The history of the concept of “religion” in Western tradition has intrigued scholars for years. This important collection of eighteen essays brings further light to the ongoing debate. Three of the invited participants, W.C. Smith, M. Despland and E. Feil, has each previously written impressive books treating this subject; the last two acknowledged the impact and continuing influence of Smith’s work, The Meaning and End of Religion. An introduction and a recapitulation of Smith’s contribution as a scholar set (...) the stage for a retrospective look at the published literature. Contributors then examine the transformation of words (the classical religio to the modern religion), particularities of religion in nineteenth-century France, Troeltsch’s concept of religion, the study of religion from an Asian point of view and the categorization of “World Religions.” The concluding essays elaborate contemporary anthropological, cross-disciplinary, semiological, deconstructive and psychoanalytical methodological approaches to the concept and study of “religion.” Exploring critically different aspects of the concept and study of religion, these provocative essays typically reflect the methodological pluralism currently existing in the field of Religious Studies. Of interest to scholars and students alike, this collection also contains a complete bibliography of W.C. Smith’s publications. (shrink)

Abstractabstract:An overview of the importance of religion, particularly Christianity, has had in American life from the earliest explorations and settlements to the present day and the way that importance has been reflected in numerous religious utopias and dystopias. Positive utopias have been inspired by Christ's teachings and by Eden, heaven, and the millennium. Dystopias, found mostly in the twentieth and twenty-first centuries, reflect, on the one hand, a fear that Christianity is under threat, and, on the other hand, the (...) fear that fundamentalist Christians will impose their beliefs on the country. There have also been a number of Jewish utopias and anti-Semitic dystopias as well as a few Islamic utopias and a growing number of anti-Islamic dystopias based on the belief that Muslims want to impose Shari`a law on everyone. (shrink)

This study is an important contribution to the intellectual history of Victorian England which examines the religio-aesthetic theories of some central writers of the time. Dr Fraser begins with a discussion of the aesthetic dimensions of Tractarian theology and then proceeds to the orthodox certainties of Hopkins' theory of inscape, Ruskin's and Arnold's moralistic criticism of literature and the visual arts, and Pater's and Wilde's faith in a religion of art. The author identifies significant cultural and historical conditions (...) which determined the interdependence of aesthetic and religious sensibility in the period. She argues that certain tensions in the thought of Wordsworth and Coleridge - tensions between poetry and religion, rebellion and reaction, individualism and authority - continued to manifest themselves throughout the Victorian age, and as society became increasingly democratic, religion in turn became increasingly personal and secular. (shrink)

The third and purportedly final attempt to outline a personalism appropriate for a post-modern, post Marxist cultural phase, linked to but independent of Grant's (English, U. of Victoria, British Columbia) Literature and Personal Habits (1992) and Spirituality and the Meaning of Persons (1994). Concerned here with the idea of the person in relation to the politics of culture, he considers certain relationships between literature and religion to find clues about persons and human community. Annotation copyrighted by Book (...) News, Inc., Portland, OR. (shrink)

This book contains ten excellent essays on symbolism, its nature and function in art, society, religion, science, and psychoanalysis. Six of the essays were originally in 1958 in a special issue of "Daedalus"; of the remainder there is a selection from Whitehead's Symbolism: Its Meaning and Effect, and three original contributions of value, of which Erich Kahler's essay on "The Nature of Symbolism" is outstanding.--J. A. B.

