makes more and more) Could crowd career with conquest while there went Those years and years by of world without event That in Majorca Alphonso watched the door.5The sonnet is built on the contrast between honor that is "flashed off exploit," the highly visible exploits of the early Jesuit martyrs and missionaries, with the "Unseen," apparently un-heroic life of the obscure Spanish Jesuit laybrother and hall porter, whose war was "within." While God, through his Jesuit martyrs, "could crown [His] career with conquest," Alphonsus's life passed "without event" as he "watched the door." Hopkins's rhymes his terminal door with the more that results from the silent "trickling increment" of God's ongoing creative act. The foregrounded closural door of the poem becomes, through its position and rhyme, a metaphor for a passage to the abundance resulting from God's creative action, a quantification that extends beyond the perceptible world.Alphonsus is the guardian of the passage to this abundance, one that is subtly implied by the more/door rhyme. The sonnet ends with the reader and Alphonsus positioned on the threshold of an unnamable abundance that is signified by the silence and blank space that follows upon this terminal door. In Browning's "A Lovers' Quarrel," from Men and Women (1855), the male speaker recalls, during the advent of an Italian spring, the amatory intimacies he and his beloved shared during the past winter in their Tuscan farmhouse: "'Twas a time when the heart could shew / All'" (ll. 75–76).6 But the amatory union of the [End Page 278] two lovers has been ruptured by an unidentified, chance "hasty word" spoken... (shrink)

The essay begins with an explanation of St. Alphonsus Liguori’s understanding of the distinction between formal and material cooperation, identifying also some problems inherent in that understanding. The essay goes on to expound related ideas in the writings of St. Thomas Aquinas, ideas that are applicable to cases not easily analyzable by means of the distinction between formal and material cooperation. The essay then applies these ideas to two contemporary issues: the use of vaccines connected in some way with (...) abortions and the objection by the Little Sisters of the Poor to the contraceptive mandate issued by the US Department of Health and Human Services. (shrink)

The purpose of this essay is to explain what the terms “formal cooperation” and “material cooperation” mean in the thought of St. Alphonsus Liguori, who is a pivotal figure in the Church’s tradition of reflection on cooperation and is often referenced when the distinction between formal and material cooperation in evil is discussed. The author explains why—and to some extent when—mainstream Catholic moralists who associate themselves with Alphonsus speak of some cooperation as formal and other cooperation as material. (...) Specifically, he discusses two factors that are essential for the analysis of cooperation in evil— the meaning of the term “formal” and the role of “segments of intelligibility” in determining what is material rather than formal cooperation. National Catholic Bioethics Quarterly 13.4 : 663–675. (shrink)