For Theory aims to open a discussion on the weakening of the production of theory in left-wing thought since the 1970s, based on Louis Althusser's ideas of overdetermination, plural temporality, conjuncture, and theoretical practice.

Les Theoremata d'esse et essentia (ca 1278-1285), qui, en depit d'une edition critique deja ancienne (Hocedez, 1930), n'avaient pas encore ete traduits integralement en francais a ce jour, apparaissent comme l'uvre majeure pour bien saisir la genese doctrinale et conceptuelle de la theorie de la distinction reelle. Peu de temps avant les Questions disputees sur l'etre et l'essence (1286-1287), qui sont au cur du debat entre Gilles de Rome (ca 1245-1316), partisan d'une distinction reelle entre l'etre et l'essence, et (...) Henri de Gand (ca 1217-1293), promoteur d'une theorie de la distinction " intentionnelle ", les Theoremes apparaissent comme un essai de synthese, dans lequel le maitre augustin donne un expose d'ensemble des arguments qui le conduisent a faire de l'etre une res (" chose " au sens de " realite ") a part entiere. Dans ces conditions, les disciples de Thomas d'Aquin (ca 1224-1274) n'ont pas manque de voir, en Gilles, l'un des partisans d'une these qu'ils revendiquaient comme un heritage de l'Aquinate. Les Theoremes revelent cependant une pensee incontestablement personnelle, et manifestent le caractere resolument original de Gilles de Rome, metaphysicien incontournable du XIIIe siecle finissant. (shrink)

Situation theorists such as Jon Barwise, John Etchemendy, and John Perry have advanced the hypothesis that linguistic and mental representations are ‘situated' in the sense that they are true or false only relative to partial situations. François Recanati has done an important task in reviving and in many respects deepening situation theory. In this chapter, I explore some aspects of Recanati's own account. I focus on situated mental representations, and stress the connection between them and ad hoc or temporary concepts.

The Meditations of Marcus Aurelius are treasured today--as they have been over the centuries--as an inexhaustible source of wisdom. And as one of the three most important expressions of Stoicism, this is an essential text for everyone interested in ancient religion and philosophy. Yet the clarity and ease of the work's style are deceptive. Pierre Hadot, eminent historian of ancient thought, uncovers new levels of meaning and expands our understanding of its underlying philosophy. Written by the Roman emperor for his (...) own private guidance and self-admonition, the Meditations set forth principles for living a good and just life. Hadot probes Marcus Aurelius's guidelines and convictions and discerns the hitherto unperceived conceptual system that grounds them. Abundantly quoting the Meditations to illustrate his analysis, the author allows Marcus Aurelius to speak directly to the reader. And Hadot unfolds for us the philosophical context of the Meditations, commenting on the philosophers Marcus Aurelius read and giving special attention to the teachings of Epictetus, whose disciple he was. The soul, the guiding principle within us, is in Marcus Aurelius's Stoic philosophy an inviolable stronghold of freedom, the "inner citadel." This spirited and engaging study of his thought offers a fresh picture of the fascinating philosopher-emperor, a fuller understanding of the tradition and doctrines of Stoicism, and rich insight on the culture of the Roman empire in the second century. Pierre Hadot has been working on Marcus Aurelius for more than twenty years; in this book he distills his analysis and conclusions with extraordinary lucidity for the general reader. (shrink)

"The Eternal City, Rome offers endless insights through its millennia of history, its centrality to European art and religion, and the generations of travelers that have sought it out. This book from philosopher Scott Samuelson offers readers a thinker's tour of Rome. Samuelson shows how people have made sense of Rome as a scene of human nature and then envisioned the good life-philosophers such as Lucretius and Seneca, but also poets and artists such as Horace and Caravaggio, (...) filmmakers like Fellini, and adventurers like Rosa Bathurst. He roots these explorations and visions in the city of Rome itself: Samuelson introduces us to some of the most famous sites in Rome by sharing illuminating moments in their histories; and he discusses great works of art to be found in Rome by getting to the heart of the knotty ethical and emotional questions they pose. And, practicing philosophy in place, he tackles head-on the profound questions that most tours of Rome only bracket: What does it mean to see the Forum through the eyes of Cicero? Does all this art about God really signify anything? Should visitors really be impressed by these incredible sites built on the slaughter and domination of others? What does all this history tell us about who we are? And, most important, how can an afternoon Negroni help us find the good life? Samuelson's aim is to provide an eclectic guide to Rome and happiness-a portable approach, blending history and philosophy, for tourists and dreaming readers alike"--. (shrink)

The choice of Bellarmine as a target could be explained by the Cardinal's prominence among late Renaissance Catholic theologians. It had another advantage which was that the criticisms aimed at Bellarmine could apply to a wide range of the positions held by Anglicans. The heterodox theology defended by Thomas Hobbes had been condemned equally by Rome and Canterbury on several essential points, such as the corporeal nature of God and the soul, the mortality of the soul, the denial of (...) Hell's eternal punishments, and the implicit rejection of the Trinity. The indirect power stigmatized by Hobbes was a central element in Bellarmine's conceptual arsenal. The critique of papalism connected Hobbes with a powerful anti‐Roman current within the Catholic Church, which remained a central target of the pope's advocates for a long time. (shrink)

