This book reclaims Hegel's notion of the "end of art"-or, more precisely, of "art's past character"-not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art both in Hegel and contemporary philosophy and aesthetics. The book's innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but applies the idea of (...) the past character of art to themes that are both related to Hegel's philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan's poetry, Gramsci's criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel's aesthetics, but can be used to shed light on some core motives of his philosophy. The author's interpretation of art's past character reclaims the full value, attractiveness, and philosophical soundness of Hegel's thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art's Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. (shrink)

In this paper, I will first of all claim that once one takes proper names as indexicals of a particular sort, indexinames for short, one may account for some tensions that affect our desiderata regarding the use of such names in sentences directly or indirectly involving fiction. According to my proposal, a proper name “N.N.” is an indexical whose character is roughly expressed by the description “the individual called ‘N.N.’ (in context)”, where this description means “the individual one’s interlocutor’s attention (...) is called to by means of ‘N.N.’ (in context)”. This character is a partial function that maps narrow contexts onto referents. Such contexts are enriched narrow contexts, for they also include an ‘acquisition’ parameter, i.e., a parameter filled by a naming practice constituted by a dubbing, which consists in calling via the name one’s interlocutor’s attention to something (if any), and usually also by a certain transmission chain. I will also claim that such a proposal works independently of one’s ontological stance on fictional entities, that is, independently of whether one believes either that there are or that there are no such entities. Moreover, I will claim that such a proposal is better than similar indexicalist proposals such as the one put forward by Tiedke (2011), Finally, I will try to show how this proposal can deal with some objections one may raise against an indexicalist treatment of proper names. (shrink)

This is the first monograph to develop a hermeneutic approach to the digital--as both a technological milieu and a cultural phenomenon. While philosophical in its orientation, the book covers a wide body of literature across science and technology studies, media studies, digital humanities, digital sociology, cognitive science, and the study of artificial intelligence. In the first part of the book, the author formulates an epistemological thesis according to which the "virtual never ended." Although the frontiers between the real and the (...) virtual are certainly more porous today, they still exist and endure. In the book's second part, the author offers an ontological reflection on emerging digital technologies as "imaginative machines." He introduces the concept of emagination, arguing that human schematizations are always externalized into technologies, and that human imagination has its analog in the digital dynamics of articulation between databases and algorithms. The author takes an ethical and political stance in the concluding chapter. He resorts to the notion of "digital habitus" for claiming that within the digital we are repeatedly being reconducted to an oversimplified image and understanding of ourselves. Digital Hermeneutics will be of interest to scholars across a wide range of disciplines, including those working on philosophy of technology, hermeneutics, science and technology studies, media studies, and the digital humanities. (shrink)

Today, there is an emerging interest for the potential role of hermeneutics in reflecting on the practices related to digital technologies and their consequences. Nonetheless, such an interest has neither given rise to a unitary approach nor to a shared debate. The primary goal of this paper is to map and synthetize the different existing perspectives to pave the way for an open discussion on the topic. The article is developed in two steps. In the first section, the authors analyze (...) digital hermeneutics “in theory” by confronting and systematizing the existing literature. In particular, they stress three main distinctions among the approaches: between “methodological” and “ontological” digital hermeneutics; between data- and text-oriented digital hermeneutics; and between “quantitative” and “qualitative” credos in digital hermeneutics. In the second section, they consider digital hermeneutics “in action”, by critically analyzing the uses of digital data for studying a classical object such as the political opinion. In the conclusion, we will pave the way to an ontological turn in digital hermeneutics. Most of this article is devoted to the methodological issue of interpreting with digital machines. The main task of an ontological digital hermeneutics would consist instead in wondering if it is legitimate, and eventually to which extent, to speak of digital technologies, or at least of some of them, as interpretational machines. (shrink)

This article builds on the hypothesis that theoretical approaches to philosophy of technology are currently stuck in a false alternative: either embrace the “empirical turn” or jump back into the determinism, pessimism, and general ignorance towards specific technologies that characterized the “humanities philosophy of technology.” A third path is however possible, which consists of articulating an empirical point of view with an interest in the symbolic dimension in which technologies and technological mediations are always already embedded. Bourdieu’s sociology of the (...) symbolic forms represents an important and mostly unexplored resource in this respect. In this article, we introduce the notion of technological capital and its tree states—objectified, institutionalized, and embodied. In the first section, we briefly account of the empirical turn in philosophy of technology. Specific attention is then devoted to postphenomenology. We depict three perspectives in postphenomenology: standard postphenomenology, in which one single human-technology-world relation at a time is considered; the attempt of some technological mediation theorists to articulate postphenomenology and actor-network theory ; the original effort in Ihde, which is currently practiced by a minority of postphenomenologists, to combine an interest for the empirical dimension of technological mediations with an attention to the social and cultural conditions of possibility in which these mediations are embedded. In the second section, we consider some recent critiques of the limits of the empirical turn in philosophy of technology, especially related to postphenomenology. Furthermore, we argue that Pierre Bourdieu’s sociology may benefit the philosophy of technology. One might say that according to a Bourdieusian perspective, technologies are, in their invention, implementation, and use, embedded in symbolically organized interactions among social actors or groups. The notion of technological capital is introduced. A specific attention is given to its embodied state, which is related to the habitus. Such concept suggests that, to rephrase the famous sentence by Heidegger, “the essence of technology is not totally technological.” In the conclusion, we consider three risks related to a Bourdieusian approach to technology: transparency, determinism, and absolutism. (shrink)