Staying for an answer : the untidy process of groping for truth -- The same, only different -- The unity of truth and the plurality of truths -- Coherence, consistency, cogency, congruity, cohesiveness, &c. : remain calm! don't go overboard! -- Not cynicism, but synechism : lessons from classical pragmatism -- Science, economics, "vision" -- The integrity of science : what it means, why it matters -- Scientific secrecy and "spin" : the sad, sleazy story of the trials of remune (...) -- Truth and justice, inquiry and advocacy, science and law -- Trial and error : the Supreme Court's philosophy of science -- An epistemologist among the epidemiologists -- Fallibilism and faith, naturalism and the supernatural, science and religion -- The ideal of intellectual integrity, in life and literature -- After my own heart : Dorothy Sayers's feminism -- Worthwhile lives -- Why I am not an oxymoron -- Formal philosophy? : a plea for pluralism. (shrink)

Recently, the government of Zimbabwe unveiled a newly constructed statue of the esteemed spirit medium and liberation icon who intrepidly fought against the British imperialism. The distinguished heroine is passionately known as Mbuya Nehanda Charwe Nyakasikana. The lexical item, ‘Mbuya’ in Shona language literally means grandmother. This study examines the ways in which the spectres of religion, historiography, gender and national politics find expression in often contested state narratives of Mbuya Nehanda and in selected Zimbabwean fictional writings. Foucault’s theorisation (...) of socio-political practices and subjectification as sites of power, together with the Critical Discourse Analysis (CDA) framework and bell hooks’ feminist thought of ‘talking back’, provide provocative insights about regimes of power that could be more edifying in the interlocking discursive terrain of the African cosmology, frequently disputed archeology of historical memory, socio-political relations, which are noticeable in discourses and gender politics. The study interrogates whether the Nehanda grand narrative is told by politicians as the revolutionary story of all citizens or not. If not, what alternative versions are proffered in selected Yvonne Vera and NoViolet Bulawayo’s literary texts? Arguably, the mythology of Nehanda in the chosen literary texts locates women as agents of revolution thereby generating semantic dissonance in the Zimbabwean context, which is largely considered as land of the Fathers. Contribution: The study situates the Nehanda narrative within contested terrains of national history, gender and religion in Zimbabwe’s transitional politics and literature. It concludes that in Vera and Bulawayo’s writings, the Nehanda narrative is deployed to interject significations of woman (hood) and nation (hood) which seek to marginalise some sections of the society. The dissonances embedded in the Nehanda narrative produce a dialoguing space that’ talks back’ and rebuts single storytelling. (shrink)

ABSTRACT:This essay explores a more inclusive and equitable interpretation of "religion" within the context of religious vaccine exemptions. The existing literature critiques the prevalent interpretation of the meaning of religion in religious exemption cases, but frequently overlooks the importance of incorporating the concept of "lived religion." This essay introduces the concept of lived religion from religious studies, elucidates why this lived religion approach is crucial for redefining "religion," and illustrates its application in the (...) domain of religious vaccine exemptions. The author contends that broadening the meaning of religion by employing the concept of lived religion would promote a more inclusive and equitable implementation of religious vaccine exemptions. (shrink)

The Darwinian Revolution--the change in thinking sparked by Charles Darwin's On the Origin of Species, which argued that all organisms including humans are the end product of a long, slow, natural process of evolution rather than the miraculous creation of an all-powerful God--is one of the truly momentous cultural events in Western Civilization. Darwinism as Religion is an innovative and exciting approach to this revolution through creative writing, showing how the theory of evolution as expressed by Darwin has, from (...) the first, functioned as a secular religion. Drawing on a deep understanding of both the science and the history, Michael Ruse surveys the naturalistic thinking about the origins of organisms, including the origins of humankind, as portrayed in novels and in poetry, taking the story from its beginnings in the Age of Enlightenment in the 18th century right up to the present. He shows that, contrary to the opinion of many historians of the era, there was indeed a revolution in thought and that the English naturalist Charles Darwin was at the heart of it. However, contrary also to what many think, this revolution was not primarily scientific as such, but more religious or metaphysical, as people were taken from the secure world of the Christian faith into a darker, more hostile world of evolutionism. In a fashion unusual for the history of ideas, Ruse turns to the novelists and poets of the period for inspiration and information. His book covers a wide range of creative writers - from novelists like Voltaire and poets like Erasmus Darwin in the eighteenth century, through the nineteenth century with novelists including Elizabeth Gaskell, George Eliot, Thomas Hardy, Henry James and H. G. Wells and poets including Robert Browning, Alfred Tennyson, Walt Whitman, Emily Dickinson and Gerard Manley Hopkins, and on to the twentieth century with novelists including Edith Wharton, D. H. Lawrence, John Steinbeck, William Golding, Graham Greene, Ian McEwan and Marilynne Robinson, and poets including Robert Frost, Edna St Vincent Millay and Philip Appleman. Covering such topics as God, origins, humans, race and class, morality, sexuality, and sin and redemption, and written in an engaging manner and spiced with wry humor, Darwinism as Religion gives us an entirely fresh, engaging and provocative view of one of the cultural highpoints of Western thought. (shrink)

