This study presents some observations related to a phenomenological-based research aimed to document the influence of the home environment on the human creative sphere. The main objective is to study the links between literary creation and housing of the individual who is generating it, with the aim to highlight some recurrences which make it possible to show how the relationship of writers and “creative people” with their own homes reveals the presence of special “psychological types”. We are presenting here only (...) one example for each of these main “types”. The phenomenological discipline records every single experience as irreducible to a objectified science, but does not deny that it could establish a set of examples from which to draw intersubjective considerations. We studied, therefore, a large number (cases) of experiential reports, without, as claimed by Brentano and Husserl in Crisis of European Sciences, abstracting an objective fact, but recurrences of experience. The research has been carried out with some students of the Polytechnic of Milan in recent years. The purpose of this analysis is also to record the ways in which a place is influencing individual sensibility (mainly of writers) through the analysis of his works, and to highlight “recurrent types” in relation to this connection. (shrink)

This article puts forward some observations about the literary form of Documentalità. The genre to which Documentalità belongs is undoubtedly the philosophical treatise. This is a novelty, because the philosophical treatise is not a popular literary form with contemporary philosophers. But it is a genre that proves to be functional in the project of philosophical reconstruction pursued by Ferraris, and that do not necessarily conflict with the Derridean roots from which Documentality moves.

This article puts forward some observations about the literary form of Documentalità. The genre to which Documentalità belongs is undoubtedly the philosophical treatise. This is a novelty, because the philosophical treatise is not a popular literary form with contemporary philosophers. But it is a genre that proves to be functional in the project of philosophical reconstruction pursued by Ferraris, and that do not necessarily conflict with the Derridean roots from which Documentality moves.

L’articolo qui riproposto e apparso originariamente nel 1988 anticipa alcune questioni fondamentali trattate nel presente numero, in riferimento alla collaborazione tra il video-artista Paolo Rosa e il suo gruppo Studio Azzurro e il regista teatrale Giorgio Barberio Corsetti. L’articolo sottolinea come l’incontro tra video-arte e teatro, tra arti tecnologiche e arti performative, rinnovi uno dei tratti caratteristici della pratica artistica moderna, dalla letteratura alle arti visive e performative: lo statuto del soggetto, in cui è in gioco l’interazione tra l’interno e (...) l’esterno della vita, della coscienza e dell’esperienza individuale. La collaborazione di Rosa e Studio Azzurro con Barberio Corsetti si collega così alla tradizione artistica moderna, sottolineata in modo particolare dall’opera letteraria di Rainer Maria Rilke. (shrink)

v. 1. Il movimento neoscolastico e la fondazione della Rivista -- v. 2. La riflessione filosofica dalle pagine della Rivista.

The aim of this paper is to show the influence of chronographical works on ancient literary criticism and philology in Rome between the end of the first century BC and the beginnings of the first century AD. In the first part, the development of chronographic tradition in Rome at the end of the Republic is briefly sketched (par. 1). The second part of the paper deals with the relevance of this kind of works for the literary analyses exposed in Cicero’s (...) Brutus (par. 2), in Velleius Paterculus’ history (par. 3) and in Dionysius of Halicarnassus’ treatise On Dinarchus (par. 4). (shrink)