Alain Badiou, Manifesto for Philosophy, Translated, Edited and withan Introduction by Norman Madarasz ISBN - 9780791442197Alain Badiou, Deleuze. The Clamor of Being, Translated and with aPreface by Louise Burchill ISBN - 9780816631391.

This paper argues that the AI ethics has generally neglected the issues related to the science communication of AI. In particular, the article focuses on visual communication about AI and, more specifically, on the use of certain stock images in science communication about AI — in particular, those characterized by an excessive use of blue color and recurrent subjects, such as androgyne faces, half-flesh and half-circuit brains, and variations on Michelangelo’s The Creation of Adam. In the first section, the author (...) refers to a “referentialist” ethics of science communication for an ethical assessment of these images. From this perspective, these images are unethical. While the ethics of science communication generally promotes virtues like modesty and humility, similar images are arrogant and overconfident. In the second section, the author uses French philosopher Jacques Rancière’s concepts of “distribution of the sensible,” “disagreement,” and “pensive image.” Rancière’s thought paves the way to a deeper critique of these images of AI. The problem with similar images is not their lack of reference to the “things themselves.” It rather lies in the way they stifle any possible forms of disagreement about AI. However, the author argues that stock images and other popular images of AI are not a problem per se, and they can also be a resource. This depends on the real possibility for these images to support forms of pensiveness. In the conclusion, the question is asked whether the kind of ethics or politics of AI images proposed in this article can be applied to AI ethics tout court. (shrink)

Normal 0 21 false false false MicrosoftInternetExplorer4 Esta experiência interdisciplinar buscou como desafio discutir entre adolescentes de uma escola pública do Município de Vila Velha/ES o conceito de patrimônio cultural e, a partir desse conceito, reconhecer os bens materiais e imateriais formadores do patrimônio daquele município. O trabalho de campo resultou na criação estética coletiva de uma leitura do Convento da Penha, que foi retratado pela técnica de mosaico em papel. A obra encontra-se em exposição permanente no hall da escola (...) denominada Unidade Municipal de Ensino Fundamental” Profa. Nair Dias Barbosa”, situada em Vila Velha – ES. Palavras chave: Convento da Penha. Lugares de memória. Identidade Cultural. (shrink)

The fierce debates surrounding the 'emergence' of Muslim communities in Europe ensued in the resurgence of nationalism. The current article introduces an original criticism to the ongoing debates surrounding the return of Europe's national pride. This article suggests that Muslim demands for freedom of religion that were founded in Islamic theological perspectives, have catalyzed the restriction of liberal universalistic perspectives to such freedoms. In this study I present how such demands facilitated the advancement of a newly crafted liberal form of (...) nationalism, best identified in Europe's progressing limitation of the right of freedom of religion in various European nations. (shrink)

The rise of regional identities in Europe is a process largely welcomed by liberals and especially applauded by radical democratic and postcolonial theorists. Yet this trend towards post-nation-state identity is not only attractive to democratic and postcolonial theories, but is also an integral part of current neo-fascist ideologies. This article examines the intellectual origins of rightwing ethnoregionalism and the idea of ‘exclusionist multiculturalism’ through the works of Pierre Drieu La Rochelle and Alain de Benoist. It also compares the idea of (...) exclusionist ‘regional’ multiculturalism with liberal multiculturalism and defends a democratic, civic republicanism as an alternative to both. (shrink)

Maurizio Ferraris’ theory on social entities presents many interesting analogies with artefactualist theories on fictional entities. Like artefactualism, however, it probably needs some integration. As Ferraris himself acknowledges, mere dependence on subjects does not by itself qualify an entity as social. Moreover, the very same definition of a social entity as an inscribed (social) act seems to yield merely necessary, but not sufficient, identity conditions for such an entity. To my mind, what is needed is a normative element. For a (...) social entity is an intrinsically normative entity, which is (inter alia) composed by something like Searle’s constitutive rules. (shrink)

