本书所收文章,都是苏联美学研究者写的。文章分两类,第一类是断代史性的概况;第二类是专论,分别论述古希腊罗马以及近代欧洲各国文艺理论家或作家的美学观。.

本书中所收学术论文,以作者在社科院工作期间的作品为主,同时也兼顾了作者在院外工作期间的代表作;对少数在建国前成名的学者,文章选收的时间范围更宽。.

本书分科学哲学和生命伦理两部分。科学哲学和生命伦理学是当代科学文化与人文文化交汇的重要体现,肩负着促进两种文化交汇的重任。作者正是从这样的视角,深入考察和分析了科学哲学的变革,提出同时举起两面旗帜—— 科学的旗帜和科学与人文交汇的旗帜。.

Ji Xia Shen Dao is the earliest, Mr., as his social life and political life of the "public" considerations, made ​​him by the Taoist ontology, cosmology and cultivation theory, turn out the Legalist political philosophy and legal philosophy. He was transferred by the Huang-Lao Taoism Taoist truth home, Legalism transferred by the Taoist key figure. Basically, Shen Dao importance of social and political life of the "public" level and its objective of building, on the one hand retain the (...) Taoist understanding of the objective laws of nature, but on the other hand is also man-made construction and attention to the law changes. For the "public" considerations, through the Shen Dao for the "potential", "Law," "surgery" view. It is noteworthy that Shen Dao is not a harsh legalism. Shen Dao, although noting that France, but that the law should not be rigid; although he stressed that potential, that is, the use of power, but do not like the arrogance of power; although he discussed "doing nothing" to the relationship between the monarch and his art, but he does not like secrets trickery, no later Legalism is so Machiavellian; These are mainly due to his political and social areas to achieve public nature. Shen Dao was among the earliest Jixia scholars, who, because of his concern of the "publicity" in social and political realms, moved from Daoist ontology, cosmology and spirituality to Legalist political philosophy. He should be seen as the crucial figure in the transition from the development of the Daosim of Laozi and Zhuangzi to the Huanglao Daoism and from Daoism to Legalism. Basically, Shen Dao put emphasis on the public aspect of social and political lives and its objective construction, in keeping the idea of ​​regularity of natural law in Daoism and the artificial construction of law and its process of becoming. The idea of ​​publicity penetrated all his philosophy of Law, Power and statecraft. He was not a severe legalist, not allowing law to be stringent, power to be arrogant and statecraft to be machiavellian, all because of his concern with publicity, objectivity and justice. (shrink)

本书共分四辑,收录了美在关系中,谈审美与人的全面发展,论审美知觉及其形成过程,审美想象的生成机制,艺术想象的意向性和认识性等文章.

本书以科技理性与伦理价值的互动关系为逻辑起点,运用历史主义的方法、系统整体论的分析方法、唯物辩证的方法,从社会发展观层面、科技活动层面、人的全面发展层面,论述了对科技理性的伦理价值关怀。.

本书从唐君毅先生提出的“中国艺术精神”开始论述,分析了中国艺术精神的多层面向进而深入分析其阐释的意义;继而,本书对徐复观先生深入的研究进行了解读和探索,一直延续到今日学界的研究和探索,并对“中国艺术精 神”在世纪之交时发生的转向给出了结论.

本书主要通过比较分析和历史分析的方法,通过对当今世界代表大陆法系的德国和代表英美法系的美国的证据收集制度的全面研究,以及对站在美国和德国中间点的日本的证据收集制度的研究等,为中国的证据收集制度寻找有益 的借鉴.同时,本书在研究中国特有的国情和文化的基础上,试图找到一个适合中国特色的证据收集制度,以保障案件事实的发现,促进司法正义的实现.

本书从创造和思想两方面,勾勒出西方一段艺术审美的演进过程,并说明这一演进的主导轨迹。内容包括古典时期的艺术与哲学、多元文化下的艺术审美、艺术哲学的体系建构以及艺术走向现代的分流四部分。.

本文集收录了作者有关文艺,文化美学研究方面的论文,文艺评论等,共分四卷,第一卷为"文艺审美学研究",第二卷为"艺术文化审美学研究",第三卷为"文艺审美评论",第四卷为"审美回忆录".