Is Judaism essentially a religion of laws and commandments? Or do its sources reflect significant attempts at addressing the individual's inner life, existential crises and spiritual experiences? Inner Religion in Jewish Sources offers a comprehensive exploration of inner life in the Jewish sources from the Bible to rabbinic literature, from Medieval Jewish philosophy to Kabbalistic writings and the Hasidic world, where it gained particularly potent expressions. Addressing the issue from the perspective of comparative religion, it seeks (...) to emphasize the commonality of processes of interiorization in various religious traditions, suggesting an innovative angle both in the study of religion and of religious thought. In doing so, it sheds new light on the inner aspect of Jewish religious life, which is all too often hidden behind the external and institutional aspects of the Jewish religion. (shrink)

Partimos dos eixos propostos por José Carlos Barcellos no artigo “Literatura e teologia” para enquadrar a fortuna crítica que se elevou em torno de Franz Kafka quanto à relação entre sua literatura e a temática religiosa. O primeiro eixo lida com a perspectiva de que a literatura se apresente como uma teologia não teórica, nele analisamos a configuração de Kafka como um cabalista de acordo com Scholem. No segundo, sob a ótica de que a teologia está presente na literatura, observamos (...) a crítica de Anders aos investimentos apologistas que diagnosticam em Kafka uma teologia positiva. O terceiro eixo enfoca a literatura como “lugar teológico” e por ele discutimos com Brod e Moller sobre a possibilidade de visualizar a literatura de Kafka como signatária da mesma esperança que se encontra nestes analistas. Já o quarto eixo trata de uma interpretação mais focada no aspecto humano, assim como a leitura interpretativa de Heller. Por último é apresentado o método da analogia estrutural de Kuschel como uma possibilidade de respeitar as peculiaridades de cada uma das áreas envolvidas. Por meio deste levantamento procuramos defender a manutenção da tensão entre literatura e religião como a melhor forma de respeitar tanto uma quanto a outra. Palavras-chave: Literatura. Religião. Teologia. Franz Kafka. José Carlos Barcellos.We assumed the positions proposed by José Carlos Barcellos in the article “Literature and theology” to frame the criticism which revolves Franz Kafka and the relation between his literature and religion. The first position deals with the perspective which considers literature as a non-theoretical theology. Based on that, we analyze the configuration of Kafka as a cabalist, according to Shcolem. In the second position, under the point of view that theology is present in literature, we observed Ander’s criticism of the apologist investments which diagnosed a positive theology in Kafka. The third aspect focuses on literature as a “theological place”, and based on it we discuss with Brod and Moller about the possibility of seeing Kafka’s literature as holder of the same hope found on those analysts. The fourth point approaches an interpretation focused on the human aspect, as Heller’s interpretative reading. Finally, it is presented Kuschel’s method of structural analogy as a possibility of respecting the peculiarities of each area involved. Through this survey we tried to defend the maintenance of the tension between literature and religion as the best way to respect both of them. Keywords : Literature. Religion. Theology. Franz Kafka. José Carlos Barcellos. - DOI: 10.5752/P.2175-5841.2012v10n25p157. (shrink)

Numinous spaces in British literature from William Wordsworth to Samuel Beckett -- Jesus figures in American literature from Ralph Waldo Emerson to Edward Albee -- Using Bakhtin's definitions to discover ethical voices in Solzhenitsyn and Tolstoy -- René Girard's categories of scapegoats in literature of the American South -- Hopkins's metaphysics of nature as sacred disclosure -- The book of job as mirrored in Hopkins's metaphysics -- Beckett's mythos of the absence of God.

