This manuscript examines argument engagement in close relationships. Two pilot studies were conducted to identify what factors naïve actors report matter to them when considering whether to engage in an interpersonal argument, and to develop and pre-test measurement scales for these factors. The main study examined which of these factors predicted participants’ behavioral intent to engage in an argument about different topics and with different partners. Results indicated intent to engage was predicted by five factors: one’s orientation to the topic, (...) one’s preparedness for an argument, the costs of arguing, the effort involved in arguing, and one’s right to speak one’s mind. Several of these factors are new contributions to argument engagement research. A discussion of these results and their implications are presented. (shrink)

The efficient coding hypothesis posits that sensory systems are tuned to the regularities of their natural input. The statistics of natural image databases have been the topic of many studies, which have revealed biases in the distribution of orientations that are related to neural representations as well as behavior in psychophysical tasks. However, commonly used natural image databases contain images taken with a camera with a planar image sensor and limited field of view. Thus, these images do not incorporate the (...) physical properties of the visual system and its active use reflecting body and eye movements. Here, we investigate quantitatively, whether the active use of the visual system influences image statistics across the visual field by simulating visual behaviors in an avatar in a naturalistic virtual environment. Images with a field of view of 120° were generated during exploration of a virtual forest environment both for a human and cat avatar. The physical properties of the visual system were taken into account by projecting the images onto idealized retinas according to models of the eyes' geometrical optics. Crucially, different active gaze behaviors were simulated to obtain image ensembles that allow investigating the consequences of active visual behaviors on the statistics of the input to the visual system. In the central visual field, the statistics of the virtual images matched photographic images regarding their power spectra and a bias in edge orientations toward cardinal directions. At larger eccentricities, the cardinal bias was superimposed with a gradually increasing radial bias. The strength of this effect depends on the active visual behavior and the physical properties of the eye. There were also significant differences between the upper and lower visual field, which became stronger depending on how the environment was actively sampled. Taken together, the results show that quantitatively relating natural image statistics to neural representations and psychophysical behavior requires not only to take the structure of the environment into account, but also the physical properties of the visual system, and its active use in behavior. (shrink)

Jean-Marie Straub – Avant de laisser parler nos amis je voudrais savoir si vous avez quelques questions. Et puis après vous déciderez de ce que vous voulez faire, si vous voulez faire un entracte ou pas. Tout ça ne me regarde pas... Bon, ce que j’ai à dire moi avant que vous posiez deux ou trois questions – on ne va pas faire salon parce que vous allez en avoir marre – c’est que je m’étonne que vous soyez aussi (...) nombreux... D’un autre côté c’est un bateau, donc je ne m’étonne pas... Bon, mais... (shrink)

Jean-Marie Straub – Je ne vais pas vous faire de grand discours. Ce n’est pas moi qui ai décidé que je présenterai les films de la carte blanche. On m’a dit : il faut faire une carte blanche. La carte blanche, je l’ai faite exprès limitée. J’ai même limité la limitation. Quand on veut se faire beau et qu’on fait des cartes blanches et qu’on est un peu connu, on essaie ou bien un éventail, ou bien on dit : (...) je veux rien d’autre que tous les films de Stroheim par exemple. J’ai fait ça à Avignon... (shrink)

Jean-Marie Straub – Sur Othon, je ne vous dirai qu’une chose. Avec des amis à Vienne, à l’époque, en travaillant, en répétant le texte, on rigolait en disant : voilà une lettre ouverte à Pompidou. Quant au Cézanne, je ne vous dirai pas un mot parce que c’est clair comme de l’eau de roche. J’ai deux choses à dire sur deux autres films différents. Il y en a un, par hasard qui s’appelle Le Fiancé, la Comédienne et le Maquereau. (...) Vous l’avez vu, certains d’entre vous l’ont vu. Mais je tiens à préc... (shrink)

Jean-Marie Straub – Merci d’être là. Je voulais simplement parler du film de l’après-midi : exceptionnellement, le bruit qu’on entend vient du cratère de l’Etna. On est monté là-haut et on a plongé un micro là-dedans. Hochet a gardé son précieux micro. Il a dit à son assistant de mettre le sien. Spectateur – Souvent dans les films, « on entend dire aux femmes » : tu parles comme un homme. Qu’est-ce que ça veut dire? Est-ce que les femmes (...) parlent mieux ou moins bien? J.-M.... (shrink)

Jean-Marie Straub – Je veux rectifier un petit peu ce que j’ai dit. J’ai dit que c’était un film un peu terroriste. Mais enfin, c’est quand même une des plus belles histoires d’amour qu’on ait racontées à l’écran. Je veux dire que ça s’ouvre et ça se détend à un certain moment. Ça ne reste pas terroriste jusqu’au bout. Est-ce que vous avez des questions? Spectateur – C’est génial si on est Italien et qu’on n’a pas besoin des sous-titres. (...) Sincèrement, quand il faut tout le temps regarder, ce... (shrink)