Summary In 1918, Henry de Dorlodot—priest, theologian, and professor of geology at the University of Louvain (Belgium)—published Le Darwinisme au point de vue de l'Orthodoxie Catholique (translated as Darwinism and Catholic Thought) in which he defended a reconciliation between evolutionary theory and Catholicism with his own particular kind of theistic evolutionism. He subsequently announced a second volume in which he would extend his conclusions to the origin of Man. Traditionalist circles in Rome reacted vehemently. Operating through the Pontifical Biblical (...) Commission, they tried to force Dorlodot to withdraw his book and to publicly disown his ideas by threatening him with an official condemnation, a strategy that had been used against Catholic evolutionists since the late nineteenth century. The archival material on the ‘Dorlodot affair’ shows how this policy ‘worked’ in the early stages of the twentieth century but also how it would eventually reach the end of its logic. The growing popularity of theistic evolutionism among Catholic intellectuals, combined with Dorlodot's refusal to pull back amidst threats, made certain that the traditionalists did not get their way completely, and the affair ended in an uncomfortable status quo. Dorlodot did not receive the official condemnation that had been threatened, nor did he withdraw his theories, although he stopped short on publishing on the subject. With the decline of the traditionalists’ power and authority, the policy of denunciation towards evolutionists made way for a growing tolerance. The ‘Dorlodot affair’—which occurred in a pivotal era in the history of the Church—can be seen as exemplary with regards to the changing attitude of the Roman authorities towards evolutionism in the first half of the twentieth century. (shrink)

Writing in the early third century AD, Julius Africanus claimed to have built a library “in the Pantheon” in Rome, the exact location of which remains elusive. In considering the competing possibilities for the site of the library, this paper argues that the building we commonly refer to as the Pantheon does not correspond to the ancient understanding of what the Pantheum was. The case is made that it was not a single building, but instead comprised a larger complex, (...) of which the still-standing structure was only one part. This interpretation allows for a number of details associated with the Pantheon to be rethought within a wider context and alternative proposals advanced regarding the forecourt in front of porch, the “arch” in the centre of this space, the location of the now lost caryatids and bronze columns, the little understood Severan restoration, and the meanings of the much-discussed inscriptions on the façade. (shrink)

Renaissance plays and poetry in England were saturated with the formal rhetorical twists that Latin education made familiar to audiences and readers. Yet a formally educated man like Ben Jonson was unable to make these ornaments come to life in his two classical Roman plays. Garry Wills, focusing his attention on _Julius Caesar_, here demonstrates how Shakespeare so wonderfully made these ancient devices vivid, giving his characters their own personal styles of Roman speech. In four chapters, devoted to four of (...) the play’s main characters, Wills shows how Caesar, Brutus, Antony, and Cassius each has his own take on the rhetorical ornaments that Elizabethans learned in school. Shakespeare also makes Rome present and animate by casting his troupe of experienced players to make their strengths shine through the historical facts that Plutarch supplied him with. The result is that the Rome English-speaking people carry about in their minds is the Rome that Shakespeare created for them. And that is even true, Wills affirms, for today’s classical scholars with access to the original Roman sources. (shrink)

Renaissance plays and poetry in England were saturated with the formal rhetorical twists that Latin education made familiar to audiences and readers. Yet a formally educated man like Ben Jonson was unable to make these ornaments come to life in his two classical Roman plays. Garry Wills, focusing his attention on _Julius Caesar_, here demonstrates how Shakespeare so wonderfully made these ancient devices vivid, giving his characters their own personal styles of Roman speech. In four chapters, devoted to four of (...) the play’s main characters, Wills shows how Caesar, Brutus, Antony, and Cassius each has his own take on the rhetorical ornaments that Elizabethans learned in school. Shakespeare also makes Rome present and animate by casting his troupe of experienced players to make their strengths shine through the historical facts that Plutarch supplied him with. The result is that the Rome English-speaking people carry about in their minds is the Rome that Shakespeare created for them. And that is even true, Wills affirms, for today’s classical scholars with access to the original Roman sources. (shrink)

Ancient Rhodes reached a pinnacle of power in the early second century B.C. For twenty years—from Apamea to Pydna—her fleet was unrivalled in the Aegean and her mainland possessions encompassed most of Lycia and Caria. Ally and helpmate of Rome in the war on Antiochus III, Rhodes gained much profit from the association, in prestige and territorial acquisitions. But her heyday was brief, her fall swift and calamitous. After Pydna, Rhodes felt the heavy hand of Rome: she forfeited (...) most of her mainland holdings; her economy suffered ruinous setback; the island republic was humbled and humiliated. So dramatic a reversal of fortune demands explanation. (shrink)

Will the new Rome I Regulation meet its goals - to improve the predictability of the outcome of litigation? - to bring certainty as to the law applicable and the free movement of judgments? - to designate the same national law irrespective of the country of the court in which an action is brought? The most important features of this instrument were outlined and discussed by distinguished legal experts from all over Europe and beyond at the conference "The (...) class='Hi'>Rome I Regulation", held in Verona on March 2009. This first book in English on the Rome I Regulation contains the papers submitted to that conference. (shrink)

This article presents three brief case studies of the way Romans talked about and expressed contempt. It examines aspects of discourses about contempt that are characteristic both of Roman literature and of modern concepts. The focus is on the relationship of hierarchy, recognition, and (active and passive) contempt in the Latin vocabulary and in two literary motifs taken from invective and historiography, two genres in which expressions of contempt are particularly frequent and prominent.