Contains brief references to Aborigines based on secondary literature.

Este artigo tem como objetivo refletir sobre a relação entre religião e literatura a partir poética mística de Adélia Prado. Apresentarei brevemente alguns métodos que exploraram e ainda exploram essa aproximação. Também mostrarei a estreita relação entre mística e poesia e como ela se apresenta na obra de Adélia Prado. Essa estreita relação permite-nos nomear a obra de Adélia Prado de poética mística e é a partir dessa noção que será feita uma leitura teológica na poética da mineira de Divinópolis, (...) destacando as reflexões sobre importantes aspectos para a tradição teológica cristã e para a existência humana em geral que emergem da sua poesia. A conclusão do percurso é que a poética mística de Adélia Prado é profundamente marcada por uma caminhada rumo à iluminação mística, o que nos permite dizer que se trata de uma canção que celebra a vida em seus mais diferentes aspectos, afirmando o corpo como lugar de encontro com Deus. Palavras-chave : Adélia Prado. Religião. Literatura. Mística. Poesia.This article reflects on the relationship between religion and literature in the mystical poetry of Adelia Prado. Some methods that have explored such relationship will briefly be presented. This paper also aims to explore the close relationship between mysticism and poetry and how it is presented in the work of Adelia Prado. This close relationship helps us to make a theological study of the poetry of Adélia and also allows us to highlight some insights on important aspects of her poems for Christian Theology e for human being. In sum, the mystical poetry of Adélia Prado is deeply influenced for a path towards mystical enlightenment, which allows us to say that her work is a like a song that intends to celebrate life in its different aspects, highlighting the human body as the place where the human being finds God. Keywords: Adélia Prado. Religion. Literature. Mystical. Poetry. - DOI: 10.5752/P.2175-5841.2012v10n25p120. (shrink)

Après un siècle et demi de fouilles archéologiques, Éphèse est sans doute l’une des cités d’Asie Mineure les mieux connues. Sa vie religieuse, particulièrement riche, est l’une des mieux documentées. Pourtant, de nombreuses zones d’ombre demeurent en la matière. Un ouvrage consacré à cette cité et à l’archéologie de sa vie religieuse est donc bienvenu. Ce volume fait suite à deux rencontres internationales organisées en 2014 par la Society of Biblical Literature, à Vienne, en collaboration av...

Science and religion have been described as the “two dominant forces in our culture”. As such, the relation between them has been a matter of intense debate, having profound implications for deeper understanding of our place in the universe. One position naturally associated with scientists of a materialistic outlook is that science and religion are contradictory, incompatible worldviews; however, a great deal of recent literature criticises this “conflict thesis” as simple-minded, essentially ignorant of the nature of (...) class='Hi'>religion and its philosophical and theological underpinnings. In this first part of a two-part article, I set out the wide-ranging background required for a proper understanding of the debate as a preliminary for the second part, in which Ian Barbour ’s influential four-fold typology of science-religion relations is critically assessed, leading to the conclusion that the conflict model is not to be so easily dismissed. (shrink)

This article examines the controversial issue of blasphemy in literature from the viewpoint of reception inside and outside the academia. The thesis of the article is that blasphemy in literature, though inherently related to religion and language, has a plurality of connotations and interpretations (dissidence, intertextuality, critique of colonialism, discursive strategy, alterity/Otherness, ethnicity, subversive text). Consequently, blasphemy in literature is an incentive for fruitful discussions regarding tolerance, freedom of expression, and the re-situation of the (post)modern self (...) in today’s world, dominated by an uncanny admixture of secular and religious values. (shrink)