Jean-Marie Straub – Bon, alors? Ce qui est intéressant dans ce film-là, c’est que c’est que c’est un film hollywoodien, hawksien, parfaitement hawksien, rien que hawksien, et qu’en même temps, il éclate. Parce que sur la langue, je crois qu’on n’a jamais été plus loin. Ça consiste à vraiment à mettre à l’épreuve la langue. Pas seulement le texte écrit, la langue de Corneille. Mais tout simplement le fait de parler. C’est parce que c’est un film qui est fait (...) d’obstacles pour les acteurs. C’es... (shrink)

Spectatrice – Je voudrais dire que ce qu’on voit à la fin, le sous-bois, les gens pourraient croire que c’est le Jura. Jean-Marie Straub – Non, là c’est un plan qu’on a tourné 10 ou 15 fois et qui introduit Ouvriers et paysans. Ce n’est pas le même opérateur et ça a été tourné un an ou deux avant, par un autre opérateur qui s’appelle Renato Berta. Il y a une cascade. Il y a un certain Henri Alekan qui (...) faisait le travail dans le Cézanne. On ne peut pas faire mieux, il est insurpassable. Ensui... (shrink)

Jean-Marc Leveratto – Avant d’entrer dans le vif du débat, je voudrais dire quelques mots sur le thème qui nous a été proposé par les organisateurs. Ce thème – Classiques/Modernes – est sans doute un peu périlleux. Mais, il est une bonne manière d’introduire à un débat qui portera, au-delà des films qui ont été projetés, sur l’ensemble de l’œuvre de Jean-Marie Straub et de Danièle Huillet, et prendra en compte des films qui sont devenus des références cinématographiques. Trois (...) pistes de disc.. (shrink)

This article turns towards the spatial life of ‘digital infrastructures’, i.e. code, protocols, standards, and data formats that are hidden from view in everyday applications of computational technologies. It does so by drawing on the version control system Git as a case study, and telling the story of its initial development in order to reconstruct the circumstances and technical considerations surrounding its conception. This account engages with computational infrastructures on their own terms by adopting the figure of the ‘stack’ to (...) frame a technically informed analysis, and exploring its implications for a different kind of geographic inquiry. Drawing on topology as employed by Law and Mol, attention is given to the multiplicity of spatialities and temporalities enrolled in digital infrastructures in general, and Git specifically. Along the lines of the case study and by reading it against other literatures, this notion of topology is expanded to include the material performation of fundamentally arbitrary, more-than-human topologies, as well as their nested articulation, translation and negotiation within digital infrastructures. (shrink)

This volume represents the first collection of essays devoted exclusively to Jacques Derrida's Death Penalty Seminars, conducted from 1999-2001. The volume includes essays from a range of scholars working in philosophy, law, Francophone studies, and comparative literature, including established Derridians, activist scholars, and emerging scholars.

This contribution to the Decennial volume brings together the insights of a seasoned business practitioner on the sustainability imperatives that corporations face, and a response from an academic who works in the field of sustainability and business ethics. Dr. Straub draws on Peter Drucker to reassert the importance of fulfilling the economic mission of the enterprise, but argues that it needs repositioning. Business must be responsive to customer and employee needs, and in order to do so, transformational leadership is (...) required. In her response, Prof. Mollie Painter-Morland argues that in order to succeed in building sustainable enterprises, an urgent evaluation of what is meant by “need” is required. She also contends that in mainstreaming the sustainability agenda, systemic leadership is needed in addition to transformational leaders. (shrink)

The DNA hypomethylating agents (HMA) azacitidine (AZA) and decitabine (DAC) improve survival and transfusion independence in myelodysplastic syndrome (MDS) and enable a low intensity cytotoxic treatment for aged AML patients unsuitable for intensive chemotherapy, particularly in combination with novel agents. The proposed mechanism of AZA and DAC relies on active DNA replication and therefore patient responses are only observed after multiple cycles of treatment. Although extended dosing may provide the optimal scheduling, the reliance of injectable formulation of the drug limits (...) it to intermittent treatment. Recently, an oral formulation of AZA demonstrated significantly improved patient relapse free survival (RFS) and overall survival (OS) when used as maintenance after chemotherapy for AML. In addition, both DAC and AZA were found to be highly effective to improve survival in elderly patients with AML through combination with other drugs. These recent exciting results have changed the therapeutic paradigm for elderly patients with AML. In light of this, we review current knowledge on HMA mechanism of action, clinical trials exploring dosing and scheduling, and recent HMA combination therapies to enhance efficacy. (shrink)