In this paper, I first want to vindicate Wollheim’s idea that seeing-in, taken as the twofold phenomenologically sui generis experience which picture perception consists in, accounts for the phenomenon of perceptual constancy. Following Wollheim’s usage himself, by “perceptual constancy” I will mean a particular phenomenon of perceptual robustness, namely the fact that a picture’s subject is experienced as undistorted from any point of view in which a spectator may regard a picture. Moreover, I will properly take into consideration the specific (...) impression of “being followed” by the gaze of a picture’s subject in portraits (and alike pictures), which in these cases is a consequence of perceptual constancy. For this impression corroborates a particular reading of what the seeing-in experience really consists in. According to such a reading, in the configurational fold of that experience one experiences both the merely visible surface properties and the design properties of the picture’s vehicle, where such design properties also include the so-called grouping properties of the vehicle. On the basis of such a fold, moreover, in the recognitional fold of the seeing-in experience one knowingly illusorily sees the picture as its subject. (shrink)

In this contribution, the author contends that the way in which Pieter Lemmens interprets the transcendental of technology, particularly through the work of Bernard Stiegler, is only one of the possible ways of understanding the transcendental of technology. His thesis is that there are many other transcendentals of technology besides technology itself. The task of a philosophy of technology beyond the empirical turn could precisely consist in exploring these multiple transcendentals of technology, along with their multiple relations. In the first (...) section, the author considers and criticizes the “empirical transcendentality” that characterizes most of the current philosophical approaches to technology, in particular when it comes to ethical issues. In the second section, he proposes to include Lemmens’ perspective in a more general theory about the transcendentals of technology. The transcendentals of technology include social symbolic forms, culture, language, media, and many other dimensions that philosophy of technology has not systematically explored yet. (shrink)

El consumo individual conlleva inevitables repercusiones sociales y plantea el problema de la ética del consumo, un acto individual con repercusiones externas, de ahí que resulte conveniente ofrecer al consumidor unos pocos principios éticos útiles para el acto diario de consumir desde una ética del consumo responsable, que sólo se recuerda en épocas de crisis económica como la actual. A este respecto, se propone ampliar la teoría ética del consumo de Adela Cortina, basada en unos principios útiles para un consumo (...) racional, libre, justo y solidario, con dos principios más: la sostenibilidad y la coherencia. (shrink)

In his highly regarded history of the rise of clinical trials in America, HarryMarks describes how their widespread adoption resulted largely fromthe efforts of ‘therapeutic reformers’ who sought to replace the individualexpertise of clinicians with the ‘science of controlled experiment’. Thetransition described by Marks resembles in many respects the transition fromthe ‘truth-to-nature’ objectivity of individual experts to a ‘mechanical’ formof objectivity portrayed by Daston and Galison. In particular,Marks details the passage from a regime of trust in expertise and experts to (...) aregime based on the mechanical generation of data, the elimination ofhuman judgement and the adoption of a ‘view from nowhere’ where individual and group idiosyncrasies are systematically suppressedthrough recourse to quantitative methods.[...]. (shrink)

RésuméL'emploi inadéquat du terme » primitif « est la conséquence d'une confusion entre la primitivité réelle des formes archaïques et la » primitivité « secondaire des formes spécialisées.Dans toute évolution, la transition du simple au complexe et celle de l'indistinct au distinct suivent des modalités semblables. On y reconnai̊t une phase d'enrichissement lent, une phase de polymorphisme originel, et une phase de ségrégation et de spécialisation. Il est nécessaire de distinguer entre:1. la simplicité archaïque des formes authentiquement primitives et la (...) simplicité secondaire des formes pseudo‐primitives, appauvries et spécialisées;2. le polymorphisme originel et le polymorphisme secondaire, dǔ à l'hybridation.ZusammenfassungDie unangebrachte Anwendung des Ausdruckes » primitiv « ist Folge einer Konfusion zwischen der wirklichen Primitivität der archaischen Formen und der sekundären Primitivität der spezialisierten Formen.In jeder Entwicklung erfolgt der Übergang vom Einfachen zum Komplexen und vom Unbestimmten zum Bestimmten in ähnlicher Art und Weise. Man erkennt eine vorbereitende Phase der langsamen Bereicherung, eine Blütezeit des ursprünglichen Polymorphismus, und eine späte Phase der Absonderung und Spezialisierung.Es ist notwendig zu unterscheiden zwischen:1. Der archaischen Einfachheit der wirklich primitiven Formen und der sekundären Einfachheit der pseudoprimitiven Formen, die verarmt und spezialisiert sind;2. dem ursprünglichen Polymorphismus und dem sekundären Polymorphismus, der durch Vermischung entstanden ist.The inadequate use of the term » primitive « is due to a confusion between archaïc primitivity proper, and secondary » primitivity « or pseudoprimitivity. In any kind of evolution, the transitions from simplicity to complexity and from indistinctness to distinctness follow strictly similar courses. Three phases are recognizable: a pre‐apogean phase of slow enrichment, an apogean phase of original polymorphism, and a post‐apogean phase of segregation and specialization. It is necessary to distinguish between:1. the archaic simplicity of truly primitive forms and secondary simplicity of impoverished and specialized forms;2. original polymorphism and secondary polymorphism due to hybridization. (shrink)