Yetta Howard's queer-radical monograph Ugly Differences: Queer Female Sexuality in the Underground presents in its four chapters and conclusion a critical discussion of queer radicality in underground art productions. The chapters engage with Slava Tsukerman's camp cult movie Liquid Sky, Sapphire's poetry, Roberta Gregory's and Erika Lopez's comics, A. L. Steiner and Narcissister's collaborative art installation Winter/Spring Collection, and New Queer Cinema's High Art. In this volume, Howard unearths a spectrum of aesthetic pleasure derived from survival and self-destruction, to tragic (...) romance and kink intimacies. In all the material that Howard chooses for her discussions, “ugliness” enacts a powerful, political premise, which makes this book not only a captivating manifesto of queer punk aesthetics but also a thoughtful exploration of the importance of subcultural, queer-feminist politics antagonizing the norms of mainstream LGBT inclusion politics and homonormative pink-washing tendencies. Ultimately, as the key term of this volume, “ugliness” unfolds in the chapters, specifically in the analogy of three textual elements: as the “disagreeable and pejorative traits” conventionally attributed to queerness (2); a critique of the abjection and stigmatization of all bodies outside of the Western norms of white, able-bodied, cis masculinity (2); and third, as the angry, creative, punk, and anti-aesthetic textual practices of subcultural queer life (2). (shrink)

This article gives a survey of factors that could be relevant for the explanation of behaviour under the nazi-regime with reference to the study by Ch. Browning. Instead of causal explanations we suggest ‘how-possible explanations’. These explanations should make plausible how behaviour could come about taking into consideration intentional, normative and narrative aspects. Brutalization of the prepetrators, the psychological mechanism of distancing oneself, antisemitism, bureaucratization, carrierism, interest in power and conventionalist tendencies are discussed as relevant explanatory factors. Milgram’s analyses of (...) obedience and group-conformity are brought into perspective within a wider-ranging culturalist approach. (shrink)

The characteristic temporal relationship between actions and their sensory outcomes allows us to distinguish self- from externally generated sensory events. However, the complex sensory environment can cause transient delays between action and outcome calling for flexible recalibration of predicted sensorimotor timing. Since the neural underpinnings of this process are largely unknown this study investigated the involvement of the cerebellum by means of cerebellar transcranial direct current stimulation. While receiving anodal, cathodal, dual-hemisphere or sham ctDCS, in an adaptation phase, participants were (...) exposed to constant delays of 150 ms between actively or passively generated button presses and visual sensory outcomes. Recalibration in the same and in another sensory modality was assessed in a subsequent test phase during which variable delays between button press and visual or auditory outcome had to be detected. Results indicated that temporal recalibration occurred in audition after anodal ctDCS while it was absent in vision. As the adaptation modality was visual, effects in audition suggest that recalibration occurred on a supra-modal level. In active conditions, anodal ctDCS improved sensorimotor recalibration at the delay level closest to the adaptation delay, suggesting a precise cerebellar-dependent temporal recalibration mechanism. In passive conditions, the facilitation of inter-sensory recalibration by anodal ctDCS was overall stronger and tuned to larger delays. These findings point to a role of the cerebellum in supra-modal temporal recalibration across sensorimotor and perceptual domains, but the differential manifestation of the effect across delay levels in active and passive conditions points to differences in the underlying mechanisms depending on the availability of action-based predictions. Furthermore, these results suggest that anodal ctDCS can be a promising tool for facilitating effects of temporal recalibration in sensorimotor and inter-sensory contexts. (shrink)

Danièle Huillet and Jean-Marie Straub are filmmakers of principle. Since the beginning of the 1960s, they have been constructing a highly coherent body of work, based on a certain number of very precise, concrete laws. Some of those rules have changed with time and history; others have remained untouched, rigorously observed from the first film until today. They are not an artificial set of constraints, designed to complicate a game that would otherwise be too simple; rather, they define the (...) artist’s position in the world, in the historical moment and political situation in which they live and work, the place where they stand. Some of those rules are explicit: for instance, the sound on the film has to be the.. (shrink)

Emotional information captures attention due to privileged processing. Consequently, performance in cognitive tasks declines. Therefore, shielding current goals fro...

CHAPTER 1 Narrative Psychology and Historical Consciousness Relationships and Perspectives DONALD E. POLKINGHORNE Postmodern theory has severely undercut ...

Bestrebungen in der Psychologie auf empirischen Wege zur Klärung der Frage nach der Freiheit des Willens beizutragen werden einer grundsätzlichen Kritik unterzogen (Ausgangspunkt sind dabei die Untersuchungen von Mario von Cranach und Rolf Amman). Diese übersehen, dass der verwendete Begriff der Willensfreiheit verstanden als der prinzipiellen Unmöglichkeit bevorstehende Entscheidungen zu prognostizieren, zum einen eine empirische Klärung der Frage verhindert. Zum andern ist diese Explikation der Willensfreiheit unangemessen. Dieser sollte eben nicht als Nicht-Determiniert verstanden werden, sondern als ein Handeln nach Gründen.